Starting a collection
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Cosimo Galluzzi
No title available
Aqua Utopia|海の底で記憶を紡ぐ

ellievsbear
macklin celebrini has autism
hello vonnie
todays bird
Mike Driver
No title available

shark vs the universe

Love Begins
occasionally subtle

if i look back, i am lost
PUT YOUR BEARD IN MY MOUTH

No title available

pixel skylines
I'd rather be in outer space 🛸
RMH

oozey mess

seen from United States
seen from United States

seen from Netherlands

seen from Canada
seen from Netherlands

seen from Netherlands
seen from United States

seen from Cyprus

seen from France

seen from United States
seen from Côte d’Ivoire
seen from United States

seen from Kenya

seen from Argentina

seen from Ecuador
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seen from Colombia
@terodomm
Starting a collection
what's your "if I won the lottery I wouldn't tell anyone but there would be signs" thing? mine is getting a fully green kitchen
Media: I have made an article about science.
Scientists: You’ve ruined a perfectly good research finding is what you’ve done. Look at it. It’s got alarmism.
I love you speculative biology. I love you worldbuilding projects. I love you creature design. I love you fantasy biology. I love you speculative evolution. I love you science fiction.
how it all feels lately
spongebob and patrick deserve what they go through with Squidward sometimes because they don't ever respect that squid's boundaries
there’s a war between Sucking and Fucking
you people cannot be trusted in the war room
gonna be honest i don’t know how many more ‘enter the 6 digit code we sent to your phone’s i got left in me
you are my solution
— July 9, 1912 / Franz Kafka diaries
Note: This entry was censored in the first edition of the diaries, Max Brod changed it to “Two handsome Swedish boys with long legs.”
"Perhaps Brod’s elision of passages that could be read as homoerotic has ultimately drawn more attention to them than they otherwise would have received—still, this very elision suggests that these passages threatened the image of Kafka that Brod was striving to construct." — from translator's preface
Sometimes i forget to rebog a day post but don't worry, you guys wont let me forget this onee
This is the best ad for Project Hail Mary I have ever seen. Like if I was on the fence about watching or reading it, this would convince me to do so.
The Lazy Italian Girl (1757) by Jean Baptiste Greuze
god, you take a five minute break and some asshole paints a picture
I bet Jean Baptiste wasn't helping with the washing up or doing the laundry
the scariest thing about old tv isnt really the racism or the sexisim because you kinda go in braced for that it's all the scenes where suddenly an actress is holding a lion cub or a chimpanzee is in the same room as a toddler, or suddenly theres a lion, or there's a chimpanzee again but it's driving a car, or holding a lighter, or holding fireworks. You just kind of watch in horror as over and over an actress performs with only 1960s tv film shootings best animal handling between her and the opening to Nope.
This is how I learn that the famous chimp my dad got my nickname from tried to kill Reagan. Fuck yeah.
the thing about being "good with kids" is all it takes is literally just not trying to control and mould them with every interaction. it's just being a normal person and engaging with them through normal interactions like having conversations and playing games. it's just being genuine and friendly and not perceiving them as lumps of wet clay you are there to shape. "oh you're so good with kids" thanks it's because I think they are people
*street shot of zohran mamdani clad in nasty lil suit and hard hat* five months ago i was elected mayor of new york city. in that time, we have managed to COMPLETELY defeat the Staten Island Minotaur at no additional cost to the new york taxpayer
a funny thing about having conversations with people within institutions (academic in this case but also others) about gatekeeping, is that you end up having a conversation over and over in which you're like, "hey this alligator spike pit moat you have erected around your institution is keeping a lot of people out," and they're like, "well *I* navigated the alligator spike pit moat just fine," and you're like, "right. by dint of us having this conversation, you within the institution and me without, it is understood that you navigated the alligator spike pit moat. due to that being an inherent requirement of entering the institution," and they're like, "I don't think you understand the prestigious history of our alligator spike pit moat," and you're like, "is there a reason why there needs to be an alligator spike pit moat encircling the concept of higher education?" and they're like, "look, the alligator spike pit moat isn't for everyone. some people just aren't cut out for the alligator spike pit moat :)" and you're like, "right, yeah, like disabled people and people coming from poverty or unstable home environments or underserved communities or people dealing with difficult to navigate life events like pregnancy or abuse or prison or addiction or the death of a loved one, for example" and they're like, "how dare you imply that we are keeping those people out on purpose. it's their own problem if they can't wrestle the alligators and avoid the spikes while also disabled and/or poor and/or pregnant etc" and you're like, "well that seems evil," and they're like, "it sounds like maybe you're just bitter about the alligator spike pit moat because of your totally random individual experience with ONE bad alligator spike pit moat. have you considered therapy?" and you're like, "did you know that there's some patterns here in terms of how y'all are handling this stuff?" and they're like, "actually yes. we even have a department of alligator spike pit studies :)" and you're like, "that's great, how do I get access to and participate in those conversations?" and they're like, "well firstly you must cross the alligator spike pit moat"
if you can document that you have a medical condition that might make it challenging for you to navigate the alligator spike pit moat, they'll give you an extra 20 minutes to complete your navigation of the alligator spike pit moat
IMPORTANT: any injuries incurred as a result of navigating the alligator spike pit moat will be the sole responsibility of the injured parties. once you leave, the people who made you navigate the alligator spike pit moat and the institution that installed the alligator spike pit moat will never contact you again. except sometimes to ask you for more money.