I felt like I had to do this.
trying on a metaphor
PUT YOUR BEARD IN MY MOUTH
dirt enthusiast
Lint Roller? I Barely Know Her

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#extradirty
Mike Driver
KIROKAZE

祝日 / Permanent Vacation
taylor price
DEAR READER

⁂
I'd rather be in outer space 🛸
Claire Keane
No title available
sheepfilms
Sweet Seals For You, Always
$LAYYYTER
d e v o n
seen from United States
seen from United States
seen from United States

seen from Philippines
seen from United Kingdom

seen from United States
seen from Bangladesh
seen from Brazil
seen from Kenya
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@thatssoshetty
I felt like I had to do this.
For people working in After effects for years thinking about giving nuke a try.
DinoBot, adding some idle animation to bring him to life.
I’m so mad because this worked
help me roger
Reblogging myself because
Originally posted by gifs-for-the-masses
Reblogging myself because… what was that? Five minutes?
O_O
………my friend has made me curious
help me roger
Update: after I reblogged this someone messaged me offering me tickets to the sold out Hausu screening with a Q&A and autograph session with the director
These never work for me, but here’s to trying.
I don’t believe in these things
But last time I reblogged one ten/fifteen minutes later I got a call offering me a job
But I reblogged it because I was waiting on hearing back from the job. So there you go.
Roger is cute.
Eh Roger is cute I might as well
That fish is so happy it makes me happy.
Reblogging myself because I reblogged this yesterday and got promoted today!
oh what the hell…lol.
this is important
ROGER WORKS
Roger please work your magic I need it now more than ever.
THIS IS SO FUNNY LMFAO
Why the hell not
Sơn Tùng M-TP‘s Aesthetically Pleasing Looks In Lạc Trôi
2:13 giống đoạn hook từ trên cao nhìn xuống https://www.youtube.com/watch?v=r4Dypit7UCI -_- Hay là có mỗi mình mình nghe ra nhỉ?? Quả thật đây đúng là bét mv, phá nát mọi chuẩn mực của thể loại cổ trang, và 1 câu thôi: tùng đẹp trai deso :v Nể triple D <3 mix quá hay (y)
I’ve been thinking a lot about the meeting between Trump and Obama at the White House, and here’s the thing.
Obama used to be a law professor. This is key.
Law school is so, so different from college.
In college, everyone expects there to be a “syllabus day,” kind of a grace period where they can show up and get the lay of the land, figure out the bare minimum that they can get away with, the TA gives everyone their office hours, there’s an introductory lecture, and everybody leaves a few minutes early to go take a nap or something. You do the bullshit assignments, you say something in class now and then to get your participation check mark, and figure out how badly you can do on the final and still pass.
But see, in law school, all the methodologies you’ve spent the last 17 years operating under go out the window. Day one of law school is you being thrown into the deep end of the pool—you’ve had a homework assignment for two weeks now, and it’s to read the first 200 pages of your casebook. And now it’s you and the teacher (who is usually as smug as Alex Trebek) gauging and assessing what you managed to absorb while you skimmed through all those pages of reading so you could hurry up and get to the other 150 pages of reading for your next period class, in front of 50 people who are all smarter than you. And if you fuck up, or you didn’t do the reading, you are at the mercies of not just the professor, but the silent satisfied judgment of your peers.
Law school is hard, and it will make you feel stupid and tongue-tied and like you don’t know anything and can’t form an argument—because you don’t, and you can’t. Everybody there has had a 4.0 since birth. Everybody there was the smartest kid in their class, and you’re all rabidly competing for a sliver of a chance at something down the road. It’s petty, and savage, fiercely entrenched in a culture of formalities and ceremony, and exactly like Washington DC.
Yesterday when I was driving home, the NPR reporter talking about the Oval Office meeting mentioned that Trump had thought it was going to be a “getting to know you” type meeting, but that he was surprised when Obama stretched their talk out to 90 minutes before sending him along to the Capitol building where he met with congressional leaders for more lengthy meetings and stuff he didn’t want to do.
And he hasn’t even gotten to the actual job yet.
So think about that as we go into this.
Trump walked into the Oval Office like a two-pump-chump freshman thinking it was syllabus day, and what he got was the first day of law school, and he hadn’t done the reading like everyone else had, and Professor Obama decided to put him in the hot seat.
This was Obama’s chance for the most perfect revenge that would never be picked up on as revenge at all. He was gracious, polite—everything he needed to be for a peaceful transition and a good review from the press. And that would continue when the doors were closed, because that’s the key. Not a Come to Jesus meeting, oh no. If Obama were smart—and he is very smart—he would have treated Trump like an equal, and brought the discussion to a level that assumes far more of Trump than anyone has so far. Assumes that he’s an adult who’s been paying attention. Statistics, esoteric minutiae about the executive branch procedure, economic growth numbers, labor figures, domestic policies, countries Trump has never even heard of, shit that would never in a million years have been in Trump’s campaign soundbites or digestible summaries.
No way to escape. No aides to remember any of it for him. Just the two of them.
Because that’s what would strike a precise chill into Trump. The thundering realization that he’s woefully unprepared for the hard, boring, thankless reality of this, and Obama’s version of a smooth transition won’t and shouldn’t include remedial civics.
That’s what I saw when they shook hands and Trump stared at the floor instead of looking back into Obama’s face. He’s just figured out how little he knows about any of this.
And that should give you a small glow of satisfaction, because after those meetings, Trump definitely has the 1L Terror Shits. In January, the night sweats and insomnia will show up, but for these first few weeks—nothing but diarrhea and self-doubt.
So You Found Out You are being Underpaid in Vancouver Animation
Many of us, as we are seeing the results from the Animation Wage Share (https://goo.gl/forms/O1NcaRIDh227s08I2), are realizing that we are either underpaid or significantly underpaid for our positions compared to the median weekly incomes. What do we do now that we have that information?
1. Remember that it isn’t our fault, this is systemic.
It’s easy for our first thoughts to be “am I less skilled than my coworkers? Am I a poor artist?”. No, you aren’t. We work a very high skilled job for wages that are sometimes comparable to deskilled service workers. A person can not walk off the street and be an animator, or a background artist, or a compositor. We take several years of school and build up extensive portfolios to do our jobs, and yet are treated like perpetual students who need to “pay their dues”. Deflated wages are systemic in Vancouver. There are many complex reasons for them, including studios chronically underbidding each other for client work without considering a bottom to their labour costs, a lopsided negotiation process, sending contracts and doing wage negotiations when artists are in a dash to sign a new contract, and keeping contracts too short for artists to feel the need to negotiate for better wages. If you are making far less than the median wage for your position, it’s not because you are less valuable or you are a poor negotiator, and you should not be putting the blame on yourself or trying to make up for perceived “faults”. In fact, the only consistent factor in how much a person makes in their position is the studio they work for. Years of experience seem to have no correlation with weekly wages. 7-12 years experience in animation are commonly reporting far lower wages than 1-3 years experience, especially if they work at studios that chronically underpay their animators. 2. Try to negotiate a more fair wage, and refuse extremely low wage contracts in the future.
Vancouver is doing extremely well for animation, and has been for many years. We are in a situation where there is more work than artists, and studios are even forgoing the coveted BC tax credits to bring talent in from other provinces and countries. Artist are in a strong position to ask for a fair wage for their jobs, especially considering how high skilled they are.
Don’t be afraid to get into wage negotiations early and barter back and forth with the studios. Open with a wage that is higher than what you are willing to settle for, and walk away if a studio uses manipulative tactics to push you into an unfair wage. No matter what they say, the data makes it clear that studios do not pay artists consistently for the same job, there is no standard to which they are adhering.
Most importantly - do NOT accept extremely low wage contracts, even if you are a student just leaving school. It is bad for you, your family and your coworkers. It keeps wages artificially depressed when people undervalue themselves. A good rule of thumb is any wage offer more than $150 a week under the median value is too low. If you are an animator being offered $600 a week, taking EI while negotiating a better contract at another studio may be more beneficial in the long run, even though it can feel like a step towards failure.
By not taking extremely low wage contracts we are signalling to studios that their chronic underpayment of artists will result in their difficulty staffing up. That they will have less trouble, and more successful productions if they offer fair wages to the lifeblood of their profit generation. Having the “prestige of working on a Dreamworks production” does not make up for the $450 a week in lost wages. Conglomerates are multi-million dollar organizations that garnered that prestige with talented, well paid artists. They can afford to give us the median wage, especially with the generous tax credits they receive from our government (and which we pay for in our taxes - talk about a double insult).
3. This systemic problem has been solved before
All we have to do is look to our neighbours to the south to see how systemic wage depression has been solved with organization. California currently has few tax credits in animation and has been suffering from a constant outsourcing to studios around the world…. with the bulk majority coming to us. Nonetheless, productions having been successfully signing collective agreements with IATSE to keep wages industry consistent, and they have kept their jobs. When the crew at Rick and Morty signed with IATSE in 2014, some artists saw a wage increase of approximately 20 - 30% to bring them in line with industry standards, and they all kept their jobs. In fact, Rick and Morty is more successful than ever, running towards their much anticipated third season.
Wage consistency creates labour reliability, which is extremely important for studios to make better productions. When your artists make industry standard wages, they are less likely to jump ship to another production that is offering better wages. It keeps teams together and consistent, and stops the revolving door of high labour turnover. Studios can not force their employees to organize, and they may even resist it in the short term, but in the long run it will make Vancouver animation a stable, reliable industry that conglomerates can count on to make superior products. Companies that hire us are used to dealing with unionized productions, and even have language embedded in their contracts for such a scenario. So when a coworker begins to talk about organization on your production, it’s something to seriously consider and research. It will not kill Vancouver animation, and it will not put our studios out of business. Lastly, Never forget: Animation Artists in Vancouver are skilled, and they are essential.
Any Vancouver animation artists that haven’t joined our survey yet, please join us: https://goo.gl/forms/O1NcaRIDh227s08I2
Fucking CONSTANTLY
Witches went on a road trip together! Thank you very very very much for liking and re-blogging the with talk image :):):):)
trying to do more ‘intimate’ scenes asdfgkhajl. but. also just. perusing the idea that what if at the beginning she tried to be very… tempting lol
Canadian Nightmare
JESUS CHRIST WHO THE FUCK LET THAT EXIST
The Canadian regionalization DLC for Nyan Cat looks amazing.
The Knights 8
Dragon Ball Steven: Part Deux.
Sister Of Leaf by JiHunLee
by Diego Gisbert Llorens