Recognition of the self through the other… except those guys seem like jerks so idgaf
( @knocking-on-peoples-non-doors provoked this!)
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Recognition of the self through the other… except those guys seem like jerks so idgaf
( @knocking-on-peoples-non-doors provoked this!)
GIW made a lot of mistakes and biggest one was going against Young Justice part 5
Masterpost
They thought meeting with Justice League would be soon, maybe week or two after initial attack at worst, but then September turned out to be crazy. Every other day, there was something going on and even when there was a second to breathe, Danny would make himself scarce, citing trouble in Amity Park. He wasn’t lying, ghosts, just like villains, decided to make this month their prime time. But when October rolled in, they put their foot down.
They were all exhausted, barely bothered enough to look otherwise, because Injustice League was a hard opponent. If situation was any different, they’d use national day off of school (and jobs not deemed necessary in disaster relief) and rest like everyone, but situation wasn’t any different. When they dropped Danny off at Amity Park for a night (and to help with disaster relief and because Zeta Tubes were not an option he could use outside of really big emergencies), GIW attacked him before he even left their line of sight. M’gann didn’t know how it looked before, but she thought it was getting worse. Maybe even hoped so, if alternative was this nightmare as a constant element of her friend’s life.
“This concludes information we have about Ghost Investigation Ward, along with the Anti-Ecto Acts,” Kaldur finished, calm and collect, like it was more than fifteen hours since he was almost taken over by Doctor Fate. Rest of the Team insisted, that he didn’t have to lead this meeting if he didn’t want to, everyone would understand if he wanted to stay more on a sidelines, but he was responsible like that. M’gann could do nothing else but admire that.
I met Roger L. Jackson yesterday!!! 💜💜💜💜💜
Yesterday we made a 3 hour drive up to Cleveland and I had the absolute HONOR of meeting the voice of Mojo Jojo himself, Roger L. Jackson!! As you can see I made my own print for him to sign and he seemed really impressed by it. He was just so kind and cheery and he signed it while doing Mojo's voice almost the whole time and I'm still replaying in my head the entire encounter, it was just AMAZING 💜💖💜💖💜💖💜💖💜💖💜💖💜💖💜💖💜💖💜💖💜
We had a lot of junk in our storeroom, mostly a bunch of badly damaged, terrible-quality tribal weapons from when Lansa joined us a while back, and I'm sick of not having any room for important stuff. So, it's time to chuck stuff out!
We used a transport pod to yeet all the tribal weapons and a bit of excess gold (Sneer's transmute steel ability is overpowered and is making us a little TOO wealthy for my taste) at our nearest hostile neighbours: the saurid raider faction!
It's nice to have fewer raiders now. I'm glad that the lovely lizard people of the Kur'Okran Union were appreciative of our hoard of junk it was probably the gold actually but eh
Randy giveth, and Randy giveth EVEN MORE! A new housekeeper cat and potential thrumbo pets?? Thank you for being nice today, Randy ❤️
We tamed the housekeeper cat and named him Duncan to match our other housekeeper cats, Macbeth, Banquo, and Hecate. As long as we don't have any Lady Macbeth housekeeper cats, I think Duncan should survive. We'll see. Maybe Randy is setting us up for a Shakespearean tragedy, who knows?
We haven't managed to tame a thrumbo yet, but we're going to keep trying. Jut has other ideas, but we'll keep him away from the thrumbos no matter HOW good he thinks he is in a fight.
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Thoughts on Doughael?
Nurturing an eldritch abomination and allowing it to devour my brainwashed congregation to own the libs
I really like the idea and spamton bonding with pippins
LMAO he gets along fine with (most of) the pippins, the only ones that constantly plague his life are those obsessed mental little DR nightmare pippins. Always clambering all over him and asking him the most invasive things ever. BUT in some ironic way, once hes been through The Horrors™️ and ends up back in the studio, it IS the DR nightmare pippins that he first gets to recognize him via...well, their shenanigans
I've never seen someone as unhinged as you in the TVDU fandom before. Your ramblings are something unique and not-less interesting. Like, how are you able to come up with the stuff, that no one did before you? What's your secret?
Thank you!
As much as it would bring me joy to agree that I’m the most specialist person to ever do it (and in many ways I obviously am, because I’m me), I do think people have thought about these things before, during, and after their watching experience.
The question is whether they’re going to stick around in a fandom that is, at times, contentious and has a strong anti-culture. (And a strong anti-liking-thing-a-but-I’m-allowed-to-like-thing-b-which-is-objectively-just-as-bad culture at that.) Probably not.
And the TVD fandom is old enough that it’s largely decentralized. It’s hard to find people you agree with, hard to find people who like the same things you like, and a lot of the communities you stumble into have had enough time to cultivate Big Name Fans who can be genuinely rude as hell. That pushes fans who enjoy this sort of thing even further out of the fandom—luckily I don’t actually care what some loser has to say even if it is, at times, annoying as hell. (So good luck getting rid of me. It took a lot to get me to leave my last fandom and I doubt y’all have it in you.)
I’ve lucked out and built a bit of a feedback loop: I write analysis and silly posts, and I’ve cultivated a community that reacts and interacts. It’s created that necessary push and pull: I put out content, people engage, and I’m incentivized to keep producing. I think we’d see more of this kind of content if people put attention and care into the communities that already exist. There has to be buy-in from the community to encourage the kind of enjoyment that produces meta and analysis. And I have seen more of it since I started bullying people into making what I want to see—but also, I think that’s because people enjoy creating when they know the audience will show up.
This kind of shitposting-and-analysis mix is definitely common in other fandoms—but people have ideas about what kinds of media can and can’t be “deep.”
And I’ll be real: a lot of this fandom has a misogyny and racism problem. That stuff will kill a fandom by destroying what is needed for a thoughtful ecosystem—fans that are unafraid to produce, to be weird, and joyful. Even when it’s subconscious (debatable) on the part of the person doing it, the fans who want to produce meta and thoughtful fanworks can read between the lines of rants about Marcel, Bonnie, and other characters of color—and they can tell they are not welcome.
The secret is that TVD is no less deep than shows like Stranger Things or, hell, Game of Thrones. Media made for teenage girls still contains themes.
Supernatural came out around the same time, and despite a similar fanbase, one is treated as “deeper” while the other is dismissed as turn-your-brain-off teenage-girl slop. Is that because Supernatural wasn’t as heavily and exclusively marketed to female fans? Is it because, unlike Supernatural, TVD has a female protagonist and a consistently strong female presence in the cast—while there are entire seasons of Supernatural with basically no women?
When people treat certain fandoms as inherently shallow, it shames the fans who enjoy analyzing things like silly CW shows from the early 2010s—shows with famously shaky writing, especially in later seasons. Still those shows had teams of writers. Everything they put in was pre-AI and it was their own work, not generated scenes they half-read with glazed-over eyes. The writing process took effort. And while I’m sure I read into things sometimes, art is also about the connections you can make within it.
(And if my secret conspiracy theory is that there’s a push by a vocal subset of fans to rebrand TVD—and other shows—as “thoughtless slop” as a way to dodge having to grapple with the source material’s racist and misogynistic writing decisions… because if a show is supposedly too shallow to contain a single intentional parallel or—God forbid—a theme worth analyzing, then no one has to interrogate anything beyond how good their fave looks shirtless…. well, I don’t think I’d be wrong for saying it.)
Now, do I genuinely think the writers put that much thought into all the things I “notice” or comment on? No, I don’t. Will that stop me from making those connections? Also no—I like doing it. And “Death of the Author” is actually meant for stuff like this—for making commentary on a work that is outside of the author’s intended purpose and to look at what can be added on top of the work itself.
Do I think the decision to have Tyler killed by Damon—the man who killed his uncle and who Mason spared specifically in an attempt to save Tyler’s life in the long term—was deliberate? Or even having the Elena/Kol/Klaus death scene strongly mirror Klaus/Jenna/Elena’s in season two. I don’t know. But if you told me that the writing team was told “these characters need to die during these arcs” and they chose a method that intentionally worked that way, I’d believe you. Same with smaller choices: Vicki asking Stefan to go home in front of the family crypt in the same episode Stefan brings Elena to the old Salvatore house feels, to me, like the kind of purposeful parallel a writers’ room would do when they’re building an episode around mirrored beats.
The secret is that everything is actually that serious—and that art made for girls is complicated and weird and interesting. Anything can be deep if you want to think about it. There’s a reason we have a whole generation of new parents rushing to reassure people that Bluey is deep, actually—an opinion that doesn’t shock me, despite the fact that I haven’t watched a single episode. It was written by a team of writers! Of course there are thoughtful elements! You have a roomful of people whose job it is to care about that sort of thing. And until proven otherwise, I choose to believe teams of writers care about the stories they’re telling and want to do a good job.
I will always believe in the passion of writers. The showrunner is responsible for the direction of it, sure—but the beating heart? The gritty parts I love? Someone wrote both of the scenes I’m comparing. Someone wrote the dialogue that I’m picking at. Someone thought about the lighting. Someone decided what the actors’ hands were supposed to do.
And unless the writing team publicly announces that nobody ever thought about anything and nobody ever tried to make art, I’m going to keep believing there was something there.
People who tell you “it isn’t that deep” are being stupid. They’re being boring and joyless. They say it because they like to devalue things and because they think cleverness can only be a characteristic of work they make themselves, and because they’re trying to shame you into not being a nerd.
But why should they win?
I got ghosted at work by a coworker??