Movies - No country for old men (2007), The Lobster (2015), Irréversible (2002), In the mood for Love (2000), Twin Peaks (Season 2, episode 22), Inside Llewellyn Davies (2013), Punch Drunk Love (2002), The Grand Budapest Hotel (2014), The Shining (1980),
Yeah but that's just the beginning. I also want Sanitation Worker Discounts at every business and blockbuster movie propaganda glorifying sanitation work. I want random people to salute garbage collectors and thank them for their service. I want drivers who get impatient with the recycling truck and honk at it and swerve around it to become social pariahs
we have dandelions EVERYWHERE, they are basically our State Weed, it is absolutely impossible that my mom has never interacted with a dandelion before, this requires further investigation
So after extensive interrogation I have an update:
my mom is in fact aware that dandelions exist. she temporarily forgot the name and there was some miscommunication.
the truth is actually weirder
she’s aware dandelions look like this
she is familiar with this flower. she knows the name of this flower. she declines to believe, however, that these are also dandelions
she does not believe these are the same plant. I tried to explain, and she thought I was either misinformed or lying. so I asked her what exactly did she think the yellow ones were called?
she answered, with complete confidence: Daffodils.
“buttercups” is a name applied to MANY flowers. in my part of the south it was this one:
imo there’s correct identifications of dandelions, daffodils, easter lilies and marigolds in this thread, but buttercups are simply impossible to agree on and the only solution is for everyone to post pictures of their local buttercups
“I want you to do this with me for one month. One month. Write 10 observations a week and by the end of four weeks, you will have an answer. Because when someone writes about the rustic gutter and the water pouring through it onto the muddy grass, the real pours into the room. And it’s thrilling. We’re all enlivened by it. We don’t have to find more than the rustic gutter and the muddy grass and the pouring cold water.”
— Marie Howe, Boston University’s 2016 Theopoetics Conference (via mothersofmyheart)
I ask my students every week to write 10 observations of the actual world. It’s very hard for them.
Ms. Tippett:
Really?
Ms. Howe:
They really find it hard.
Ms. Tippett:
What do you mean? What is the assignment? 10 observations of their actual world?
Ms. Howe:
Just tell me what you saw this morning like in two lines. I saw a water glass on a brown tablecloth, and the light came through it in three places. No metaphor. And to resist metaphor is very difficult because you have to actually endure the thing itself, which hurts us for some reason.
Ms. Tippett:
It does.
Ms. Howe:
It hurts us.
Ms. Tippett:
You naming something.
Ms. Howe:
We want to say, “It was like this; it was like that.” We want to look away. And to be with a glass of water or to be with anything — and then they say, “Well, there’s nothing important enough.” And that’s whole thing. It’s the point.
Ms. Howe:
It’s the this, right?
Ms. Howe:
Right, the this, whatever. And then they say, “Oh, I saw a lot of people who really want” — and, “No, no, no. No abstractions, no interpretations.” But then this amazing thing happens, Krista. The fourth week or so, they come in and clinkety, clank, clank, clank, onto the table pours all this stuff. And it so thrilling. I mean, it is thrilling. Everybody can feel it. Everyone is just like, “Wow.” The slice of apple, and then that gleam of the knife, and the sound of the trashcan closing, and the maple tree outside, and the blue jay. I mean, it almost comes clanking into the room. And it’s just amazing.
Ms. Tippett:
In some basic level, what they’ve done is just engage with their senses.
Ms. Howe:
Yeah, and have been present out of their minds and just noticing what’s around them, which is — we don’t do. And again, not to compare it to anything. They’re not allowed. And that’s very hard for them. And then on the fifth or sixth week, I say, “OK, use metaphors.” And they don’t want to. They don’t know how. They’re like, “Why would I? Why would I compare that to anything when it’s itself?” Exactly. Good question.
So then you think, why the necessity of a metaphor? Why do you have to use a metaphor now? Not just to do it to avoid it, but to do it to make it more there. And it’s very interesting.
The words and silences we live by. The rituals that sustain us. The poetry of ordinary time.
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