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JVL
art blog(derogatory)
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❣ Chile in a Photography ❣

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PUT YOUR BEARD IN MY MOUTH
Sweet Seals For You, Always
Lint Roller? I Barely Know Her
trying on a metaphor

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$LAYYYTER

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Claire Keane
occasionally subtle

#extradirty

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@theflavorofpi
"please, I had so much dignity."
"strap cant get someone pregnant" clearly your will doesn't match your conviction. persevere
Be real Adrian who do you think you’re fooling
Context for twilling
parallel play is a form of love language by robinillu
Grace: *does something*
Rocky: "why Grace so 🎶🎶🎶 stupid. Question."
Grace: "Excuse me buddy?"
Rocky: "...🎶🎶🎶 stupid. Hmm. Need word."
Grace: "...what does it mean?"
Rocky: "Meant add strength to word. But some Eridians think also .....rude"
Grace: "So a swear word. I'm not giving you the human word for that."
Rocky: "Why not. Question."
Grace: "Because this human thinks they are rude too."
Rocky: "Do not be little 🎶🎶🎶 Grace. Give Rocky human swear word."
Howdy y'all, I'm Quincey Morris and this is my friend Jonathan Harker, welcome to our unboxing video,
I drew it
I may have snorted reading this...
A free-range group therapy called "get herded, idiot", where you and everyone in your group is set loose to run around on an open field while a highly trained shepherd dog tries to keep you all in one group. I am not sure what benefit this would have for anyone involved.
exercise, community, team building, socializing, showing up for a task that might be hard so you gain some confidence. And the shepherd dog would also have a great time. Lotsa benefits to consider
Writing advice #?: Have your characters wash the dishes while they talk.
This is one of my favorite tricks, picked up from E.M. Forester and filtered through my own domestic-homebody lens. Forester says that you should never ever tell us how a character feels; instead, show us what those emotions are doing to a character’s posture and tone and expression. This makes “I felt sadness” into “my shoulders hunched and I sighed heavily, staring at the ground as my eyes filled with tears.” Those emotions-as-motions are called objective correlatives. Honestly, fic writers have gotten the memo on objective correlatives, but sometimes struggle with how to use them.
Objective correlatives can quickly become a) repetitive or b) melodramatic. On the repetitive end, long scenes of dialogue can quickly turn into “he sighed” and “she nodded” so many times that he starts to feel like a window fan and she like a bobblehead. On the melodramatic end, a debate about where to eat dinner can start to feel like an episode of Jerry Springer because “he shrieked” while “she clenched her fists” and they both “ground their teeth.” If you leave the objective correlatives out entirely, then you have what’s known as “floating” dialogue — we get the words themselves but no idea how they’re being said, and feel completely disconnected from the scene. If you try to get meaning across by telling us the characters’ thoughts instead, this quickly drifts into purple prose.
Instead, have them wash the dishes while they talk.
To be clear: it doesn’t have to be dishes. They could be folding laundry or sweeping the floor or cooking a meal or making a bed or changing a lightbulb. The point is to engage your characters in some meaningless, everyday household task that does not directly relate to the subject of the conversation.
This trick gives you a whole wealth of objective correlatives. If your character is angry, then the way they scrub a bowl will be very different from how they’ll be scrubbing while happy. If your character is taking a moment to think, then they might splash suds around for a few seconds. A character who is not that invested in the conversation will be looking at the sink not paying much attention. A character moderately invested will be looking at the speaker while continuing to scrub a pot. If the character is suddenly very invested in the conversation, you can convey this by having them set the pot down entirely and give their full attention to the speaker.
A demonstration:
1
“I’m leaving,” Anastasia said.
“What?” Drizella continued dropping forks into the dishwasher.
2
“I’m leaving,” Anastasia said.
Drizella paused midway through slotting a fork into the dishwasher. “What?”
3
“I’m leaving,” Anastasia said.
Drizella laughed, not looking up from where she was arranging forks in the dishwasher. “What?”
4
“I’m leaving,” Anastasia said.
The forks slipped out of Drizella’s hand and clattered onto the floor of the dishwasher. “What?”
5
“I’m leaving,” Anastasia said.
“What?” Drizella shoved several forks into the dishwasher with unnecessary force, not seeming to notice when several bounced back out of the silverware rack.
See how cheaply and easily we can get across Drizella’s five different emotions about Anastasia leaving, all by telling the reader how she’s doing the dishes? And all the while no heads were nodded, no teeth were clenched.
The reason I recommend having it be one of these boring domestic chores instead of, say, scaling a building or picking a lock, is that chores add a sense of realism and are low-stakes enough not to be distracting. If you add a concurrent task that’s high-stakes, then potentially your readers are going to be so focused on the question of whether your characters will pick the lock in time that they don’t catch the dialogue. But no one’s going to be on the edge of their seat wondering whether Drizella’s going to have enough clean forks for tomorrow.
And chores are a cheap-n-easy way to add a lot of realism to your story. So much of the appeal of contemporary superhero stories comes from Spider-Man having to wash his costume in a Queens laundromat or Green Arrow cheating at darts, because those details are fun and interesting and make a story feel “real.” Actually ask the question of what dishes or clothing or furniture your character owns and how often that stuff gets washed. That’s how you avoid reality-breaking continuity errors like stating in Chapter 3 that all of your character’s worldly possessions fit in a single backpack and in Chapter 7 having your character find a pair of pants he forgot he owns. You don’t have to tell the reader what dishes your character owns (please don’t; it’s already bad enough when Tolkien does it) but you should ideally know for yourself.
Anyway: objective correlatives are your friends. They get emotion across, but for low-energy scenes can become repetitive and for high-energy scenes can become melodramatic. The solution is to give your characters something relatively mundane to do while the conversation is going on, and domestic chores are not a bad starting place.
I actually first learned this lesson when doing improv. Always have your character doing something, but don’t make the scene about what your character is doing. Come in and start putting groceries away and confront your roommate about sleeping with your boyfriend while you’re putting the groceries away. Be working in a clothes store folding shirts and be reunited with your long-lost cousin while working. Etc etc.
And then much later (partially bc I started writing regularly years after I started doing improv but even then it took me way too long to figure it out) I realized this can be applied to writing, and it’s great. Anytime there’s a long dialogue scene and it feels flat, rewriting it so they’re doing something else - something that on the surface is totally unrelated to the conversation - is a sure-fire way to make it more dynamic and open up whole new avenues for conveying thoughts and feelings to the reader.
My wlw ocs Andria and Tsera 😈😇
Aka monster huntress and vampire🫣❤️
Keep up the great work, lads
I love how this addition would be absolutely incomprehensible almost anywhere else but we know exactly what it means
Gonna want the sound on for this one boys
One of the all-time great videos.
@inzendino @fiden-criatura What Rook sets up in his spare time
I am tired of this! Or am I just tired?
Lock Blocked with Monster Researcher Eclair
by the fourth or fifth time you "come back wrong" no ones even impressed anymore
My brain: You have so many tight deadlines. So many things on your weekly schedule. So many important jobs. You have to get important work done!!!
My hands:
It's a
Canada Griffin
Oh, my, gods, I love him/her. But what kind of legs are those? They look like Deer legs to me. That and I’d like to point out this is also mainly a goose, so it’s not a griffin cause a griffin is a lion and an eagle, and it’s not a hippogriff either cause that’s a falcon and a horse. Opinions?
It’s none of the above, it’s legs are just the one animal. Also it appears to be a cat. In the legs department, I mean.
It’s its own thing
It's a
Canada Griffin
@elodieunderglass geese, but more threatening.
Haha thank you!
My favorite brand of people are musicians who hear Rush Fucking E, which isn't technically meant to be played by a human at all, and immediately picking up their instrument and going 'bet'.
@wyvernslovecake
That’s legitimately cool