Alisa U Zemlji Chuda
Cosmic Funnies
Stranger Things
let's talk about Bridgerton tea, my ask is open
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Kiana Khansmith
styofa doing anything
sheepfilms
Sade Olutola
trying on a metaphor

Andulka
d e v o n
🪼

Origami Around
Aqua Utopia|海の底で記憶を紡ぐ

★

roma★

titsay

izzy's playlists!

shark vs the universe

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@therealcrawf
This made me smile. Maybe you need a smile today too.
Can I… try to heal you? - I don't deserve it. - You will.
KATARA & PRINCE ZUKO Avatar: The Last Airbender │Season 2
The World
is violent and mercurial
it will have its way with you.
We are saved only by love --
love for each other and the love
that we pour into the art we
feel compelled to share: being a parent,
a writer, being a painter, being a friend.
We live in a perpetually burning
building and what we must save
from it all the time is love.
Tennessee Williams
Im always like "i will not add my two cents. i will not add my two cents" but i cant lie the pennies are getting sweaty in my hand
WIN THIS QUILT!
Every year, I collect blocks from makers around the country and assemble a community quilt, and then it’s raffled off to support LGBTQIA+ organizations. This year, we’re supporting the Trevor Project and the Transgender Law Center, or you can donate directly to a local queer organization of your choice. Minimum donation $10, entry details below!
xoxo
Once when I was in undergrad, someone described something as “problematic” in class and our professor was like, “That’s cool, but ‘problematic’ doesn’t really mean anything. It means that the thing you’re describing has a problem, and in and of itself that’s not bad. Art, especially, should always have problems, or else it’s not interesting and not art, either. It sounds like you’re trying to say that this is bad, but you don’t want to say ‘bad.’ Is that right?”
So from then on whenever one of us called something problematic, he would make us talk it out until we could name the “bad” thing we were hinting at. In this particular class, 7/10 it was some type of oppression, and the remainder was like, “I’m uncomfortable because this is very new/confusing/pushing boundaries that made me feel safe.”
Once we stopped calling things “problematic” and stopping at that, class got way more interesting and... we all had to say, like, “that’s racist” or “that’s misogynistic” or “ew capitalism gross” out loud, which a lot of us had never done in a classroom before. Or we had to be like, “Uhhh... I’m not sure what’s so bad?” and confront our own beliefs and that was maybe even more useful.
Anyway. Whenever I see the word problematic, I can’t help but think of this professor being like, “Good starting point, now let’s get specific.” I think when we have to commit to saying “that’s ___” it requires a lot more careful thought about the truth and impact and complexities of whatever we’re claiming. Sometimes there really is some bullshit afoot, and also sometimes it’s art, and it should be full of problems, because that’s what art is.
"lupita nyong'o can't be helen of troy because helen was greek and there weren't black people in ancient greece"
DO YOU THINK THESE MOTHERFUCKERS DIDNT HAVE BOATS. THIS ENTIRE MOVIE IS ABOUT ONE OF THOSE MOTHERFUCKERS AND HIS BOAT
do you think these people can read
Best comment I just saw "Helen of Troy was perfectly cast, because all these men are fighting about her."
i'm helping out at a creative writing workshop for uhhh i think 10-12s? 10-14s? idk. but that age range. and anyways
a) i forgot how fun this is
b) it's really hard not to like, re-write for them and stick to just "hey add descriptions here, change this grammar, really cool ideas!" bc i'm an adult and not trying to talk over/railroad these kids, but i'm just so excited for their ideas!!!
c) little boys write cool stuff like "what if we went to mars but it sucked so we left, but left behind all our technology and the technology rose up and created its own society and then went to war with us for abandoning them? what if transformers had 100x the war crimes? what if the earth blew up. what if we were the robots all along?"
d) little girls out here writing like "aunt melanie's skin was sloughing off the bones as her beloved dogs tore her apart, turning on her in blind animal instinct. the second she stopped providing food, she became food." and a lot of body horror and dark themes about group pacts and betrayals and ritualistic murder/sacrifices. like a lot
me, turning to the teacher who is also doing this: hey so, i'm personally really cool with the tone and direction these girls take, but is any of this? how you say... a red flag?
teacher: little girls have really rich inner lives to combat the way they're puppeted by society in real life. they'll learn to censor it out in a couple years, but it doesn't go away.
me, who was also a weird little girl who phased in and out of weirdness depending on social settings: nice.
The Last Blooms Of The Everblooming Garden
Warmer 30"x 22" ($900)
The World Does Not Need Another Homeless Artist.
Buy Art To Keep An Autistic Female Artist Housed and A Decade Worth Of Her Paintings Out Of A Landfill!
Aren't You Sweet? 22"x 30" ($900,) My Pretties 11"x 14" ($350,) Looking Good Enough To Eat 11"x 14"x .75" ($450)
I have a $15,500 balloon payment due Friday, May 22nd to prevent myself from being homeless.
Life In the Dead Of Night 30"x 22" ($900)
Commissions and Discounted Sales Payable Via
Venmo-Kate-Havekost(Preferred) and
Limited Commissions Available
DM for Inquiries On Painting Availability and Commission Information
Paroxysms 30"x 40"x 1.5" ($2700)
Stuck On the Puzzle 12"x 16" ($400,) Ladies Of Taste and Refinement 22"x 30" ($900)
Believe Me, Love, It Was the Nightingale 22"x 30" ($900,) Mesmerized By Moonlight 12"x 16"x .75" ($550,) Babes In Blue 11"x 14" ($350)
Seeing Red 30"x 22" ($900)
Joy 22"x 30" ($900,) Classic 22"x 30" ($900)
Summer Soiree 11"x 14" ($350,) The Black Cardinal 10"x 14" ($300,) Fiery 11"x 14" ($350)
Heated Outburst 22"x 30" ($900,) Petal Pink 10"x 14" ($300,) What Gaities? 9"x 12" ($200)
Traveling Companions 16"x 20"x 1.5" ($785,) Spring Came Like A Conga Line 16"x 20"x 1.5" ($785)
Get Happy 22"x 30" ($900,) Wild For Autumn 22"x 30" ($900,) Orange You Glad To Sneezeweed? 22"x 30" ($900)
I'm gonna say something incredibly 30-year-old and I'm going to ask you to not judge me while I'm trying to be genuine and real. Okay? Here's my truth.
A piece of lettuce can really elevate a sandwich. The fresh crunch? Unrivaled. Peak. Poetic cinema.
"There's no hope for the future." And that's how they felt during the Atomic Age, during the World Wars, during the Enlightenment Revolutions, during thr plagues, during the Viking raids, during the fall of Rome.
Yet, we persisted.
CS Lewis had something to say about this
Been feeling a bit hopeless of late. Wasn't expecting to stumble across a quote that would fundamentally alter my perspective and make me cry during my lunch break but here we are
This is an excellent sentiment.
Nevertheless, we persisted :)
Some of my favorite quotes from Artemis ii so far:
"Copy. Moon joy."
"I have two Microsoft Outlooks, and neither one of those are working."
"Houston, if you could give me about 20 new superlatives in the mission summary for tomorrow that will help out my vocabulary a little bit, that would be great. Thank you."
“If you’ve ever seen the top of the spotlight of the top of the Luxor at night in Vegas, this looks like what it wants to be when it grows up.”
"To all of you down there on Earth... we love you, from the moon."
"We just went sci fi."
"It is so great to see Earth again. To Asia, Africa, and Oceania: we are looking back at you. We hear you can look up and see the moon right now. We see you too."
"We will always choose Earth. We will always choose each other."
“It’s a bright spot on the moon, and we would like to call it Carroll.”
The New American Gothic (2017) by Criselda Vasquez
From Criselda Vasquez's Instagram (3 April 2026):
Hi everyone, Thank you for taking the time to read this. On Tuesday, March 31,… Jorge V needs your support for Help Bring My Father Home
that single set of footprints was where trogdor the burninator carried you
That artist is the founder of Cara by the way (https://cara.app/zemotion/all).
Cara is the only art platform I have found that not only prohibits AI art from being uploaded on the site, but also offers their users to Glaze their art (which protects them from ai mimicry). They are also working on implementing Nightshade, which actively poisons ai training.
I have used Cara for a couple of months now, and I hope more people check it out. It's really nice. 💚
We need these kinds of places for artists, and it's also FREE (despite the staff paying out of their own pockets to keep it running).
reblogging this as I was just complaining about the rampant AI usage on pinterest yesterday lol
Even if you're not an artist, I highly recommend signing up just to lurk because it's been such a lovely wholesome experience free of the noise and brainrot that comes with the ads and reels on instagram. As a writer I think it has a niche for connecting authors with cover designers and illustrators. I'm documenting my experience in this thread if anyone wants to follow along!