stolen off instagram but i laughed so hard when i saw this

JVL
wallacepolsom
Three Goblin Art
Xuebing Du
Game of Thrones Daily
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Stranger Things
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DEAR READER
sheepfilms
AnasAbdin
h
tumblr dot com
will byers stan first human second

oozey mess

if i look back, i am lost
🪼
trying on a metaphor
Claire Keane
Aqua Utopia|海の底で記憶を紡ぐ

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@virareve
stolen off instagram but i laughed so hard when i saw this
Debating silently showing this to one of the flight attendants while boarding
I SHOWED IT TO MY FLIGHT ATTENDANT WHEN HE GAVE ME MY COOKIES AND HE LAUGHED SO HARD HE TOOK MY PHONE TO SHOW IT TO THE OTHER FLIGHT ATTENDANT
Welp, cpb (management for pbs) just voted itself out of existence. Really just living in a bad timeline 🥹
Smash Mouth was right, the years start coming and they don’t stop coming
HUNTR/X ✨
*gazes at you from my perfect earthly form*
now that i’m older and understand how absolutely fucked the housing market is, all those horror movies that take place in nice houses where the family refuses to leave make sense. if i had a 4,000sqft vintage home you’d need to kill me before i ever moved out as well. fuck the ghost. charge it rent.
this morning went to find my dogs instead of the usual call for breakfast because I wanted to see what they were getting up to before they switch to their daytime clingy mode and found my geriatric sitting at the top of one of the hills, watching the view
how at peace he seemed
the avatar movies are crazy bc "what if colonizers literally inhabited and puppeteered the bodies of indigenous peoples in order to exploit their homeland" sounds like the premise of some sort of anticolonial horror film, like specifically the kind of thing that would be commenting on self-indigenization among white settlers, but because it's James Cameron his whole takeaway from that premise is "it would be preddy cool"
actually sorry. the takeaway is also "the white settler possessing an indigenous body would actually be extremely good, perhaps even The Best, at being indigenous, and he would become their Leader"
okay okay what's your least favourite 'classic' novel you ever read. i'm curious xx
US (dodgers) vs Canada (blue jays) for the World Series
I hope the blue jays realize they have the chance to do the funniest thing 🥹
The Matriarch Isn’t the Villain. She’s the Mirror
I often hear a discourse where Celine in K-pop Demon Hunters, Alma in Encanto and Ming in Turning Red are seen as vilains. They’re the ones who restricted the younger generation, hurt them, and are ultimately responsible for their pain, trauma and self-doubt. They’re framed as the real villains of the story. But I’d like to differ.
These are stories of intergenerational trauma. They are women who survived, repressed, and tried to protect their families the only way they knew how: through control, perfectionism, and emotional suppression.
And yet, when the next generation begins to reclaim joy, freedom, softness — they become the obstacle. Not because they’re bad people, but because they’re scarred. Their minds cling to survival strategies, unable to recognize that the environment has changed.
Alma is still stuck fleeing the colonizers.
Ming is still afraid of her true self.
Celine believes that fear and mistakes must be hidden.
It’s not about hating these characters. It’s about how unprocessed trauma twists love into control. How survival, unexamined, turns into rigidity. These women were never given space to process their own pain and they project it onto their daughters and granddaughters.
And here’s something we rarely say enough: intergenerational trauma can create toxic patterns but that doesn’t always mean there was abuse or conscious harm. Even when their love becomes suffocating or controlling, these women are not necessarily “abusive parents.” They are daughters of silence, fear, and sacrifice. And they were never taught another way. It’s important to make that distinction, especially in a world that often pushes a binary, punitive reading of family dynamics.
They’re the product of a generation that was told to endure. But endurance without healing becomes its own kind of violence.
What’s powerful in these stories is that they don’t end in vengeance. They end in confrontation and transformation. The confrontation is necessary: the younger generation refuses the silence. Refuses the shame. Refuses to carry a burden that wasn’t theirs to begin with.
The house is destroyed in Encanto.
Mei accepts her full self.
So does Rumi.
And in the best cases, this confrontation allows the elder to soften too. Alma opens up. Ming listens. And I’m hoping in the sequel, Celine will open too.
Maybe that’s also why these stories speak so deeply to POC audiences. These aren’t stories about cutting ties. They’re stories about how hard it is to transform them, to protect ancestral bonds while refusing to perpetuate inherited pain. In many racialized families, collectivity, loyalty, and intergenerational duty are sacred... even when they come at the cost of personal boundaries.
And sometimes, Western individualist frameworks read these tensions as dysfunction or villainy. But for us, they’re just the difficult truth of growing up and trying to do better.
These women aren’t villains. That would be too easy. They embody the fragile, necessary work of bringing change without breaking the thread. These stories are about refusing to inherit their pain without reflection. Because love, without accountability, is not enough.
These stories show us that each generation has something to learn from the next. And the new generation must also break free from the chains they inherited while preserving what is meaningfull.
But it’s not just their story.
One day, we’ll be the older generation.
And we’ll need to be humble enough to learn from the ones after us.
So don’t be a fool.
We may be Mei, Rumi, or Mirabel today.
But tomorrow, we could be Ming, Celine, or Alma.
And when that time comes, we’ll realize how hard it is to unlearn what once kept us safe.
So let’s have compassion for all these characters.
Because these stories show us not just how the cycle of generations works, but how it can make us better, stronger, and more connected... if we’re all willing to go through the change.
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If you’re curious, I’ve written more on K-pop Demon Hunters:
A post on the mental health themes woven through the songs — right here.
A breakdown of Celine-Rumi in comparaison to Gothel–Rapunzel dynamic — here.
An analysis about Rumi, Jinu, and the danger of sinking together — here.
Some book recs for each of the K-pop Demon Hunters characters — here.
∘₊✧──────✧──────✧₊∘
edit (07/08/25): Thanks to several kind Colombian commenters and reblogs, I’ve learned that the historical context shown in Encanto is more likely tied to the Thousand Days’ War, a brutal civil war rather than direct colonial violence. I initially framed Abuela’s trauma through the lens of colonialism, which was a mistake. The real context is deeply rooted in internal ideological conflict. As a South asian viewer, I’m very grateful to those who shared insights ! I encourage readers to check the comments and reblogs for more historical nuance and brilliant perspectives 🧡
And thank you to everyone who shared, commented and interacted on this post !
kink shaming is dead. I respect people with foot fetishes more than the president of the united states of America