jobs for people who cant do or handle anything

Origami Around
Sade Olutola
todays bird

PR's Tumblrdome

祝日 / Permanent Vacation
Alisa U Zemlji Chuda
No title available

Janaina Medeiros
TVSTRANGERTHINGS
I'd rather be in outer space 🛸
sheepfilms
occasionally subtle

roma★

❣ Chile in a Photography ❣
Misplaced Lens Cap
YOU ARE THE REASON
"I'm Dorothy Gale from Kansas"
PUT YOUR BEARD IN MY MOUTH

#extradirty
KIROKAZE
seen from United States
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seen from United States
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seen from Austria

seen from United States
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seen from Malaysia
seen from United States
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seen from Türkiye
@vehementt
jobs for people who cant do or handle anything
If the lord ever got attached to a toy, he would never be able to let it go
6 hours in 30 seconds
The tragedy of my life is that I keep acquiring and displaying fetish art and having to be corrected by my friends.
Most recently, a friend came over my house and saw my computer background and went, "Wow, um, I didn't know you were into that." To which I look at the picture of the well drawn muscular female minotaur in historically accurate Greek clothing and I start geeking out about how I love the detail the artist did with the clothing and I point out the period appropriate folds and pins, how the artist even inserted the native plant that was used to dye the clothing this particular shade in the background, and even how the belt has technology AND historically accurate weaving patterns on it.
Then I start explaining how I love the muscular choices of the minotaur, that I was so impressed with the artist's anatomically correct depiction of the muscles converging into the neck. That many people get an upright cow's neck wrong because cow's don't have collarbones, so it can be very difficult to merge the upper arms and a chest of a human with a cow's body. I draw her attention to the beautiful way they've merged the pectoralis major so smoothly while also staying true to how muscular they've depicted the rest of the body.
I finish up with my thoughts on the artist's bold choice to depict the minotaur as a female, and despite the underlying themes of a minotaur being violence, child murder, strength, and muscles. I segue into how unlike bulls, cow are perceived as mothers. That they are the major source of milk in human culture, and that idyllic depictions of them in a field usually depict calves frolicking nearby, yet the minotaur kills and eats children.
I finish and there is a long pause.
"Urban, this is fetish art." and she takes me to the artist's twitter and god dammit it's fetish art, not a bold statement on cultural perceptions of women and violence throughout history. I have been tricked again.
tbh if they put that much thought and research into it and an unaware observer couldn't tell, is it actually fetish art? If it were actually fetish art, does that somehow preclude it from also being a commentary on women and violence?
Some of the boldest political and emotional messages I've ever seen came from straight up no nonsense porn. It's a setting that allows people to approach a major facet of the human experience without shame or obfuscation.
Keep in mind this is coming from an asexual person-- I don't think physical desire is some foundational keystone of life without which one isn't fully human. I think it's as morally neutral as hunger and thirst, and almost as impactful on all of human culture.
So why does the fetish cancel out the art?
Our tendency to dismiss anything associated with sex or the expression of sexual desire as frivelous and meaningless leads a lot of people to forget that pornographic art is still art.
The artist didn't just jerk off on the canvas and a beautiful minotaur appeared. They didn't spend hours researching greek dyemaking and bovine anatomy just because they were horny for muscular women. And their admiration for muscular women doesn't cease to be inherently transgressive of traditional and mainstream views of femininity just because they expressed that admiration in a sexual way.
Francisco Goya's The Nude Maja is a classical masterpiece that took three years to paint and is considered one of the greatest works of art ever made. [^] It's also porn. It was commissioned by a man-- the Prime Minister in fact-- to hang in a private room specifically for his nudes where he "often retired after dinner." It's believed the model depicted may have been his mistress.
In the political climate in which it was made, depicting a fully nude woman was extremely controversial (in fact it's considered one of the earliest western works to depict a woman's pubic hair without obvious negative connotations) especially because Goya painted her looking directly at the viewer, making her an active participant in an exchange of desire, rather than a passive object.
Eight years after it was finished, the Spanish Inquisition raided the Prime Minister's home, stole The Nude Maja and all his other paintings, and put Goya on trial for "moral depravity."
Goya, who had by then been rendered deaf by an unknown illness that may have been cumulative lead poisoning and was already sinking into the deep depression that marked his later years, escaped prosecution only by arguing that The Nude Maja followed in the "respectable" tradition of the classical nude [^^] , despite the fact that the full frontal nudity, pubic hair, direct stare, and the details that established the subject as a modern, living, literal woman, not a mythological figure or allegory-- the very features for which it was considered problematic-- were substantial departures from that tradition.
He could draw enough connections between it and a "respectable" painting in that genre by another lauded Spanish artist, appeasing nationalist egos and satisfying people that he was suitably reverent of the idealized past. Therefore, it wasn't porn. It was valuable, it was a classical nude.
To a modern viewer, it is in fact, more or less indistinguishable from any classical nude, despite the fact that when it was painted, anyone who saw it could have told you it was porn.
Today, The Clothed Maja, an almost identical but less risque painting which he created directly after The Nude Maja [^^^] is one of the paintings included in Animal Crossing: New Leaf.
Another painting included in New Leaf is Beauty Looking Back by Hishikawa Moronobu. It's an arch-typical example of the ukiyo-e genre. While far from all ukiyo-e art was erotic, it's not an exaggeration to say the overwhelming majority of it was, at the very least, intended to titillate.
The very name ukiyo-e associates the genre with hedonism, courtesans, brothels and pleasure districts. Beautiful courtesans were the most common subject. Nearly every ukiyo-e master produced explicitly pornographic work at some point in their careers. [^^^^] Beauty Looking Back is a pin up. It would have been recognized in the time it was created as something inherently sensual and referential towards sex, despite not being explicit.
And yet, it's "artistic value" (I do not like this term. The value of art is not and should not be quantifiable) is so unquestionable that Nintendo included it in arguably one of the most family friendly games in their notoriously, stringently family friendly catalog.
What is a fetish, if not a non-sexual element that inspires sexual desire?
What is fetish art, if not a depiction of these non-sexual elements intended, whether explicit or not, to arouse that same desire in the viewer?
What defines something as being outside the boundaries of "normal" sexual desire? Breasts aren't a reproductive organ, they're not inherently sexual. Neither is the ass. But they do inspire sexual desire, at least in those whose cultural back ground has taught them to associate those body parts with sex.
If feeling sexual desire because of anything that isn't genitalia is a fetish, then all erotic art-- from the most explicit adult films to those Levi's billboard ads where the models are doing their best not to wear the jeans they are advertising-- is fetish art.
So when did The Nude Maja and Beauty Looking Back stop being fetish art, and become art?
When does it stop being shameful to admire the beauty and technical skill of a creative work just because it's sexual in nature?
Is it just time? Or have we let ourselves be led into imagining the past was a land of chastity and virtue, its art inherently more valuable and firmly divorced from physical desire-- where men could paint tits all day and other men pay small fortunes to commission and purchase those tit paintings all without a single impure thought-- compared to which our modern age is debauched, immoral, deviant, degenerate?
If that Minotaur was hanging in a museum with a placard that said it was painted in the 1700's, would you, or your friend, still assume it was fetish art?
If you'd come across it in a context where you knew it was sexual, would you still have stopped to notice and appreciate the skill and the research put into the details?
This was a hell of a tangent, and if OP is the kind of person who notices period accurate historical details at a glance and the particulars of bovine anatomy to the degree of being able to make an educated statement about how well someone has accounted for the musculature whilst attaching a cow head to a human body-- probably none of this art history trivia is news to you.
The point is just this. Maybe you weren't "tricked" into seeing the art before the porn.
Maybe your friend was tricked by our deeply sex negative culture into only seeing the porn and missing the art entirely.
[^]: Though he's better known on tumblr for Saturn Devouring His Son, which I'm always delighted to remind people is not a name he gave it. It wasn't discovered until after his death, so we can't know for certain what he intended to depict. The greek myth of Zeus's father eating his children was a best guess and, imo, a way of sanitizing the disturbing nature of the image by framing it as part of the classical tradition of mythological art, rendering it allegorical and academic instead of horrifying and unexplained. It was not the first time Goya's work would rendered more palatable to conservative audiences by claiming it was part of classical tradition, which brings me back to Maja.
[^^]: Physically fighting the urge to add a rant here about fascism and "degenerate" art. Just go watch Jacob Gellar's "Who's Afraid Of Modern Art." He does a better job of it than I would anyway.
[^^^]: presumably also at the Prime Minister's request, with the intention they be displayed together and not, as urban legend likes to say, because the Inquisition forced him to. The concept of creating a clothed and a naked version of the subject so that the viewer can imagine undressing them is a tradition well preserved in commissioned pornographic art today.
[^^^^]: and I do not mean ~artistic nudes~ here. I mean fully explicit art created with the specific intention of being porn. Like I could not post them on tumblr without them being immediately taken down for violating community guidelines, regardless of their "artistic value" as historical works by globally recognized masters of the genre whose non explicit works are so well known and well loved they ended up in ANIMAL CROSSING.
Reposting this quote (originally from @apricops) because this is honestly the main type of art that I care about:
I just don't know how to explain it properly in a way that doesn't make me sound insane.
I don't like it when some story or artwork was made to be palatable to the public in order to be sold and make money.
I like stories and artwork that were made and released publicly because the creator is fucking PASSIONATE about some insane niche fetish. I want to read stories written by someone with a fully deranged autistic fascination with basset hounds or children's feet or farting zombies or getting stung on the dick by wasps or whatever.
Even when I'm not into it, even when kind of upsets me, I love to see the sincere, authentic enthusiasm behind these sorts of creative works and I am not joking.
Passenger trains in US vs Europe (image is making the rounds among U.S. transit advocates today)
High speed rail in China on 2008 VS 2020
hey bro. bro. you smell kinda good
make a wish
sick in the stomach, sick in the head
Take a look at these African peach moths (Egybolis vaillantina). The shades of blue on their wings are so striking against the bright hues and dark edgings. Living art, right?
how this week has felt
Prints of these are now up on my inprnt! Link in bio as always and thank you for the lovely comments 🖤
Wait what's a buildings fire evacuation plan if you aren't supposed to use the elevator to get down
You go down the stairwell/fire escape. Is that weird?
But what if you have a walker or a wheelchair??
in america at least, in this situation, there isnt one. either your loved ones or the firemen can get you out using the emergency fire escapes or stairs, or you die
That's fucking horrific, thank you
“fun” little story:
last summer my friend who is an amazingly talented artist and i were in this super tall building, and she’s in a wheelchair and i’m pushing her around the room. it’s an art exhibit and some of her art was chosen to be showcased there and so it’s all fine and dandy until suddenly an alarm starts going off
a FIRE ALARM
everyone starts running for the stairs and my friend just looks at me with this forlorn look on her face
“i can’t go down the stairs”
but i’m a stubborn bitch “i’ll carry you”
“what about my chair? it’s too expensive for me to be able to get another one if i can’t get this one back”
“i’ll carry that too”
and i did. we went to the stairs (by then most people from our floor were gone) and i lifted her up in a fireman’s carry over my shoulder and then lifted her chair up and used the ridiculous amount of adrenaline that was coursing through my veins to make it down approximately 20 half-flights of stairs until we met some people exiting lower floors, one of which who kindly took the chair. I changed positions so i was holding my friend bridal-style which was, somehow, easier and the person who took her wheelchair (with her permission to handle it of course) accompanied me to the ground floor and then out the doors
basically there is no real protocol for people who can’t use the stairs in an emergency. it’s up to the people with them, if anyone, to help them or the person to somehow make it down the stairs alone, unassisted
thank fuck that it was just a faulty alarm system, because if i was unable to carry her down those stairs and the building was on fucking fire???? then i don’t know what would have happened to her, but i don’t think it would have been very good.
it’s fucking ridiculous and ableist to the absolute max.
I use a cane. When I did a day-long fire safety training at my northeast American university (UMass Amherst), I asked that exact same question: “what am I supposed to do if the fire alarm goes off and I’m in my lab on the twelfth floor?”
the fire marshal hemmed and hawed for a while and then said to take the elevator- you’re supposed to leave it free for the fire department to use and they want able-bodied people out fast not waiting for elevators. if the fire alarm has just gone off the building probably hasn’t suffered enough structural damage to make using the elevator dangerous, and modern elevator wells are heavily reinforced. many large and high-trafficked buildings on my campus have fire rated elevators that link in with the fire alarm system so they won’t let you off on a floor with a possible fire.
if the elevator isn’t working, wait in the stairwell and call the fire department to let them know where you are. modern stairwells are also heavily reinforced- it might not be pleasant but modern building code usually requires fire-resistant stairwell doors in office and big residential buildings, also to help firefighters get in and out safely. older buildings’ stairwells may or may not be retrofitted with fire-resistant doors but a stairwell is generally the safest place to wait if you can’t get out.
what happened to your friend was horrible, and i’m very glad you were there to help her out, but you can absolutely use the elevator to evacuate if it’s not shut down. those don’t-use-the-elevator rules are for abled people.
This is GOOD TO KNOW. why do they not tell people this??
Okay, firefighter here. If you are not physically able to use the stairs, and the elevator is NOT compromised, use the elevator. But you MUST be ABSOLUTELY CERTAIN that the elevator is NOT compromised before you get into it, because there is always the chance that once you get into it, you may not exit it. Power could go out. The elevator may actually BE compromised and you just couldn’t tell from where you were until you were in there, and it suddenly shuts down on you. Something else could happen.
Understand that once you enter the elevator, you could POTENTIALLY be taking your life into your hands there.
It is NOT LIKELY, to be perfectly honest. It’s only in a pretty catastrophic scenario - think the Twin Towers, USA, on September 11th - that the elevators will be compromised and out of service. But there is a NOT ZERO PERCENT CHANCE and you need to understand that and accept it.
As for leaving the elevators free for the firefighters, okay, here’s the deal. Unless your nearest fire station is literally right next door? Your first on scene fire truck is NOT likely to be there on scene and needing that elevator before you get to the ground. It takes us TIME to find the address, gear up, and drive to the building. Then we need to hoof it into where the elevators even ARE, so YOU HAVE TIME to use the elevator to get down to the ground floor... BUT ONLY IF THERE’S NOT A RUSH ON THE ELEVATOR! And THAT is WHY we don’t tell people this shit. That’s WHY we tell people to NEVER USE THE ELEVATOR... because every self-entitled asshole will use it because they don’t feel like walking, and then put YOU in danger by delaying the elevator’s arrival to you.
IF, however, the elevator IS compromised, or you just can’t get it to come for you, or whatever, and you either don’t have anyone with you who has the adrenaline fueled BALLS to be able to toss you over their shoulder and hoof it down the stairs with you - because, let’s face it, that is RARE AS FUCK, then HERE IS WHAT YOU DO:
You call 911 and tell the call taker that you are in the building that has a fire alarm going off, and you are not able to evacuate because of a physical disability, and you tell them what floor you are on, and EXACTLY what stairwell you are waiting at. And the very FIRST thing that the firefighters are going to do once they arrive, if it is, indeed, a REAL emergency, and not a false alarm, is come get your ass and bring you down. Whether that means carrying you down the stairs, or whether that means locking out the elevators so that no one else can override them and coming to get you themselves, they WILL come get you FIRST THING if it is a real event. And if it is a false alarm? You will probably be the first person who is not involved with the building to know, because the call-taker is going to stay on the line with you until you are under someone’s care and out of danger, or until the scene has been sorted out as real or false, and you are out of danger that way.
These are pretty standard operations in the fire service throughout the United States. There may be some minor variations based on specific municipalities, but, for the most part, this is pretty typical: LIFE BEFORE PROPERTY. So, as long as SOMEONE knows where you are - hence why you call 911 - Firefighters will come get you. You are NOT alone, and you have NOT been abandoned. I PROMISE. It’s like, our whole reason for doing the shit we do: to save lives and to break shit. Sometimes, we get lucky enough to do both at the same time.
High rise fires suck ass, and I always hated them. But the very FIRST thing I asked anytime we got one was if we had “any entrapments” - which is what we call anyone who could not self-evacuate for ANY reason. We ain’t leaving you behind. And yes, your friend who doesn’t have the stamina to carry you down can stay with you, too. Because I would never ask that of someone, honestly.
Also, just a little FYI... MOST fire alarms are false alarms. Not to make anyone complacent or anything, but, yeah. Most of them are either system malfunctions, someone accidentally hit a pull station, or someone burned popcorn in a break room. So don’t let a fire alarm freak you out until you need it to - by smelling or seeing smoke or flames.
i have had multiple nightmares about this very thing because NOBODY BOTHERS TO ACTUALLY TELL WHEELCHAIR USERS THIS STUFF
I am loving these additions!
If you're disabled, this is worth the time and focusing energy to read through!!!
Short version:
If disabled and the fire alarm is just happened, you're allowed to take the elevators down but there's a small possibility you could get stuck if the elevators are compromised.
If you can't use the elevators or don't want that risk, go to the stairwell which is reinforced against fire, close the doors, and call 911 to let them know you are in that particular stairwell and can't get down.
Fire will strongly prioritize finding and rescuing people who might be still in the building during any actual structure fire. This is a major component of their job.
Fire people won't arrive in the course of one elevator run and actually half the deal with "don't use elevators" is supposed to be "leave it for people who need it in the emergency" which is both fire AND disabled people.
a fire is my worst nightmare as a disabled person, thank you to everyone who helped put this post together
Got a great ad encouraging people to dismantle surveillance equipment and then sell the guts at a pawn shop