āSpring Awakeningā
Scenic Design: Bryce Cutler - www.brycecutler.com
Lighting By: Dan Efros
Costumes By: Mary Stein
Direction & Choreography By: Tomeā Cousin
taylor price
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Not today Justin
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@thefantasyfactory
āSpring Awakeningā
Scenic Design: Bryce Cutler - www.brycecutler.com
Lighting By: Dan Efros
Costumes By: Mary Stein
Direction & Choreography By: Tomeā Cousin
āMartin Guerreā
Court Watson
Berlin Trip 2015: Production #3
Von einem der auszog, weil er sich die Miete nicht mehr leisten konnte, Volksbuehne Berlin
Director: Rene Pollesch
āLighting Designers, Electricians, and Theatre Companies - Do you use products from Apollo Design? If so, I urge you to reconsider. Read-onā¦.
It has recently come to my attention that the CEO and owner of Apollo, Joel Nichols, has been using his public Facebook page to share and spread vile, hateful, pro-Trump, anti-woman, anti-LGBT, anti-PoC, anti-Union opinions and links. His main news sources seem to be Breitbart and Info-Wars. His posts were all public for the world to see until sometime over the last few days when, in response to the growing boycott of his business, he seems to have finally edited his privacy settings so we canāt see his repulsive politics on full display. I am attaching here a sample of the 90 screenshots I took of his posts before he hid them. Some of the themes that appear multiple times:
- Joel frequently seems to be angry that black members of Congress and media personalities donāt need to take IQ test. - Joel is very angry that we provide health care to transgender prisoners. - Joel is very scared of Muslims and thinks that the idea of moderate Islam is a myth. - Joel is very confused why women are wearing pussy hats and marching. - Joel is ready to condemn Michael Brown (the black 18-year old shot dead by police in Ferguson) as a ābully and a thiefā and calls for his father to be arrested, but is āashamedā by the fact that the officer who shot him had his career ruined.
Even flipping through these screenshots makes me very upset and the idea that I would be spending money at this manās business makes me nauseous. Many lighting designers have been calling Apollo to express their outrage and inform them that we will no longer be spec'ing Apollo products on shows or giving them out business in any way. I encourage you to do the same.
When I called, I spoke with Nick Picciuto, the CFO. Their main number is (260) 497-9191. He took my concerns very seriously and seemed to understand where I was coming from. He said he was going to discuss this with the owners of the company (Joel himself and his wife) and the rest of the team there and he took my contact info so he could get back to me if he had further questions or any updates he wanted to share.
Here is roughly what I said. I did not do this all as one monologue, and he asked some questions in between some of these points, but this is the gist:
Hi Nick.
My name is Jake DeGroot and Iām calling from New York City. Iām a freelance lighting designer who works here in New York on Broadway, off-Broadway, regionally, and around the world. I have been using Apollo products for the last 15 years.
It has recently come to my attention that your owner and CEO, Joel has been using his public Facebook page to post some really awful things including racist, misogynist, right-wing propaganda and fake news from Breitbart, Info-Wars, and other reprehensible sources. He critiques Hillary Clintonās clothing choices, asks why black members of Congress donāt have to take IQ tests, and ridicules transgender prisoners for requesting health-care in prison. Reading his page made me want to vomit and I cannot in good conscience continue spec'ing Apollo products on future shows. I will be changing some upcoming orders and alerting all the theatre companies, electricians, and lighting designers in my circles to do the same. I know Apollo has a diversified business, but theatre is a major part of it and as you can imagine, members of the theatre community tend to be very opposed to Joelās brand of hatred and bigotry. I expect the screenshots I have taken of his Facebook page today will not go over well with many of my colleagues.ā
Original Post:Ā https://www.facebook.com/jdegroot/posts/10101342642670169
Resistance starts with the wallet. Ā
Just cancelled my gel and gobo order. Ā
Never buying their products again.Ā
āSpring Awakeningā
Scenic Design: Bryce Cutler - www.brycecutler.com
Lighting By: Dan Efros
Costumes By: Mary Stein
Direction & Choreography By: Tomeā Cousin
The Commitments. Soutra Gilmour.
Republican and Democratic Debate Set Designs
Notice how the Fox News and CNBC debate stages contrast from the drama of the CNN versions. Ā The Fox News stage is flatter in comparison and more classic. Ā The CNBC stage is super direct and kind of lacking in drama. Then again, I guess that makes sense as CNBC is a business network and FOX newsā audiences are more ātraditionalā. Ā
But when you look at the CNN stages theyāre so high stakes. Ā With their reflective surfaces, light boxes and sharp media content, the design guarantees the to maximize the drama between candidates. Ā In one of the designs they use Air Force one like itās a trophy. Ā Win the debate and win Air Force One. Ā
I love how bold all of these are though and how no matter the camera angle, you always end up with strong lines, colors and with the candidate at the center of it all. Ā
Message me if anyone knows who designed these. Ā I would love to chat with them about the process and how these came to be. Ā
Politics is theater. Ā
āGroundedā starring Anne Hathaway
Scenic Design: Riccardo HernandezĀ
Projection Design: Peter NigriniĀ
And hungry all over. Wondering if I made poor choicesāam making poor choices; am not thinking clearly.
A man who looks like a snake in on the train with me and he stares like a snake and I think about the CSP before Past CSP. I suppose all those SHOUKD just be referred to as SP (sexual partners)...
TRUTHS
"...sometimes I would prefer my [exs]Ā to be terrible men so that Iām not the terrible part of the equation."
The Jeopardy set turned off.
Woahhhh
Today scenic design is taught and classified into two typesā¦Ā Box Sets & Unit Sets.
I would like to propose additional scenic design classifications (which can be viewed above and are listed below).Ā Each week I will focus on a different classification.Ā Some of these can be combined and could be debated that some of these āclassificationsā are the same but, by redefining the terms we use designers, artists and theater practitioners we can further understand what scenic design is, can be and will be as theater progresses further. Ā
Got a question, comment, thought?Ā Hate it?Ā Love it?Ā Think Iām a fool?Ā Got something to contribute?Ā I want to hear from you!Ā Letās get a discussion going!
Atmospheric:Ā āTartufeā - Katrin Brack
Box: āVenus in Furā ā John Lee Beatty
Green: āBloody Bloody Andrew Jacksonā ā Donyale Werle
Digital: āThe Magic Fluteā - Esther Bialas
Found Space: āThe Drowned ManāĀ āĀ Felix Barrett,Ā Livi Vaughn &Ā Beatrice Minns
Installation: āDeath of a Salesmanā ā Narelle Sissons
Light: āPassing Strangeā ā David Korins
Material: Ā āDon Giovanniā ā Frank Gehry
Motion Based: āReplacementā - Barbara Ehnes
Unit: āRagtimeā ā Derek McLane
LULU by Wedekind
1) Schaubuehne Berlin
2) Berliner Ensemble
3) Royal Opera of Wallonia
4) Staatsoper Unter den Linden
5) Opera Bastille
Peter Pan, Berliner Ensemble
Director: Robert Wilson (music by CocoRosie)
Julius Caesar, Munich VolksTheater
Director: Csaba Polgar
Set Designer: Lili Izsak
"Antigone"
Scenic By: Sarah Benedict
Media By: Bryce CutlerĀ
Good Person of Setzuan. Patrick Rizzotti