The way Lumon’s white is omnipresent not only below, but also above with the snow covering everything…
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The way Lumon’s white is omnipresent not only below, but also above with the snow covering everything…
I’ve seen a couple of posts on how technically the last test Gemma was supposed to go through worked, except it was Mark S. that it worked on—because once Gemma was outside, Innie Mark/Mark S. realized that he didn’t have any feelings for her, that she was a stranger, and no trace of Outtie Mark’s love for her remained in him.
And obviously, this is true, Innie Mark doesn’t love or have any romantic feelings for Gemma.
But I think it’s important to note that, despite not knowing Gemma at all, despite her being a complete stranger to him, the writers go to really great lengths to show that he still cares about her as a person.
This is extremely integral to Mark S’s character as an Innie, and to the innie/outtie dynamics presented throughout show.
The very first scene of this season is Mark S. running as fast as he can through Lumon to try and find Ms. Casey/Gemma.
He spends his own time in Lumon searching for her and going to other departments to see if he can find ANY information on her whereabouts.
And even though it could risk not only his life, but the lives and existence of all the people living within the severed floor, he still goes below the severed floor and saves Gemma by leading her out of Lumon.
He does these things because Innie Mark understands that Gemma is a person who is being held captive, who was probably kidnapped, and who deserves her own life.
Throughout the series we’ve gradually learned about the stigma surrounding severed workers and what society thinks of innies in subtle and unsubtle ways. It’s pretty clear to me that Innies, as a class, are seen as lesser-than, with very few groups considering them to be ACTUAL people. Those that do see them as people tend to infantilize them and look down upon them.
It took talking to Mark Scout, his Outtie, for Innie Mark to finally realize that, despite all of his Outtie’s good intentions, he does not think of Innie Mark as a person.
And I think this is something that Outtie Mark may not even realize himself—but if we look at his behavior and the way he talks to Mark S, it’s clear that he doesn’t consider his Innie to be a person, not truly.
Outtie Mark does not afford Mark S. the same respect and personhood that Mark S—that all the Innies—are expected to afford their Outties, their Lumon superiors, and unsevered people.
Seeing Gemma outside of the severed floor and remembering his conversation with his Outtie is what makes this finally click for Mark S. It’s when he realizes that if he truly wants his own life, he’s going to have to fight for it, just like Helly tells C+M earlier in the episode. It’s where he finally understands that the personhood he recognizes in Gemma and Outtie Mark is something that he has been, and will continue to be, denied if he leaves the severed floor.
Mark S. choosing to stay on the severed floor is one of the very few choices that he has made that was not in service to his Outtie in any way—a purely and beautifully selfish choice to stay with the woman that he loves for a few more minutes, and to fight for his life instead of giving it up for his Outtie.
The test worked on Mark S. in that he couldn’t feel any of his Outtie’s love for Gemma, but it failed in that he refused to do exactly what he was asked to do by his outtie. He didn’t become a blank slate that exists only to serve Outties like Lumon wanted.
I think that’s something worth recognizing because, again, the fact that the innies are PEOPLE with autonomy and personhood is one of the central themes of Severance, and it was so so amazing to see Mark S. fully realize that and choose to stay with Helly.
"Uh... Wrong door."
Mark S., "Cold Harbor," Severance, season 2, episode 10 dir. Ben Stiller
severance s2 e8 spoilers!
the parallels between mark and cobel are so stark after this episode. the main driving factor for mark working for lumon thus far has been to drown out the pain via severance. cobel has virtually been doing the same thing- throwing herself into lumon ideology to escape the pain of her mother's passing. the fact they both never got any closure in losing their loved ones is haunting them everyday.
they are both coming to a reckoning with their relationships with lumon. mark has been reintergrated now (which seems successful) and fully understands the scope of what lumon has done to him, how lumon has taken away the thing that matters to him most. we now know that lumon has done the same thing to cobel- stole her work on severance and claimed it as their own. for cobel, it's taken going back to where she grew up to see the damages that lumon has caused her. she says herself the town seems older, frailer than what she thought. the real world consequences of lumon are catching up to her, and only when she sees her original blueprints for the chip in her hands does she truly see how wronged she's been, how lumon is taking her away from the thing that matters most to her, her brain child, by taking her away from the severed workers.
i think this sets up an extremely interesting arc for both cobel and mark. the last line of the episode is cobel asking for devon's, and therefore mark's, side of the story. when before, she was racing to help lumon in the crisis that was the OTC, she is now listening to another side of the story. they've set it up in a way where mark and cobel are both in transitory periods of their lives, and i think it would be really interesting to see the ways they might work together now.
What puts Severance above other “mystery box” shows is that it never forgets its core theme.
One of the issues with LOST was that there were so many conflicting things added to the show, usually just to keep people engaged, that in the end the themes were jumbled and incoherent.
But Severance has a couple core central themes it’s exploring. Severance is about the work-life balance and why it’s important to foster connectivity with others. So EVERY ASPECT OF THE SHOW centers around these themes. From the lighting, to the set design, to the color theory, to the characters actions. Everything keeps coming back to those themes.
Even Mark as a character is essentially severed from everything in the first episode despite having a good paying job. He doesn’t remember what he does at the job. He lost his wife so now he’s alone. He’s not eating, hes just drinking to forget. Heck, he goes to a dinner where they don’t serve dinner! Even normal rituals and activities are severed!
And slowly over the course of the show he is growing his connections back. While the corporation is trying to take more from him.
I just love that Severance is so laser FOCUSED on maintaining these themes. Not only does it keep the writing engaging, but it makes all of the mystery box elements being revealed make sense for the world they’ve crafted.
Obsessed with the way Helena Eagan splits an egg into 6 segments and then deliberately SEVERS and CONSUMES only the white outtie part.