when the V resolves to a I 👏👏👌👌
when it never resolves to a I 🔥🎶☄️
Three Goblin Art
Xuebing Du
Jules of Nature
Peter Solarz
trying on a metaphor
Monterey Bay Aquarium
noise dept.
$LAYYYTER
🪼
Stranger Things
he wasn't even looking at me and he found me
TVSTRANGERTHINGS
Misplaced Lens Cap
cherry valley forever
let's talk about Bridgerton tea, my ask is open

@theartofmadeline
"I'm Dorothy Gale from Kansas"

roma★
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One Nice Bug Per Day

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@tinytimpanist-blog
when the V resolves to a I 👏👏👌👌
when it never resolves to a I 🔥🎶☄️
17 Days Left
To all the section leaders, captains, heads, and directors out there: You don't have to be perfect. You just have to try your best. <3 "A leader knows the way, goes the way, and shows the way." - John C. Maxwell.
As someone who is instructing high school front ensemble for the first time, on good days it feels like the tears of Jesus have come down and blessed our instruments with good fortune.
And on not so good days it’s like Patrick trying to find the lid on a jar.
Weird Performer Problems
- “I can’t, I have rehearsal.”
- Learning how to change almost anywhere, and sometimes how to change without revealing yourself.
- Ordering to-go before a rehearsal/performance but finishing your food in line anyway while you wait for your friend to order, and then trying not to make eye contact with the server.
- 1st dress rehearsal: *consistently checks time* 75th dress rehearsal: *not even remembering where you left your phone because you gave up hopes of getting out on time forever ago*
- Introducing yourself with “Just throw it in the back” when literally anyone gets in your car.
- Trying to explain to your manager at your non-performance related job that you might actually die if you miss the event.
- catnapping becomes less about the ability to nap for short periods of time and more about the ability to nap in the weirdest places
- you’ve wondered on more than one occasion if it’s possible to wash duffle-bags, and have noticed that “that” duffle-bag has started to smell suspiciously like a gas station bathroom.
- you think you’d have to explain to people why instead of listening to the radio you have your show music in your car, but the only people who ride with you are your fellow performers so there’s really no explanation necessary.
One of the most important lessons I ever learned in college:
You may be quick.
You may be smart.
You might even be a genius.
But you will probably never outsmart a music professor, especially not one with a plan.
my life
This is hilarious, I’ve literally played this piece. It’s for 5 percussionists on tom toms and it’s called “Re: Disaster”. A little cheesy, but really cool.
A little humorous video that we did with @chloetrevor_violin. We are all pretty excited about our concert tomorrow night! Come watch us tomorrow night at 7pm in Richardson Hall at Adams State. (at Adams State University - Music Department)
41 Days and counting
Biggest lesson learned from this week (and one of the biggest lessons I've learned from my adventures as a music major in general): You don't have to be related to be family; You just have to be there when it counts. Knocked out 15 concerts and a junior recital this semester, and there's no way I would have made it without my friends or my section. God bless these weird and wonderful people.
42 Days
A song getting me through today --> https://www.youtube.com/watch?v=WFFberbflbU
Pre-explanation: what am I counting down to you ask?
My imminent demise via marim A week long marimba seminar in Texas that a year ago I thought I could only ever dream about? I’ll just be hyperventilating over here as I wait it out. It actually hooks into the topic for this post, which I’m posting early as I have a concert tonight and probably wouldn’t get around to doing this once it’s finally over.
ANYWAY:
One of the most important lessons I’ve learned in my time here in University is how to step out of your box, push yourself, and test your own limits (safely of course). In high school, for a multitude of reasons I was chronically shy with not many friends, and with a lot of cold opinions about the world and it’s people, although I kept them to myself for fear of being judged. My idea of college was like one of those Disney Channel show nightmare sequences where the worst case scenario was always the most likely one.
And when I graduated and came here, I started out the same way, and began to wonder if this was the kind of person I was slated to be.
“It wouldn’t be bad”, I would think, “being invisible most of the time. Being just good enough to get by.”
When my sophomore semester rolled around, I got socked in the face with a sack of bricks in the form of a few professors and a group of friends (who are all wild enough to get their own posts soon enough) who thought I was capable of more and wouldn’t take no for an answer in terms of getting to know me and my life.
Like, actual video footage VVV
In all seriousness though, as I studied and I worked, I gradually began to have some confidence in myself and my abilities. So when Summer came and the ideas of summer camps and auditions began rolling around the department, I took a leap of faith and auditioned for a Broadway pit camp in New York.
With 25 seats available to the country, I sent in a couple videos and references and ended up getting a seat, which my school paid for. That week was one of the most memorable of my life, and through all that fear and near crippling anxiety, a new me came into existence. Someone who could navigate on her own, who could share her talents with the world, and who wasn’t afraid of being judged by anyone, because anyone who cared wouldn’t matter anyway.
With all the tools in hand, my first time ever travelling on my own anywhere was a trip to New York City, where I stayed for a week, and learned more about myself than I ever would have if I had chickened out and stayed at home. I came back a changed person, and felt at least 75% more equipped to deal with the challenges that used to cause me so much anxiety. I learned how to open up to people, how to manage my nerves, and how to interact with the world on a new level. As a reward for my courage, I got to watch the Lion King on Broadway from inside the pit! That’s something I wouldn’t trade for any amount of money or comfort.
Now, learning about yourself and pushing your limits doesn’t have to be some big extravagant trip. It can be joining a new ensemble, reaching for a new piece of music you never thought you’d be able to play. It doesn’t even need to be music related: Trying a new activity. Wearing a two piece bathing suit (something I did yesterday that was almost as terrifying as trying to navigate JFK airport on my own) at the beach? Eating a new food? The possibilities are endless if you don’t limit yourself.
I came back full of ambition and aspirations, which brings us full circle to my countdown to a marimba seminar at a school that a year ago I wouldn’t have laid eyes on because I thought “How could I possibly be worthy? How could I ever be ready for that?”
A friend told me the answer to that is the fact that we’re never ready. You can only do the best you can, and use what you have when it gets here.
Am I ready to go to graduate school? No.
Am I ready to go to this camp and find out if this is really what I want to do with my life? No.
But I will do the best I can. If anyone out there was looking for perfection, we wouldn’t have schools. They’re looking for someone willing to learn, which is just about the best thing I can give them.
So take your risks, get out of yourself, don’t let life pass you by. Think of all the fun stories you could tell your kids and grandkids! Aspire to be the cool grandma/grandpa. Don’t let your dreams be dreams.
Sports Anchor: “Band Girl throw the sword high.”
“Nails the catch and completes it with a bend.”
“Touch Down Band Girl.”
This is my favorite video ever
Senior Year post?
I kept saying that I was going to recharge this Tumblr and post some really helpful stuff here, and then college comes along every semester and is just like
So here I am. A week before my junior year in undergrad is officially over. I’ve decided to take the Summer to document my travels and my discoveries, and come back and take my senior year head on by trying to post here at least once a day, whether it be a quote, or a blurb, a funny story, or just some advice from one musician to another. Looking back on this year in particular, there are so many things I wish I had been prepared for or that someone had told me about. And this year coming is the one to top them all, where you could make like an entire Friends-sized series about all the crap that’s going to happen. Like: - The One With the Grad School List - The One Where She Dies In Some Obscure Porgy And Bess Related Xylophone Incident - The One With The Senior Recital - The One With The Emotional Breakdown of Not Being Able to Afford Ramen Noodles Until Tomorrow So, I’m thinking of this as a home project. Something to keep me sane as I count down the days and attempt to conquer the never-ending adventures and trials that are pursuing a musical performance degree.
So cheers, mate, hopefully I’ll see you all on the other side.
OKAY LISTEN UP LOSERS
YOU SEE THIS SHIT RIGHT HERE
THIS IS A MARIMBA.
IT IS A LARGE, DEEPFUCKING-TONED PERCUSSION INSTRUMENT. IT IS PLAYED WITH YARN MALLETS, AND IT HAS LONG RESONATORS. IT SOUNDS LIKE THE LAUGHTER OF BENEDICT CUMBERBATCH MIXED WITH THE TEARS OF JENSEN ACKLES. I HOPE THAT SHOULD BE SO LUCKY TO HAVE YOUR EARS GRACED BY THIS INSTUMENT. especially a rosewood marimba that would be good.
THIS SHIT
IS A VIBRAPHONE.
IT HAS METAL KEYS AND A PEDAL. IT SOUNDS MAGICAL ESPECIALLY WHEN PLAYED WITH A BOW. THIS IS WHAT HOPE SOUNDS LIKE. JAZZY HOPE.
AND FINALLY:
THIS IS THE INFAMOUS XYLOPHONE.
THE KEYS ARE WOODEN AND SMALL. IT IS PLAYED WITH RUBBER OR PLASTIC ASS MALLETS. I PERSONALLY THINK THIS SOUNDS LIKE THE SCREAMS OF SATAN BUT WHATEVER.
IF YOU CALL A MARIMBA OR VIBRAPHONE A XYLOPHONE EVER AGAIN THEN I WILL FIND YOU AND SHANK YOU WITH A FUCKING MALLET. THERE IS A HUGE FUCKING DIFFERENCE AND YOU CANNOT GENERALIZE THEM. PERCUSSION INSTRUMENTS HAVE FEELINGS TOO.
YOU HAVE BEEN EDUCATED.
When you’re a musician so you want to take great pictures of your music to share but also a percussionist with a middle school sense of humor and have to take a picture of the only thing that really matters
Me : I’m gonna have a productive practice session today!
Mallet blisters:
“We’re adding the percussion today!”
String orchestra:
Choir:
Band:
Percussion:
I have every reason to believe that the period leading up to the Revolutionary War was very similar to me trying to keep my cat out of the Christmas tree:
"At long last, everything is perfect."
"I'm gonna mess with it."
-moves cat- "Do you know how long it took me to get to this point?"
"Yes. And I want to mess with it."
-moves cat again- "Here. You are free to play with this ribbon but don't touch my tree."
"Fine. ... Look, this is a nice ribbon. And I appreciate your opinion. But I am going to touch this tree, and you can't stop me."
-puts cat in an entirely separate room from the tree and proceeds to stand guard on the couch-
"Do. Not." -cat inches closer from the kitchen while making eye contact- "Do you think I can't see you?" -cat inches closer- "I swear to God if you make one more move there will be war in this household."
-Making eye contact, my cat launches himself like a maniac from the arm of the couch to body slam the Christmas tree-
Accompanist Appreciation Post
As a percussionist, I’m not used to working with accompanists. Granted I do play in ensembles, but anyone who has played in a percussion ensemble can tell you that you need to be incredibly sure of your own part because the amount of times you can listen to someone else for yours is very, very small.
Anyway, beginning this semester of college, I get the opportunity to perform in a chamber coaching class, which basically gives it’s students the opportunity to collaborate and play in a setting they might not be used to. So when I (joining the class as a marimba player because that’s where most of the repertoire was) was paired with a pianist (we’ll call him Ted) to perform a piece, I was terrified.
Related: This is our piece, though the upper part is transcribed for marimba and the other part of the duet for piano. https://m.youtube.com/watch?feature=share&v=mej3X34_quI
Upon getting to know each other, it was really cool to have another musician to tackle it with, since most marimba solos are, you know, solos. That’s when I noticed, despite my multiple mistakes the first few times we ran it, we didn’t have to stop because Ted had picked up on where it was and scooted ahead to save the time and not once did we have to stop the piece in the middle of a runthrough.
At that point, I admittedly felt awful because in percussion when you make mistakes it can be a lot less forgiving because of all the scattered parts. It had never occurred to me before how a performance could be saved by a talented and attentive accompanist, and sometimes they don’t even get the proper recognition or near enough thank you’s for what they do.
Our school’s staff accompanists (and our piano students as well), are some of the hardest workers out there when they play not only their own rep, but take on recitals, juries, and concerts for other musicians as well. I’m sure that’s the case as well for a lot of other schools, and simply because I’d been completely oblivious to the idea before this class, I say definitely hug your awesome accompanist for everything that they do for you.