ending 009 / vague spoilers
endurance match
seen from China
seen from China
seen from United States
seen from United States
seen from United States
seen from Italy
seen from United States

seen from Georgia
seen from China

seen from Italy
seen from Macao SAR China

seen from Maldives
seen from China

seen from Vietnam
seen from Germany

seen from United States
seen from United States

seen from Sweden

seen from Argentina

seen from Sweden
ending 009 / vague spoilers
endurance match
Pretty Boy (But he thinks you’re prettier) ˙⋆✮
Summary : It wasn’t your fault Satoru had such kissable skin. But then again, it wasn’t like Satoru wasn’t as down bad either.
"Baby, you're killing me here-" Satoru whined beneath the sheets, eyes half closed as the morning light filtered through the cracks of the window - bringing forth the dawn of another arduous day of sorcery. "This is how I die, an overdose of the most lethal substance of them all."
"Oh yeah?" You grinned, dragging your lips between his collarbones. Your hair splayed across his chest, the strands tickling his skin with every subtle rustle of your pyjamas against his bare torso.
"Yeah," Satoru crossed his arms beneath his head, leaning back with a shift of his shoulders. He cracked an eye open, a lazy smile making its way onto his face. "your kisses. They're a national crime. First they stole my heart, then proceed to have the audacity to make me addicted to them."
Satoru pressed a hand upon his heart, shuddering with mock horror. "I just can't live without the feel of your lips anymore and it's all your fault. You've made me a horrid, needy man-"
"You're such a sap." You cut off Satoru, your sweet giggle ringing in a way in his ears that Satoru swore was almost as good as kifukifu (okay, maybe even a little better).
"And you're a feral maniac, but you don't see me complaining." Satoru titled his neck, showing off the purple hues that decorated his otherwise porcelain skin.
"You didn't look like you wanted to complain last night." You muttered against the juncture of Satoru's throat, puffs of your breath meeting skin.
Satoru looked down at you, soft and sweet and kind and warm with the scent of his cologne clinging to his shirt you were wearing and all those things he'd never believed he needed or even wanted in his life, his heart doing those little backflips in the stronghold of his ribs - that sensation he simply never could manage to quell around you.
"If I ever complain about a good hickey from you, shoot me because I deserve death by that point-" Satoru tightened the grip of his arms around your waist, his thumb rubbing circles into the soft sliver of skin it found.
The sensation of the subtle calluses of his thumb, borne from all the paperwork Satoru would whine about up and down, sent a thrill through your sleep addled heart.
Because he was yours, wasn’t he? Bedhead, blue eyes, drama King and all.
“If you stare any longer, you’re going to burn a hole into my face, baby.” Satoru smirked, his signature smugness unable to resist making its way onto his face - adding a horridly charming effect to those cerulean eyes that never failed to steal your breath away even after three years with him.
“You wish, I was just-”
“Nuh uh, nothing!” He squeezed your cheeks roughly, mussing up your hair.
“Oi, watch the hair!” You grumbled, swatting at his hands.
Satoru laughed, pearly teeth flashing with mirth as he grabbed your arms. “C’mon, don’t mess up the goods here!” With an effortless manoeuver of his lanky legs, he flipped you under him.
Your back hit the plush sheets with a thud, accompanied by Satoru’s palms landing on either side of your head. His chest rose and fell in an unsteady rhythm, white hair falling haphazardly around his face.
Satoru’s gaze trailed over every inch of you, from the subtle freckles that lined the column of your throat to the faint scars along your midriff revealed by your shirt, well his shirt technically (if one chose to focus on schematics), riding up.
So beautiful.
You, in all your glory with the faint remnants of drowsiness from your slumber, were simply too much.
Satoru had heard countless compliments about his looks over a million times over in a million ways from a million different people.
But if he could let you in on a little secret, he thought you were way prettier.
“What’re you looking at?” You chuckled, squirming a bit. “Do I have something on my face?”
Satoru leaned in closer, brushing his nose against the crook of your neck. “Yeah. Beauty. You’ve got it all over.”
You bit back a laugh, already knowing what to expect from your boyfriend. “I swear to god, you’re ridiculous!”
You grabbed Satoru’s face and peppered a flurry of kisses all over him, staring at his lips and all the way up to his forehead before beginning all over again.
Satoru smiled, drunk off your touch and the very essence of life you keep breathing into what would have otherwise been his cold, isolated life. “Kiss me all you want, it’s all yours anyway.”
“Mmh, I know.” You nipped his earlobe, eliciting a sharp intake of breath from Satoru.
Satoru bent his elbows a little more, pressing his chest against yours. He trailed a hand over the side of your body, tracing the dips and hollows he’d spent so long loving upon that they’d become more familiar than his own.
His grin stretched wide, your personal Cheshire cat. “But as much as I do adore your clear awe at my stunning visage,” Satoru paused, brushing a stray hair of your face.
“One more cocky word and I’m heading to the guest room.” You crossed your arms but the twinkle in your eyes said otherwise.
“No way, you love me too much.” Before you could get a word out, Satoru plopped right onto you, chest against chest.
“And this is how you choose to reward it, by suffocation.” You deadpanned.
“I call it a bombardment of affection.”
”One of these days, you’re going to break my ribs-”
“Who? Me? Your charmingly down bad boyfriend????” Satoru swivelled his head around comically.
“No, I meant the menace who keeps stealing my underwear.” You snickered, moving your hand up and down his back soothingly.
“That was one time.” Satoru stretched and plopped beside you, pulling you atop him. “And I have no regrets, by the way. Ten out of ten, would do it again.”
“You’re ridiculous.” You repeated, basking in the secure hold of his arms and chest like a cat in the sun.
“Yeah. I’m your ridiculous though.” Satoru glanced at your lips, his eyes lingering on the way they parted with every word and huff and beaming smile.
He leaned in closer, fingers tangling in the back of your head. You fell silent, electricity crackling between the minuscule space between your lips.
When Satoru kissed you, it wasn’t all tongue and teeth. It was as tender as the caress of a petal, inevitable every morning like the pull of the tides against the shoreline and if you asked Satoru, more vital to his entire existence than oxygen.
He coaxed your lips to part and deepened the kiss, both your chests rising and falling rapidly.
“I love you.” Satoru gasped into the kiss, as if he’d down if he didn’t get those words out. “Love you, love you, love you so so so much-” He enunciated each word with yet another kiss.
You squealed in surprise at the onslaught of affection, giggling at the tickle of his hair pressing into your cheek. “I love you too.” You breathed out, smiling in a way that made Satoru want to bundle you up in the sheets and coo over you all day.
“Say it again.” Satoru blinked up at you, hearts practically dancing in the blue of his eyes. “Please?”
“I love you.”
Another kiss.
“Again?”
“Love you so much, Toru.”
Satoru shuddered like he’d attained an otherworldly state from a nickname alone. “I know, I know, I love you too.” He flashed a smile almost blinding in its intensity.
He smooched you again, unable to bring himself to stop. “But say it one more time? For me?”
“I love you soooo much.” You dragged each syllable out and Satoru lapped it up like it was ambrosia.
“But I love you most.” Satoru declared, burying his face into your chest. He inhaled your scent, the faint lingering warmth of your body wash and his eyes drooped a bit.
“No, I love you most.”
“No, I love you most.”
“No me-”
“There is no way you’re going to win this, I love you the mostest.”
You rose a brow, your lips aching from all the smiling. “That doesn’t even make sense.”
“It so does.” Satoru huffed, face buried in your tender chest.
“Does not.”
“Does.”
“Does not.”
“It does, it does, it does-”
Safe to say, when Ijichi rang to inform Satoru about his schedule for the day, the call remained unanswered. Satoru had heard the ring of his phone, of course, but it could wait. There were still a few more minutes left.
Besides, anything could wait for you. The duties of the strongest could be set aside for a little while.
Because as much as sorcery was his strong suit, his love for you overpowered it. Just a tad bit.
i told myself i wouldn't post any of these until i'd named her but i don't care. this is childe right after they got that injury. they're just thrilled they survived what a dumbass child
competition (the book is winning)
Michael Olise x Fem!Reader
sy: when olise just wants to spend time with his girlfriend, but a suspense book keeps stealing all of your attention during your summer trip.
a/n: pls i really hope u like it! idk why but i had such a hard time writing something set in summer. maybe it's bc here in brazil it's winter rn, so it's kinda difficult for me to get into the vibe 😭 honestly i was kinda out of ideas bc someone asked me for a cute olise + summer story, but then this idea randomly popped into my head. maybe it's bc i'm reading a suspense book rn too lol. anyway, i did my best and i hope u enjoy it 🫶 sorry if it's not exactly what u expected sorry if there are any writing or translation mistakes
It had been your idea.
That was the detail Olise wasn't letting you forget. Not with words, because he hadn't said anything yet, but with that expression you could feel without even lifting your eyes from the page. The expression of someone who had planned an entire trip, requested time off weeks in advance, built a mental list of everything he wanted to do with you somewhere that wasn't the walls of your flat and who was now sitting in the passenger seat watching his girlfriend ignore him in favor of three hundred and forty-two pages of paper.
The book had appeared at the beginning of the trip almost by accident. You'd seen it on your want to read list for months, the kind of title that shows up in an algorithm and lodges itself in memory, and you'd thought: just for the drive, just to make the hours go faster, just until we get there.
That was four hours ago.
Now you were in the hotel room, the window open onto somewhere with palm trees and a breeze and a smell of summer that came in soft waves, and you were lying on your stomach across the bed with the book open in front of you, completely, irretrievably inside a murder plot that had absolutely no intention of releasing you.
Michael had unpacked his bag. Taken a shower. Gone out to the balcony for twenty minutes and come back with two ice creams, one of which had melted while he waited for you to notice. He'd set yours on the bedside table with the quiet resignation of someone filing evidence.
You'd said thank you without turning your head.
He'd stood there looking at you for a second with that expression. Then eaten his own ice cream standing up, leaning against the wall, staring out the window with a patience that was visibly costing him something.
The first attempt was subtle.
He lay down beside you, on his side, chin resting on his hand, and stayed quiet for a stretch of time you couldn't measure because you were on the chapter where the protagonist had just discovered the butler wasn't who he claimed to be. Olise went so still you almost forgot he was there — almost, because he was close enough that the warmth of him reached you in a constant, familiar way, the kind of presence you learn to feel before you see it.
Then he tilted his head and pressed his lips to your shoulder. Just one kiss, soft, slow enough to have intention but brief enough to be ignored if you really tried.
You turned the page.
He waited. Then did it again — this time at your neck, just below the line of your hair, the kind of place he knew exactly the effect of. You felt it, because it would have been impossible not to, but the butler was escaping through the back window and you needed to know where he was going.
"You're ignoring me," he said finally, his voice low and dangerously close to your ear.
"I'm reading," you corrected, with the serenity of someone who is technically correct.
A pause. You could picture his expression without needing to look. That specific blend of amusement and indignation he could never quite keep separate.
"I know you're reading. That's the problem."
You folded the corner of the page to mark it — a gesture that made him make a sound of genuine disapproval, because Olise had strong opinions about the physical condition of books — and turned enough to look at him. He was exactly as you'd imagined. Too close, with those eyes that had the inconvenient habit of always looking slightly amused even when he was trying to seem wounded.
"Michael, it's a thriller. I'm at the best part."
"You said that an hour ago."
"Every hour has a better best part than the last."
He looked at you for a second. Then lay back with a sigh that contained the full tragedy of a deeply wronged man, and you turned back to the book with the corner of your mouth attempting something you didn't let it finish.
The second attempt was less subtle.
You'd migrated to the balcony with the book because the light was better, sitting on the sun lounger with your legs folded, and Michael had appeared with two glasses of juice as if this were a peace offering you should acknowledge. You'd taken the glass, had a sip, and returned to page one hundred and eighty-six without pausing.
He'd stood there for a moment, both glasses in hand, looking at you with the expression of someone who's just realized the strategy needs revising.
Then he pulled the chair right up next to yours and sat so close your arms touched. Said nothing. Looked out at the sea with a convincing performance of someone entirely satisfied with the situation, his fingers drumming once on his knee before stopping.
You read three paragraphs.
Then you felt his hand find yours with the naturalness of something he did without thinking — fingers threading through yours, his thumb tracing an absent arc across your hand, the kind of touch that doesn't ask for attention but was impossible to ignore. You read the same paragraph twice. Turned the page anyway.
Michael leaned slightly in your direction and looked at the book with a sudden and clearly fabricated interest. "Who's Marcus?"
"The main suspect."
"He doesn't seem trustworthy."
"He isn't."
"She should pay more attention to her boyfriend."
You lowered the book two centimetres and looked at him. He was studying the pages with absolute seriousness, as if he'd made a completely genuine literary observation.
"That was very forced," you said.
"I don't know what you're talking about," he replied, and the corner of his mouth curved one millimetre, traitorously.
You lifted the book back up. He stayed at your side anyway, hand still in yours, and that part you didn't try to ignore.
Dinner was an unspoken truce.
You went to the restaurant near the hotel, a small table with a candle and the kind of menu that asks for time, and you'd left the book in the room with a considerable effort of will because you knew, with the part of you that still functioned independently of the plot, that Michael deserved at least that much. He'd taken time off. He'd planned every detail. He'd made that face when you appeared at the car with the book in your hand — not angry, never angry, but the face of someone quietly recalculating expectations with a patience that was, if you were being honest, completely unearned.
So you'd left the book on the bedside table and walked out holding his hand and been genuinely present through the whole conversation, and there was something in the way he relaxed, a tension you hadn't noticed he was carrying and that made you feel slightly guilty in a way that was also, strangely, very good.
On the way back, on the street with the palm trees and the low summer lights, he walked with his arm around your shoulders and your head tilted slightly toward him, and he was telling some story about something that had happened at training the week before that made you laugh at the wrong part, which made him laugh too, and there was this moment, this small fraction of space between one thing and the next. Where he stopped on the pavement and turned to look at you with that expression you knew in all its variations.
He raised his hand and moved a strand of hair from your face with a slowness that wasn't necessary, his fingers grazing your cheek before settling there for a second. "Thank you for having dinner with me," he said, and there was something in his tone that was simultaneously sincere and provoking in a way that was very him.
"You're being dramatic," you said.
"I'm being honest," he corrected, and then you rose onto your toes and kissed the corner of his mouth before he finished speaking, which made him go quiet with the satisfaction of someone who'd scored a point without having to ask for it.
But then you went back to the room.
And the book was on the bedside table.
And the protagonist was trapped in a basement with the killer.
You went to the bathroom, came back, and somehow ended up sitting on the bed with the book in your hands before you'd made any conscious decision about it. Michael came out of the bathroom a few minutes later and found you exactly like that — legs crossed, completely absorbed, as if dinner hadn't happened at all.
He stood in the middle of the room for a moment.
Then he came to the bed with a resignation that had something almost majestic about it, and instead of lying down beside you he did something different: positioned himself behind you, legs on either side of yours, and simply wrapped both arms around you from behind, his chin resting on your shoulder, his nose grazing the side of your neck.
You didn't lower the book.
But the page took longer to turn than it should have.
Olise stayed there, completely still for once, his breathing steady against your neck, and there was something about it — the way he'd simply decided that if you weren't going to come to him, he'd come to wherever you were — that made your heart do something inconvenient inside your chest.
"She's going to get out of the basement," he said, out of nowhere, his voice low and right at your ear.
You raised the book protectively. "You don't know that."
"She's the protagonist."
"Protagonists die."
"Not in this kind of book."
"You haven't even read the book."
"No," he agreed, and you felt him smile against your neck, "but I know you. And you wouldn't read a book where the protagonist dies in a basement in chapter seventeen."
You went quiet for a second.
"Chapter nineteen," you said.
He lifted his head from your shoulder to look at you, and his expression was exactly what you'd expected, entirely self-satisfied in a way that was irritating in direct proportion to how precisely right he was. "So she's almost out."
You closed the book.
Not because he was right. He was, but that was beside the point, but because when you turned to look at him properly, still inside the circle of his arms, with that expression on his face and the smell of summer and hotel and Michael coming from everywhere at once, the murder plot seemed suddenly much less urgent than it had ten minutes ago.
"You were very patient today," you said.
"I was a victim," he corrected, but there was the smile. Always the smile.
You leaned forward and kissed him properly this time — not the corner of his mouth, not a passing kiss, but something with weight and intention, your fingers finding the side of his face with the same calm you'd use to turn the last page of a very good book. He responded with his hand at your waist pulling you closer with a gentleness that wasn't hurry but was presence, and when you broke apart he stayed with his nose against yours for a second, eyes closed.
"Can the book wait?" he asked, his voice quiet and with almost none of the dramatic in it. Which, coming from him, was perhaps the most sincere thing he could say.
You looked at the bedside table. At the book. At him.
"She's almost out of the basement anyway," you said.
He laughed, that laugh that came from his chest, effortlessly and pulled you back into his arms with the ease of something you'd both been doing for a long time and that you hoped to keep doing for a very, very long time.
The book stayed on the bedside table.
You went back for it at two in the morning, with Olise's arm heavy and asleep around your waist. You read the last three chapters by phone light, trying not to physically shake during the good parts.
She got out of the basement.
Of course she did.
Second Chance I William Nylander x reader*
:: A one-night stand with William Nylander was technically flawless but emotionally empty. When he corners you for a redo, you're not sure if you're more interested in the redemption or the revenge.
:: A/N: I know, I know - I put a leash on Pablo, as if Willy would ever do that 🙈💕
William Nylander x Reader, one-night-stand, Second Chance, Bruised ego, Mature 18+ Sexual Content: fingering, protected sexual intercourse, oral sex (f receiving), unprotected sexual intercourse, cum inside Word count: 3.3K
The bass of the club thrummed in your chest, a primal beat that matched the pulse of anticipation in your veins. You were out with your friends, a rare night of freedom, and you were determined to enjoy it. That's when you saw him.
My Favorite Cheap Art Trick: Gradient Maps and Blending Modes
i get questions on occasion regarding my coloring process, so i thought i would do a bit of a write up on my "secret technique." i don't think it really is that much of a secret, but i hope it can be helpful to someone. to that end:
this is one of my favorite tags ive ever gotten on my art. i think of it often. the pieces in question are all monochrome - sort of.
the left version is the final version, the right version is technically the original. in the final version, to me, the blues are pretty stark, while the greens and magentas are less so. there is some color theory thing going on here that i dont have a good cerebral understanding of and i wont pretend otherwise. i think i watched a youtube video on it once but it went in one ear and out the other. i just pick whatever colors look nicest based on whatever vibe im going for.
this one is more subtle, i think. can you tell the difference? there's nothing wrong with 100% greyscale art, but i like the depth that adding just a hint of color can bring.
i'll note that the examples i'll be using in this post all began as purely greyscale, but this is a process i use for just about every piece of art i make, including the full color ones. i'll use the recent mithrun art i made to demonstrate. additionally, i use clip studio paint, but the general concept should be transferable to other art programs.
Hold My hand
Synopsis: When solo artist Y/N teams up with producer Han Jisung, their studio chemistry turns into something deeper. As passion builds behind closed doors, they risk it all for a love the company would never allow.
The first time Han met Y/N, it was already past 6 p.m. The hallway lights in the studio were dimmer than usual, the buzzing of distant equipment humming in the background. He had only read about her before in producer briefs, “solo artist debut,” “fresh voice,” “distinct tone”, but none of that prepared him for the moment she walked in.
She had her hair tied up, large headphones slung around her neck like she’d done this all her life, but there was still something soft in the way she looked around the room, trying to find him. He stood up from the desk when he noticed her lingering at the door, waving casually with a little awkward smile of his own.
a bad hair treatment leaves Genesis hair pink
It’s technically not even pink! It’s a deep, warm cherry tone that resulted from a treatment that reacted unexpectedly with his natural auburn in a way that any reasonable person would describe as an interesting color variation rather than an incident. It’ll be gone by the next wash and is, objectively, not a big deal. Unfortunately, he works with teenage boys, and men. So naturally it has become the scandal of the week™
Kunsel: Looking good, Commander! Very tasteful. That’s approximately #99004C if I had to call it.
Genesis: Do you just casually have hex codes memorized?
Kunsel: No, it’s because my hair is the exact same colour right now actually.
*Genesis looks at the helmet, doubtful and suspicious*
Kunsel: I’d take the helmet off to show you, but I’ve been told I’m dangerously attractive and can’t risk the distraction in a working environment.
Genesis: What—
*Sephiroth walks by*
Sephiroth: Genesis, unnatural hair colours are a violation of the SOLDIER dress and presentation code.
Genesis: YOU DON’T SAY.
Sephiroth: ...
Genesis: What about your hair, Sephiroth, what natural category does that fall under??
Sephiroth: Silver occurs naturally. It’s present in certain blond variations, premature graying, and old age.
Genesis: So let me understand this correctly. I have a temporary treatment effect that has left a subtle rose tone in my hair that will be gone by Saturday, and I’m in violation. But you—you specifically—get to be the only person in this entire unit walking around with hair that color with no consequences whatsoever??
Sephiroth: Of course not. Just yesterday Kunsel told me that he too has silver hair.
*Genesis slowly turns toward Kunsel*
Kunsel: ...
*Angeal walks by*
Angeal: Oh, come on. Pink hair? Why couldn’t you just choose a natural color like black?
Genesis: First of all, it’s temporary. Second of all, black hair is boring.
Angeal: Wow. That’s incredibly offensive to black-haired people like me and Kunsel over here.
Genesis: WHAT THE—
*Cloud walks past*
Cloud: Wow, sir! Cool hair! I’d totally dye mine a fun color too, but I’m blond. It’d stain and you can’t really get an even tone with my natural color.
Kunsel: I totally get you. I have blond hair like yours too. Huge hassle.
Cloud: Yeah :/
Genesis: Kunsel, stop maintaining an ongoing lie in which your hair changes color depending on who you’re speaking to. What’s the point in—WHY ARE YOU BALD??
*Zack walks in, bald*
Zack: I shaved mine to match Kunsel :)
Genesis: I’m surrounded by lunatics.
Sephiroth: Says the only man here with pink hair.
Genesis: ASHDGSJSK—