My Petridish

I am a writer. Read my blog at www.mypetridish.com

[prophetic-writer]

[sparrow-and-seed-scrawls]

How to Write Strong Dialogue

(from a writer of ten years)

So you’re back in the writing trenches. You’re staring at your computer, or your phone, or your tablet, or your journal, and trying not to lose your mind. Because what comes after the first quotation mark? Nothing feels good.

Don’t worry, friend. I’m your friendly tumblr writing guide and I’m here to help you climb out of the pit of writing despair.

I’ve created a character specifically for this exercise. His name is Amos Alejandro III, but for now we’ll just call him Amos. He’s a thirty-something construction worker with a cat who hates him, and he’s just found out he has to go on a quest across the world to save his mother’s diner.

1.) Consider the Attitude and Characteristics of Your Character

One of the biggest struggles writers face when writing dialogue is keeping characters’ dialogue “in-character”.

You’re probably thinking, “but Sparrow, I’m the creator! None of the dialogue I write can be out of character because they’re my original characters!”

WRONG. (I’m hitting the very loud ‘incorrect’ buzzer in your head right now).

Yes, you created your characters. But you created them with specific characteristics and attitudes. For example, Amos lives alone, doesn’t enjoy talking too much, and isn’t a very scholarly person. So he’s probably not going to say something like “I suggest that we pursue the path of least resistance for this upcoming quest.” He’d most likely say, “I mean, I think the easiest route is pretty self-explanatory.”

Another example is a six-year-old girl saying, “Hi, Mr. Ice Cream Man, do you have chocolate sundaes?” instead of “Hewwo, Ice Cweam Man— Chocowate Sundaes?”

Please don’t put ‘w’s in the middle of your dialogue unless you have a very good and very specific reason. I will cry.

Yes, the girl is young, but she’s not going to talk like that. Most children know how to ask questions correctly, and the ‘w’ sound, while sometimes found in a young child’s speech, does not need to be written out. Children are human.

So, consider the attitude, characteristics, and age of your character when writing dialogue!

2.) Break Up Dialogue Length

If I’m reading a novel and I see an entire page of dialogue without any breaks, I’m sobbing. You’re not a 17th century author with endless punctuation. You’re in the 21st century and people don’t read in the same way they used to.

Break up your dialogue. Use long sentences. Use one word. Use commas, use paragraph breaks. Show a character throwing a chair out a window in between sentences.

For example:

“So, you’re telling me the only way to save my Ma’s diner is to travel across five different continents, find the only remaining secret receipt card, and bring it back before she goes out of business? She didn’t have any other copies? Do I have to leave my cat behind?”

vs.

Amos ran a hand over his face. “So, you’re telling me the only way to save my Ma’s diner is to travel across five different continents, find the only remaining secret recipe card, and bring it back before she goes out of business?”

He couldn’t believe his luck. That was sarcastic, of course. This was ironically horrible.

“She didn’t have any other copies?” He leaned forward over the table and frowned. “Do I have to leave my cat behind?”

The second version is easier to digest, and I got to add some fun description of thought and action into the scene! Readers get a taste of Amos’ character in the second scene, whereas in the first scene they only got what felt like a million words of dialogue.

3.) Don’t Overuse Dialogue Tags.

DON’T OVERUSE DIALOGUE TAGS. DON’T. DON’T DON’T DON’T.

If you don’t know what a dialogue tag is, it’s a word after a sentence of dialogue that attributes that dialogue to a specific character.

For example:

“Orange juice and chicken ramen are good,” he said.

‘Said’ functions as the dialogue tag in this sentence.

Dialogue tags are good. You don’t want to completely avoid them. (I used to pride myself on how I could write stories without any dialogue tags. Don’t do that.) Readers need to know who’s speaking. But overusing them, or overusing weird or unique tags, should be avoided.

Examples:

“I’m gonna have to close my diner,” Amos’ mother said.

“Why?” Amos growled. “It’s been in the family forever.”

“I’ve lost the secret recipe card, and I can’t keep the diner open without it!” she cried.

“The Bacon Burger Extreme recipe card?” Amos questioned.

“Yes!” Amos’ mother screamed.

“Well, that’s not good,” Amos complained.

vs.

“I’m gonna have to close my diner,” Amos’ mother said, taking her son’s hand and leading him over to one of the old, grease-stained tabletops with the ripped-fabric booths.

Amos simply stared at her as they moved. “Why? It’s been in the family forever.”

“I’ve—” she looked away for a moment, then took in a breath. “I’ve lost the secret recipe card. And I can’t keep the diner open without it.”

“The Bacon Burger Extreme recipe card?”

“Yes!” She still wouldn’t meet his eyes, and her shoulders were shaking. “Yes.”

Amos sat down heavily in the booth. “Well, that’s not good.”

The first scene only gives character names and dialogue tags. There are no actions and no descriptions. The second scene, however, gives these things. It gives the reader descriptions of the diner, the characters’ actions, and attitudes. Overusing dialogue tags gets boring fast, so add interest into your writing!

So! When you’re writing, consider the attitude of your character, vary dialogue length, and don’t overuse dialogue tags.

Now climb out of the pit of writing despair. Pick up your pen or computer. And write some good dialogue!

Best,

Sparrow

[sourdough-seal]

“omg you’re so creative. how do you get your ideas” i hallucinate a single scene in the taco bell drive thru and then spend 13 months trying to write it

[fixyourwritinghabits]

I think the thing that's been bothering me about the "is it okay to use ChatGPT to plot/make characters/etc" is that at the end of the day, these are not tools that are helping your writing, they are shortcuts that are undercutting it.

These things are supposed to be hard, because you need to learn how to do them.

And listen, I know this sucks. I've got to knock off 4k of words from my current novel to make it more sellable, which seems like a completely arbitrary thing to do, but things like printing costs absolutely do factor into traditional publishing. It took me five drafts to figure out a completely obvious in hindsight plot point that explains why a character does what he does. It takes a few tries to pull together a detailed outline into a workable story, and it always will.

I would have loved to figure this all out way earlier, but I had to learn how to spot the gaps in my writing before I could fix them. Generative AI isn't ever going to bridge the gap between sitting down and learning how to work things out, because if you don't do that, you never will become a more competent writer. If that wasn't part of the point, none of us would be doing this in the first place.

[allthingswhumpyandangsty]

Hi there! As a new fic writer, I was wondering if you had any writing advice (in general), but especially for writing dead dove. Do you have any advice on how to make your writing impactful and more emotionally devastating (lol)?

I’ve always thought writing that hits a reader so hard that it effects them emotionally—as if they’re a part of the story themselves—are some of the best written (and my personal favorites to read).

Thanks so much!

the most important and effective advice in general that I can give anybody when it comes to writing, is that ‘practice makes perfect’.

however, it’s also important to note that I am by no means saying my writing is ‘perfect’ — because you (general you) stop learning and improving your skills the second you believe what you’re doing has already reached the point where it’s ‘perfect’, and that’s where it becomes a problem. there’s a difference between being proud of yourself and your work (which you should always be) and thinking that your work is already ‘perfect’. 

so what I’m saying is; as long as you’re willing to keep learning, you will only keep getting better. always practicing, always learning.

your first ever work may not be as satisfying as you want it to be, and that is okay. looking back, the first ever fic I wrote almost 8 years ago would not be satisfying if I wrote it recently — considering how my writing style has changed, as I’ve found (still am continuing to find) what represents myself best in my works, and how I’ve learned and improved my skills — but that fic was still my creation and I still am proud of myself and of the art I’ve created; the thing is that I’ve practiced and learned and I’ve come a long way, and that’s what really matters.

as for writing dead dove, my advice would be ‘don’t hold yourself back just because you think this is too violent or too disturbing’. as I’ve always said, there is no such thing as ‘too far’, ‘too graphic’ or ‘too triggering’ when it comes to any form of art. 

that being said, content warning is just as important. warn your potential readers beforehand about what they might be getting themselves into if they decided to give your writing a read. this doesn’t mean you have to ‘spoil’ your fic to them, just let your readers know what kind of content is in the work — for instance, child death, blood and gore, non-con, drug use, human trafficking, etc — so that your readers can decide for themselves if the work is too much for them.

but that does NOT mean you should stop writing about This Specific Topic You Love to Write About just because it’s too triggering for your readers. why? because, while your readers should always be appreciated, you don’t write for them. you write FOR YOURSELF.

write what you want to read.

write whatever you want.

you, the writer, are the priority of your work.

don’t write something you don’t want to write just because it’s what your readers want. 

don’t hold yourself back from writing what you want to write just because your readers don’t like it.

the most important factor about writing fanfics and/or original works is that writing should be something you enjoy. not a job (even if you write original work as a career), you should always have fun doing what you’re doing. that’s how you can do your best.

the trick to writing an impactful and emotionally devastating scene is if YOU are invested in what you’re writing enough that words come from within yourself. and you can only be invested in what you’re writing that much if you love and enjoy what you’re writing.

it’s more difficult to love and enjoy what you're doing, if you’re doing it to please other people.

you see where I’m getting at? it’s all about your love, enjoyment and passion as a writer. 

you don’t write for your readers. you write for yourself, and your work will attract to it the right readers who love the same thing you do. and that’s how you successfully write an impactful and emotionally devastating scene that can make your readers cry.

don’t think about whether or not your writing will have enough impact on your readers when you write, because thinking about that will only distract and prevent you from reaching your best potential. just be invested in your writing. 

don’t think about whether or not your readers will like this; because worrying about whether or not your readers will like it will also distract and prevent you from doing your best.

if you want your readers to feel as if they’re a part of the story themselves, you yourself have to be emotionally invested in it that you feel like you’re a part of the story yourself. and that can only happen if you’re doing it for you. not for your readers. not for anybody else. but for you.

repeat after me ‘I am the priority of my writing’. 

again, be invested in your writing. write whatever you want to write, no matter how disturbing or fucked up or violent your work gets, write whatever you want. just don’t forget to tag all the trigger warnings properly.

you don’t ‘try to attract people to read your work’. you get invested in your work, you write whatever you want, out of love and passion, and your work will attract the right readers to it.

I have no doubt you will become one of the best writers out there, anon. keep learning. keep writing. I’m rooting for you.

[gemsofgreece]

Oh boy the irony is REAL with this one because it mocks Greek historians (apparently they mean historians of Greek history)

but just by looking at it you can tell it's just another foreign "Greek historian" complaining because the actual truth is

[stydixa]

ELEMENTAL (2023) Dir. Peter Sohn

[lostchild02]

"Apparently the Earth sometimes thinks of the possibility of coming closer to the Sun,' said Sati. ' But she can't do that. She is so base and his brilliance so searing that she will cause destruction if she draws him closer.'

What now ?

' I disagree,' said Shiva. ' I think the Sun burns for only as long as earth is close to him. If the earth wasn't there,there would be no reason for the sun to exist.'

Excerpt from the book The "Immortals of Meluha"

[lucidloving]

@roach-works // Melissa Broder, "Problem Area" // Mary Oliver, "The Return" // @annavonsyfert // Koyoharu Gotouge, Demon Slayer // Haruki Murakami, Dance Dance Dance // David Levithan, How They Met and Other Stories // Tennessee Williams, Notebooks

[rhysaka]

✨ Surya Tilak of Shri Ram ✨

Aur ye hamara janam safal hote hue ~

Iss dhrishya ko dekhna sabke bhagya me nahi.

Just watch this and experience the divinity. That’s all.

☀️ Jai Shri Ram ☀️

[bekku]

something about solar eclipse in Brihat Samhita by Varahamihira (6th CE)

also, what was up with our obsession with writing every damn thing in poetry format? even freaking recipes in pāka darpana is written like this

[curiosityistheleastofmyproblems]

Marie Sklodowska Curie’s Notebook

Marie Sklodowska Curie’s notebooks containing her scientific research, which are Radioactive and must be stored in a lead-lined box in the Bibliothèque Nationale. Curie’s corpse is also radioactive. Her coffin is lined in an inch of lead. Both will remain radioactive for 1,500+ years.

[thathinduthings]

And what exactly is wrong with worshipping animals and plants? Mother Nature is what sustains us, nurtured us and keeps us alive and healthy. Plants are life giving and animals have always been a source of livelihood for us. The Sun gives us warmth and the trees shelter us.

There is absolutely NO shame is worshipping nature. In worshipping many gods.

[magic-coffee]

Ram Mandir Construction🛕🚩

Just like our ancient temples ❤️

[sindar-princeling]

he really said "none of you can read" ajxndjjxdkcnjfj

(source)

[realtacuardach]

One difference between the Lord of the Rings books and the Peter Jackson films that I find really interesting is what the hobbits find when they return to the Shire.

In the books, they return from the War, only to see that the war has not left their home untouched. Not only has it not left their home unscathed, battle and conflict is still actively ravaging the Shire. They return, weary and battle-scarred, to find a home actively wounded and in need of rescue and healing. All four launch themselves into defending their home and rousting those harming it, and eventually succeed. But their idyllic home has been damaged, and even once healed, is never quite again the Shire they set out to save.

In contrast, in the Jackson films, they return to a Shire shockingly untouched by the horrors of war. The hobbits of the Shire talk, in the Green Dragon in Fellowship of the Ring, about not getting involved with issues "beyond our borders," and it seems those issues have not invaded their sanctuary. After having been bowed to by kings, dwarves, elves, and men alike at the coronation in Gondor, their only acknowledgment upon returning home is a skeptical head shake from an older hobbit.

One of the most poignant scenes to me in Return of the King (and there are a considerable amount) is the scene where Frodo, Sam, Merry, and Pippin are sitting in the Green Dragon. The pub patrons bustle around them, talking loudly, clapping excitedly, drinking cheerfully, just as they had in the beginning of the story. But the four hobbits sit silently, watching almost curiously at what was once familiar but is now foreign to them. Their home has not changed. But they have.

Which is the deeper hurt? To come to your home to find it irrevocably changed, despite all you did to keep it untouched and the same? Or to return home but no longer feeling at home, because it is only you that is irrevocably changed?

[beeftea78-deactivated20200113]

I like to call my chickens “beasties” or “fat little monster trucks” and other such affectionate terms, but dad seems to take offence whenever I do and always gently refers to them as “the girls,” “the ladies” and sometimes “the dames” when he’s putting them away, like he’s a butler shepherding a group of well-bred country lasses into the parlour for tea 

[sekiss-blog1]

this post evokes such a pleasing mental image that my depression was completely cured for 5 and a half minutes