monty + calling himself father
master: @bikinibottomdayz
2025 on Tumblr: Trends That Defined the Year
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@thestarslookdown
monty + calling himself father
master: @bikinibottomdayz
well done he's attached now
an assortment
We'll walk, you know the way! We'll just go back the way you came.
randomly remembering newsies uk albert has a baby brother in the refuge is kinda like being shot in the chest repeatedly out of nowhere.
Though it is, I admit, The tiniest bit Unlike I anticipated…
lucy st. louis as glinda / west end, 2023
master: @bikinibottomdayz
thinking about hadestown as a story in which each character realizes both that they're in a time loop + that there is an audience observing them at different points throughout the show
there's this moment in if its true where it seems like orpheus is pleading with the audience to change how the story goes. eurydice knows this has happened before by come home with me reprise ("i can sing us home again" "no, you can't" "yes, i can" "no, you don't understand") but orpheus doesn't know until doubt comes in ("who am i to think that she would follow me into the cold and dark again?"). the gods are both observed and observing (hades and persephone and hermes all stand off to the side for most of the show when they aren't the main people in a scene); for hades and persephone, this happens year after year anyways without any kind of time loop narrative, but hermes is fully aware from the beginning of the narrative structure of the story, obviously.
persephone knows all along that she's being observed, but the amount she cares varies between actors (amber gray's persephone does not care that there's an audience; jewelle blackman's persephone is desperate for this story to be witnessed). hades never knows.
cause here's the thing! to know how it ends!! and still!!! begin!!!! to sing it again!!!!!
@perennii you understand me
[id: tag reading, in all caps "Hadestown is haunted send tweet."]
hermes in hadestown is the exact opposite of an unreliable narrator. a tortured narrator. a little *too* reliable. incredibly aware of exactly what is happening at any given moment, vaguely spoiling it for you in the beginning, despairing every second of it. but ultimately motivated to continue to tell the story over and over and over with a smiling face for the sake of the audience, and for the sake of the characters themselves, singing it again to keep them alive. knowing how it will end, but singing it again so that the cycle may restart and eurydice may come back to life. enduring the misery of it all, over and over, holding the knowledge of what will come to pass but continuing anyway to see orpheus happy just one more time before it all goes down in flames again.
The Original Broadway Cast celebrate 10 years of Hamilton at the 2025 Tony Awards (full performance)
jack kelly "why didn't they just say that?" autism
vs
david jacobs "im allowed to break that rule?" autism
I saw someone on Instagram made a gingerbread guillotine. Imagine all Les Amis having fun making gingerbread houses and then they turn around and enj is guillotining gingerbread Louis Philippe
Apparently Judi Dench got bored one day and they created a Les Mis barricade character for her in May 2004 for just one performance.
Holy shit that must have been hilarious to see.
Here’s a picture:
Dame Judi Dench in Les Mis (May 2004)
“As the show started, the announcement was made: ‘At tonight’s performance the role of Javert will be played by Nic Greenshields, the role of Enjolras will be played by Alexis James, and in Act Two in the barricade scene Dame Judi Dench will appear as Madam Lafarge’.
“And, indeed, Dame Judi appeared in a suitably drab costume and mob-cap. She handed some ammunition up the barricade; she helped tie Javert to the chair; she was then hit by a flying bullet and sank dramatically over a table and was then helped offstage by one of the chorus. In total - say just under two minutes onstage!
“Dame Judi is appearing in the theatre next door and apparently has some 45 minutes between scenes. Yesterday she popped next door and said it would be fun if she could walk on at the start of the barricade scene since she had the time available and is a great fan of ‘Les Mis’. They had a quick five minute rehearsal between shows yesterday and tonight - on she went.” (source including more photos)
That is the best thing I’ve ever heard.
people will claim they “listen to anything” but get mad when I get aux and play a new orleans jazz retelling of orpheus and eurydice, a pop opera based on war and peace, a disney stage musical about a literal predator burning down Paris for one (1) girl, an 80s mega musical about a slightly gay cop, an 80s mega musical about a slightly very creepy man named erik, or a jukebox musical that’s just an excuse to sing pre existing abba songs
BRO IS "80S MEGA MUSICAL ABOUT A SLIGHTLY GAY COP" LES FREAKING MISERABLES
HOW DID I MISS THIS ONE. I'M SUCH A FAKE FAN. SHAKING MY HEAD
To preface this I do see and appreciate the homoeroticism of Glinda and Elphaba’s relationship, but that being said, I’m noticing a phenomenon of people who’ve seen the movie but not the full show saying “Glinda and Elphie are obviously gay, and also Fiyero is lame and unnecessary.” For one thing, those opinions on Fiyero will likely change after Part 2 comes out because he is both important and awesome, but also? I really do love Glinda and her bond with Elphaba, but quite frankly I don’t think she deserves Elphie. Glinda’s biggest flaw is her cowardice (and even that isn’t fair, because she’s in a tough situation and her survival mode is to work within the system as best she can), and Act 2 proves she simply won’t take the same risks that Fiyero will for Elphie until it’s too late. Fiyero is brave and devoted to Elphie in ways Glinda isn’t (even when she wants to be). Glinda isn’t the one who sacrifices everything she’s ever known and nearly gets tortured to death to protect Elphaba. Not to mention that Elphaba’s fighting spirit and willingness to speak up are matched in Fiyero. AND the way the theme of finding not just worth but beauty in “unattractive” people comes full circle with Elphie and Fiyero. Just. End me now. They make me INSANE. It isn’t until after Elphaba’s apparent death that Glinda’s bravery really shines. The end of the show is basically Glinda acknowledging she should’ve done better and promising she WILL do better, she will be Glinda “The Good,” all thanks to what she’s learned from Elphaba. It’s kind of the point that Glinda wasn’t perfect for Elphie (and that’s okay, because their relationship was beautiful and profound anyway). I’m so excited to see movie fans experience this ride once Part 2 comes out.
MONTAGE: VARIOUS LOCATIONS. unused scenes from WICKED (2024).
Love that Dorothy arrived from her little farm on Kansas only to immediately become caught up in the drama of being the child of divorce of the Fiyero/Elphaba/Glinda throuple