Anne Hathaway as Mia Thermopolis Renaldi in THE PRINCESS DIARIES 2: ROYAL ENGAGEMENT (2004)
Color Me Curious
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@thedidipickles
Anne Hathaway as Mia Thermopolis Renaldi in THE PRINCESS DIARIES 2: ROYAL ENGAGEMENT (2004)
Okay. I’m going to wait to do a second watch before I articulate most of my other feelings here, but I want to address one thing.
I’m seeing a lot of posts like, “I related to Izzy because I am also queer and older/disabled/depressed. By killing him off, the writers are saying that I deserve to die.”
Guys.
I’m not saying your feelings aren’t valid. I totally understand grieving a character that you relate to. But speaking as a writer, I just want to point out that trying to write with the shadow of “what is the absolute worst and most harmful way a reader can interpret this” will smother your ability to create. Twisting yourself in knots, trying to think up the worst-faith takes possible and scotch-guarding all your writing decisions against them is exhausting to the point of making you just not want to write anymore.
And we’ve seen the writers deliberately choose not to do this in Season 1. Remember all those terrible “Izzy is racist” takes that the writers and cast seemed completely blindsided by? That happened because the writers and directors and actors weren’t going over every scene with a fine tooth comb, ferreting out every shot or line of dialogue or micro expression that could possibly be interpreted as racist, and scrubbing it off. Because there comes a point where your story is what it needs to be, and you have to accept that some people will interpret it in ways you didn’t intend them to. And if you can’t accept that, you’ll never find the courage to put your work out there.
The point of diverse casts and writing teams isn’t to achieve a state of, “Nothing bad ever happens to a character from a marginalized demographic ever again.” It’s to achieve a status quo of these types of characters just being people in the world of the story. Not symbols, not representation boxes to tick, not tokens that you can point to so that you can say, “Here, we acknowledged this type of person exists, now where’s our woke points?”
OFMD is full of characters of color, queer characters, older characters, characters of differing body types. And in stories, things happen to characters. Some fall in love. Some make the same mistakes over and over. Some turn into birds. Some die.
Izzy’s character represents a lot of things, but he does not represent every older, disabled fan or fan who has struggled with suicide, any more than Jim represents all genderqueer fans, or Olu represents all black fans. That’s not how the writers were handling him. They were handling him like a character, because that’s what you have to do.
Again, I understand being sad. I am so, so fucking sad. But this idea of, “Any time something bad happens to a character I relate to means that the writer thinks I deserve these bad things to happen to me,” will poison everything you engage with eventually. Because stories are full of things happening to characters, and they won’t all be good things. And the more representation we get, the more often bad things will happen to characters we relate to.
But good things will happen too.
Queer couples get married. Disabled women run off with their favorite husbands. Middle-aged characters change careers. A multiracial polycule finds a home at sea. A fat man covered in tattoos stars in a drag show and all his friends cheer. All these things happened in the same show as Izzy’s death. This is what this world is.
Anyway. I know emotions are running high and I’ll probably get blocked or unfollowed by a few people for this. But I’m just trying to find my peace where I can, and if anyone else finds this useful, cheers.
☆ Rin’s 3k Followers Celebration ☆ Top 5 Movies as voted by my followers ⤷3. The Princess Diaries (2001) dir. Garry Marshall (33 votes)
OUR FLAG MEANS DEATH SEASON 2 Filmed on location in New Zealand
↳ @lgbtqcreators battleships bingo: media from oceania
🌹🎶
Schitt's Creek 3x08
Ed & Stede in the moonlight | 1.05 x 2.05
STEVIE BUDD IN SCHITT'S CREEK (2015 - 2020)
I'm only doing this because you called me rude, and I take that as a compliment.
OUR FLAG MEANS DEATH SEASON 2
episodes 6-7 ✦ text posts
@lgbtqcreators battleship bingo ✦ free space
i hope you all know that the second i hit play on 1989 tv and hear “walking through a crowd, the village is aglow” i will no longer be on this planet. physically yes but spiritually i’ll be blasting off to the sun
I will spend the days until the movie comes out making these
(my other post blew up as well! thank you for that!❤️🤍💙)
And I want you now, wanna need you forever In the heat of your electric touch
It's like there's a rope attached to my chest and it keeps pulling me towards you.
RED, WHITE & ROYAL BLUE (2023)
Hello Coven!! Do you happen to already have a list of David and Patrick having sexy times at Ray's house? If not could you reccomend some? Thznk you and happy Sunday 🥰
Hello friend!
We're sure there are lots more sexy times at Ray's fics (drop some in the comments!), but we'll get you started with these:
a surprising amount of fun - simplytheworst
Ba Dum Tssss - @januarium
The best - @JessX2231
Built a fire just to keep me warm - @yourbuttervoicedbeau
Can't Miss Him - @im-televisions-moira-rose
Ease My Mind - @thedidipickles
Even Better Than The Real Meme - Elswherefumbling
I'm ready to jump, even ready to fall - @lastchancecafe13
If You Love Me Let Me Know, If You Don't Let Me Go - @floosilver8
Jam Basket 3: The Jammening - @kiranerys42
Lean in to me - @lastchancecafe13
Lucky number seven, or seven sexy ways to ask for consent - Poutini (@cheesecurdsgravyandfries)
Patrick Brewer has a boyfriend - sloganeer
Sacred New Beginnings - lostinmysticfalls
Sleepover - @streetlampsunset
When You've Got It, Don't Let it Go - @unfolded73 you don't have to go all the way - mihaly
@pscentral event 02: comedy ↪ introducing the taylor swift comedic universe (featuring. new girl, the big bang theory, brooklyn nine nine and the good place)
MADELYN CLINE as WHISKEY Glass Onion (2022) dir. Rian Johnson