This is spot on lol
As an art teacher I can confirm this is a great way to memorize the different art movements and I’m going to now teach it this way
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let's talk about Bridgerton tea, my ask is open
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@the-teacher-memes
This is spot on lol
As an art teacher I can confirm this is a great way to memorize the different art movements and I’m going to now teach it this way
i think the hardest part about this job is not being able to say What The Fuck
YES >:(
Some days it’s definitely like that.
a short tutorial
“Cheating” in art
I’m getting a gigantic influx of messages about “cheating” in art, and let me lay out my take on this whole thing:
IMO, as long as you aren’t using someone else’s materials without their permission, there are no rules and nothing is cheating.
-Can relying on some techniques (such as tracing your own photographs or tracing/integrating 3D models) limit your growth? YES. Does that matter? I don’t know! Does it matter to you? It’s solely a personal choice, it doesn’t affect me or anybody else. Whether or not you ever learn perspective doesn’t affect anyone but you.
-Are there techniques that bypass learning moments in favor of speed? YES. Professionals use them all the time in order to make a production run smoothly. When speed is no longer the most important consideration, then learning can be favored and some of the speed-oriented techniques can be dropped.
Nothing is real. We made this all up. Do what feels right to you. Use whatever brushes, stamps, blending modes, scanned textures, 3D modeling software, royalty free photographs, etc you want to. If you feel like its hindering your growth, stop. If you feel like it’s allowing you to conceptualize more efficiently and bring your ideas to life, keep at it.
Just don’t use other people’s materials (photographs, brushes, textures, etc) in a recognizable way without permission. Nothing else matters. The end.
as someone who currently works in the industry now, yes:
USE REFERENCES! USE SHORTCUTS! THAT’S WHY WE MAKE SHORTCUTS TO BEGIN WITH FOR MORE EFFICIENCY
GOING TO SCHOOL IN THE SOUTH BE LIKE....
This is the video that launched my #whatdyawannabe series on TikTok. I’ll post some of those next.
this is wholesome af
1. “State the idea you wish to express as clearly as possible, and in terms preschoolers can understand.” Example: It is dangerous to play in the street.
2. “Rephrase in a positive manner,” as in It is good to play where it is safe.
3. “Rephrase the idea, bearing in mind that preschoolers cannot yet make subtle distinctions and need to be redirected to authorities they trust.” As in, “Ask your parents where it is safe to play.”
4. “Rephrase your idea to eliminate all elements that could be considered prescriptive, directive, or instructive.” In the example, that’d mean getting rid of “ask”: Your parents will tell you where it is safe to play.
5. “Rephrase any element that suggests certainty.” That’d be “will”: Your parents can tell you where it is safe to play.
6. “Rephrase your idea to eliminate any element that may not apply to all children.” Not all children know their parents, so: Your favorite grown-ups can tell you where it is safe to play.
7. “Add a simple motivational idea that gives preschoolers a reason to follow your advice.” Perhaps: Your favorite grown-ups can tell you where it is safe to play. It is good to listen to them.
8. “Rephrase your new statement, repeating the first step.” “Good” represents a value judgment, so: Your favorite grown-ups can tell you where it is safe to play. It is important to try to listen to them.
9. “Rephrase your idea a final time, relating it to some phase of development a preschooler can understand.” Maybe: Your favorite grown-ups can tell you where it is safe to play. It is important to try to listen to them, and listening is an important part of growing.
Source: [x]
Click HERE for more facts
an educational graphic about critical thinking for tumnblr
The all important journalist questions, and then some.
A missing line from Why:
“If you really want to be a critical reader, it turns out you have to step back one step further, and ask not just whether the author is telling the truth, but why he’s writing about this subject at all.“
That is an excellent addition.
One other one for How: “how could this be exploited by someone acting in bad faith?” Closely coupled with a What: “what are the limits on the ill-effects this could produce?”
And a quick check for double standards: “who, or what, is the speaker not applying this principle to?”
(This is also a great guide for interrogating historical documents such as, say, a constitution, a press release, a speech, a letter, a diary, a bill of rights, political policies, &c)
I need to grab this and adapt this for my little filmmaking courses.
Because these questions are equally indispensible when YOU are the author of the script, the book, the story, the speech.
the only way to do is by trying and failing and resting and trying and failing again forever
YOO SPREAD THE WORD PEOPLE
Save a marker, SPREAD THE WORD!!!!
It’s called the crayola colorcycle program! As on its FAQ, they mention the following:
“Crayola ColorCycle will accept all brands of plastic markers, not just Crayola markers. That includes dry erase markers and highlighters! ColorCycle will eliminate placing hundreds of tons of markers into landfills.”
There do seem to be some limits, however, as far as I can tell, anyone can ship in a box of markers. “Any sturdy cardboard box with minimal outer markings will work. The more markers you ship, the more efficient this program will be. We suggest a minimum of 100 markers and a maximum of up to 40 pounds.”
Also, look for the Crayon Initiative.
Their whole things work with used, donated crayons they melt and make new ones to donate to children’s hospitals.
This is a really good idea, especially if you are trying to find an economic friendly way to get markers or crayons out of your abode without throwing them in the trash
Yes! This is wonderful!
Also: for other office and school supplies, bathroom/grooming supplies, and etc. see Terracycle.com
GASP.
PERFECT. I NEED THIS IN MY CLASSROOM ASAP.
Experience: Learning the right way to connect the dots.
This is the best representation of something I have been trying to explain to people for years!!!! Saving this to my phone so I can routinely pull it out when I need.
I’ve just discovered my new favorite painter, Vittorio Reggianini - those smarter than myself probably already know of him as an Italian painter from the 1800s who made satin look even satiny-er than satin. I just cannot get over how much he loved painting women who were NOT. HAVING. A. MAN’S. SHIT.
But there was one hottie that everyone seemed to like, and I can’t blame them…
Vittorio knows what the ladies like.
I love this. Vittorio is throwing some not-so-subtle shade on the misogyny of the era in that last one. Around that time, mass market printing was finally a thing, and people wrote the hell out of some novels, especially fiction. And the people who read the novels were mostly women, because they had somewhat more time on their hands. Middle and upper class men decided they were above reading. They frequently criticized the women for reading novels, saying it was going to corrupt their brains and turn them all into anarchists and lesbians. (Which wasn’t entirely untrue, lots of subversive and queer stuff was distributed in novel form.)
So that last painting is a dude getting over himself and the prejudices of the time and sharing an interest with the ladies, which is infinitely hotter than a dude invading personal space and looming over you like in several of those other paintings.
This picture smells like oil paint, cigarettes & dog