I made a little gif of Tintin style Arthurs from different seasons :)
All drawings and an extra drawing with a colored John under the cut

祝日 / Permanent Vacation
styofa doing anything
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#extradirty

Product Placement
Peter Solarz
Not today Justin
Game of Thrones Daily
d e v o n
todays bird

roma★
i don't do bad sauce passes

titsay
taylor price

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trying on a metaphor

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Misplaced Lens Cap

blake kathryn
he wasn't even looking at me and he found me

seen from United States
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@vitikka
I made a little gif of Tintin style Arthurs from different seasons :)
All drawings and an extra drawing with a colored John under the cut
just a reminder that this blog is run by someone who:
— is anti ICE & fascism — is pro-choice & feminist — supports trans & queer people — hates generative AI & capitalism — supports immigrants & people of color — is pro-environmentalism & social justice — supports palestine & all other territories unjustly suffering
really helpful technique ^ once you know how to divide by halves and thirds it makes drawing evenly spaced things in perspective waaay easier:
I too dyscalculic for this type of shit 😭😭
it's honestly a lot simpler than it looks, you're just connecting corners and drawing lines where they intersect. I really recommend you just grab a scrap piece of paper and try it and i'm certain it'll click! It's one of those things that makes more sense when you try it yourself.
The perspective examples I showed above look complicated, but the underlying technique is very simple. You just keep splitting the rectangle until it's divided up evenly as many times as you need it to be.
The stairs were split in half multiple times to divide it into 8, the cell door was divided into thirds and then those thirds were split in half to give 6 lines.
Weird Fantasy (1950) #18 written by Al Feldstein and drawn by Joe Orlando, with editor Bill Gaines
So he said it can't be a Black. So I said, "For God's sakes, Judge Murphy, that's the whole point of the Goddamn story!" So he said, "No, it can't be a Black". Bill just called him up and raised the roof, and finally they said, "Well, you gotta take the perspiration off". I had the stars glistening in the perspiration on his Black skin. Bill said, "Fuck you", and he hung up.
Al Feldstein, Tales of Terror: The EC Companion
Just to add context for those not aware of the impact of this story.
The reason it was so important for narrative purposes, was that the plot concerns the visit of the Astronaut, in his completely opaque spacesuit, to a planet populated entirely by self-aware robots (originally from Earth) who have built their own society and are petitioning to be allowed to interact with Earth again as equals.
They have a democratic government and free choice of careers etc. as the orange robot serving as guide tells the Astronaut.
The Astronaut notices that there are two different types of robot on this world; the orange ones, who are in charge, gifted access to all information and facilities. and the blue robots, who are seen as more limited in function, have less access to information and resources, and are not allowed positions of power or as wide a choice of employment opportunities. Even transportation is segregated.
The Astronaut investigates further and discovers that the blue and orange robots are actually structurally identical, there is absolutely no difference between their potential or capabilities, and it is only because the orange robots are instructed by their Educator system to consider themselves superior, that the difference exists.
The Astronaut tells the robots they are not ready for re-alignment with Earth, until they come to terms with their own unfairness, and how Earth had had to deal with this issue themselves. When that time comes, the robots will be able to ally with Earth.
Then he leaves in his spaceship, and it's only in that one final panel that we see the Astronaut is black.
Not subtle, nor should it be, but for 1950 this was a breathtakingly powerful statement, perhaps the first of it's kind in the genre.
The black character was not a caricature, or comedy relief, he was a main character in his own right, a human who "simply" was black.
Ok, but this story is sadly revolutionary even now. That is not just a human who happens to be black, as far as every other character in this story is concerned this is the most important, maybe even the only human they ever see, who happens to be black.
As depressing as that is, but a black person just casually representing the entirety of humanity is a breathtakingly powerfull statement even today, a quarter of a century later.
reblogging for Black History Month!
i do have to say that no matter how shitty any sort of media is or how shitty your own creations are. always remember
Lighting Wizardry: A Quick Tutorial🧙🔮 Your model today:Eisenhorn (and sorry for my terrible English
Hi friends!
Discord is asking how we feel about AI and how we would feel about having AI integrated into the website. Here's the survey!
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The boys being sweet :)
I SAID I WOULD DO IT AND I DID
ARTHUR AND JOHN IN DISPATCH
notes below!! template is made by @/kutsante on twitter!!
Kiitos Kansallisarkisto
YOUR ART ON TUMBLR IS BEING USED TO TRAIN AI!
The setting that prevents your work being used to train AI models is turned off by default! I had no idea about this until now! Artists, go to your settings, click “visibility”, and turn on this setting! Protect your work!
《Made a visual guide of how to get there, because it's under a weird tab.
Go to your blog (you have to do this for each individual blog) and the visibility tab
It's this last option here
Hate this shit, but turn it off babey》
Something really violent about eating a burrito. Biting a hole in that thing. A sandwich or a taco is different, it's already open, but a well-wrapped burrito is like a complete living thing in your hand, the taut skin protecting a complex network if internal organs. And you put a hole in it, maul it for sustenance, like a wolf on the open plain tearing the throat from a living gazelle. Or perhaps like a guy living in an infested apartment catching a white rat in his hands and just biting into it.
This post would not be gaining this much traction on a normal website
Quick sketch
My concept idea of John is that he lurks between Arthur's coat or underneath his clothes as a shadow. I'll draw more of this when I can.
I swear to fucking god. I would claw out OneDrive from my computer if I could. I would burn down their servers if I could. I would run down their stocks to the ground if I could. I hope every single one of their workers gets a better offer from a competitor in the next 24 hours. I hope every single one of their light bulbs explodes at the same time. I hope every single carton of milk in their fridge will always be expired.
Stop backing up my fucking files.
Stop asking me to back up my fucking files.
Stop taking my fucking files off my fucking computer.
I don't want a fucking reminder in three fucking days. Let me fucking say no.
Fuckers.
Friend, I have news you're gonna love. Here's a text tutorial to get rid of that shit on Windows 10.
Here's a text tutorial to get rid of that shit on Windows 11.
Here's a video tutorial to get rid of that shit on Windows 10.
Here's a video tutorial to get rid of that shit on Windows 11.
Go forth. Be free.
I made a little gif of Tintin style Arthurs from different seasons :)
All drawings and an extra drawing with a colored John under the cut
Okay hi hello
I thought that since this got so much attention I'd make a tag where you can find all the Tintin style Malevolent fanart I've made
So if you're interested in seeing the others pieces they are all in one place
I'll start tagging these kinds of fanarts as "the adventures of malevolent"
rough animatic of a tv show style malevolent title sequence (WIP)
anyone know what kind of bug this is