I just wanna say, I saw your posts discussing Hickman's X-Men, and I just wanna say you really hit the nail on the head as to why I don't like Krakoa at all. The X-Men are made up of a wide variety of characters coming from different cultural backgrounds. And instead of expanding and fleshing that out more, now it's just all about Krakoa.
i think its a lot better these days? his krakoa had this air of "something is wrong here. dont trust the leadership" and especially charles, moira, and sometimes even his erik when interacting with those two felt...a little sinister. i think hickman's krakoa delved into some themes that were bad that easily contributed to my feelings on His Run because disabled characters were coming back in abled bodies (and a rhetoric of being born as your best self), the books were incredibly white, the state was forcefully keeping mystique from her wife, and there was little interest in writing female characters/his usual problems with writing women popped up.
I think hickman delves into the "something is eerie and wrong with krakoa" vibe a lot and the way the series starts with a timeskip and suddenly these characters have Off Panel made up with each other (like the summers forgiving Vulcan) and formed bonds with each other we never saw develop so that also contributed to my feeling of "so something must be really off people dont change overnight 180 degrees".
but when more and more writers came onto the books and his hands were less prominent on the series, it got a lot better and i kind of realize krakoa's problems are just more indicative of how hickman writes. he's kind of terrible with character moments/development cause he prefers big plots so thats why everyone changes overnight and also...he is a cishet white able bodied guy so some of these issues were simply his cishet white able bodied guy-isms showing through his writing.
zeb wells did great work on hellions in addressing the mentally ill and even fixed greycrow's racist name finally + gave kwannon much to do (i think she's one of the best parts of this era), al ewing in sword made a point to have wiz kid decry the fact that xavier comes back in an abled body and he says "i choose to stay as i am, there is nothing wrong with me" so hickman's rhetoric isnt the only one (actually its the outlier), ewing fixed duggan's sidelining of storm by doing great work with her front and center in sword, x-men: red, and storm and the brotherhood of mutants, vita ayala finally gave karma a girlfriend + made her the star of their book to finally focus on that character like no one else has before, nyla rose got to get their hands on thunderbird and had him center his native american culture above his pretend mutant one, and trung le finally got to give karma a vietnamese name.
duggan is still the worst writer easily, but a lot of good work w krakoa gets done/got fixed once hickman wasnt the only voice, i found. not every book is solid gold (and duggan's unfortunately still on the line), but its definitely a lot better in some of these other writers' hands
and obviously, hickman's krakoa is a little wrong because we were supposed to be picking up on some of that (re: moira) since the big reveal is that she's evil in inferno. but some of the other problems get fixed just by other writers worldbuilding in such a way that corrects him like by addressing how ableist it is in story to have the "we fixed the disabled person!" rhetoric.
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