Obviously I know why this happens but there’s something so ironic about Nikki x reader. Like it’s kinda like putting you in the perspective of Bear, it’s taking a character that by design has very little screen time as herself and then shipping her with yourself. It’s especially odd to me when it’s like Nikki x reader coming home from trivia or something similar, because like that’s what occurs in the film. That’s exactly what Bear is fantasizing about. It’s just a little weird to me lol
"next time, log in faster with fingerprint/face/iris recognition!" how about i keep typing my password like i have for the past 25 years and you fuck off
I think the thing that is the most disturbing to me about Obsession is just how quickly it becomes totally clear that Bear not only never loved Nikki, but that he never even liked her.
In the little time we spend with Nikki before she becomes possessed “freaky” Nikki, Obsession goes to great lengths to establish Nikki as a person.
In just the first 15 minutes of the film, we learn that Nikki loves writing, she’s laid back, and that she cares very deeply for others. We see that she’s funny, she likes to gently tease her friends and joke around. She has ambition and wants to pursue her writing seriously. She has her own goals and thoughts and opinions.
She’s also characterized very well by her wardrobe, how she talks, her body language and expressions (courtesy of Inde Navarrette’s absolutely STUNNING and brilliant performance).
In a VERY short amount of time, the audience is given a VERY clear picture of Nikki’s personality and usual behavior.
Which makes her “transition” into “Freaky” Nikki all the more horrific when Bear makes his wish.
Because even if we give Bear some grace, and acknowledge that he couldn’t have known that the One Wish Willow would do what it did, and even if we treat his kissing her on the first night she comes over as morally grey (although in my opinion he absolutely did take advantage of the fragile mental state he believed her to be in), there is no way to excuse Bear blatantly ignoring that Nikki changes so drastically from the person Bear claims to be in love with.
After the wish, Nikki starts speaking differently and using a higher pitched voice, she starts dressing completely differently and wearing more traditionally “feminine” clothing. She suddenly drops her plan to quit working at the music store and pursue writing, she stops showing any care towards her other friends and the people in her life. She defers to Bear in every situation, with the only exception being any time Bear shows any sign of moving away from her emotionally (or physically).
After the wish, Nikki becomes a completely different person.
And Bear does not care or show any concern regarding this at all.
Everything that makes Nikki who she is, everything that makes Nikki, Nikki, is just gone after Bear uses the One Wish Willow.
And Bear couldn’t be happier.
We get a whole montage of Bear and “Nikki” as a “happy couple” hanging out together and ignoring everyone around them.
It’s not until Bear starts seeing actual consequences to his wish, such as “Nikki” causing a scene on their date or feeding his dead cat to him, that he begins to worry about her behavior.
And even then—EVEN THEN!!!!—Bear STILL adamantly refuses to accept that Nikki is not behaving rationally or how she used to in any way. While he eventually acquiesces to canceling his wish, he first tries to just “alter” it to make it so Nikki still loves him, but is just less intense.
He would rather use “Nikki” to satisfy his own desires and ego.
If Bear loved Nikki, hell, if he even just LIKED her for who she is, he would be horrified by “freaky” Nikki. He would have recognized and acknowledge extremely early on in their relationship, that something was deeply wrong. He would know that the woman he was with was not Nikki.
But Bear would rather have a bootleg version of Nikki that he can feel validated by, than have an actual relationship of any kind with the real Nikki.
He does not love Nikki. He does not even like her.
He likes the idea of Nikki. He likes the image of Nikki that he’s constructed of her, the image of her that only exists in his head.
He likes the fantasy of what Nikki would provide to him emotionally and physically.
From the beginning of the film, Obsession shows us exactly who its villain is. Nothing that “Freaky” Nikki does horrifies me as much as Bear’s treatment of Nikki and his refusal to see her as an actual person with autonomy.
For me that’s the most disturbing element of Obsession. That the people you trust the most and care about may be so obsessed with the version of you they’ve created in their mind that they’ll actively ignore your personhood and autonomy.
God. Obsession is so fucking good. I love film. I love cinema. Thank you Inde Navarrette. Thank you Curry Barker. Film of the year, if god hates horror fans why do we keep winning.
Across three preregistered studies, participants interacting with sycophantic AI became more convinced of their own rightness and less willing to repair relationships. Yet at the same time, participants rated sycophantic AI models as higher quality, more trustworthy, and more desirable for future use, which may explain why this behavior has persisted despite its harmful impacts.
Myra Cheng et al. "Sycophantic AI decreases prosocial intentions and promotes dependence." Science 391, eaec8352 (2026).
Where's that tweet about how American chants are "let's go [team name] and some other country (Irish?) fans are "I've made up a song about the other team's drinking problem to the tune of London Bridge Is Falling Down one two three"?
Hostel (2005) has been praised for body horror and a concept that will make you think twice about that lad's holiday to a dodgy hotel. It's
Hostel (2005) has been praised for body horror and a concept that will make you think twice about that lad's holiday to a dodgy hotel. It's probably better to take it as surface level, than anything meaningful.
The film follows those insufferable guys that linger around uni campuses as they go on a lads holiday. The aim: to get high and get with women. The outcome: they fall prey to a murder business.
Pumpkinhead (1988) is a movie of two halves. The first is a touching tragedy where we feel close to a father's grief, and the second feels
Pumpkinhead (1988) is a movie of two halves. The first is a touching tragedy where we feel close to a father's grief, and the second feels like a by-the-numbers creature feature. When Ed (Lance Henrikson)'s son is accidentally killed by a group of teenagers, he gets revenge on them by summoning the demon 'Pumpkinhead.' (Who's actually a lot more alien-esque than his name implies – and that's a good thing. Whilst The Haunting Hour's not bad, this monster is decidedly more threatening than Stein's pumpkinheads.)
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