mcr 2026 tour leg starts tonight. block #liveblog while you still can
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Jules of Nature
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@theswampghost
mcr 2026 tour leg starts tonight. block #liveblog while you still can
watching massive franchises bomb at the box office while Backrooms has made $212 million on a $10 million initial budget has brought me hope for the future of cinema
#Welcome back, Sharpay
High School Musical 2 (2007) dir. Kenny Ortega // Madwoman - Laufey (2026)
eagles
young old person tip for you all. go get some photos printed (pauses so someone can say bogos binted) and fill out a physical album
and annotate them with who is in the photos and when and where the photos were taken!!! your extended family 50 years from now will be grateful, and so will you if you end up forgetting any details
(sprints into room late, looking harried and frantic as fuck) bogos binted. did I miss it
was in a painting mood
today is the ten year anniversary of the Pulse Nightclub shooting. a full decade ago, i lost a friend and a coworker. i was lucky. i had friends that lost several people. today, please remember and fight for all those that have died to live the life they should have been free to. i'll always remember you, Cory.
Piranesi concept art!
I hadn’t seen anyone really tackle the drowned halls yet (as far as I know) so I thought I’d take a crack at it to practice painting environments
all i want is youuu
The rule could have heavy impacts towards trans people across society.
Last week, the Trump administration quietly released a sweeping new federal rule that would use funding threats to force institutions across the country to reject transgender people. The 400-page proposed regulation would codify the administration's anti-trans executive orders into binding federal policy, imposing a blanket prohibition on federal funds going toward "gender ideology"
The proposed rule, formally titled "Regulation for Federal Financial Assistance," rewrites the government-wide framework governing all federal grants across every agency. Among its most consequential provisions, it requires that before a federal grant recipient can receive money, the award must pass a "pre-issuance review" conducted by a political appointee—not a career expert or peer reviewer—to ensure it is "consistent with applicable law, Federal agency priorities, and the national interest." The regulation explicitly instructs these appointees to screen for "denial by the recipient of the sex binary in humans or the notion that sex is a chosen or mutable characteristic." [...] An institution that acknowledges transgender people exist—through its policies, its training, its healthcare, its bathroom access, its HR procedures, its name-change processes—could be deemed to "deny the sex binary" or to “support the notion that sex is mutable” and have its federal funding blocked.
Importantly, the gender ideology prohibition has no age limitation—hospitals could be targeted not just for providing care to minors but for providing gender-affirming care to adults, because prescribing hormone therapy to a transgender patient of any age could be deemed promoting the belief that "sex is a chosen or mutable characteristic."
THIS IS OPEN TO COMMENT UNTIL JULY 13, 2026
This is all very bad and horrible, but I want to be clear that it’s worse and more sweeping than just eliminating trans research.
This torches everything. And I do mean everything.
A very abbreviated list of its ramifications include (but are not limited to):
ending funding for ALL DEI related initiatives
allowing the government to terminate grants at any point for any reason
preventing researchers from publishing, going to conferences, and being part of academic societies
requiring that topics must support the president’s agenda.
What this means, and if anything I’m under selling it, is the death of science and research in America. It allows the government to restrict any topic they please at a whims notice, putting officials who have no background in the topic in charge of deciding funding continuity. It controls what gets researched and if/how researchers are allowed to share their discoveries. There are no books to burn if the government never allows them to be written. This is fascism plain and simple.
Please, if you only ever write one public comment, this is the one to do.
Bringing back this guide to writing an effective public comment. This gives you the basics you need to know, what you need to include, a basic outline you can follow, etc.
Public comments are not a vote, it is a chance for you to say "here is an issue with this law I think you need to address" and provide justification for legal challenges if it goes forward:
"Comments raise the bar that agencies have to meet when making a rule; “if an agency fails to adequately respond to significant, relevant comments in a final rule, members of the public may seek to challenge the rule in court on that basis and claim it could be struck down.ˮ"
But also, if possible, don't stop at writing a comment. Don't stop at calling your representatives. You should ideally be talking to people in your community about this and organizing resistance on-the-ground; there is a good chance people are already doing that even if you aren't hearing about it.
Inde Navarrette please never get Botox that freezes your face
hour 1 of shift: i love helping people and making people happy yay yay yay later today i am gonna go home and have fun and eat a tasty meal and work on my projects and
hour 6: if youu go to the store and buy groceriers you are a piece of shit
hour 8: if i wad 1 apples tall i could live off of one apple for a week... oh but it would rot away... no.... i hate the rot i hate the apple
does anyone have orc kendrick and elf drake
In Orwell’s essay “A Hanging,” the writer watches the condemned man, walking toward the gallows, swerve to avoid a puddle. For Orwell, this represents precisely what he calls the “mystery” of the life that is about to be taken: when there is no good reason for it, the condemned man is still thinking about keeping his shoes clean. It is an “irrelevant” act (and a marvelous bit of noticing on Orwell’s part). Now suppose this were not an essay but a piece of fiction. And indeed there has been a fair amount of speculation about the proportion of fact to fiction in such essays of Orwell’s.
The avoidance of the puddle would be precisely the kind of superb detail that, say, Tolstoy might flourish; War and Peace has an execution scene very close in spirit to Orwell’s essay, and it may well be that Orwell basically cribbed the detail from Tolstoy. In War and Peace, Pierre witnesses a man being executed by the French, and notices that, just before death, the man adjusts the blindfold at the back of his head, because it is uncomfortably tight. The avoidance of the puddle, the fiddling with the blindfold—these are what might be called irrelevant or superfluous details. They are not explicable; in fiction, they exist to denote precisely the inexplicable. This is one of the “effects” of realism, of “realistic” style.
But Orwell’s essay, assuming it records an actual occurrence, shows us that such fictional effects are not merely conventionally irrelevant, or formally arbitrary, but have something to tell us about the irrelevance of reality itself (…) There was no logical reason for the condemned man to avoid the puddle. It was pure remembered habit. Life, then, will always contain an inevitable surplus, a margin of the gratuitous, a realm in which there is always more than we need: more things, more impressions, more memories, more habits, more words, more happiness, more unhappiness.
— JAMES WOOD, from How Fiction Works.
What exactly do these irrational standards mean? They mean the supremacy of the detail over the general, of the part that is more alive than the whole, of the little thing which a man observes and greets with a friendly nod of the spirit while the crowd around him is being driven by some common impulse to some common goal. I take my hat off to the hero who dashes into a burning house and saves his neighbor’s child; but I shake his hand if he has risked squandering a precious five seconds to find and save, together with the child, its favorite toy. I remember a cartoon depicting a chimney sweep falling from the roof of a tall building and noticing on the way that a sign-board had one word spelled wrong, and wondering in his headlong flight why nobody had thought of correcting it. In a sense, we all are crashing to our death from the top story of our birth to the flat stones of the churchyard and wondering with an immortal Alice in Wonderland at the patterns of the passing wall. This capacity to wonder at trifles — no matter the imminent peril — these asides of the spirit, these footnotes in the volume of life are the highest forms of consciousness, and it is in this childishly speculative state of mind, so different from commonsense and its logic, that we know the world to be good.
— VLADIMIR NABOKOV, from Lectures on Literature.
I hate that the "x reader" or "x Y/N" style of fanfic has become sooooo popular, partially because it's just not for me and partially because they clog general non-fic related tags and those authors seem allergic to the "read more" function on this website, but ALSO because I believe that you should have to go through the trouble of creating an absolutely batshit self-insert character, with a backstory that makes no sense and a name that doesn't really gel with the aesthetics of the universe. Legolas and Aragorn should be in a love triangle with Kylie, the angsty sixteen year old half-human half-elf and inexplicable tenth member of the Fellowship. Do the WORK. If everyone was doing "Y/N" nonsense back in the day, there would be no Ebony Dark'ness Dementia Raven Way, or probably Bella Swan. These are important women. They deserve to be named, confusingly and with no regard for the fictional world they inhabit.