A Track-by-Track Breakdown of Taylor Swift’s 10th Studio Album: ‘Midnights’
You would expect by the time a pop star has spent over 15 years in the spotlight that they would run out of steam. But on her 10th studio album, Midnights, Taylor Swift is as energized as ever. Even more impressive, the debut numbers are the biggest of her career yet, landing on a whopping 1.578 million, 1.1 million of those in pure album sales alone. These first week numbers are even larger than that of 1989, which is a huge feat.
Many pieces factor into success like what we’re seeing in this case. One is Swift’s exceptional marketing skills. Her dedicated fans will come out in droves to purchase her art, and the mysterious buzz that centered around the album intrigued the public to tune in. The star’s highly acclaimed releases of folklore (2021’s album of the year) and evermore (a 2022 album of the year nominee) during the pandemic certainly brought in a ton of new fans who perhaps overlooked her sharp lyricism before. But Taylor wants you to know that despite her magical stay in the forest and woodlands, she is in fact still bejeweled, and ready to remind everyone how much her shine still shimmers as a pop titan.
Presented as a loose concept album, Midnights centers on 13 sleepless nights throughout Taylor’s life (plus 7 songs on the “3am edition” that also fit the theme). Surely as she has been re-recording her albums as Taylor’s Versions, old feelings and memories have come to the surface that she is revisiting from a new perspective. Midnights still showcases Swift’s unmatched lyrical ability while taking us on a Jack Antonoff led synth journey.
1. Lavender Haze “All they keep asking me is if I’m gonna be your bride,” Swift laments on the opening track “Lavender Haze.” Which is funny because she spent 2019’s Lover with a bridge of wedding vows and a song about marrying her boyfriend of 6 years now, actor Joe Alwyn, with paper rings. But it is also an astute observation on how the world sees women, as she rejects “the 1950s shit they want from me.” She doesn’t want to follow anyone else’s wishes or timelines, or answer anyone’s questions, she just wants to stay staring at the ceiling with her partner, immersed in the lavender haze (a saying she caught from an episode of Mad Men). She knows that’s where she’s safest, because she’s “damned if I do give a damn what people say.” As an opening track, it delivers sonically and melodically, even in its smaller moments (the little “yeah oh yeah”s in the pre chorus are addictive), it’s a grand number. Best lyric: “I’m damned if I do give a damn what people say.”
2. Maroon The title track of Swift’s project Red is placed at track two. So it’s no surprise that Swift placed a song with red shade as its title in the same spot. “Maroon” details all the little scarlet moments throughout the ups and downs of a relationship, some examples including wine, hickeys, the sky, and rust. The first verse shows the relationship at its peak, “laughing with my feet in your lap, like you were my closest friend,” and the second verse juxtaposes it with its breakdown, “sobbing with your head in your hands, ain’t that the way shit always ends?” The final chorus on the track holds some of Taylor’s most interesting (and sensual) vocal delivery to date, her lower register extremely impressive and underrated. Best lyric: “The rust that grew between telephones.”
3. Anti-Hero Do you remember in 2012 when everyone and their father would make jokes that Taylor Swift should write a song called “Maybe I’m The Problem” as a response to her breakup songs? Well, ten years later, she gave them something very close to what they asked. “It’s me. Hi. I’m the problem, it’s me,” she sings in the chorus of the lead single “Anti-Hero” (though not released prior to the album), which Swift claims to be one of her favorite songs she’s ever written. On folklore and evermore, Taylor sang about mental health struggles without explicitly saying that she was the subject of those songs. However, here, it is clearly autobiographical without question. As a fan, to hear her so blatantly say “my depression” in a song was both jarring and relatable. The track lays out her intrusive thoughts about herself, her maladaptive behaviors, ignoring people or pushing loved ones away instead of letting them in. While she sings “I’ll stare directly at the sun, but never in the mirror,” the song shows how much her music is safe haven for her to sneak a glance at her reflection. Best lyric: “Did you hear my covert narcissism I disguise as altruism, like some kind of congressman?”
4. Snow On The Beach (ft. Lana Del Rey) The dreamy “Snow On The Beach” is a romantic love ballad in which Swift is mesmerized by the fact that the person she wants actually wants her back. She can’t quite believe their love, and she’s afraid if she speaks of it, she’ll find out it was an illusion all along. Throughout Swift’s music, and especially in this song, she uses light to describe her partner, singing “I’ve never seen someone lit from within, blurring out my periphery.” While Lana Del Rey, someone Swift hails as one of her musical idols, mostly singing background vocals might seem like an odd choice, just like seeing snow on the beach, it’s “weird, but fucking beautiful.” Best lyric: “Flying in a dream, stars by the pocketful.”
5. You’re On Your Own, Kid “You’re On Your Own, Kid” is a journey through Swift’s life and career thus far. The song starts by detailing an unrequited love, which leads her to writing songs in her room and playing them in the parking lot, eventually running away and pursuing her dream of becoming a star. And although her dreams aren’t rare, her success surely is. But even at the height of her success, no longer sitting by herself at the lunch table at junior high, she still found herself alone. “I hosted parties and starved my body, like I’d be saved by a perfect kiss / The jokes weren’t funny, I took the money, my friends from home don’t know what to say.” She was degraded by the public and degraded herself. And just as things got better, her life’s work that she put her blood, sweat, and tears into was sold out from under her. But the Taylor’s Versions have been able to give her some solace, “Everything you lose is a step you take.” She ends the song on a hopeful note, reminding herself that she doesn’t have to be afraid; she’s always been on her own and she’s always made it through, and she always will. And the listener can resonate too. We’re all truly on our own at the end of the day, but we’ve gotten this far; we can keep going. Best lyric: “I hosted parties and starved my body, like I’d be saved by a perfect kiss.”
6. Midnight Rain On “Midnight Rain,” Taylor highlights the differences between the life she could’ve had and the life she pursued. “He wanted it comfortable, I wanted that pain / he wanted a bride, I was making my own name,” she (and a distorted voice) sings in the chorus. That life of a small-town girl is far away now, and not one she ever truly wanted, but one she sometimes sneaks a peak at through postcards and time portals and wonders what it might be like. Similar to “Lavender Haze,” this track establishes Swift’s aversion to societal standards, and her embracement of constantly changing and evolving, as evident through her music and career to date. It’s a real catchy ear worm, and after a few listens you really learn to love that voice distortion. Best lyric: “He wanted it comfortable, I wanted that pain.”
7. Question…? While Taylor leaves many hints as to what or who some of her songs might be about, “Question…?” Has one of her most obvious clues to date, as the song starts with a sampling of her song “Out of the Woods” from 1989, a song famously known to be about her relationship with Harry Styles. Not only is there the sample, but also lyrical parallels. “The rest of the world was black and white / but we were in screaming color,” she sings on “Out of the Woods.” On “Question…?” She says, “I don’t remember who I was before you painted all my nights a color I’ve searched for since.” One could assume while going back and rerecording 1989, she may have reflected on the relationship, with questions popping up. While it seems as if Swift knows the answers to these questions already, she still wants to ask them and get the confirmation and closure she’s searching for, a very relatable feeling. Just like in life, though, she doesn’t get any explicit answers in the song, but maybe she doesn’t need them anymore, anyway. Best lyric: “Does it feel like everything’s just like second best after that meteor strike?”
8. Vigilante Shit When listing the things that kept Taylor up at night, serving as inspiration for this album, one thing she cites is plotting revenge. In the revenge fantasy “Vigilante Shit,” Swift tips off the FBI about her enemy (presumably Sc**ter Br**n) and his “white collar crimes,” and assists his ex-wife in winning their divorce. “I don’t start shit, but I can tell you how it ends,” she croons. Which, historically, is true. Swift has rarely been the instigator of a feud or fight, but when she’s targeted, she comes back on top every time. After all, karma is her boyfriend. Best lyric: “Ladies always rise above, ladies know what people want / someone sweet, and kind, and fun / the lady simply had enough.”
9. Bejeweled “Bejeweled” is an exciting and fun pop song about letting go of the people and things that drag you down and allowing yourself to shimmer again. We can surmise that “Bejeweled” represents a night during a dead-end relationship where she finally prioritized herself again and learned she can still shine on her own right. In a radio interview, Swift said that “Bejeweled” mirrored her re-entrance into the pop landscape after her folk escapades, and that she had to pump herself back up into believing that she could still do it. The track itself proves that Swift stills rules without competition. Best lyric: “And when I meet the band, they ask, ‘Do you have a man?’ I could still say, ‘I don’t remember.’”
10. Labyrinth One of the few ballads on the standard edition, “Labyrinth” tracks Taylor’s thought process as she realizes she’s falling in love again, despite all of her fears after being burned in the past. She laments her pain and acknowledges her worries. The progression from “uh oh,” to “oh no,” to “oh,” before the line “I’m falling in love,” shows her trepidation turned to acceptance, due to the length’s this person would go to just to make her smile. While there are some synth sounds that seem slightly out of place, overall it is a song anyone who is learning to open up their hearts after being hurt can relate to. Best lyric: “Break up, break free, break through, break down.”
11. Karma “Ask me why so many fade, but I’m still here,” she sings on “Karma.” The answer? One could be her incredible talent and hard work ethic. But an additional answer is because her and karma vibe like that. In this catchy pop hit, Taylor reaps the rewards of staying true to who she is while karma takes down her enemies who never keep their side of the street clean. She knows karma is on her side, and she can relax trusting that it’ll do its thing. And so far, it has served her well. In the most Taylor Swift™ fashion of all time, she compares karma to a cat purring in her lap because it loves her. And it is! It does! Best lyric: “Karma’s a relaxing thought / aren’t you envious that for you it’s not?”
12. Sweet Nothing Co-penned by William Bowery aka Joe Alwyn, “Sweet Nothing” is a love song from Swift to Alwyn. She discusses all the negative things going on around her and the way people push and shove to get a piece of her, while her partner is just in the kitchen humming, asking nothing of her, just loving her as she is. We get a brief peak into their dynamic in the truly sweet lyric, “On the way home, I wrote a poem / you say, ‘what a mind,’ this happens all the time.” To be loved for your mind rather than your status is a gift for someone like Swift. I’m sure the poems are lovely. Best lyric: “Outside, they’re push and shoving, you’re in the kitchen humming / all that you ever wanted from me was sweet nothing.”
13. Mastermind A word that has been weaponized against Taylor over the years is “calculated.” On “Mastermind,” the standard edition’s closing track, she owns the claim, singing, “I’m only cryptic and Machiavellian cuz I care.” “Mastermind” is Taylor’s confession to her partner that she masterminded their entire relationship from the first night he saw her. She confides in him in one of her most personal lyrics yet, singing, “No one wanted to play with me as a little kid / so I've been scheming like a criminal ever since / to make them love me and make it seem effortless.” She thought no one could love her unless she tricked them into it. But upon her confession, his smile proves her wrong, because he knew the entire time that she thought she was masterminding their relationship, but in reality he went along with it because he wanted her too, schemes and all. She finally found her effortless love. Best lyric: “No one wanted to play with me as a little kid / so I've been scheming like a criminal ever since / to make them love me and make it seem effortless.”
3am Tracks
14. The Great War On the first 3am track, Taylor teams back up with her other folklore & evermore collaborator, Aaron Dessner of The National. “The Great War” seems to be about a fight in a relationship, and Swift’s difficulty bouncing back from it. She lays out her lack of trust from past relationships and how that has interfered with reconciliation efforts, as she sings, “And maybe it’s the past that’s talking, screaming from a crypt / telling me to punish you for things you never did.” But despite some of these maladaptive behaviors, her partner still reached for her hand, trying to make things right. And they did it, they survived, and that survival brought back her faith. Best lyric: “You drew up some good faith treaties / I drew curtains closed, drank my poison all alone.”
15. Bigger Than The Whole Sky “Bigger Than The Whole Sky” is a song about loss. Although the loss of exactly what is unclear, the grief is palpable. She searches for what might have caused such a tragedy, wondering if she was at fault. There are so many questions in grief to which we never receive answers. This song has resonated with many fans online, relating it to their own personal experiences of miscarriages, deaths, and pet losses. Best lyric: “Every single thing I touch becomes sick with sadness.”
16. Paris In this fun pop song, Taylor compares the view of her partner to that of the city of Paris. She’s so in love that she might stop breathing, that she doesn't care about her friends’ gossip or what’s on the news. She’s transported into a world of romance where nothing else matters, where alleyways appear and cheap wine tastes like champagne. It’s the excitement of completely falling into someone as the rest of the world fades away. Best lyric: “I wanna brainwash you into loving me forever.”
17. High Infidelity “High Infidelity” is an intriguing track, produced by Aaron Dessner, about the end of an unhappy relationship. We can presume that she is referring to her ex, the DJ known as Calvin Harris, her previous long-term boyfriend before meeting her current partner, with lyrics like “put on your records and regret me” and “put on your headphones and burn my city.” In the song, Swift is implying that there was some type of infidelity, whether physical or emotional only is not quite clear, but either way she admits, “I bent the truth too far tonight,” and asks, “do I really have to tell you how he brought me back to life?” But she didn’t think it would matter much to him, and is surprised by his sense of betrayal and hurt, but not particularly remorseful. Best lyric: “You know there’s many different ways that you can kill the one you love / the slowest way is never loving them enough.”
18. Glitch Another Antonoff produced track written alongside Sam Dew and Mark Anthony Spears, “Glitch,” is one of the sexier tracks on the album. The concept is that Taylor can’t quite fathom how this love of hers has worked out for 2,190 days (that’s 6 years, if you didn’t know) and counting when all she’s been used to is situation-ships and dudes who give nothing. So if it’s lasted this long, it’s gotta be a glitch in the system, right? Best lyric: “And I’m not even sorry / nights are so starry, blood moonlit.”
19. Would’ve Could’ve Should’ve While “Would’ve, Could’ve, Should’ve” is arguably one of the best tracks on all of Midnights, everything Swift does is for a reason. When you listen to the song, it becomes quite evident why she put it at track 19. “And I damn sure never would’ve danced with the devil at 19,” she sings. As an avid fan, you immediately hear the echoing of the best song on her third album Speak Now, “Dear John,” which has the lyric, “don’t you think 19’s too young to be played by your dark twisted games when I loved you so?” And it becomes clear what she’s discussing: the power dynamic in her relationship when she was 19 with John Mayer, who was 32 at the time (Swift’s current age). One could assume rerecording Speak Now (which Swift has highly hinted at being the next rerelease) brought up some old feelings. “Would’ve, Could’ve, Should’ve,” is a powerful track filled with intense regret. She describes him as a “promising grown man,” putting a spin on the monicker often given in defense of younger men who abuse women. She likens the relationship to religion: “you’re a crisis of my faith,” “all I used to do was pray,” “gone along with the righteous.” This was a man that she idolized, and the fall from his pedestal crushed her in irreparable ways. “Give me back my girlhood, it was mine first,” she pleads with a heart wrenching ache in her voice. It’s hard to listen to this song without feeling pain for her, especially as she ups the octave for the outro, making the regret feel more urgent, more palpable. Best lyric: “God rest my soul, I miss who I used to be / the tomb won’t close, stained-glass windows in my mind / I regret you all the time.”
20. Dear Reader The 3am edition closing track is “Dear Reader,” a letter to her listeners. She gives advice about avoiding traps, starting over, keeping secrets, and aiming for the devil. But she also gives the caveat, “Never take advice from someone who’s falling apart,” supposedly referring to herself. But the best advice comes from those who have fallen, who have experience, who feel a range of emotions quite like Swift does. That’s why she is so popular; because people can relate to her words and they keep them close to their hearts. “You should find another guiding light,” she suggests. But this sign can’t stop me because I can’t read! Best lyric: “You don’t have to answer just cuz they asked you.”
Target Deluxe Edition
Hits Different The Target Deluxe Edition exclusive song “Hits Different” marks the return of Swift, Dessner, and Antonoff all together. The song feels very vintage Swift, almost like it could’ve been a recent “From The Vault” track. “Hits Different” is about a breakup that is much harder to get over than any other she’s experienced. She hears their song everywhere, she stops receiving invitations because she can’t stop slurring his name when she’s out with friends, she cries over a hat. She’s so far gone in this breakup that she thinks people are coming to take her away. Anyone who has experienced a tough breakup could probably find a lyric in this song to which they can relate. But even without being able to relate, it’s a fun, funny, enjoyable track served as a nice treat for loyal fans who actually go out and buy CDs these days. Best lyric: “I pictured you with other girls, in love / then threw up on the street.”
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In conclusion, 16 years into her career, you best believe Taylor Swift is definitely still bejeweled, and on Midnights she shimmers more than she ever has, even when touching on long-gone relationships and peering into old wounds, being more vulnerable than she has on projects past. Each album and era seems like her peak, yet she continues to outdo herself in multiple ways. With more Taylor’s Versions on the horizon, hopefully Swift will continue to gain inspiration in various ways as a result of revisiting her old work. But if she doesn’t, we know she’s always got some tricks up her sleeve.
DISCLAIMER - REVIEWER’S BIAS: Taylor Swift is the mother I never had, she is the sister everybody would want, she is the friend that everybody deserves. I don’t know a better person.