Alice in Wonderland, 1949.
seen from United States
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Alice in Wonderland, 1949.
...sketchbook studying/readjusting - more continuing regardless of how I feel about my output or existence. Researching/referencing & getting inspired about situating story inspiration regarding Cyborg Noodle gaining control of the Black Clouds - playing up the Terminator aspect - looking for the existing emblems - messing around.) (Col Erase / Mechanical Pencil / / Ink / TVPaint)
I'm torn in my feelings about the 1949 Lou Bunin version of Alice in Wonderland and the 1950 Spanish Cinderella adaptation Érase una vez... (which I only just watched for the first time; I wish I had known about it back when I did my Cinderella-September-Through-November project!).
I know they were both screwed over by Disney because Disney's own adaptations of the same stories were released around the same time. I know that if not for Disney, they would have been seen more widely, made more money, and been preserved in better quality prints.
But at the same time, in both cases, I feel as if the better movie won. The Bunin Alice and Érase una vez... just aren't as good as Disney's Alice and Cinderella. Yes, they have their own charms, but they're not the unjustly forgotten superior versions that their cult followings would have us believe. Maybe Disney had the advantage because of their higher budget, but still, Disney made the better movies.
French stop-motion/live action film, Alice in Wonderland (1949). With puppets by Lou Bunin.
Hands of a Puppeteer (Lou Bunin). Tina Modotti, 1929
Lou Bunin’s Alice In Wonderland, 1949
“Use this color.”
Concept art by Lou Bunin for Alice in Wonderland (1949). (I posted some images from that movie a few days ago.)
Lou Bunin stop-motion TV spots for CBS (1953/54)