Keni
Alisa U Zemlji Chuda
taylor price
will byers stan first human second
Cosimo Galluzzi

Discoholic 🪩
DEAR READER
we're not kids anymore.
RMH
wallacepolsom
TVSTRANGERTHINGS
No title available
Peter Solarz
Claire Keane

JVL
dirt enthusiast
tumblr dot com
Not today Justin
$LAYYYTER

祝日 / Permanent Vacation
seen from United Kingdom

seen from Malaysia

seen from Germany
seen from Greece
seen from Australia
seen from Singapore
seen from United States

seen from Malaysia
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seen from United Kingdom

seen from France

seen from Türkiye

seen from United States
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@yami-mashida
it’s december 1 where’s the christmas tail kitten bring him to me
i have to do EVERYTHING around here
dash is dead im teleporting to the past
https://www.tumblr.com/dashboard?max_post_id=606474489540042752
2016 dash here
2014 dash
2012 dash
2010 dash
i miss him (fictional character that i can rewatch or reread at any time i want)
Needs the last part
@heatandapathy you forgot the best part
who wants to PayPal me money for nothing in return serious inquires only
LEGENDS ONLY
this person has a patreon where people pay them to make fandom discourse. one of the patron rewards is literally that she will make a Twitter discourse thread on the topic of your choosing.
Oh thank fucking god it’s not real
You mean this is something you can get paid for and im out here going to school instead??
Oh god her brain is actually huge
Americans have American privilege. Even if you don’t want it! Even if thinking about that fact makes you feel uncomfortable! Even if you’re in an oppressed group (or more than one) in America!
If you’re an American citizen that comes with a mind-blowingly large amount of privilege with respect to most other countries on Earth.
Just because American SJ activists don’t talk about this (because it makes them uncomfortable) doesn’t mean it isn’t true.
well said, @kerasines
first day as a second century warlord i have my men tie branches to their horses’ tails to stir up dust and make it look like there’s a lot of us but i forget it just rained so there isn’t any dust and the enemy can clearly see there’s like twenty of us all spread out in a line
second day as a second century warlord i bribe a bunch of kids to start singing a nursery rhyme i carefully crafted to spread misinformation and further my strategic ends but they change the lyrics to be about poop and the enemy isn’t misdirected at all
third day as a second century warlord i lure my enemy into a narrow valley and send a team of archers to shoot them from the high ground but there was a feral hog napping on the trail up to the overlook and they couldn’t decide whether to try and shoot it or just go around and by the time the hog woke up and left on its own the enemy had already passed safely below
fourth day as a second century warlord we attempt to join a battle on the side of the guy we want to ally with but he and the guy he’s fighting have really similar names and it’s finally dusty and i misread the standards and attack the wrong guy. so now we’re stuck with this total loser of a liege lord, because how the fuck do you explain that after a battle?
fifth day as a second century warlord and some sort of wizard wanders into camp, my loser liege lord wants to execute him for being a wizard but i convince him to let the wizard stay, because i want to do more weather-based strategies and i’m pretty sure having a camp wizard can help with that. after the welcome to the team banquet the wizard steals half the treasury and my liege lord’s wife and leaves
sixth day as a second century warlord my loser liege lord sends me to reinforce a city he’s taken, but in the confusion of leaving i forgot to take the token that would have gotten us into the city, so my men have to wait outside the city walls for like eight hours while i ride back to get it
seventh day as a second century warlord and my loser liege lord finally joins me in the city, it turns out he’s actually a pretty cool guy, and he isn’t even that mad at me for letting the wizard steal his wife. i decide to shoot my shot but i’m really nervous and keep on stalling because what if i mess up our relationship and by extension jeopardize the security of my men, and eventually he just says goodnight and goes back to his room, where an assassin is in the process of setting up to kill him
eighth day as a second century warlord and my loser liege lord tells me to fake defect to his rival warlord, the one i originally wanted to ally with, to find out if he was the one who sent the assassin and why. but my whole way over to the rival warlord i’m worried that this has something to do with the wizard thing or how awkward i made it last night
ninth day as a second century warlord i try to tactfully ask my fake liege lord if he sent the assassin to kill my loser liege lord and it turns out the idea of using assassins never occurred to him, but now that i’ve suggested it he’s really into it. in order to save my loser liege lord i volunteer to be the one to kill him
tenth day as a second century warlord on my way back to my loser liege lord’s city i realize i won’t be able to collect my men from my fake liege lord until i bring back my loser liege lord’s head. this would have been a great thing to think of before i got myself in this situation. i go back to my loser liege lord and ask him to rescue my men, and he tells me that if he could sack my fake liege lord’s camp he already would have. that doesn’t change the fact that my men are still trapped. they’re prisoners, even. i go back to my room to sulk
eleventh day as a second century warlord i find a little caged pigeon in the rafters of my loser liege lord’s room and deduce it belonged to the assassin. without asking permission or telling my loser liege lord goodbye i let the pigeon loose and follow it north. don’t ask what i was doing in my loser liege lord’s room. it’s not important
twelfth day as a second century warlord i disguise myself as a wizard and enter the camp of the coalition leader the pigeon led me to. in the middle of my little sleight of hand performance i make eye contact with the coalition leader’s second-in-command. IT’S THE WIZARD THAT STOLE MY LOSER LIEGE LORD’S WIFE. after the banquet i corner the fake wizard and ask him what the fuck is going on and he just says “wouldn’t you like to know” and leaves. i don’t know what to say to that so i just let him go
thirteenth day as a second century warlord i’m honestly so sick of not knowing what’s going on, so i adjust my wizard costume to passably disguise myself as a woman and break into the women’s area of the camp, where sure enough my loser liege lord’s wife is. i ask her what she’s doing here and she tells me the fake wizard overheard her singing a poem she overheard on the street, not knowing it contains the coalition leader’s formation’s weaknesses. the fake wizard kidnapped her and assigned an assassin to kill her husband before they figured out the poem’s significance. she shares the first couplet with me but i’m discovered and thrown out before she can share any more. she doesn’t need to. through a bizarre coincidence of homophones, it’s the poop version of my misinformation nursery rhyme
fourteenth day as a second century warlord i go back to my loser liege lord and tell him everything, urging him to join with my fake liege lord to attack the coalition leader according to the weaknesses in the nursery rhyme. he tells me frankly that he doesn’t trust me anymore. i ask him to execute me if that’s really true, because i can’t bear to live if i can’t protect him and i can’t protect my men. he agrees to attack the coalition leader
fifteenth day as a second century warlord. due to the information in the nursery rhyme, and thanks to my loser liege lord reminding me of the weather conditions multiple times while planning our battle strategy, our alliance carries the day. my loser liege lord gets his wife back. my men tell me that our fake liege lord actually treated them really well and they’d like to stay with him if i don’t mind. i do mind, now that neither the men i love nor the man i love have any use for me, but i don’t tell them that
sixteenth day as a second century warlord i’m preparing to leave to i don’t know where, maybe to try to become a wizard for real, when my loser liege lord stops me and asks me where i’m going. he says he had hoped i would continue to work as his advisor. i was unaware i was his advisor in the first place. i agree, and he tells me he’s truly honored to have me in his service at last. he has known i am a rare and talented man with a strategic intelligence far above his ever since the day he witnessed me tying branches to my horses’ tails in six inches of mud, and could not for the life of him figure out why
THYRELL HAVE YOU HEARD ABOUT TUMBLRCORE ON TIKTOK
fucking what
i know its been years since the wars between hipster and fandom blogs but if these people try to come back we need to be ready we need to support our fandom brothers in arms because im pretty sure these people are going to try to sell us products
we must bring him back but as a weapon
It’s time to bring them ALL back
ALL of them.
HOW NOT TO DRAW ARCHERY: AN ART TUTORIAL.
DISCLAIMER: I was going to make this “how to draw archery”, but that would probably have taken the rest of my life. This is all stuff I’ve learned from practicing archery in the past, and the tips I’ve given should translate to many, if not all styles of archery. If you take issue with any of the information given here please contact me, as I’m aware I’m not an expert!
Okay, I’ve seen too many bad drawings of archery online. Most of the time I can overlook it, but I’ve made this guide to address drawings where a) the character would hurt/maim themselves if they shot like that, or b) if you tried to shoot like that, the arrow would just make a sad trajectory to the ground, the aerodynamic equivalent of a “WAH-WAH” on a trumpet.
With this in mind:
POINT ONE: WHY IS YOUR ARM LIKE THAT
If successful archery is about one thing, it is about consistency - being able to make your body take exactly the same stance over and over and over again. Your body is a key part of the weapon, and just as you wouldn’t want a gun that had components that wobbled and shifted, you don’t want your body to.
With this in mind, characters shooting, particularly at full draw (this is when the arm pulling the string is stretched all the way back), should have the arm that is holding the bow straight. Not locked - I’ll get into that - but straight. A straight arm is easy to replicate - a bent arm could be at a different angle each time. Simple as that.
POINT TWO: DON’T SHOOT YOUR TIT OFF
See this diagram
the dotted line is the path the string will take. The string is extremely tight - it has to be for the bow to work. It will therefore move extremely fast. Do you want any part of your body to be in the way of that.
if you have any part of your body (elbows and breasts/pectoral muscles tend to be the worst offenders) in the line of the string, they will get hit. And this will hurt. A LOT. Google “archery bruise” to see how. Yikes. Furthermore, if your arm or chest gets in the way, it’ll knock the arrow off course, and in addition to having sliced your nipple off you’ll have missed your shot too. So KEEP STUFF OUT OF THE PATH OF THE STRING.
side note: this is where the myth of amazons chopping their boobs off came from. Also, why archers sometimes wear chest-guards - this looks like a one-cupped unisex bra. Stylish. Also why archers often wear protective gear called a bracer. This goes on the tender inside of the arm and wrist that might get clipped by the string, not the outside that is nowhere near it.
POINT THREE: WHAT ARE YOU DOING WITH YOUR FINGERS STOP THAT
Okay I keep seeing this
Having the fingers clasping the arrow like this makes it highly likely that the pressure from them will send the arrow off-course.
Many modern bows have an arrow rest so you needn’t rest the arrow on your hand at all. If that isn’t the case, it works better to rest the arrow on the first knuckle of the index finger (where it meets the hand). If it’s just being used as a platform, the finger shouldn’t be able to exert enough pressure to make the shot go all over the place. Also you won’t end up shredding your fingers with the fletchings.
Talking of that…
POINT FOUR: DON’T SLICE YOUR FINGERS OFF
remember what I said earlier about how incredibly taut bowstrings are
imagine pulling that back with your soft fleshy fingers
it is basically like cheesewire through…soft fleshy fingers.
Use protection. Illustrated below are the tab and archery glove, or just go to google or something, stop the madness.
POINT FIVE: PHYSICS DOESN’T WORK LIKE THAT
A strung bow is taut. The body of the bow is pulled by the (very tight) string, making a D shape. An unstrung bow will be straighter.
The tension in the string means a string should always be a straight line. If the bow is drawn, it’s two straight lines.
If there is any curve in the string, the arrow will probably fall limply to the floor.
ALSO. When the string is drawn back, it exerts more pressure on the bow, creating that really exaggerated curve. This is where the power comes from. (I think. I am not physics). Basically, if you’re drawing a character at full draw, the string should be straight and the bow should be curved. If the opposite is true something very wrong has happened and you should be sad.
OKAY! I hope this has been helpful, if you have any questions or concerns let me know. And if in doubt, doctor google will help you - look at olympic or professional archers, and see how they’re standing and how their bows behave.
GOOD LUCK DRAWING!
“Roses are red / Gender is performative / Mass-market romance / Is heteronormative”
—
(via excalibur-red)
Yeehaw.
(via teratomarty)
Picking the Perfect Pencil Lead Hardness Grade
This is so perfect. Except it doesn’t mention that the 10B will smear with the touch of a finger and the 10H has probably been etched into the back of the page.
As I promised, part 2 is finally done yayyy!!! ‘Course by no means is this the last Artistic Anatomy post I’ll be doing! I am planning on doing more so don’t worry about that (I’m thinking of the arms or the chest next, or the neck and shoulders (my personal favorite hehe)). But for now part 2 yeah! Hopefully it’s not too confusing, but if it is digest it in little bits as not to be overwhelmed! Baby steps! In the future i’ll look to see if i can make these downloadable so they’re not shit quality but for now please bare with me ;v;
But like I said in the last bit, I can only provide you with the facts, and you’ll only get better at drawing hands if you actually draw them from life and practice, observe, and especially learn to understand them. It takes initiative and self-discipline, but the result is well worth all the effort!! So just have fun and good luck! ^o^
Artistic Anatomy: Hands Part 1
Lindsey Kustusch is an oil painter based out of San Francisco, Ca.
Art by ©Lindsey Kustusch
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