100 points of emotional damage

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@tapdancingeggs
100 points of emotional damage
i canāt be the only one who thought this
Q attempts to back out of the room
lauraās german accent gives me strong haus of holbein from six vibes lmao
Some sketches of the 3 owl bear MVPS because every time they have a scene together you know somethings stupid and sweet is about to happen
Beauregard Lionett - The Chariot I have no respect for authority.
[Caleb] [Fjord] [Jester] [Caduceus] [Nott]
Caduceus Clay - Temperance Violence is extremely natural.
[Caleb] [Fjord] [Jester] [Nott] [Beau]
Veth Brenatto - Strength My name is Nott the Brave.
[Caleb] [Fjord] [Jester] [Caduceus] [Beau]
Jester Lavorre - The Lovers
Are you there, Traveler?
[Caleb] [Fjord] [Caduceus] [Nott] [Beau]
Caleb Widogast - The Star
I cast fireball
[Fjord] [Jester] [Caduceus] [Nott] [Beau]
Some Caleb x Essek fan shipping because I CANT HELP IT. I MISS CRITICAL ROLE.Ā
The very first āwE pLaY DuNGeOns aNd DraGOnS!!!ā all the way back in episode two
mighty vibing
Empire Siblings (ft. Frumpkin) for episode two of Mighty Vibes!
Let The Bad Angels Fall
Prodigal Son Season 2
the fact that hamilton, which is arguably one of the biggest pieces of media in the past decade, is getting a professional release is a big deal. this is a huge step for making theatre more accessible for everyone.
like, for $10 (the average price of a movie ticket) you could watch the proshot of hamilton, with the original broadway cast. you could see the original broadway cast of hamilton for $10 dollars. youāre literally paying a hamilton to see hamilton. and you donāt need to worry about sitting in a rear mezzanine seat or having an obstructed view, since itās a proshot.
and, since disney is producing it, theyāll most likely release it on DVD or on disney+ in the future. this is a huge step forward in making accessible theatre. you could watch hamilton multiple times a week (or multiple times a day!) for a low price.
Itās unfortunate that this is a Disney release, but I need to ask a favor of every person who wants to watch it:
DONāT PIRATE. PAY THE TEN BUCKS.
Musical theatre aficionados have been fighting for YEARS for this to be a regular thing. As far as I know, itās only been done a handful of times: the final performance of RENT, the 10th and 25th anniversaries of Les Mis, the 25th anniversary of Phantom of the Opera, and there are a few āon a stage but reblocked and edited for videoā shows like Cats, Joseph and the Amazing Technicolor Dreamcoat, Jesus Christ Superstar 2000, and Into The Woods. We have been FIGHTING for general releases of shows. This is an actual theatre industry thing.
You may notice something about the shows I listed above: only three of them arenāt Andrew Lloyd Webber shows. Love him or hate him, heās a huge advocate for the idea that theatre should be accessible and preserved for the historic record; he actually arranged for a proshot of Love Never Dies on the basis that he was pretty sure it WASNāT going to be playing for very long, and future theatre fans who wanted to see it for any reason should have access to it. Webber has been in this industry since 1969. When a man with that kind of resume says āyes, this needs to be a thing,ā itās a fair bet he knows a thing or two of what heās talking about. Itās one reason I love Webber: yeah, some of his shows are kind of questionable quality, but heās on the fansā side here.
(Also, I feel the need to defend him against the new CATS. He arranged the 1998 stage-but-edited version that was pretty good. He was PISSED about the 2019 version long before it was released.)
So basically: if youāre not a Webber fan, youāre screwed. If you ARE a Webber fan but you also want to see cool stuff like the bilingual version of West Side Story or the production of Fiddler on the Roof that was partly in Yiddish, youāre screwed. If you want to see cult classics that werenāt around long, like Spring Awakening or Spider-Man: Turn Off The Dark (or, for the REALLY obscure: Chess or Bat Boy), youāre screwed. If you want to see shows that were reasonably successful but require a huge budget and so donāt get put on often, like Aida and Little Shop of Horrors, youāre screwed. If you want to see shows that require a budget SO huge that no community theatre no matter how well-endowed will ever be able to afford them, like Wicked? YOUāRE SCREWED.
I am begging you. BUY HAMILTON. DONāT PIRATE. This is a fight 30+ years old and buying it will help demonstrate that YES, there is an entire audience outside New York ready and willing to buy in; YES, itās worth the outlay of cash to do these recordings and mix and edit them; and, and understand I am saying this as a Webber and Les Mis fan, RECORDINGS THAT ARE NOT LES MIS OR ANDREW LLOYD WEBBER ARE WORTH RELEASING.
Help us fight the good fight and make professional theatre available to everyone. BUY HAMILTON. DO NOT PIRATE. YES, EVEN THOUGH ITāS A DISNEY RELEASE. YES, EVEN THOUGH NON-PROFESSIONAL RECORDINGS EXIST.
This is important. As a theatre advocate I cannot stress HOW important. If you follow me, you know Iām all in favor of things like streaming services and breaking up the Disney monopoly. But in this, my loyalty has to lie with a fight I joined in 2005 that was going on when I was still smelling markers in kindergarten.
If you have any interest in seeing Hamilton, no matter how casual, buy it. Please.
(And while youāre at it: support your local community theatre. Most community theatres put on great shows on a very tiny budget and could, I say this totally unironically, use your $5-10 donation. It adds up and it helps keep the lights on.)
As someone who knows nothing about She-Ra reboot but keeps seeing the freakout over catdora, Iām curious about why you dislike it. Personally I donāt care for it either but thatās cause I donāt watch it lol but spill the tea sis I love controversial takes š
I just donāt think thereās anything romantic about 4 seasons straight of someone literally trying to viciously torture and murder someone else that theyāre apparently secretly in love with