People expecting a character like Caitlyn who has shown so many times her clear disdain for communicating her feelings verbally, to have lengthy conversations and never ending apologies for everything she has done wrong is a bit disappointing.
Caitlyn is a politician’s daughter. She knows that words are always there to smooth the rough edges of the conflict or to make promises that another age won’t see coming to fruition and, essentially, mean nothing without the action following.
People offer their sympathies and she just doesn’t acknowledge their words, Cait just moves past it and changes the topic or tries to make up a plan to just do something, to fix and salvage.
She shows, not tells.
She doesn’t say a word as she rushes to bring her father in a tight embrace after being on the brink of death and allowing herself to stay like that for a few moments with a person she thought she’d never see again.
She doesn’t say a word as her eyes are slowly drifting lower as if preparing herself to face yet another of her mistakes that she can’t erase. She’s reaching out to gently graze her fingers over an injury and the spot that she hit the person who she loved so much in, sorrow and remorse all over her face.
She doesn’t say a word as she puts every obstacle out of Vi’s way to make sure that nothing would stop her to free Jinx: to free the person who tormented her mind even before she knew her name, to get her out of the cell and out of the punishment Caitlyn was determined to bring on her with all the rage and ferocity of a grieving daughter.
She doesn’t say a word as she gives up her inherited sit in the Council for a Zaunite who she faced in a fight that she barely got out of alive by sheer luck and is there to represent the interests and stand for the rights of the city she poisoned and regarded the residents of with a loss-reinforced contempt and prejudice.
Why would she need to say anything when she shows so much?
And why would you, as a viewer, rob yourself of the opportunity to appreciate the nuance of the character like that?
Okay, so I actually do want to get my thoughts down on why I didn't like season two as much as season one. This is going to be a lot of complaining, but keep in mind that while I don't think season two was as good as season one, I think season one was S tier. Season two was B tier. B tier is still pretty damn good, but it is a noticeable drop, and is disappointing considering that this is the show's finale. But with that said, please do not reblog this yammering about how much you hate the show, you're glad it's over, etc. Despite my criticisms, I don't feel that way, and I don't want to see that on my post.
With that said:
My biggest problem with the show overall is that, between seasons one and two, they seem to have remembered that this is supposed to be a video game show, and so felt compelled to abandon their focus on character work in favor of flashy action sequences. This isn't me being in la la land thinking that season one had no action sequences; obviously it had fight scenes as well. But season one had a heavy emphasis on the characters, their internal worlds and struggles, that I feel was sorely lacking in season two.
The best way to demonstrate why I feel this is is to look at the final episodes of each season. Season one ended with Jinx's family dinner party. That entire scene was one long conversation; although there was a bit of action when Caitlyn freed herself from her bonds and got Pow-Pow (and then Jinx knocked her out and took Pow-Pow back), that isn't what I would call a fight. Neither was Silco shooting at Vi / Jinx killing Silco. Instead, the scene consisted of Jinx walking back and forth along the table, trying to figure out whether Vi or Silco loved her most, and who she should be with therefore. It ends with a quiet, mournful song as Jinx fires the rocket, right as the Piltovan council was deciding in favor of Zaun's independence.
By contrast, the final episode of season two is pretty much a 40 minute battle sequence. The character exploration they could have had (e.g. Ekko convincing Jinx not to commit suicide) was omitted completely in favor of this battle sequence. We couldn't even see Piltover prepare for the battle. Instead, it cut straight from discussion of what they had to do to prepare, to the battle itself. Ekko convincing Jinx was omitted, Jinx making her decision was omitted, Sevika and the Firelights being convinced was omitted, Vi mourning her sister was omitted, how Sevika ended up joining the council was omitted. The only character work we had in the last episode at all was what was between Jayce and Viktor, and even that was barely anything, time-wise, in comparison to all of the battle scenes. (And the fact that the only character work in the finale was between two men when this series was supposed to be about two sisters . . . don't even get me started.)
While the animation in this show is the best animation I've ever seen, period—and while the action sequences always look fantastic because of that—I feel that the shift in focus from character work to action was to the show's detriment. What made Arcane so good, in my opinion, was not the animation—or at least, not just the animation. It was the character work. The fact that we had these three dimensional characters, each with their own rich, internal worlds that drove the story forward—that was what made it worth watching. So to cut that out, and relegate it either to music video montages or off-screen conversations, was a mistake. The characters suffered for it, and so did the story. It turned it from a masterpiece of a narrative, to just another good show. (Although I maintain that season one is a masterpiece. Season two doesn't affect that.)
Having said that, I'm going to break the rest of my critique down into sections.
The Noxus Problem:
Before I go further, let me just say: I love the Medardas. Mel in particular is my second favorite character on the show, and I love how messy the Medarda family is. I'm still fascinated by the Black Rose, and I feel that we weren't given an adequate answer as to what, exactly, the beef between them and Ambessa was. I want to know more about that. I'm really hoping that we get another show with Mel at the main character, to further explore what is going on there.
However, I feel bringing in the Noxian army was a huge, huge mistake, because it took focus away from the socio-political conflict between Piltover and Zaun—and, in the final episode, abandoned it altogether. After all, there is no time to address that if they're being invaded by a foreign army. There is no need to address it, if you show them working together against a common enemy. Except, there really is; we're given no reason to believe that Piltover's oppression of Zaun will stop. Yes, Sevika was given a seat on the council—but we don't know what that deal entails. Was she promised sovereignty for Zaun? If so, then why is she on Piltover's council? Is it merely that now she can vote for it? If so, I can't see that (or any other pro-Zaun measure) going her way, considering the fact that the two people most likely to support her (Mel and s1!Jayce) are both gone.
I understand that the writers' intention was, "they came together to fight an enemy, everything is good now!" but that is simply not how it works. Now that the battle is over, the most realistic thing to assume is that it went back to the status quo prior to martial law. And the status quo was that life in Zaun was suffering. Despite what the alternate timeline in episode seven tried to suggest (and "alternate timeline" feels too gracious; Zaun did not look like that prior to Hextech, Powder was mentally ill since the first episode's cold open—it was an AU on multiple levels), life in Zaun was never good. Characters like Sevika and Silco wanted to fight the enforcers and Piltover rule for a reason. And that reason has never been properly addressed or resolved, and we're given no reason to think that it will be, because they chose to ignore it altogether by making the second season about the Noxus army's invasion rather than letting it actually be about the socio-political struggle between the two sister cities. And for whatever reason that was done—the writers' being scared to commit to either Zaun's independence or Piltover beating them into submission, or the desire to set up the next show—I feel that it was a mistake. The Noxian army should have never invaded this show. Instead, Ambessa should have been saved for the Medarda spin-off, with Mel's decision to return to Noxus instead of staying in Piltover built to a different way.
The Vi Problem:
Of all the characters, I think Vi was written the worst and done the dirtiest in the second season.
The problem with Vi's character stems from inconsistency. We're never given convincing reasons for why she thinks the way she does, or why she does the things she does. The second season opens with her having done a complete 180 on her sister, for reasons that we're left to guess at because they aren't explained. Is it because Jinx fired the missile at the council? Is it because Jinx rejected her by saying "here's to the new us?" We don't know, because no time is spent on character work for that. All we know is that Vi went from telling Jinx "it'll be okay" at the end of s1e9 to begging Caitlyn to let her help hunt and kill Jinx in s2e1, even before the attack on the memorial service. Vi went from being unable to bear the thought of being an enforcer because they killed her parents in the beginning of s2e1, to being willing to gas the Lanes with the Gray in s2e2.
And this inconsistency is not relegated only to act 1. In act 2, Vi strangles Jinx so hard in her apartment that Jinx has trouble speaking after Vi finally releases her—but later, when they fight in the mines, she doesn't do anything to seriously hurt her and instead just tries to pin her down and get her to surrender. Why is she less murderous toward Jinx now? We're not given a reason. After all, she wanted to kill her in the temple; her brief hesitation when Jinx said "it had to be you" is overruled when she raises her fist to deliver the finishing blow, stopped only by Isha's intervention. And again, her first instinct upon seeing Jinx again was to strangle her hard enough to crush her windpipe. But she flipped again, for reasons we're not privy to, because the character work wasn't done. The closest we get is Vi accepting Jinx after Jinx proved she was right about Vander—but even then, that doesn't make up for the above.
And again, it doesn't end there. In act 3, she's furious with Caitlyn for jailing Jinx, and wants to comfort and help her sister. Yet when Jinx leaves her in the jail cell, suddenly it's "tell me you were right, Caitlyn" and "I was an idiot for trusting her" — this, after Jinx was right about Vander. This, after Jinx saved Caitlyn's life. This, after Jinx told her "don't feel guilty about being happy" and "you deserve to be with [Caitlyn]." She does a 180 again simply because Jinx left? Even though Jinx left telling her that she deserved to be happy? Even though Jinx was probably the one who told Caitlyn where Vi was?
In season one, Vi's actions made sense. Her reasoning was always clear. We knew that she hated the enforcers because they killed her parents, and made life worse for those in Zaun; we knew that her priorities were those closest to her (not Zaun itself, never Zaun itself), and that she would do anything for those she loved. And we knew who she loved, without a doubt, and could see exactly why she loved them.
In season two, this is no longer the case. Vi's motivations and goals flip-flop on a whim. Best I can tell by the end of the season, Vi is willing to agree with whoever is closest to her at any given moment in desperation to keep them there. Jinx abandoned her, but Caitlyn was still there, so Vi agreed to be an enforcer and kill her sister. Then Caitlyn abandoned her and Jinx came back, and while Vi blamed Jinx for Caitlyn's abandonment, she was still willing to take Jinx back if it meant having Vander back, too. But then Jinx left again, and Caitlyn was there, so now Caitlyn Was Right and Jinx shouldn't have been trusted. Perhaps if we had the character work to understand what was actually in Vi's head it would make sense and she would seem like a better written character, but we don't, and so instead it seems that her goals shift depending on what the plot needs. The plot needed her to fight Jinx in an Cool Battle Sequence, so that's what happened. The plot needed her to fuck Caitlyn so the show could have a lesbian sex scene, so that's what happened. No thought was given to her character or her relationships at all, despite her being one of the protagonists. (Jinx is the other, of course.)
Speaking of Vi's relationships, though . . .
The Sisters Problem:
This was supposed to be a show about sisters. What happened to that?
In season one, their relationship was handled beautifully. We saw how close they were in childhood, and the moment they fell apart; and we saw them struggling to work their way back together in late teen (Jinx) / adulthood (Vi), only for Jinx to seemingly sever that at the end. Honestly, that is the one complaint I have about the finale of season one; it has never made sense to me that Vi didn't try to argue with Jinx when Jinx asserted that Vi couldn't love her like she used to, because Vi did love her. Even at that moment, she loved her. But I digress. The point is, in season one, the sisters' relationship continued on a strong through-line. We could see where they were going, and how they were getting there, every step of the way. It was strong, it was consistent.
This is not the case for season two. I already talked about this a lot with Vi above, and Jinx's character was written much more consistently; still, there are problems. For one, in act 3, Jinx is made to ignore Vi's own inconsistency; her line "you're never going to give up on me" makes no sense when Vi had already given up on her once before, in act 1 and the beginning of act 2. The bigger problem, though, is that their relationship was sidelined hard and that, as a result, we once again miss the character work. We got a bit of it in episode six, with their talk about their mother next to the chunk of wall that had once been used to mark their heights. And we know that Vi forgave Jinx the moment that she invited her into the group hug with Vander. But for a show that was supposed to be about them, that is nowhere near enough. Jinx telling Vi, "you know I'm always with you" doesn't feel earned when we didn't get to see them reach that point again. Vi not mourning her sister at all, and instead being fine with being "the dirt under [Caitlyn's nails]" feels extremely dissatisfying when the entire show was supposed to be about the sisters. The most important relationship for Vi and Jinx both was the one they had with each other, and that was completely forgotten.
Speaking of the lesbians, though—
The Violyn Problem:
Look, I'm a lesbian myself. Obviously I was on-board for Violyn, and I thought they were well-written in season one. The problem is, they weren't well-written in season two.
To be fair, of the two characters, Caitlyn was better written. While she, too, had problems with inconsistency (we're given no reason as to why she's feeling doubt about martial law or why she wanted to betray Ambessa in act 2, for instance), she was still written more consistently than Vi was. Catilyn being willing to abandon her positive belief in Zaun made sense given the life of privilege she was raised in. Caitlyn turning to martial law made sense when you remember that her dream was to be a cop. Even her turns back toward wanting to remove martial law and betray Ambessa could have been written to make sense, had the character work been put in. It wasn't, but Caitlyn still made more sense than Vi overall.
But this section isn't about Caitlyn, it's about her relationship with Vi. And her relationship with Vi was done dirty. Yes, they ended up together. Yes, they had sex. But again, the character work to get them there was not done. In season one, we see their relationship develop; we see how they go from enemies who oppose each other to friends who build trust (and feelings) between them. We see their growing care for each other, we see them work past their preconceived notions and struggles. Their relationship is slowly and steadily built. It makes sense.
In season two? We kind of get that in act 1, but only because we can continue on from knowledge of where they were in the last act of season one. However, season one can no longer carry them after Caitlyn hits Vi in the stomach with the butt of her rifle and then they break up. They should have had a long way to go toward reconciliation after that; the trust between them was shattered, and it takes a long time to build trust back. But they weren't given that time; Vi's easy acceptance of Caitlyn back in her life the moment they reunite aside, we're given absolutely no reason why Caitlyn—someone who felt horribly betrayed by Vi seemingly choosing Jinx over her—is willing to trust Vi and take her back again. Even putting aside her doubts about Ambessa (which were, again, not built up well enough to justify a betrayal from a writing standpoint), and the fact that she was in a relationship with someone else (and there was never any indication that Maddie was a traitor until the literal second that it happened), Caitlyn felt betrayed by Vi. It isn't believable that she's Completely Over It by the time they reunite again, or that those feelings of betrayal wouldn't come back full force when she sees that Vi is partnered up with Jinx, versus Vi's previous assertion that she was only trying to protect Isha when she stopped Caitlyn from shooting.
And it wasn't only Caitlyn who had reasonable grievances! Vi saw Caitlyn change before her eyes, when that was her worst fear; she saw Caitlyn being willing to shoot at a child, knew that Caitlyn had teamed up with Ambessa to put Zaun under martial law, and then had Jinx imprisoned after Jinx saved her life. She did, very briefly, air those grievances with Caitlyn. But then it was all abandoned a few scenes later so that they could have sex in the dungeon. It was completely forgotten for the sake of a fanservice sex scene.
Listen. As I said before, I'm a lesbian. And I'm always happy to see sapphic relationships in shows. I'm even happy to have messy sapphic relationships in shows, because believe it or not, we sapphics are actual human beings, and sometimes that makes us messy. ACAB, and that includes lesbian cops, but bastards make television entertaining. I'm here for that.
But messy shouldn't mean underdeveloped. It shouldn't mean poorly written. And I for one could not enjoy that sex scene when it wasn't properly built up to at all. When Vi and Caitlyn had all of this unresolved, and now ignored, conflict between them. It wasn't even hate sex, or at least, "we're still not good but we're alone and horny" sex. It was "everything is better and they're a couple now" sex. Which is extremely frustrating, and a complete let down over how well their relationship was written in season one. Despite the "league of lesbians" goof tags, the show wasn't about them, but it still should have done them justice, and it didn't. Not by a long shot.
Other Problems:
I don't like that the only character work in the last episode of the show was between Jayce and Viktor. While even that was lacking, taking a show about two sisters and making its series finale about two men puts a bad taste in my mouth. I understand that the bulk of the fandom cares about the men (or at least it seems like it does when I put "jayvik" into my blacklist and half the Arcane tag disappears), but the show should be written for its narrative, not for the fandom. And I, for one, never cared too much about Jayce or Viktor, but after the way this finale sidelined all of the women in order to focus on them? My feelings are pretty negative toward them now.
I don't like that they tried to do a fake-out with Jinx dying, when it's obvious that she didn't. For one, Riot would never kill off their most popular character. For another, there are too many signs that make it obvious that she survived, from the pink streak right before the main explosion, to the glitchy "the end" message over the airship sailing away (one that Powder said she'd ride on one day). It feels as if they wanted to make it look like she died for shock value, and that's something I thought that this show was above doing. It's cheap, it's bad, and I don't like it.
I don't like that Mel and Ekko were both sidelined so much throughout this entire season. Mel spends the bulk of the season in captivity, and then when she is finally free, she doesn't get to do anything to affect change except be in a magic battle against her mother. Jayce completely abandons her without any insight as to why beyond "the Arcane messed him up", and we're given no indication that Mel had anything to do with the reformation of the council at the end. Ekko, meanwhile, was completely absent in act 2, and while he literally saved the day in act 3:
His convincing Jinx not to commit suicide was off-screen;
His rallying of the Firelights was off-screen
He ends up alone in Zaun with absolutely no indication of what he or the Firelights will do after—was the tree even healed at all?
Ekko and the Firelights should have played a much bigger role. The sanctuary that the Firelights had built for the refugees should have had more of a showing other than "the tree is sick" (a plot line which, as I just said, was never resolved). Episode seven was nice, but the Zaun depicted was completely incongruent with what we knew of Zaun's state at the start of the show, and the depiction of Powder is the same. (Because Powder was hallucinating even as a small child, as shown in the cold open of season 1; Vi's death should have sent her spiraling. The fact that she was Totally Mentally Healthy in the alternate timeline makes absolutely no sense. She was Ekko's Ideal Version of Powder, not who she'd realistically be growing up like that.) He wasn't given justice as a character.
And Mel? Again, she spent most of the season in captivity, had her agency completely ripped away from her, lost everyone she ever cared about, has powers that aren't clearly defined or explained, and is now leaving the only home she has known for years to go back to Noxus. And again, I want that story for her, I want that show, but after we saw her brilliant mind in action in season one and how much change she affected, I still feel that she was done dirty this season. I hate how much she was sidelined; she deserved better.
Final Notes:
Despite all this, I do still love Arcane. Well, I love season one, and season two had parts that I liked (I think that arc 2, despite the lack of Ekko, was the best because of the fleeting character work we did get and the focus on the sisters), despite being a disappointment overall. I think for me, I'm going to just take the parts from season two that I did like and put them into an alternate season two that I have in my mind; one where Noxus didn't invade so that the issues between Piltover and Zaun could be focused on and actually resolved, one where the character work wasn't abandoned for flashy action sequences, and one where there wasn't a fakeout of Jinx's death for shock value.
And now that it's all off my chest, that's all I have to say about that.
90 8k Resolution Upscaled + Edited Arcane Season 2 Wallpapers - download link
‼️ DO NOT DIRECTLY SAVE THESE FROM TUMBLR ‼️
The photos on Tumblr are compressed. They're not in full 8k.
Please view and download them from Mega.nz instead.
Download Link: (HERE)
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If the download link is not accessible on mobile, use your desktop/laptop to access them.
These resolutions are in 8k. I know they're overkill, but it's upscaled so that you yourself can crop them out and do whatever you want with them. Desktop BG, mobile BG, etc. up to you with what you want to do with them
Reminder that the upscaler is NOT PERFECT, but it does its best. This is all upscaled from the original 1080p stills, with very minimal edits.
And the real trick to it is falling madly in love with literally everything. Gomez Addams isn’t just madly in love with Morticia, he’s madly in love with his house, with his train set, with his kids, with his brother, with his weird normie neighbors, with literally everything. Different kinds of love for each, but love all the same. For having such morbid tastes, Gomez is madly in love with life. THAT’S how you land a Morticia, by being unapologetically and madly in love with everything around you.
I often see people ask how to get started with doing this, because it seems like a daunting task to be in love with everything, when you are starting off in love with nothing, or very few things perhaps. But the answer isn’t grand or elaborate or secret. The answer is to pick something, and choose love.
And then do it again, and again, and again.
The act of being in love is just choosing love over and over.
it’s hard because you weren’t meant to do it alone. you weren’t meant to be a self-sustaining eco-god who gardens all of your food and eats vegan and only shops at the expensive co-op, makes your own clothes and buys the bulk soaps, cans, organizes events and protests alone, makes flyers and sets up petitions, shows up to political rallies, bike everywhere and inform everyone in the world all on your own.
you were meant to carpool with friends, clip coupons together and have mending circles on Friday nights. you were meant to keep a small plot in a group garden that everyone tends to, and you rotate turns every week. you were meant to design the flyer that your friend hands out or say the speech that your boygirlfriend edited. you were meant to be friends with the public bus drivers and talk to the farmers who drop off that crazy new kombucha flavor at the co-op and be kind to Walmart cashiers. you were meant to meal plan together and crowdfund for families in need and read each other old poetry and contemplate manifestos together hungover at the local coffee shop on special treat sunday and then go to the beach and have awesome gay sex that night. not alone. not kidding.
find your people instead of making a different kind of work for yourself. doing it all alone has never been your burden to bear. you were meant to do it with friends.
I work in an art gallery with some amazing works by Vincent Van Gogh, and I keep find myself defending his honor. People frustrate me to no end.
Some people look at his artwork, which is full of immense love for the world, and go, "Oh, how sad. He was crazy. Isn't this painting SAD?" And, it's one of the most joyful paintings on earth.
The worst people are those who mock his artwork because he was "crazy". Upon looking at a beautiful, delicate, loving, and meditative artwork, a father nudged his son. "Isn't this the crazy guy who cut off his own ear?" The son laughed. "That's disgusting," the son said, and they laughed together.
Vincent Van Gogh wanted to be a priest. He felt God's love in everything and everyone. The priesthood didn't work out, but nevertheless Vincent especially felt God's love in the unloved. He painted every breeze in the air, and the veins in the unnoticed laborer's hands.
I don't think Van Gogh's swirling spirals are crazy. I think they're meditations on God's love, breathed through all Creation. To me, these paintings are a prayer.