I fucking love this video
taylor price
Aqua Utopia|海の底で記憶を紡ぐ

if i look back, i am lost

Andulka
hello vonnie
Misplaced Lens Cap
we're not kids anymore.
Mike Driver
d e v o n
NASA
"I'm Dorothy Gale from Kansas"

izzy's playlists!
Monterey Bay Aquarium
RMH
2025 on Tumblr: Trends That Defined the Year

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祝日 / Permanent Vacation
Cosimo Galluzzi

JBB: An Artblog!
KIROKAZE

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@yogrossdude
I fucking love this video
Spin the wheel. Now, imagine you're on a first date with someone who says they`re a [result]. How does this affect the odds of a second date?
100% guarantee I'll want a second date
It's significantly more likely
The odds don't change
It's significantly less likely
There wont be a second date. Absolutely not
Picker Wheel is a wheel spinner for a random picker. Various functions & customization. Enter choices or names, spin the wheel to decide a r
(anon submission)
happy pride it’s a robot grandpa wedding
Concept: in a setting where vampires exist and can only be harmed by symbols of faith (crucifixes, etc.), a James Randi-style skeptic/supernatural debunker witnesses his family murdered by vampires, and dedicated his life to hunting down what he believes are a cabal of ordinary serial killers with a blood fetish and some cheap plastic fangs. They die when he shoots them with an ordinary gun, granted holy status by the sheer force of his belief that they are actually just ordinary humans who will die when shot.
The reason the sun burns vampires is that all the plants worship it.
That is the single most insane addition possible and I love it.
That post about death note being "everyone's first anime" (untrue statement) made me curious and now I want to gather data for science
Can you reblog this and tell me where are you from and what was your starter anime?
headcanon that a ferengi tradition is putting your new baby up for sale at a ridiculous price to show how valuable they are to you (everyone has to be polite and not actually buy them or hands will be thrown, people will be sued, etc etc)
I love the idea of Ferengi traditions that are both ha-ha capitalism but also create a functioning culture that’s more than a metaphor.
So, this is related to a headcanon I have. There's a kind of ritual sale of childhood goods as part of the Ferengi coming-of-age, which was featured in an episode of DS9. The ostensible purpose is to raise capital for the young Ferengi male. But, like, if the Ferengi were approaching this in their usual capitalistic mindset, you wouldn't really get much from what's basically a glorified garage sale
My headcanon is that it is the accepted practice to buy those goods at much higher prices than you would normally pay, serving as a culturally acceptable way of effectively giving financial support
Oh I love these, especially because of the spoken and unspoken meta-traditions around the tradition! Maybe they work similarly to the “speak now or forever hold your peace” thing in human marriage ceremonies. Everyone at a human wedding understands you’re not actually supposed to say anything at that point, it’s just a formality—but you see characters do it all the time in literature and entertainment, because it makes for such a juicy plot twist.
I bet “newborn gets purchased by evil jealous ex-business partner” is a classic plot hook in Ferengi soap operas. It’s their version of getting sold to One Direction.
Friday morning
The way adult fandom people hold indie online creators and cartoons to a much higher standard than their actual local politicians. You could be putting that energy into terrorizing and protesting conservatives at your town hall and actually make a good material impact on the world but instead you're background checking everything the trans woman who made the amazing digital circus has ever said
The point isn't "stop criticizing indie artists" or "defend your favorite show under this post". I don't even watch Digital Circus and no one is above criticism. Literally every indie show is getting torn to shreds on twitter right now and I'm not saying this to defend anyone I don't know. The point is "someone who actually has the power to kill us all and get away with it deserves way more ire and accountability than a cartoonist and I expect grown adults to understand this"
Office Yautja
Raja and Vic moment
You can check out sketches, ideas and uncropped new artwork up at the patreon:
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Office Yautja
Raja and the meeting that could have been an email.
Flower Dance practice _____ Been a bit busy with life. I finally have some time to sit down and draw now.
Hey everyone! I am currently running a special Pride Month Dinosale on my Etsy Shop! If you want to get your friends, family or loved ones a nice little surprise gift for this year's Pride season, the come on by via the shop link underneath this post:
💬 177 🔁 5823 ❤️ 18371 · ShatterHeadShop - Etsy · Hello everybody! I updated my pridesaur list and added some respectable entries for Inte
Or just head straight to my Etsy
!!Use the exclusive Code: DINOPRIDE26 for FREE SHIPPING for any order you place!!
Take care of each other, love thyself and HAPPY PRIDE to y'all
I really like this website because somebody will be like “there’s nothing wrong with darting out from behind a parked car into traffic, bootlicker” and you can be like okay this clearly evolved from a valid point about how the US is too car-centric. But something happened to it.
So... I found this and now it keeps coming to mind. You hear about "life-changing writing advice" all the time and usually its really not—but honestly this is it man.
I'm going to try it.
I love the lawyer metaphor, because whenever I see “John knew that...” in prose writing I immediately think “how? How does he know it?” Interrogate your witnesses. Cross-examine them. Make them explain their reasoning. It pays dividends.
All of this, but also feels/felt. My editor has forbidden me from using those and it’s forced me to stretch my skills.
This is your "show not tell" advice explained!
Editor here.
First, let me preface this with something very important: you can treat all of this advice as SECOND-DRAFT ADVICE. It is so much easier to rewrite this kind of stuff once you have words on the page. Telling yourself the first draft is totally appropriate and acceptable.
What we’re talking about here are FILTER WORDS (and to some degree verbs of being). Yes, “thought” words are included. But so are “heard, saw, looked, tasted, smelled” etc.—most words having to do with the senses.
This isn’t black and white advice; sometimes you’ll use these words and that’s okay. They’re not WRONG. They’re just weaker. And they’re weaker because they create distance between the reader and the experience of the character.*
If you want your reader to feel like they’re experiencing the story right alongside the character, you want to cut down on filter words.
*This is particularly important with first person and close third POVs. The reader always knows whose eyes they’re seeing through and thoughts they’re privy to. So you don’t need to tell them “I saw X.” Or “I heard X.” Or “I thought Y.” You can just jump into the action/observation as it’s happening.
This is also where you want to pay attention to verbs of being.
“It was rainy.” Versus: “The rain pounded against the roof.” Or “The rain howled like an injured animal.” Or “The rain tapped against the window like an anxious lover.” All of these are inviting the reader deeper into the experience of the story by using stronger verbs and similes. And, at the same time, they stir feelings (instead of TELLING feelings). And feelings keep your reader engaged. Engaged readers keep turning pages; engaged readers become FANS.
This is also where
you want to pay attention
to verbs of being.
Beep boop! I look for accidental haiku posts. Sometimes I mess up.
The most valuable advice that Author Ex gave me through the years that we wrote together was this: the problem with all these filter words is that they create distance in the POV.
That means that when you read a line like
John saw that the curtains were open.
It immediately takes you OUT of the character's perspective and instead tells you what they experience as a secondhand observation.
You don't have to get fancy or purple with how you rephrase things like this. Not everything needs a ton of breathing room.
You wanna know what's perfectly impactful while keeping a tight POV?
The curtains were open.
Simple as that.
This was one of my all time most powerful writing lessons! This mindset shift makes you a stronger writer immediately in a way that just keeps getting easier and better for you.
The take I always have on advice like this is that "John saw that the curtains were open." and "The curtains were open." are sentences that are telling you two different pieces of information.
Some of this, yes, is about POV distance--but some of it is also about the information being conveyed by the sentence. If you are using a sentence like "John saw that the windows were open" it should be because the information you are seeking to convey is that John saw it.
Maybe this matters because the next time John looks back they are closed, and so he's doubting what he saw. Maybe it matters because he later has to recount information about the room he was in, and it's notable that he specifically saw that the windows were open. The fact and method of his observation is part of the point of the sentence, rather than simply the observation itself.
When we are using sense verbs, it should be because part of the point is the sense. Same with "thought", "felt", etc.: "Mary thought that Susan looked a little thin" is telling us a different piece of information than "Susan looked a little thin."
Contrarily, at least in my opinion, simple telling phrasing like "It was rainy" can sometimes bring us more into a character's head than something showing like "The rain howled like an injured animal." I have read books when a relatively plain-spoken/plain-thinking character suddenly starts having elaborate descriptions of things like scenery or weather, and it is abundantly clear that the author wanted to spruce up their writing and avoid "telling." The problem is that it drags me as the reader out of the character's head and shows me where all of the strings are. I'm suddenly thinking about how the author is worried about being yelled at for "telling" instead of just reading the story.
Your writing, down to the sentence structure and word choice level, should be about what you are trying to accomplish. Is the point to tell us that the window was open, or is it to tell us that John saw that the window was open?
The Waterfall of Grief, by Shana Moulton (2009)
Listen I don’t even care if the animorphs movie or show in production are any good, I just need some footage so that I can make kpop-style edits of Visser 3
When i delete a post it goes back inside me