there is no space for terfs in my online space. trans women are a huge part of my life and any feminism that does not make the uplifting of trans women's voices a key pillar of the movement is no feminism at all
Monterey Bay Aquarium

#extradirty

izzy's playlists!
cherry valley forever
Sade Olutola
KIROKAZE
DEAR READER

Kaledo Art
hello vonnie
TVSTRANGERTHINGS
Today's Document
Three Goblin Art
Game of Thrones Daily

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almost home

PR's Tumblrdome

Product Placement

JVL
he wasn't even looking at me and he found me
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@wutheringheights78
there is no space for terfs in my online space. trans women are a huge part of my life and any feminism that does not make the uplifting of trans women's voices a key pillar of the movement is no feminism at all
big day on wutheringheights78.tumblr.com happy birthday girls
don't know why OP wouldn't credit either the model or the photographer—anyways model is victoria elder @liltoria on insta, photographed and styled by elizabeth elder @emackphoto on insta
The Guy She Was Interested In Wasn’t A Guy At All Ch. 1 / 120
Joan Baez, c. 1968
Natasha Lyonne and Clea Duvall
Catherine Opie: 'Dyke Deck' (1995)
In 2017, American film researchers recovered “Something Good – Negro Kiss,” a short film depicting a playful kiss between a Black couple which had not seen the light of day for more than a century. A long-forgotten artifact from the earliest years of American film, the sweet, humanizing vignette, produced by the Selig Polyscope Company, makes a startling contrast to the overwhelmingly racist and blackface-ridden contempory portrayals of African Americans. Four years later in 2021, archivists in Norway, halfway across the world, identified a sister short in their collections—an extended alternate cut which reveals more of Chicago stage performers Gertie Brown and Saint Suttle’s vaudeville-like routine, a theatrical, hot-and-cold romantic dynamic between two lovers which parodies the popular and controversial short “The Kiss” (1896). Both films, which had previously been lost, were known from entries in old motion picture catalogs but had been assumed to be era-typical, anti-Black “race films” until their rediscovery in the 21st century. Together with its more famous sibling, which has since been inducted into the Library of Congress’ National Film Registry, this alternate version of “Something Good” represents the first-known instance of Black intimacy ever captured on-screen.
SOMETHING GOOD [Alternate Version] (1898) Directed by William Selig
Kate Bush as a child photographed by her brother John Carder Bush
wahhhhhhh
merch goods pt. 2
src
Incomprehensible - big thief
"I'm afraid of getting older", that's what I learned to say 'Cause society has given me the words to think that way The message spins and spirals, "Don't get saggy, don't get grey" But the soft and lovely silvers are now falling on my shoulder My mother and my grandma, my great-grandmother too They wrinkle like the river, sweeten like the dew And as silver as the rainbow scales that shimmer purple-blue How can beauty that is living be anything but true? So let gravity be my sculptor, let the wind do my hair Let me dance in front of people without a care Let me be naked alone with nobody there Or with mismatched socks and shoes and stuff stuffed in my underwear Incomprehensible Let me be
To the Rental Property Shower, With Love (2025)
cute helena moments <3
lydia davis
In the same vein:
"The simultaneous borrowing of French and Latin words led to a highly distinctive feature of modern English vocabulary: sets of three items, all expressing the same fundamental notion but differing slightly in meaning or style, e.g., kingly, royal, regal; rise, mount, ascend; ask, question, interrogate; fast, firm, secure; holy, sacred, consecrated. The Old English word (the first in each triplet) is the most colloquial, the French (the second) is more literary, and the Latin word (the last) more learned." (Howard Jackson and Etienne Zé Amvela, "Words, Meaning and Vocabulary: An Introduction to Modern English Lexicology." Continuum, 2000)
via ThoughtCo
Though I like how John McWhorter phrases it better:
But language tends not to do what we want it to. The die was cast: English had thousands of new words competing with native English words for the same things. One result was triplets allowing us to express ideas with varying degrees of formality. Help is English, aid is French, assist is Latin. Or, kingly is English, royal is French, regal is Latin – note how one imagines posture improving with each level: kingly sounds almost mocking, regal is straight-backed like a throne, royal is somewhere in the middle, a worthy but fallible monarch.
from "English is not normal"
Falling Through Dreams.