The Pathan by Ghani Khan

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@wordersworld
The Pathan by Ghani Khan
آج رھنے دو اشنان ، بہت سردی ھے
اور گیزر بھی نہیں آن، بہت سردی ھے.
اب یہی عزم ھے چاھے تو قیامت گزرے
ھم نہ بدلیں گے یہ بنیان، بہت سردی ھے.
چاند پر جھک کے کسی ابر نے سرگوشی کی
گھر میں رھتے ھیں میری مان، بہت سردی ھے
وہ جو برسوں سے مری، نتھیاگلی کہتے تھے
اب وھی کہتے ھیں ملتان ، بہت سردی ھے
جیب میں ھاتھ دیئے ایک سپاھی بولا
آہ، کیسے کروں چالان، بہت سردی ھے
سرد ھاتھوں سے چھوا جب تو تڑپ کر بولے
بھاڑ میں جائے یہ رومان، بہت سردی ھے
ھم تو لاھور کے جاڑے میں بھی جم جاتے ھیں
ھم نہیں جائیں گے ناران، بہت سردی ھے
آگ تاپی ھے رقیبوں نے بھی ھمراہ میرے
تیرے کوچے میں میری جان، بہت سردی ھے
سدرشن فاکر
زندگی تجھ کو جیا ہے کوئی افسوس نہیں
زہر خود میں نے پیا ہے کوئی افسوس نہیں
میں نے مجرم کو بھی مجرم نہ کہا دنیا میں
بس یہی جرم کیا ہے کوئی افسوس نہیں
میری قسمت میں لکھے تھے یہ انہیں کے آنسو
دل کے زخموں کو سیا ہے کوئی افسوس نہیں
اب گرے سنگ کہ شیشوں کی ہو بارش فاکرؔ
اب کفن اوڑھ لیا ہے کوئی افسوس نہیں
J. Drew Lanham, Sparrow Envy: Field Guide to Birds and Lesser Beasts (2021)
also a poem from the new, unreleased collection. very possibly my own all-time favourite.
[ID We Have Enough Dead Friends BY LENA OLEANDERSON
Come over. The doors are open, my flat's a mess and so is my heart but the doors are always open. Come over. I will make soup, probably from frozen but the important thing is we will both eat.
You don't have to be dying, but if you are, or you feel like you are, or if living's been hard, call me, and I will show up. It doesn't have to be that bad, it doesn't have to be bad at all, but if it is, please call.
Do you want me to do the groceries? Do you want me to mop the floors? Do you need to be held; you don't have to be dying to be held. If you want me to be there, I want to.
I'm on the bathroom floor again, and breathing is hard, and eating's been hard, and sleeping, the world is a laden thing rolling around on my chest lately. Just being alive is heavy tonight, but we have enough dead friends. Come over.
/ID]
A historian or a sociologist will say something like “technology doesn’t exist on a simply hierarchy like in a video game,” and I think people whose exposure to history is primarily through pop culture will go “huh? that seems like nonsense. I mean, an automatic rifle beats a sword. 21st century America is richer than 3000 BC Mesopotamia. Our medical technology right now, today, is better than anything in the Middle Ages. Of course you can ‘rank’ technology!”
But the real answer is still no; because no technology exists apart from its context, and the question you are forgetting is–better how? Better in what situations?
The Ancient Greeks knew the principles necessary to build steam engines, and probably would perfectly understand the principle of operation of a steam locomotive; but they didn’t build trains, because they didn’t have the metals to build trains with, and they didn’t have the metals to build trains with because the economy of the ancient eastern Mediterranean didn’t support the manufacture of steel; and it didn’t support the manufacture of steel because bronze and the iron they had solved all the problems they needed metals for, a king of ancient Greece devoting his city-state’s spare productive capacity to mining iron ore and turning it into steel would have been wiped out by neighboring states who didn’t waste time and energy doing that, and spent their time making a bunch of bronze swords and beating the crap out of that king and his soldiers. Even if the Greeks could have built trains, what would they use them for? Railroads are a solution to transportation when you have industrial quantities of goods moving around to support a highly integrated economy, a rich source of high-carbon fuel easily available, and (for instance) warfare based on massive formations recruited from a mobilized, industrialized population.
None of which ancient Greece had. If you Connecticut-Yankee’d your way into 5th century BC Greece, you would find that trying to bootstrap an industrial economy from the ground up would require first speedrunning 2300 years of intervening demographic and economic developments, as well as technological ones, and even then a modern Greece surrounded by a Bronze Age world would be a very different animal, along all those dimensions, than a modern Greece surrounded by a modern world.
If you wanted to go Alexander with modern combined arms tactics and maneuver warfare, you could–but modern combined arms tactics and maneuver warfare is a solution to modern arms, and you might find it was significantly cheaper to arm your hoplites with slightly upgraded versions of the old spear-and-shield, and invest all the materials and energy you would have spent on tanks in building up the wealth of your state–because remember, everything you spend on building a better tank you’re not spending on anything else. This is why German technical skill was a miserable failure in WW2–their overengineered bullshit was expensive, and for each fancy German tank they pumped out (from a much worse position resource-wise than the Allies), the Allies made many less fancy, good enough tanks, and the Nazis got overrun. To recall the earlier metaphor: your automatic rifle is only any good if the other guy is way over there. If he sneaks up on you with his sword, you might wish you had a sword instead, though that won’t help you if you’ve only ever practiced using a rifle, because it’s “better.”
Even the process of innovation is not like most people imagine it, I would argue. The bulk of innovation comes from incremential trial-and-error improvements in processes that accumulate over decades, if not centuries or millennia. Incremential improvement is hard; unless you have a wild overabundance of resources, too much experimentation is just going to waste scarce materials; the thing that drives major innovations is having a problem that needs solving, and (again, until a resource becomes superabundant) a reliable method that produces consistent results is better than wasting time and effort testing a new way of producing something that may or may not work.
If you want an antibiotic or to send a message across the world, or figure out what the Moon is made of, yes, modern technology is better for all those things; and there are periods of cultural and societal change that open up the space for innovations: the steam locomotive was impossible in 5th century BC Greece, and inevitable in 19th century Britain. But it only became inevitable because of economic changes that only became inevitable because of demographic changes that started much earlier; those in turn were dependent on factors beyond the control of any single person or state.
Technologies can be dependent on each other, or on other factors, in the way living organisms are dependent on each other or on environmental factors in a food web; but a shark isn’t “better” than a jellyfish because it has a more complicated anatomy. It’s solving the problem of how to be a shark, while the jellyfish is solving the problem of how to be a jellyfish. Even our industrial, “scientific” technologies can struggle in environments they’re not suited for, which more “primitive” technologies do perfectly well in–because even our best technology (and our best scientists) are constrained by the environments and assumptions they are developed in.
I think the issue comes from people conflating different notions of what it means to “rank” something like technology. You certainly can rank technology, in at least a rough way, by dependency. Building a modern computer relies on first knowing how to make a transistor, and making a transistor relies on a basis of knowledge in chemistry and electrodynamics, which relies on quantum mechanics which you can’t really get to without atomic theory and so on and so forth. Science (actually, knowledge about the world generally) is self-compounding. But just because you can roughly sort technologies by dependency does not mean that you can easily sort them into “better” and “worse” in a situation-independent way—it’s probably impossible to sort anything into “better” and “worse” in a situation-independent way!
“He is taking a course on Marxist ideology. He says, “The only real solution is to smash the system and start again.” His thumb is caressing the most bourgeois copy of the communist manifesto that I have ever seen, He bought it at Barnes and Noble for twenty-nine U.S. American dollars and ninety-nine cents, Its hard cover shows a dark man with a scarved face Waving a gigantic red flag against a fictional smoky background. The matte finish is fucking gorgeous. He wants to be congratulated for paying Harvard sixty thousand dollars To teach him that the system is unfair. He pulls his iPhone from his imported Marino wool jacket, and leaves. What people can’t possibly tell from the footage on TV Is that the water cannon feels like getting whipped with a burning switch. Where I come from, they fill it with sewer water and hope that they get you in the face with your mouth open So that the hepatitis will keep you in bed for the next protest. What you can’t tell from Harvard square, Is that when the tear gas bursts from nowhere to everywhere all at once, It scrapes your insides like barbed wire, sawing at your lungs. Tear gas is such a benign term for it, If you have never breathed it in you would think it was a nostalgic experience. What you can’t learn at Barnes and Noble, Is that when they rush you, survival is to run, I am never as fast as when the police are chasing me. I know what happens to women in the holding cells down there and yet… We still do it. I inherited my communist manifesto, It has no cover— Because my mother ripped it off when she hid it in the dust jacket of “Don Quixote” The day before the soldiers destroyed her apartment, Looking for subversive propaganda. She burned the cover, could not bring herself to burn the pages, Hoped to God the soldiers couldn’t read, They never found it. So she was not killed for it, but her body bore the scars of the torture chamber, For wanting her children to have a better life than she did, Don’t talk to me about revolution. I know what the price of smashing the system really is, my people already tried that. The price of uprise is paid in blood, And not Harvard blood. The blood that ran through the streets of Santiago, The blood thrown alive from Argentine helicopters into the Atlantic. It is easy to say “revolution” from the comfort of a New England library. It is easy to offer flesh to the cause, When it is not yours to give.”
—
Catalina Ferro, “Manifesto” (via dialecticsof)
I feel like people do need to remember that there is a very real, very painful, very human element to the word “revolution”.
(via nuanced-subversion)
“To suffer. It means god is near. Grace–like a scalpel without anesthesia”
— Anna Kamienska, Notebook
10 Female Written Short Stories Everyone Should Read
I have seen a post circulating for a while that lists 10 short stories everyone should read and, while these are great works, most of them are older and written by white men. I wanted to make a modern list that features fresh, fantastic and under represented voices. Enjoy!
1. A Temporary Matter by Jhumpa Lahiri — A couple in a failing marriage share secrets during a blackout.
2. Stone Animals by Kelly Link — A family moves into a haunted house.
3. Reeling for the Empire by Karen Russell — Women are sold by their families to a silk factory, where they are slowly transformed into human silkworms.
4. Call My Name by Aimee Bender — A woman wearing a ball gown secretly auditions men on the subway.
5. The Man on the Stairs by Miranda July — A woman wakes up to a noise on the stairs.
6. Brownies by ZZ Packer — Rival Girl Scout troops are separated by race.
7. City of My Dreams by Zsuzi Gartner — A woman works at a shop selling food-inspired soap and tries not to think about her past.
8. A Good Man is Hard to Find by Flannery O’Connor — A family drives from Georgia to Florida, even though a serial killer is on the loose.
9. Hitting Budapest by NoViolet Bulawayo — A group of children, led by a girl named Darling, travel to a rich neighborhood to steal guavas.
10. You’re Ugly, Too by Lorrie Moore — A history professor flies to Manhattan to spend Halloween weekend with her younger sister.
I LOVE THIS POST!!
I’d like to add:
11. Good Country People by Flannery O’Connor
12. The Yellow Wallpaper by Charlotte Perkins Gilman (this one is my favorite short story of all time)
13. The Lottery by Shirley Jackson
14. Where Are You Going, Where Have You Been? by Joyce Carol Oates
15. Désirée’s Baby by Kate Chopin
16. The Story of an Hour by Kate Chopin
17. Impressions of an Indian Childhood by Zitkala-Ša
(I wanted to put little summaries for each of them, but I’m afraid I’d spoil the whole story if I did!)
adding a few more! all by women of color, & the first four were published within the last few years
18. “My Dear You,” Rachel Khong — love, loss, & absurdity in the afterlife
19. “The Husband Stitch,” Carmen Maria Machado — a feminist retelling of the folklore story “The Green Ribbon”
20. “Inventory,” Carmen Maria Machado — one woman’s retrospective list of her life’s sexual encounters
21. “Boys Go to Jupiter,” Danielle Evans — what happens after a white college student poses for a photo in a Confederate flag bikini
22. “Drinking Coffee Elsewhere,” ZZ Packer — a Black woman attends Yale University
oh i have some of these too! many are science-fiction or science-fantasy, because the woman in those genres are severely under-represented ! The first two authors are slightly older, but their works are so important in the development of the roles of women in scifi as a genre so!
23. “Those Who Walk Away from Omelas” and “Mountain Ways” by Ursula K. Le Guin — The first is a study of philosophical questions similar to the trolley problem, told in very loose form. The second is a science-fantasy story about two women navigating love and sexuality in their society’s polyamorous marriage rituals. But honestly you should read all of Le Guin’s short stories and novels, she’s amazing.
24. “Bloodchild” by Octavia Butler — One of my all-time FAVORITE short stories, about a future where humans live alongside large insect-like aliens, and serve as hosts for their eggs and larval young. It’s gruesome, gory, unsettling, and honestly pretty horrific but it’s really wonderful–if you can handle horror in your stories I highly recommended it. Butler’s novels are also wonderful, please check them out if you can (not all of them are this unsettling)
25. “The Girl-Thing Who Went Out for Sushi” by Pat Cadigan — A trans allegory in which future humans go through surgery to become invertebrate sea creatures (cephalopods and arthropods mostly) in order to better work in space. Wonderfully weird in so many ways.
26. “From the Lost Diary of Treefrog7” and “The Palm Tree Bandit” by Nnedi Okorafor — Lost Diary is a story about a woman and her husband exploring an alien jungle told through research log-style journal entries. Very much survival horror scifi. Palm Tree Bandit is told as a mother reciting a story to her daughter as she braids her hair, about her great-grandmother who started a kind of small revolution for women in Nigeria. Nnedi’s novels and other short stories, as well as her works within the comics industry, are all fantastic, so look into her more if you can!!!
– touch me so i’ll know i’m alive –
margaret atwood / eli craven / franz kafka / louise glück / eli craven / louise glück / hans bellmer / arundhati roy / katrien de blauwer / hala alyan / soho lee
reborn: journals and notebooks, susan sontag / photograph, ilenia tesoro / “when,” dodie / “(explored),” raychel sonveeco / quote, mary kate teske / “shadow,” marian kloon / “nine,” sleeping at last
Differences Between British English and American English
I hope this chart is a helpful reference for all writers. I used dictionaries, checked a couple of language forums, blogs and other people’s charts to compile this. It also includes slang. I know that some of them won’t be a completely accurate comparison, but I tried to find the closest equivalent to them.
Please, keep in mind that some of these may vary throughout the years and could depend on the region. For example never in my life have I ever heard of the Water/Drinking Fountain in America (or at least in my area in New York, New Jersey, and Pennsylvania, etc.) be called the Bubbler. But apparently its very common in the Midwest of America, in particularly in Wisconsin (also in Rhode Island and Massachusetts for people to actually call it that).
I left it out of the chart because it’s only a few areas that call it that and not all of America. I imagine something similar could happen for those in the UK, and if so, please share any differences in the words and/or slang in your area.
My desire to be wanted was like something physically gushing out of me — need need need — and it disgusted me, this broken spigot I’d become.
Leslie Jamison, The Recovering: Intoxication and Its Aftermath
Vampires in Horror Movies
Dracula (1931) Salem’s Lot (1979) Nosferatu (1922) Horror of Dracula (1958) The Lost Boys (1987) Near Dark (1987) Bram Stoker’s Dracula (1992) Interview with the Vampire (1994) Queen Of the Damned (2002) Underworld (2003) Van Helsing (2004) 30 Days of Night (2007) Blacula (1972) Fright Night (1985) Byzantium (2012) Let the Right one In (2008) What we do in the Shadows (2014) A Girl Walks Home Alone at Night (2014) Vampire in Brooklyn (1995) Nosferatu the Vampyre (1979)
Masterpost of Free Gothic Literature & Theory
Classics Vathek by William Beckford Wuthering Heights by Emily Brontë The Woman in White & The Moonstone by Wilkie Collins Carmilla by Joseph Sheridan Le Fanu The Turn of the Screw by Henry James The Monk by Matthew Lewis The Phantom of the Opera by Gaston Leroux Melmoth the Wanderer by Charles Maturin The Vampyre; a Tale by John Polidori Collected Works of Edgar Allan Poe Confessions of an English Opium-Eater by Thomas De Quincey The Mysteries of Udolpho by Ann Radcliffe The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson Dracula by Bram Stoker The Castle of Otranto by Horace Walpole The Picture of Dorian Gray by Oscar Wilde Frankenstein; Or, The Modern Prometheus by Mary Wollstonecraft Shelley
Short Stories and Poems An Occurrence at Owl Creek Bridge by Ambrose Bierce Songs of Innocence & Songs of Experience by William Blake The Rime of the Ancient Mariner by Samuel Taylor Coleridge The King in Yellow by Robert W. Chambers The Legend of Sleepy Hollow by Washington Irving The Yellow Wallpaper by Charlotte Perkins Gilman
Pre-Gothic Beowulf The Divine Comedy by Dante Alighieri A Journal of the Plague Year by Daniel Defoe Faust by Johann Wolfgang von Goethe The Tragical History of Doctor Faustus by Christopher Marlowe Paradise Lost by John Milton Macbeth by William Shakespeare Oedipus, King of Thebes by Sophocles The Duchess of Malfi by John Webster
Gothic-Adjacent Northanger Abbey by Jane Austen The Wendigo by Algernon Blackwood Jane Eyre & Villette by Charlotte Brontë Lyrical Ballads, With a Few Other Poems by Coleridge and Wordsworth The Mystery of Edwin Drood by Charles Dickens The Idiot & Demons (The Possessed) by Fyodor Dostoyevsky The Man in the Iron Mask by Alexandre Dumas Moby-Dick by Herman Melville The Island of Doctor Moreau by H. G. Wells
Historical Theory and Background The French Revolution of 1789 by John S. C. Abbott Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth by A. C. Bradley The Tale of Terror: A Study of the Gothic Romance by Edith Birkhead On Heroes, Hero-Worship, and the Heroic in History by Thomas Carlyle Demonology and Devil-Lore by Moncure Daniel Conway Ancient Pagan and Modern Christian Symbolism by Inman and Newton On Liberty by John Stuart Mill The Social Contract & Discourses by Jean-Jacques Rousseau Feminism in Greek Literature from Homer to Aristotle by Frederick Wright
Academic Theory Introduction: Replicating Bodies in Nineteenth-Century Science and Culture by Will Abberley Viewpoint: Transatlantic Scholarship on Victorian Literature and Culture by Isobel Armstrong Theories of Space and the Nineteenth-Century Novel by Isobel Armstrong The Higher Spaces of the Late Nineteenth-Century Novel by Mark Blacklock The Shipwrecked salvation, metaphor of penance in the Catalan gothic by Marta Nuet Blanch Marching towards Destruction: the Crowd in Urban Gothic by Christophe Chambost Women, Power and Conflict: The Gothic heroine and “Chocolate-box Gothic” by Avril Horner Psychos’ Haunting Memories: A(n) (Un)common Literary Heritage by Maria Antónia Lima ‘Thrilled with Chilly Horror’: A Formulaic Pattern in Gothic Fiction by Aguirre Manuel The terms “Gothic” and “Neogothic” in the context of Literary History by O. V. Razumovskaja The Female Vampires and the Uncanny Childhood by Gabriele Scalessa Curating Gothic Nightmares by Heather Tilley Elizabeth Bowen, Modernism, and the Spectre of Anglo-Ireland by James F. Wurtz Hesitation, Projection and Desire: The Fictionalizing ‘as if…’ in Dostoevskii’s Early Works by Sarah J. Young Intermediality and polymorphism of narratives in the Gothic tradition by Ihina Zoia
When Margaret Atwood said, "there is something in your throat that wants to get out and you won't let it." and then Franz Kafka wrote, "And what I really intended to say in the end remains unsaid."
Sylvia Plath, from “Doom of Exiles.”