It’s a crisp Monday morning in Camden Market, and all is OK with the world. Because it’s 16 May 2022 and, just for one day, Bernard Cribbins is back on Doctor Who. “Wilfred Mott! Now I feel better,” declares the Doctor, stepping out of the blue police box parked up on the cobbles.
“Now nothing is wrong. Nothing in the whole wide world. Hello, my old soldier.” A pause. “Shall I give you a hug,” asks David Tennant, “before I say, ‘Hello, my old soldier’?”
“Yeah, why not,” replies Bernard, sat in his wheelchair, centre stage, framed against the iconic TARDIS. “Give us a cuddle!” Clad in Wilf’s cozy brown coat and flat cap, Bernard is rehearsing the final, climactic scene of Wild Blue Yonder, the second of Doctor Who’s three 60th Anniversary Specials, alongside David Tennant and Catherine Tate.
None of them knows it, but this will be Bernard’s last working day in a TV, film and theatre career that spans almost 80 years (he started work aged 14, at Oldham Rep in January 1943). It’ll also be Wilf’s final bow. “I never thought I’d see you again,” he tells the Doctor, welling up. “After all these years. Oh, Doctor, that lovely face.”
A chuckle. “It’s like springtime… Is it David’s face I’m looking at?” queries Bernard.
“Yes, you haven’t seen him in years,” the director, Tom Kingsley, jumps in, “and you could not be happier. You’re playing it just right, Bernard.”
“Well,” says Bernard, “no acting required.” He’s genuinely delighted to be reunited with his Doctor Who co-stars, for the first time, on screen, in 13 years. “And that is just materialising, is it? – that thing?” he asks of the TARDIS. “Wilf’s been here, waiting?”
“That’s right,” says Tom.
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