Introducing Tim Smith Master Vocal Coach - talks about upcoming singing workshop 11th-12th July Melb.

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@vocalalchemy
Introducing Tim Smith Master Vocal Coach - talks about upcoming singing workshop 11th-12th July Melb.
Best Vocal Tuition in Australia
The Broadway Voice: 2 day singing intensive is back - with even more bang for your buck! 11th-12th July, 2015 Melbourne - more info & book here: vocalalchemy.com.au/news
Our guest today is Tim Smith who has been living musical theatre and singing for his entire life. He’s currently the Associate Musical Director on The Lion King and has worked on over 30 musicals including Mamma Mia, Billy Elliot and Legally Blonde. He’s an expert when it comes to singing. He’s the Artistic Director of Vocal Alchemy and his vocal workshops have been conducted throughout the globe. Today he’s going to be sharing with us his many tips and strategies for creating a studio with strong musical theatre and singing streams.
Tim speaks with Clint Salter about the art and craft of teaching singing lessons.
Only a few spots left for our second session on Tuesday nights starting April - the first one sold out in just a few days!! More info and to book: vocalalchemy.com.au/news
Vocal Alchemy's new 10 week Masterclass series sold out in just a few days - they have opened another session on Tuesday nights starting April - get in quick! More info and to book: www.vocalalchemy.com.au/news
Only 2 places left for our 10 week Vocal Masterclass Series, April 2015 in Melbourne. Book now: www.vocalalchemy.com.au/news
It’s genius, actually.
Tim Smith, one of Australia’s most respected vocal coaches, has carved himself a niche which is really (like, really!) taking off. His self created start-up – Vocal Alchemy – was launched in 2010, after sitting on audition panel after audition panel and discussing the challenges of performing with auditionees. It became clear to Tim that most artists could not afford private singing tuition from quality singing teachers, so by combining high quality arts practice with state of the art technology, he now provides affordable, accessible, online singing lessons to students in 8 countries around the world. And everyone is talking about it.
4 hr Brisbane Vocal Workshop 26 Jan: Transform Your Voice
Delivered by: Tim Smith (Associate Musical Director 'The Lion King') Do you want to unlock tone and feel a new vocal freedom? Do you want the tools to correct the habits that trip you up vocally? Do you want to acquire and understand the vocal skills that you can count on when it matters the most? Do you have a vocal issue that you would like to surpass or leave behind? Date, Time & Cost: Monday 26 January, 2015 2pm-6pm $90 each Venue: JMI Live!10 Exhibition Street, Bowen Hills.
Book here: http://www.vocalalchemy.com.au/news
2014 theatre highlights
That lovable moppet with the red dress, the curly hair, the big dog, and the even bigger voice is back.
This time, though, Little Orphan Annie is back with a difference: Quvenzhane Wallis is playing an African-American orphan in an ethnically diverse, up-to-date world. And that got us thinking about other instances where producers have breathed fresh life into familiar shows by making them dance to a new beat.
In the late 1960s, after 1,500 performances, Broadway’s Hello Dolly! was still arguably “glowin’” and “crowin’” but was no longer “goin’ strong.” Carol Channing had long since departed with a touring company. And her first three replacements on the Great White Way — Ginger Rogers, Bette Grable and Martha Raye — had been playing to ever-diminishing crowds. Newer shows like Man of La Mancha and Cabaret were making Dolly seem old hat.
Then producer David Merrick figured out how to make Dolly the freshest face on the block. He hired not just a new star, but a whole new cast. A whole new black cast, at the height of the civil rights movement — Pearl Bailey, Cab Calloway, even a youngster named Morgan Freeman making his Broadway debut — and suddenly, his tired old warhorse looked new again.
An Updated ‘Annie’ And The Tradition Of Nontraditional Casting
Photo credits: (Top) Barry Wetcher/Sony Pictures Entertainment. (Bottom) Columbia Pictures/Getty Images, (Left) John Dominis/The LIFE Picture Collection/Getty. (Right) Mark Kauffman/The LIFE Images Collection/Getty Images
"After watching the 'widen your tone' video from the new 7 min series, I felt like I had just had a one-on-one private with the incredibly energetic, exciting and motivating Tim Smith, I hardly noticed that I was listening to Tim via a computer as the lesson had the perfect balance of listening/learning and practical work.
I love the technique that Tim teaches in this video of 'widening your tone' as I've learnt how to use the natural functions of my body and voice (for example how I can use my natural laughter to improve my singing) to create and find my most natural, unique and safe sound, it has made singing much more simple and has stopped my bad habits as well as stopping me from trying to manufacture a sound that isn't mine. The simple yet effective technique of widening my sound instead of tightening to sing higher, louder and more powerfully creates a much richer sound as well as releases any unnecessary pressure on the voice, creating much better vocal health."
- Sam Dodemaide, Winner of Rob Guest Endowment Award 2014, King Kong, A Chorus Line, Wicked about to join Sweet Charity.
Try a 7 min lesson today: www.vocalalchemy.com.au/singing
October 7, 1954: Marian Anderson became the first black singer hired by The Metropolitan Opera.
Enit Zerner Kaufman, Marian Anderson (1897-1993), ca. 1940-45. Watercolor. New-York Historical Society, Gift of the artist, 1947.216
Mark Coles Smith is an Indigenous actor from Broome. He always knew he was an actor and from his first role in Ocean Star, his future from then on was shining bright. Coles carries a certificate in Aboriginal Theatre from WAAPA and a Bachelor in Indigenous Studies. In 2007 he won the Yvonne Cohen Award from the VCA Wilin Centre for Indigenous Arts. Then, in 2008, he took out a grant from ScreenWest for the short film Layoordoo, which he wrote, co-produced and directed, while also featuring in a supporting role. Layoordoo screened at Toronto’s ImagiNATIVE Film Festival. In addition to all of this, he has taken roles in The Gods of Wheat Street (ABC), Modern Family (ABC), Miss Fisher’s Murder Mysteries (ABC) and Blue Heelers (Southern Star).
Applications still open for: ACCREDITED DIPLOMA MUSICAL THEATRE COURSE 2015 marks 5 years of the Full time Musical Theatre Course at Patrick Studios Australia and already graduates of the course have been cast in La Cage Aux Folles, A Funning Thing Happened On The Way to The Forum, Anything Goes, The Producers, Gypsy, King Kong, Chitty Chitty Bang Bang, Legally Blonde The Musical, A Chorus Line, Guys and Dolls, Grease and South Pacific. Course alumni include Euan Doidge who received a Helpmann Award nomination for as “Paul” in A Chorus Line & is currently playing Marius in Les Miserables. 2014 Rob Guest Endowment winner – Samantha Dodemaide is currently understudying the lead role of Charity in the national tour of Sweet Charity. Under the direction of Andrew Hallsworth (international Choreographer), PSA’s Musical Theatre Course has been uniquely designed to cater for current industry expectations. Includes: More contact hours than any other Musical Theatre Course in the country and weekly private vocal lessons are included in the tuition fee (2nd Yr). An affiliation with Tim Smith’s (The Lion King, Mamma Mia, Billy Elliot) unique vocal technique training program – VocalAlchemy.com.au - ensures students gain not only one-on-one but also intensive group vocal tuition. Repertoire and workshop classes with leading industry professionals provide students with hands on, up to date knowledge of the current international musical theatre industry. Teachers include: Tracie Morley (Dirty Dancing, King Kong), Kristin Keam (Aspects Of Love UK, Pirates of Penzance UK), Tanya Mitford (Officer and A Gentlemen, Promises Promises, Billy Elliot), Natalie Gilhome (Grease, Priscilla Queen Of The Desert) and Gillian Cosgriff (Cabaret, Pirates Of Penzance). More details and to download a prospectus: http://patrickstudiosaustralia.com.au/courses/
When someone asks why you're singing so well
People want to hear songs with the words they’re afraid to say.
(via unscales)