Fly man ⭐️🪰

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Fly man ⭐️🪰
Little - digital art of a creature from my novel “Unintended Designs”! I’m excited about reaching 50k words and eager to finish this draft.
My original Procreate art, image description in alt text.
Cell Culture I
1st piece in a series for my art class final
(Pls click for better resolution)
"Purple Cosmic Cat" by Deep Space Violet, 2023
Totlohô
Kingdom: Animalia
Phylum: Mollusca
Class: Cephalopoda
Subclass: Nautiloidea
Superorder: Alysidaceratoidea
Order: Paratetrapoda
Superfamily: Cotylopodoidea
Family: Cotylopodidae
Subfamily: Anomaloteuthiinae
Genus: Anomaloteuthis
Species: A. magnificus (”magnificent unusual squid”)
Ancestral species: possibly Plectronoceras cambria
Temporal range: Early Jurassic (Toarcian) to Early Cretaceous (Hauterivian) (180 - 130 mya)
Information:
While humans have long seen themselves as the first and only sapient species to inhabit their planet, in all truth, there existed another in Xenogaea several hundreds of millions of years ago, one whose legacy can still be felt throughout the region untold eons later in their bizarre ruins and artifacts: the Totlohô-tu-Tẋusko/Tẋusko-tu-Totlohô (IPA: /to̞t͡ɬo̞hɔ tu t͡ʃusko̞/ OR /t͡ʃusko̞ tu to̞t͡ɬo̞hɔ/, meaning "ancestor of (the) architect"), better known as simply the Totlohô (/to̞t͡ɬo̞hɔ/, simply meaning "architect").
As soft tissues of this species have only rarely been preserved, and hard tissues consist only of armor plating and beaks, their size and general appearance alone must be inferred purely based on known proportions from living relatives, other members of the aberrant nautiloid clade Alysidaceratoidea, known more colloquially as the shrikehounds. The most reliable size estimate places them at around 12 feet long, 6-7 feet tall, and weighing close to 600 lbs. The appearance of these creatures, based on ancient stone murals, would seem to suggest that they were centaur-like in build, sporting six main limbs along with a menagerie of smaller tentacles around the face, which housed a long, narrow beak with a noticeable underbite. The exact coloration of this species isn’t known, though as murals exist which depict them, it can be inferred that they might have had a similar coloration pattern to living nautili, with a creamy-colored body and eyes with an earthy red shell and head piece.
Living shrikehound species are not particularly vocal, with only the paratetrapods having an analogue to proper vocal cords. This species was presumably vocal in some capacity, though the exact vocalizations cannot be deduced. It has been suggested that like their living relatives, they might have been able to produce clicks, grunts, warbles, rumbles, belches, screeches, and shrieks. It has been suggested, however, that they may have convergently evolved chromatophores like some of their living relatives and may have had a primarily visual language instead, one which has not, as of yet, been decoded.
Much of these organism's general biology is not known conclusively. Most evidence points to a carnivorous diet, consisting mainly of small dinosaurs/paravians, but also other terrestrial nautiloids, small mammals, and a bizarre group of terrestrial acanthodians known as coelospondyls. Though the exact place where they first evolved has yet to be conclusively found, fossilized beaks first appear in the Matansitra Formation in the southwest of the Isle of Perils, though later formations across the entire archipelago show that almost every habitable landmass sported a population of these creatures at one point. Dubious material from areas outside the archipelago, including what is now China and Australia, suggests they may have eventually left the archipelago at some point as well. At their peak during the Kimmeridgian age of the Late Jurassic epoch roughly 150 millions years ago, their population size was likely upwards of 40 million. Very little (if anything) can be inferred about their reproductive biology, though murals would seem to suggest that courtship and copulation was a very long, drawn-out process, treated almost as an art form unto itself. From their closest relatives, it can be inferred that the males, using a modified tentacle, deposited sperm into a small groove on the female’s underside, where it could be absorbed and used to fertilize the eggs. Their clutch size is believed to have been anomalously small compared to other species in their clade, possibly no more than 10 eggs at a time. The young appear to have matured at a similar rate to human young, if not slightly faster. Sexual dimorphism does not appear to be a prominent trait within their species.
Not much can be inferred about the behavior of this species from what remnants have been found, though it can be inferred that they were likely highly social creatures with complex social structures. They appear to have engaged in agrarianism and the farming of other animals in their later stages of societal development, as evidenced by a high correlation in dump beak remains found near dump sites for animal bones and shell, and even built cities. Murals would seem to suggest Totlohô society was ruled by a class of elders, the oldest respective members of their society, while the youngest members formed the work force. Song and dance appear to have been ways to bond with one another, and spirituality played a large part in their society’s function. Warfare appears to have been an isolated phenomenon in their society and frequently on a much smaller scale than as seen in humanity, though there exists some evidence of widespread warfare in the later years of existence. Even in their later stages, when they evidently had significantly advanced technology (or, as the more conspiracy-minded would suggest, magic of some kind), the Totlohô still preferred to build their homes out of stone.
During the later stages of their existence, the Totlohô appear to have dabbled in what appears to be highly-advanced technology or potentially even magic of some kind, as evidenced by massive, seemingly Totlhômade, carved, levitating stones covered in glyphs. In a place known as the Square Chasm (picture below, artwork by Dipfruit), a reportedly supernatural space some weary jungle travelers have stumbled upon near a triple-forked river, one of these stones appears to have formed a perfectly square-shaped pocket dimension around itself, where gravity itself appears to bend to the stone’s whim.
Fossilized beaks and hard shells are really the only physical parts of these creatures to have been preserved, and they are the only indication of their existence outside of aforementioned ruins and murals. Their written languages have yet to be decoded, and there are believed to have been several thousand at a given time. What exactly led to their extinction has yet to be conclusively revealed, though murals seem to suggest that, from their perspective, supernatural forces may have been at play, with recurrent imagery of what appears to be demonic figures showing up across several murals. Another recurrent image in these murals is a white bird-like creature with horns, which some have suggested may be related to the mythical white bird seen in Xenogaean mythology, which was said to herald the apocalypse. While some have suggested that these murals may have been painted by one of the last Totlohô, who had simply gone insane from isolation and began painting their hallucinations, others suggest that there might be a grain of truth in these murals, perhaps a war of apocalyptic scale which engulfed the entire species, the demagogues fueling it being portrayed as demonic figures. What this doesn’t explain, however, are the high number of artifacts which appear to be made from an unknown metallic substance, one which is highly durable and in near-pristine condition hundreds of millions of years later. This substance, referred to colloquially as “anomalous tungsten”, is paradoxically lightweight yet durable with a high melting point, seemingly higher than almost any other known metal or metalloid. As this metal has not been found anywhere on Earth or even in any known compounds on Earth or another planet, this begs the question of how and where the Totlohô obtained this substance, leading to a wide menagerie of conspiracy theories, with everything from extraterrestrials to divine beings being suggested as the source from which they obtained this material. Whatever the case, those who have studied the artifacts have claimed to have had vivid dreams where they spoke to the Totlohô shortly after contact. Perhaps this is just a form of confabulation or merely even group hysteria, but nonetheless, it would appear that even long after the Totlohô have left this world, their legacy still manages to touch the human spirit. Finally, they appear to have domesticated a species of coelospondyl, Platycephale aridus, the so-called “flat-faced coelospondyl” (1st picture below, artwork by me), and another species of shrikehound, which is currently unnamed (2nd picture below, artwork by me). These appear to have been utilized as livestock animals.
Within the Void
creature reference sheets are so satisfying to draw. all of this was done in about 5 hours in order to meet a deadline yet I like it more than other pieces that took like 20
Quick alien doggo sketch Sketch+Cintiq+Photoshop. TUMBLR: http://oliviersilven.tumblr.com/ All Artwork Copyright Olivier SILVEN