In All Systems Red, Martha Wells hides a delicate, nuanced, character-driven story under a veneer of robot fights and space murder — and the
There are subtexts to be read into Murderbot — that its experience is a coming-out narrative, that it mirrors the lives of trans people, immigrants, those on the autism spectrum or anyone else who feels the need to hide some essential part of themselves from a population that either threatens or can't possibly understand them. Or both. And I get all of that because every one of those reads is right.
It's the wonder of the character — that something so alien can be so human. That everyone who has ever had to hide in a crowded room, avert their eyes from power, cocoon themselves in media for comfort or lie to survive can relate. It's powerful to see that on the page. It's moving to ride around in the head of something that is so strong and so vulnerable, so murder-y and so frightened, all at the same time.
I love Thiago so much he’s so fun. Problem Human Of The Week, but unlike your usual Problem Human, Murderbot wants to like him and it wants him to like it. and therein is the tension. otherwise it could just write him off as just another irritating disappointing client who causes issues and doesn’t listen and thinks negatively of SecUnits.
he’s part of the Network Effect™️ of human relationships! Ok! he’s an example of of Murderbot’s more mundane challenges re: social/society integration, the very typical challenges involved with like. professionalism. family dynamics. etc. and the issues between Thiago and Murderbot are very much these more mundane issues, like “I don’t trust your security calls because I don’t trust the culture that gave rise to you and put guns in your arms and I don’t like how anxious Mensah is and I think you’re contributing to her anxiety.” as opposed to “yikes SecUnits scary.” which tbh I don’t get the sense is really on Thiago’s radar. he’s like so sheltered that SecUnits aren’t part of his experiences really.
and yeah he fucks up at the start of the book but he learns also? he listens to Murderbot when they talk it out later and reconsiders his opinions when new information comes up about the danger Mensah was in? and by the end of the book he’s fully advocating to protect Murderbot from people crowding it and pushing Feelings Talk on it while it is fucked up (rescued after squashed by ag-bot and strung up in alien pit etc). I mean he’s overridden by Ratthi who is a level 10 Murderbot Friend who understands that this Feelings Moment (letting MB know just how much ART and everyone care about it and went to rescue it specifically because he knows Murderbot has Emotional Issues and could benefit from a reminder that everyone really cares about it). But like Thiago had the spirit. He was just level 1 or 2 at this stage.
that’s character and relationship Growth! Thiago is not #1 man (Ratthi is #1 man) but he’s an important part of the team and he’s got his own hangups and idiosyncrasies and willing to learn and grow.
me seeing fictional characters navigate interpersonal drama like adults: now this is the real escapist fantasy. oh also sick killware clone baby.
At the inspiration of the Murderbot Discord community, especially @blessphemy, I made a little Murderbot Diaries zine!
PresAux’s Favorite Foods, as described by themselves. A combination of headcanons about the characters and Preservation food culture, and inspiring myself to draw fun little things with my range of nice markers again.
The Murderbot Diaries and Terminator: Dark Fate: What Does a Killer Robot WANT, Anyway?
The Terminator (1984) is probably the most famous killer robot in media, setting the image for a what a killer robot is. It’s shaped like a bodybuilder, weapons built into its metal skeleton, eyes hidden behind cool and impersonal sunglasses, a threateningly “foreign” accent, and no feelings, no remorse, and no desires besides killing its target. Kyle Reese describes it to Sarah Connor bluntly: “That Terminator is out there! It can't be bargained with. It can't be reasoned with. It doesn't feel pity, or remorse, or fear. And it absolutely will not stop... ever, until you are dead!” And the film supports this wholeheartedly. We get a few scenes from the Terminator’s perspective, and they do not really indicate that it has much in the way of personality or free will. It’s scary because it is a ruthlessly efficient, tireless, and analytical machine built to kill. It will not stop until its target is dead, or it is.
Terminator 2: Judgement Day (1991) gives us a nice Terminator, a Terminator captured from its controlling Skynet and re-programmed to help Sarah and John Connor rather than hunt them. This Terminator gives slightly more suggestions that it has a personality of its own, but ultimately it is still now ruthlessly efficient, tireless, and analytical in protecting its charges, but it still dies at the end in the course of fulfilling its objective. It was, after all, programmed by the human rebels to protect John Connor, and it did.
Did the Terminator want any of that? The second film halfheartedly cares a little, and the first film certainly did not at all. It’s an irrelevant question. It’s a robot; it’s incapable of truly wanting anything, it just does as it’s programmed. It fulfills its objective.
In modern sci-fi, that’s not really a satisfying answer anymore. It looks like a human, has human organic parts built into it, and it clearly has the ability to process large amounts of information and make complex and reasoned decisions. Why do we write it off so thoroughly? Does a Terminator like what it does? Would it choose this? What does a Terminator want?
The Murderbot Diaries (2017-present) by Martha Wells isn’t a direct answer to this question, but it sure is considering it.
The titular Murderbot is very similar to the Terminator: a human-form cyborg, a robot with human organic parts built in, a machine with guns in its arms made to do a job and that job being to protect and/or oppress humans. But as a thinking, feeling, complex entity, it has opinions about that job.
You know what else is a clear response to early Terminator movies’ fundamental uninterest in the Terminator’s inner life and personal opinions on things? Later Terminator movies. Specifically Terminator: Dark Fate (2019).
The fact that The Murderbot Diaries and Dark Fate came out at roughly the same time, in the same sci-fi AI-story zeitgeist, looking back critically at the 80’s and early 90’s Terminator and asking, well, what would it do if it didn’t have to murder, who would it be if it had the choice, is telling.
The Murderbot Diaries stars Murderbot, a SecurityUnit owned by a callously greedy and corner-cutting company that uses such SecUnits ostensibly to protect but in reality to intimidate, control, and surveil human clients. It calls itself “Murderbot” and all SecUnits as a whole “murderbots” for a reason. The world of the books sees SecUnits as mindless killer robots kept in check by their programming, in a very similar way that the Terminator was presented in 1984. We see the story from Murderbot’s point of view: it’s snarky, depressed, anxious, bitter, funny, and very opinionated. It also really, really hates intimidating, controlling, and surveilling people, and it specifically broke its own programming meant to keep it compliant so it wouldn’t have to hurt people. Instead, it wants to half-ass its job and watch soap operas… but it’s sympathetic to humans in danger despite itself, and when it chooses humans it cares about, it will go to great lengths (ruthless, but very tired and full of fear and pity) to protect them. What does it want? To be given space; to not be given orders; to have the ability to take its time and watch its shows and determine what its job as Security means to it.
Terminator: Dark Fate takes a different tack. (It’s actually about three badass women and I’m very sorry for focusing on the man-like character here BUT) Dark Fate presents an alternate timeline off the main series, where the Terminator succeeded in killing young John Connor. Previously, we had seen Terminators that would not stop until they were dead; this one fulfills Reese’s other warning. It will not stop until John Connor is dead. Well…. it succeeded. John Connor is dead.
Now what?
In the opening scene, we see this from his mother Sarah Connor’s perspective. The Terminator appears out of time, ambushes and kills young John Connor, and then stands there looking impassively at the destruction it wrought while Sarah screams.
It looks cold and satisfied when that scene is first presented. But when we see it again from the Terminator’s perspective, it seems to just stand there, staring stupidly, suddenly with no direction in life. It fulfilled its objective. It followed its programming. Now it has no more objective, can receive no more orders, and its programming has nothing more to tell it to do. It eventually disappears into the woods, learns more about humanity, grows a conscience, lives in a little cabin with a woman and her son fleeing an abusive husband in an apparently mutually very supportive relationship, chops wood, drives a truck, and gives Sarah Connor insider information to allow her to track down other incoming Terminators as a way of atonement. It does have remorse, if given time to think for itself and realize it. It doesn’t really want to hurt people, and even, similar to Murderbot, has a drive to use its strength and intimidating-ness to protect the people it chooses. It mostly wants to be quietly and safely left alone.
Both the Terminator and Murderbot are killer robots left adrift, aimless, reeling, suddenly having to decide for themselves what to do with their lives for the first time. Both are stories that circle back to the original Terminator premise and say, okay, but that killer robot isn’t killing for the sheer thrill of it, it was forced into doing that by a top-down authority in control of its programming. That would kind of fuck someone up, actually. It’s a hopeful narrative: these things are people, and they don’t want to be hurting other people. When given the option, they just want to rest, make amends, understand the truth, find a place they belong, and see the people they care about safe. And I think it’s fascinating that not only is smaller, literary sci-fi asking this question and telling this story, but so is the Terminator franchise itself.
We also just as blatantly see the evolution of Sarah Connor as a character. In The Terminator (1984) the Terminator is sent to kill Sarah Connor. When I was watching it recently with some friends who had never seen it before, they guessed—almost correctly—“oh, it’s because she’s the rebel leader in the future!” Sorry guys, this is a 1980s mainstream sci-fi blockbuster. Her as-yet unborn son is going to be the rebel leader. That’s why the robots in the future need to kill her, before she gives birth to the hero of the humans. Blech, I know.
Over the course of the movie, though, she becomes tough, fierce, and brave, the type who can and will survive the apocalypse; in future movies and tv series (like The Sarah Connor Chronicles, 2008, where she gets to be the eponymous title character this time!), she gets to be a strong leader in her own right. This is particularly true in Terminator: Dark Fate, where Sarah Connor is a tough, grizzled, middle-aged Terminator-fighter, who steals heavy weaponry from the government to track down and kill Terminators arriving from the future. She becomes a mentor to the new woman being hunted down by the new Terminator threat, Dani Ramos. This time, though, Dani isn’t fated to be the mother of the human rebel leader—she is destined to become the human rebel leader herself. Along with Dani’s own Kyle Reese figure, a cybernetically-augmented human fighter from the future named Grace, women get central action-hero and rebel-leader roles in Terminator: Dark Fate, feeling like an awkward apology for the sexism inherent in the premise of 1984’s The Terminator. (However, Dark Fate stops short of committing to the Dani-Sarah/Grace-Reese parallel and letting them be lesbians. It’s still a mainstream action movie, I guess.) We even see the development of a curt but resentfully respectful understanding between Sarah Connor and the Terminator that killed her son.
I lay this out because in the same way I see the literary DNA of the Terminator in Murderbot, I see elements of Sarah Connor in Dr. Mensah. She’s the human protagonist—the one who would be the protagonist if All Systems Red had been from the human perspective—and feels like the answer to a similar question to “what does a killer robot want?”, namely, “what if, instead of enemies locked into battle to the death, the badass human and the killer robot worked together and came to an understanding? What if they could be friends instead of enemies?” Mensah also feels like a feminist response to some of the issues I had with Sarah Connor—that she didn’t get to be the leader herself, that despite her own strength and tenacity being the mother to the leader was the most important thing she would do—and responds to them in a similar way that Dark Fate somewhat apologetically does. Mensah is the leader of her society (her planet). Mensah is a mother and she is a scientist and a leader and gets her badass action-hero moments (MINING DRILL). She is the first to reach out to Murderbot. To ask it how it feels, and calm down the others later when they’re afraid; her relationship with Murderbot is unique. She’s a foil to Murderbot in a parallel but opposite way that Sarah Connor is a foil to the Terminator. And while in Dark Fate they are not friends (the Terminator did still kill Sarah’s son, even if it didn’t specifically want to) we see the same kind of desire reflected: what if they were at least allies? What if they were working together? How would that relationship go? What kind of understanding could they come to, about what it means to be human and to be machine? It's a smaller part of the movie and they don't give a whole lot of answers, but it's there.
Both All Systems Red (and the subsequent Murderbot Diaries books) and Terminator: Dark Fate were released in a very different sci-fi zeitgeist than The Terminator was. They’re both looking back, and reacting to it: Dark Fate directly, The Murderbot Diaries indirectly. And they’re approaching the concept of the Terminator and its Sarah Connor figure with similar questions: What does the robot want, aside from its programming to kill, and if it could be freed of its programming to kill, what kind of relationships—with society, with the concept of self-determination, and with its human woman foil—could it potentially be able to develop, with that freedom?
#murderbot #smh he doesn’t even know that pin-Lee made everyone call her ‘Killer Supreme’ from the age of 6 years old to 23 she only stopped when she thought her parents completely gave up on her (tags via blessphemy)
I never considered myself the kind of person to get obsessed with a random side character but it’s happened multiple times now
I love Iris Murderbotdiaries soooooooooooo much and I’ve built her up sOO much in my head from Scraps. sure she doesn’t get characterized very heavily in the books but she is THE character to me. I’ve Blorboified her a bit what about it. Get off my lawn.
Her sibling is a space ship. What does that do to a human personality, to grow up with an experimentally advanced AI in the family? she’s an augmented human, can we unpack that. Do you think she and ART have some similar personality traits? Yes they do. I’m telling you. Ok but do you think ART’s personality was influenced by her or was her personality influenced by ART? (both.)
Her “fuck-you” smile. Her successful weapons handling. Her melodramatic and somewhat cringy declaration of her co-worker’s dark backstory (“He hates corporates more than any of us. They made him kill.”) (<- said to the resident SecUnit who (privately) calls itself Murderbot). Her crying over ARTdrone. She works in colony emancipation. With her dads. Her dad is the captain. Was she a nepo hire? I refuse to believe it because she is definitely fully qualified but also how could she not be. She’s ART’s favorite human.
also in the narrative I invented entirely in my mind she’s a bit of an asshole but in a cool and fun way. she collects tchotchkes. she knows data archaeology. (<- extrapolating from 1 line of when Iris commented on the records of the station in network effect.) she’s the specialest most talented and most interesting human on the perihelion crew and I WON’T hear a word otherwise. This is objective fact
While an accredited research ship of the Pansystem University of Mihira and New Tideland would never participate in biasing research results, hypothesizing about the results of such studies is well within normal academic practice.
Tarik is the human most easily confused by philosophical debate, and has his issues with projecting his emotions onto others. We would of course never threaten any participants with orbital bombardment to prove our hypotheses correct, but the Perihelion expects that any sensible human will vote for Tarik in this poll.
They may be the literal background of the finished product, but the backgrounds done for the Murderbot Diaries Fanimation Project deserve their time in the spotlight!
Part of what makes the Fanimation stand out as much as it does is the love, care, and attention to detail that the artists poured into the backgrounds. The team stuck closely to the source texts when designing the spaces, producing some beautiful pieces of art that deserve appreciation on their own.
You can watch the Murderbot Diaries Fanimation Project here.
(IDs are in alt text)
Scanners - Initial sketch and layout by Jude, finalised and coloured by @chimaerakitten
"I had to hack an ID-screening system and some weapon-scanning drones on the level above..."
ASR Pit - by Lue
"This assessment zone was a barren stretch of coastal island, with low, flat hills rising and falling and thick greenish-black grass up to my ankles [...] The coast was dotted with big bare craters, one of which Bharadwaj and Volescu were taking samples in. The planet had a ring, which from our current position dominated the horizon when you looked out to sea."
AC Food Court - by Vanessa
"The location for the meeting was a food service place in the main mall area. [...] There were multiple open levels inside, with tables and chairs, and it was 40 percent full of humans and augmented humans."
Deltfall - by @chimaerakitten with bodies by @theash0
"There were eleven messily dead humans in the hub, sprawled on the floor, in chairs, the monitoring stations and projection surfaces behind them showing impact damage from projectile and energy weapon fire."
ASR Hopper - by @broken-risk-assessment-module
"It was a series of rocky hills in a thick tropical jungle, heavily occupied by a large range of fauna."
PresAux Hub - by Cephei
"There were mugs and empty meal packets on some of the consoles. I’m not cleaning that up unless I’m given a direct order."
AC Hotel - Layout and lineart by Vanessa, colour by Cephei
"The lobby was built on various platforms overlooking a holo sculpture of an open chasm filled with a giant crystalline structure growing out of the walls. [...] My clients were on the same platform as the check-in area, near the railing around the sculpture’s artificial chasm, sitting on a round backless couch thing that looked more like a decorative object than furniture."
Medbay - by @sometimesihaveideas
"I opened my security feed and found a camera for Medical. I was lying on the procedure table, my armor gone, just wearing what was left of my suit skin, the humans gathered around."
They may be the literal background of the finished product, but the backgrounds done for the Murderbot Diaries Fanimation Project deserve their time in the spotlight!
Part of what makes the Fanimation stand out as much as it does is the love, care, and attention to detail that the artists poured into the backgrounds. The team stuck closely to the source texts when designing the spaces, producing some beautiful pieces of art that deserve appreciation on their own.
You can watch the Murderbot Diaries Fanimation Project here.
(IDs are in alt text)
Scanners - Initial sketch and layout by Jude, finalised and coloured by @chimaerakitten
"I had to hack an ID-screening system and some weapon-scanning drones on the level above..."
ASR Pit - by Lue
"This assessment zone was a barren stretch of coastal island, with low, flat hills rising and falling and thick greenish-black grass up to my ankles [...] The coast was dotted with big bare craters, one of which Bharadwaj and Volescu were taking samples in. The planet had a ring, which from our current position dominated the horizon when you looked out to sea."
AC Food Court - by Vanessa
"The location for the meeting was a food service place in the main mall area. [...] There were multiple open levels inside, with tables and chairs, and it was 40 percent full of humans and augmented humans."
Deltfall - by @chimaerakitten with bodies by @theash0
"There were eleven messily dead humans in the hub, sprawled on the floor, in chairs, the monitoring stations and projection surfaces behind them showing impact damage from projectile and energy weapon fire."
ASR Hopper - by @broken-risk-assessment-module
"It was a series of rocky hills in a thick tropical jungle, heavily occupied by a large range of fauna."
PresAux Hub - by Cephei
"There were mugs and empty meal packets on some of the consoles. I’m not cleaning that up unless I’m given a direct order."
AC Hotel - Layout and lineart by Vanessa, colour by Cephei
"The lobby was built on various platforms overlooking a holo sculpture of an open chasm filled with a giant crystalline structure growing out of the walls. [...] My clients were on the same platform as the check-in area, near the railing around the sculpture’s artificial chasm, sitting on a round backless couch thing that looked more like a decorative object than furniture."
Medbay - by @sometimesihaveideas
"I opened my security feed and found a camera for Medical. I was lying on the procedure table, my armor gone, just wearing what was left of my suit skin, the humans gathered around."
Subtitles in English, Spanish, French, and German.
In early 2021, as talk of a Murderbot Diaries adaptation was underway, fans of the series started asking each other questions like, "What would we want to see from an adaptation of our favorite book series?" and "Wouldn't it be cool if this or that scene was animated?" and "Hey, don't YOU know some things about animation?" and "What if a bunch of fans got together to make a Murderbot fan animation?"
Two years of teamwork later, the Murderbot Diaries Fanimation Project presents our labor of love: a fully realized animation adapting scenes from the first four novellas into a trailer, dedicated to showcasing everything we love about the story of our favorite rogue SecUnit.
Make sure to leave a like and share the video if you enjoyed our animation! And tell us what you liked about the video on our social media:
Ask the team on Tumblr | Instagram | YouTube
CREDITS
TheSteelChimera @thesteelchimera - Voice of Murderbot, Production Coordination, Script
Alex from Mars @imaginariumgeographica - Voice of ART Kebi/SpiralofDragon @spiralofdragon - Voice of Mensah, Character Design
Verso - Voice of Ratthi, Social Media
Kes @kesbeacon - Voice of Gurathin
brokenRAmodule @broken-risk-assessment-module @contakaidigon - Production Coordination, Backgrounds, Animation, Script, Storyboard, Character Design, Editing, 3D, Sounds & Music
Pay no attention to the Murderbot adaptation news on your feed, THIS three minute video is the one that does the source material justice! Nary a cis white man in sight.
Apple TV+ has officially picked up Murderbot, a 10-episode sci-fi drama series starring and executive produced by Emmy winner Alexander Skar
Congratulations to Martha Wells, who very much deserves that sweet Hollywood cash for her years in the midlist SFF author mines. A big fucking No Thank You to casting a cis white dude as Murderbot, I guess lest we miss out on a TV show reassuring us that cis white men are people too.
To dig into this a little further and evenhandedly: I actually think Skarsgård is a talented actor who's probably capable of doing a very good job with the character, including its agender identity, and this may be a perfectly watchable show.
Also, I don't care. The point of Murderbot is that it is viewed as a disposable non-person who can be both the victim and perpetrator of extreme violence on behalf of its owners, and that it has to learn to claim its own personhood and others have to learn to understand it as a person on its own terms, not their own. It's not that cis (Western) white men are NEVER subject to dehumanisation or viewed as disposable, it's that this happens *much less often* and there is also a wealth of media encouraging us to remember their personhood.
In terms of the reality of casting a TV show, it's true that you do often need a "name" star attached in a leading role to get it funded. HOWEVER, that doesn't mean they have to play the title character. I think an effective example here is the Wheel of Time TV show, where they got Rosamund Pike onboard and shifted the PoV of the story to give her character more airtime. Regardless, the original story centres around a group of young people and they still cast relatively unknown and very talented young actors, including Black and Indigenous actors, to play them. You could attach a famous white man to a Murderbot screen project and do a multiple-PoV story where we're seeing Murderbot from his PoV as well as its own.
But if the question of Murderbot's personhood is central to the story, as it should be, then casting someone *whose personhood would never be in question in our own world* to play it just...egregiously misses the point.
#I just hate it when this sort of critique is fairly made #and then you get the backlash of 'oh but the white man still did a good job' #after the show or movie comes out #yes many white men are talented actors it's about who gets to exercise those talents #and in which contexts (tags via op)
Yeah, that's right, the Murderbot Diaries fandom is full of incredible talent and brilliant artists, and we're only dropping cooler and more talented stuff with time.
Can't wait for the Murderbot Diaries Fan Animation to drop this Friday? To tide you over, we're featuring some of the show-stopping animatics that went down in fandom history before us:
I'm Not Your Hero - The Murderbot Diaries Animatic by mar @souldagger
Ganaka Pit // Relax (Take it Easy) by Kes Beacon @kesbeacon
Murderbot Diaries: Exit Strategy Spoilers by MonnieBiloney[Art] @monniebiloney
murderbot crack by @broken-risk-assessment-module
They Don't Care About Us | Fugitive Telemetry by thymia @alex-van-gore
And finally, bringing together many of the previous incredible artists onto our team, is the Murderbot Diaries Fan Animation Project. Watch this space!
#mbfanimationproject on Tumblr | Instagram | YouTube
Adding this video that recently came to our attention to the lineup of amazing Murderbot animatics! It was actually uploaded 2 months ago, but hadn't gotten the hype it deserves.
8. The Murderbot Diaries | Fan Trailer by Harrison Dorn
Subtitles in English, Spanish, French, and German.
In early 2021, as talk of a Murderbot Diaries adaptation was underway, fans of the series started asking each other questions like, "What would we want to see from an adaptation of our favorite book series?" and "Wouldn't it be cool if this or that scene was animated?" and "Hey, don't YOU know some things about animation?" and "What if a bunch of fans got together to make a Murderbot fan animation?"
Two years of teamwork later, the Murderbot Diaries Fanimation Project presents our labor of love: a fully realized animation adapting scenes from the first four novellas into a trailer, dedicated to showcasing everything we love about the story of our favorite rogue SecUnit.
Make sure to leave a like and share the video if you enjoyed our animation! And tell us what you liked about the video on our social media:
Ask the team on Tumblr | Instagram | YouTube
CREDITS
TheSteelChimera @thesteelchimera - Voice of Murderbot, Production Coordination, Script
Alex from Mars @imaginariumgeographica - Voice of ART Kebi/SpiralofDragon @spiralofdragon - Voice of Mensah, Character Design
Verso - Voice of Ratthi, Social Media
Kes @kesbeacon - Voice of Gurathin
brokenRAmodule @broken-risk-assessment-module @contakaidigon - Production Coordination, Backgrounds, Animation, Script, Storyboard, Character Design, Editing, 3D, Sounds & Music
Subtitles in English, Spanish, French, and German.
In early 2021, as talk of a Murderbot Diaries adaptation was underway, fans of the series started asking each other questions like, "What would we want to see from an adaptation of our favorite book series?" and "Wouldn't it be cool if this or that scene was animated?" and "Hey, don't YOU know some things about animation?" and "What if a bunch of fans got together to make a Murderbot fan animation?"
Two years of teamwork later, the Murderbot Diaries Fanimation Project presents our labor of love: a fully realized animation adapting scenes from the first four novellas into a trailer, dedicated to showcasing everything we love about the story of our favorite rogue SecUnit.
Make sure to leave a like and share the video if you enjoyed our animation! And tell us what you liked about the video on our social media:
Ask the team on Tumblr | Instagram | YouTube
CREDITS
TheSteelChimera @thesteelchimera - Voice of Murderbot, Production Coordination, Script
Alex from Mars @imaginariumgeographica - Voice of ART Kebi/SpiralofDragon @spiralofdragon - Voice of Mensah, Character Design
Verso - Voice of Ratthi, Social Media
Kes @kesbeacon - Voice of Gurathin
brokenRAmodule @broken-risk-assessment-module @contakaidigon - Production Coordination, Backgrounds, Animation, Script, Storyboard, Character Design, Editing, 3D, Sounds & Music
