Witch Hands Atelier.
Peter Solarz

blake kathryn
TVSTRANGERTHINGS
Lint Roller? I Barely Know Her
NASA
Sade Olutola

JBB: An Artblog!

Andulka
todays bird
hello vonnie
Mike Driver

Origami Around
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ellievsbear
dirt enthusiast
Keni
noise dept.
Three Goblin Art
Not today Justin

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seen from United States

seen from Germany
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seen from United States
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seen from Brazil
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@young--cheeseburger
Witch Hands Atelier.
I think some of the loneliness of autism is that you feel like you hurt people just by Interacting Wrong, but you don’t know how to Interact Right, and the more effort you put into it, the more exhausted you are and the more artificial it comes across (with the end result of people still being upset with you). and it’s not anyone’s fault for not liking Being Interacted With Wrong, and it’s not your fault for doing it so wrong, but it is very, very lonely.
Ahhhh this took so long. 60 hours!!!!!!! But I did it, I drew my horror gays. This manga was truly meant for me and I'm so so so happy that the anime was just as good! I'm also glad to see our little fandom grow awww. This manga just means so much to me //sob
They weren’t lying when they said that as an adult you have to fight for your life to practice your hobbies
They also weren’t lying when they said that when you fail to do so your soul shrivels up inside your body and dies
it’s like this.
if you only have one person in your life that you trust, you probably are always going to turn to that person when something shit happens. as well as whenever something good happens. or anything else. this is not inherently a bad thing, and it’s really beautiful to have someone in your life that you trust so much
but if that person is suddenly busy or going through something difficult themselves or doesn’t have emotional capacity for a while, suddenly there’s a problem. not necessarily through any fault of your own, you don’t have anyone to turn to with as much regularity as you did before
this is true of any kind of relationship. this is true of any kind of coping mechanism, also. the problem is not that you trust that person. the problem is not that you use that coping mechanism. the problem is not even that there’s something wrong with you and that it’s all your fault. the problem is that nothing can be everything
the solution is not to cut off your one trusted person or to cut yourself off from your one trusted coping mechanism. the solution is to do the difficult work of diversifying your life as much as it’s possible for you to do. which is why it sucks so much when external factors prevent you from being able to live a truly diverse life. okay that’s all have a good one
If I hear “I’m a people pleaser” one more time. Whole time they’re a people agitator. A people disappointer. A people exhauster.
…
i try to please people… but i don't think i can ever make everyone happy.
but how else can i define my self worth, if not through making others happy?
see how that was exhausting
Thought experiment to all the "people pleasers": imagine you find out everyone who calls themselves your friend is just with you out of pity and gets no enjoyment from it. You are doing the exact same shit but call it a pretty name
Can you explain? I do this shit and I'm trying to figure it out but I don't get this one exactly.
I think it's best explained with the real life exaple of why I feel strongly about people pleasers. My experience with a people pleaser was that she kept hanging out with me despite not enjoying my company to the point where she exploded, blamed me for her anxiety and broke the friendship. This all happened out of the blue despite me asking multiple times to tell me if she was ok with me talking about problems in my life with her (but not exclusively because of that). Because she was a people pleaser she did not establish any boundaries to ensure my comfort and I only found out it had been hurting her all the time when she reached her limit and exploded on me. I spent quite some time after that absolutely paranoid about all my friends actually being people pleasers who hated being with me but didn't know how to say no and to this day I sometimes have to seek reassurance that my friends actually enjoy whatever activity they're doing with me and are not just agreeing to keep me happy while slowly building up their hate towards me.
The healthiest thing you can do in a relationship is say no. If my friend at any point had said "I'd rather not talk about this topic" or "I would like to stop playing this game" there would have been no problem.
Even if it had not exploded on my face and caused me psychological issues, I want to live in a world in which my friends are happy for real, not pretending to be happy for my comfort. The idea that someone I care about could be lying and stepping over their own comfort "for my sake" feels horrible.
creation//ruination (spell referenced from chromatic_flare on x)
nmh doodles, shinobu, sylviajeane, and our national bad girl
“It’s Giving” AAVE, and the Denied Yet Undeniable Impact of Black Culture
I grew up knowing it as Ebonics; I didn’t hear 'AAVE' until I was an adult. Apparently it’s used derogatorily- I did not know. But when Robert Williams coined the term in the 70s, its meaning was:
“…the linguistic and paralinguistic features which on a concentric continuum represents the communicative compentence of the West African, Caribbean, and United States idioms, patois, argots, ideolects, and social forces of black people…Ebonics derives its form from ebony (black) and phonics (sound, study of sound) and refers to the study of the language of black people in all its cultural uniqueness.”
Familiar Examples include but are not limited to:
The History
It was unbelievably difficult to find a solely Black perspective on the subject. I’m gonna need everyone to let Black linguists talk, it’s literally their job. Anyway, I need y’all to actually WATCH this video. Don’t skip it thinking I’ll summarize. Watch it. Actually listen. That’s part of the problem to begin with, is not listening. Even if you have to read this lesson later, so be it.
One of the points emphasized in this video was that AAVE was formed of the need to communicate, and specifically to communicate in a way that hid what we were saying and thinking from antagonistic white society.
“…“the disguise language used by enslaved Africans to conceal their conversations from their white slave masters to the lyrics of today’s rap music, [the magical power of] the word has been shaped by a time when, as observed by Harlem newspaper writer Earl Conrad, ‘it was necessary for the Negro to speak and sing and even think in a kind of code.’””
Because it was in a form that white people could not understand, as well as already existing racist biases against the humanity and intelligence of Black people, naturally it was assumed that our way of communicating was ignorant and ‘false’. Even acknowledging it as a valid language was seen as abhorrent, by nonblack and certain Black people.
“For decades, linguists and other educators, pointing to the logic and science of language, have tried to convince people that Black English exists, that isn’t just a politically correct label for a poor version of English but is a valid system of language, with its own consistent grammar. In 1996, with the unanimous support of linguists, the Oakland School Board voted to recognize AAVE, or the more politicized term “Ebonics” (a portmanteau of “Ebony” and “phonics”), as a community language for African American students, a decision which might have opened up much needed additional funding for education. Instead it resulted in intense public backlash and derision due to the still widespread, incorrect belief that Black English was an inferior, uneducated form of English associated with illiteracy, poverty, and crime. It’s hard for a language to get ahead when it keeps getting put down. Some linguists, such as John Russell Rickford, have noted how even sympathetic linguistic research, which has derived a lot of benefit and understanding from Black English grammar, can unknowingly focus on data that represents African American communities negatively, giving “the impression that black speech was the lingo of criminals, dope pushers, teenage hoodlums, and various and sundry hustlers, who spoke only in ‘muthafuckas’ and ‘pussy-copping raps.’” The term “Ebonics” even now is used mockingly by some as a byword for broken English.”"
(Some of) The Rules
AAVE is a full dialect with grammar and social rules. But the ones most people are familiar with include:
Th becoming D (“dats”)
Double Negative (“I ain’t see nobody”)
Habitual Be (“It’s cuz he be on that phone”)
Possessive s absence (“I’m going to my grandaddy house”)
Question word order (“who that is with the ice cream and cake?”)
Zero copula (“who that?”)
"Why do you talk like that" Would you rather I code switch?
“Code switching, or adjusting one’s normal behavior to fit into an environment, has long been a strategy for BlPOC individuals to navigate interracial interactions successfully. Code switching often occurs in spaces where negative stereotypes of Black individuals run counter to what are considered appropriate or professional behaviors and norms in a specific environment, and regularly happen in work settings.”
In this context, you might recognize it better as “using your white people voice”.
Some Black Americans, for varying reasons including internalized antiblackness and a desire for assimilation, hate AAVE! Some people will hate that you don’t use AAVE! Never assume we’re all on the same page about its use! My own mother used to be big on speaking ‘proper English’.
Regional Differences
The same way regional differences affect standard pronunciation, it’ll affect the AAVE used. Culture in the area as well will affect the words that come from it. So someone Black using a phrase in Philadelphia might not automatically know what someone Black from Compton is saying.
Someone did their dissertation on this topic, and while I’m going to link the summary for yall to give it a shot, Imma be honest- I do not understand this. I tried. It’s interesting how something that comes so innately, once written out like this is like WHAT. But the research has been done!
Easier examples include:
"Aaron earned an iron urn"- Baltimore
GloRilla and "Mursic"- Memphis
A lot of AAVE from New York City is popularized; so you might hear words from anywhere that originated from Harlem or Queens, or New York Ballroom culture
Tonal Languages
One major source of misunderstanding AAVE is people not understanding tonality. AAVE is often tonal, similar to many African languages, languages in general- meaning that unless you hear it or are innately familiar with how it’s spoken, you might not know HOW I’m saying something and therefore will not understand what I’m trying to convey. Given the history, this was on purpose!
Black language- Black culture in general, really- is often conveyed orally. Everything we say and do is not going to be written down for someone else to study. Doesn’t mean we weren’t saying or doing it. If you want to understand, you have to listen!
“Linguist Margaret G. Lee notes how black speech and verbal expressions have often been found crossing over into mainstream prestige speech, such as in the news, when journalists talk about politicians “dissing” each other, or the New York Times puts out punchy headlines like “Grifters Gonna Grift”. These many borrowings have occurred across major historical eras of African American linguistic creativity. Now-common terms like “you’re the man,” “brother,” “cool,” and “high five” extend from the period of slavery to civil rights, from the Jazz Age to hip-hop: the poetry of the people. This phenomenon reflects how central language and the oral tradition are to the black experience.”
Some examples:
1) "You Good" can mean, depending on how it is said and the context in which it is spoken:
Are you okay?
Do we have a problem?
You’re okay.
You don’t want these problems so chill.
Do you have enough money/resource?
It’s fine! Don’t worry about it.
2) This was an interesting experience, watching the misunderstanding of AAVE occur live. It’s the realization that people read this as “This is something Bugs Bunny would wear” versus “Bugs Bunny would wear the fuck outta that outfit”. But if you didn’t know that, if you aren’t familiar with the tonality of AAVE, of course you’d think the first one is what it meant! And it's not wrong-wrong - he would wear it, but that's not necessarily all it meant.
3) “Chill-ay” versus “Chile”. Yeah, we didn’t forget that. This is often why AAVE is used to sound “aggressive” on the internet- if you perceive (however subconsciously) how Black people speak is aggressive, then when you decide to emulate my speech in your moment of aggression, it is because you think my Blackness will make you seem more intimidating! You find Blackness… intimidating. Same reason you think it makes you funnier than if you were to deliver the same joke using your own dialect. It means the jokes not funny; my language is what’s funny.
Black American Sign Language
We even communicate differently in sign language; there’s an entire history and culture behind the Black deaf experience.
“In April 2020, Nakia Smith, aka Charmay, created a TikTok account introducing five generations of her Black Deaf family and how they communicate in Black ASL. As a social media influencer of Black ASL content, Charmay made a series of educational and informative videos on the history and practice of Black ASL. Charmay’s video went viral, landing in a New York Times article, Black, Deaf and Extremely Online, and Blavity: TikToker Has Gone Viral For Putting The Culture On To Black American Sign Language. Additionally, Netflix requested Charmay to explain the difference between Black ASL and ASL.”
Everyone doesn’t speak AAVE!
If your Black character is not Black American, and has never once been connected with Black American culture or people, they are probably NOT going to speak AAVE! They’re going to speak whatever dialect THEY have! And that doesn’t make it any less “Black” of them!
Different dialects and languages across the diaspora include but are certainly not limited to:
Black British English
Haitian Creole
Gullah
Jamaican and Caribbean Patois
Everyone Owes Rihanna an Apology
Y’all remember the song Work. I know you do. It was mainstream’s love and joy when this song dropped to be overtly racist about it, Black Americans included. Everyone claimed it was ‘gibberish’, that she was just mimicking language on a song and ‘it would be popular’.
Meanwhile, it was her singing in her native island patois! The people who spoke her language understood it! Anybody who actually tried to understand it, understood it! Another popular song, Sean Paul’s Temperature, is also in patois! And I thought we loved that song!
So next time Black people speak and you find yourself thinking- ‘wow, this makes no sense’, I want you to think to yourself: ‘does it make no sense, or do I just lack the context/knowledge/language to understand it?’
NOW THAT WE’VE HAD SOME EXPLANATION BEHIND THE LANGUAGE!
Writing AAVE
Me personally, I admit I don’t like it being used in stories where it is clear the author doesn’t understand the dialect, or where it’s clear the only person who speaks it is the “Black character who OMG DID I TELL YOU THEY WERE BLACK”. I’d rather it be the regular Queen’s English. We speak that too. I’m not going to decry your fanfiction or your regular modern-day original story as “bad” if you choose to use whatever language your region commonly uses. We know how to speak it. We will be okay. Using AAVE is not going to sell me that this character is “Black” if the rest of the character writing is still bad.
If it means that much to you, because it is important to the character, then you as the writer need to commit to learning proper AAVE! This isn’t going to be a “look up every turn of phrase on google” or “ask Ice what every single thing means”. You’re going to have to do what everyone who learns a language does- immerse yourself in it! If you can’t be bothered to learn my language, I’m going to know that when I read your work.
Obviously if there’s a context where the Black people involved do not know how to speak a language, it is perfectly fine to show that, as long as you are showing that it’s not due to some innate stupidity or other stereotype that this person cannot communicate the same way others communicate around them.
“The N Word”
I know someone’s thinking it, so let’s address it. There’s a translation for this word in damn near every language that’s ever come across Black people. So don’t go “oh we don’t have that word in my language-” I bet money you do.
Yes, it could be used in historical context- the ‘hard -er’. Yes, it could be used in social context- the ‘-a’. It follows the tonality rules I discussed earlier; that is, the way it’s used and who is using it makes ALL the difference in how it will be received.
Everyone is not on the same page about the use of this word within our community. Some Black people think it should never be used, period, even by us! Some Black people think that it should be reclaimed and use it as such! The only thing we’re on the same page about is that YOU should not be using it.
I say this to say to nonblack writers: put the pen down.
My stance is, if you can’t understand AAVE, you CERTAINLY aren’t going to be able to incorporate the social use of this word. Period. If you scared of the potential smoke incurred if you fuck it up- and if we see it, you will catch it- don’t bother. Trying to “write realistically” does not cut it. You should be doing everything in your power to understand and write a great Black character in all ways before ever thinking this is something you should do. In fact, if you're that thirsty to use this word, you have some other things you need to consider.
In the historical context, just watch yourself. If you’re gonna drop that word, you need to be damn well-researched on every other aspect of Black life and oppression in whatever era you’re writing. Just dropping this word to say “life is racist” shows a lazy lack of understanding of antiblackness. You don’t even have to drop the whole word. A “ni-” at the end of the sentence is enough for me to know exactly where we’re going! But if you not gone do the rest of the work… you know what they say about stupid games.
The Fundamental Disrespect
If you watched the prior videos (and you should have) and paid attention up to this point, you have already heard the struggles that both AAVE as a dialect and those that speak it go through.
There’s a societal connotation of stupidity, aggression, and silliness behind the way I speak. None of those things are true, and it’s hard to be told that even the way you communicate with others is bad.
But the other reason it’s so hard is because we spend our lives hearing that those are the connotations… when WE speak it. It is not the language- it’s ME that makes it so! And that gets into the other part of this lesson, something that AAVE is oft victim to.
This part is a little scarier for me to write, because people don’t like it when you talk about Black Americans as a separate entity from the US of A as it is known. I’m gonna put on my political hat for a second, but I promise this ties into my overall point so stick with me!
Stolen Cultural Hegemony
The reality is that the United States of America has forced a cultural hegemony upon the planet (amongst other forms). Yes. That is due to the capitalism, colonialism, imperialism and damn near just about every other -ism at the US government and military’s disposal. I am not saying that part somehow changes, of course not. That’s just facts. There are people far smarter than I (Edward Said, take the wheel) who could explain this far better. But I’m only here to explain this one point.
What DOESN’T get acknowledged is how much of what is deemed American pop culture across the world is both 1) stolen 2) Black culture! We do not have equivalent political power despite what our hypervisibility would suggest, but our social currency is raw diamond- so naturally, it has to be plundered! The white American dollar might mean far more than my life, but it’ll pay for my creations- even more so when I’m not involved!
The issue is that if your society says that I am less than, how can you justify how you covet everything I create? If I’m supposed to be so much less than you, why do you seek my language, my fashion, my music, my body? Why do you feel entitled to my creation, but you think you should have it… Without me?
Sit on that one for a second!
Appropriation of AAVE
Let's refer back to that chart at the beginning. How many of these have you seen or even used before? How long did it take for you to know it was AAVE? Don’t get me started on the influence of AAVE in queer spaces!
Of course I’m going to get started. Ballroom culture, created by Black and Latino people in New York City in the 80s (Paris is Burning, anyone?), has spawned so much popular “gay” lingo, and it’s not even just “gay”- it’s of color! Black English in particular is the source of many of the words that queer people use now in casual conversation, brought into the ballrooms, normalized, and then proliferated with other communities.
I can always tell when a new phrase from AAVE has hit nonblack audiences because it’ll suddenly be in every sentence I see, often butchered. Remember that historical context- of having to speak in code. Have you ever considered why AAVE is always evolving? Why we have to find new ways to communicate with each other? Have you considered that when people are constantly taking and misplacing your words, they may lose meaning or value, and so you have to come up with something else?
Appropriation of Black Music
Jazz, swing, the blues, disco, rock and roll, pop, even rap and hiphop have all been subject to appropriation- intentional or not. Far more intentional than you might want to believe. And it all comes back to money!
White audiences in the 1900s loved Black music- as long as they didn’t know Black people were singing it! Often, songs would be completely lifted and given to white bands to re-record. When Frankie Lymon first came on stage to perform, some of the audience was stunned! Even you know Itty Bitty Pretty One!
A more modern-day example: not to pick on the K-Poppies, but unfortunately it’s a low hanging branch example.
What K-Pop groups are doing now is heavily influenced what Black pop, rap, and R&B artists were doing from the late 90s to this very day. Part of the reason I enjoy K-Pop is because it reminds me of the stuff I used to listen to growing up. How many times have you heard someone think a Korean rapper in a K-Pop group is “fine”, but “don’t like” rap otherwise? Or will listen to K-Pop groups, but have very few to no one Black of the same sound on their playlists?
Examples:
Rover by Kai (2023) vs Swalla by Jason Derulo (2017)- Idk how popular Kai is outside of EXO, but I do know that some influence was had. And I like the song, btw! I prefer the music video! It’s just not the first time it’s been done!
Sweet Juice by Purple Kiss (2023) vs Say It Right by Nelly Furtado on a Timbaland beat (2006)
Taemin and Michael Jackson, period. Taemin having a song called The Rizzness. How did ‘rizz’ get to him? How did he know? More relevantly, how did the people who wrote his music know? How did something that started with Black people in Baltimore get all the way to Taemin in South Korea without influence?
I’ll use another example, so it doesn’t feel like I’m picking on K-Pop. I’m currently listening to CĂN NHÀ TRANH MÁI LÁ (Vietnamese, if you couldn’t tell) and as much of a banger as it is, with its own amazing cultural spin on the delivery… it is CLEARLY influenced by Black American rap. He nicknamed himself Vietgunna. Yall.
A non-American musical example: Afrobeats has taken the music industry by storm… How many of those people who enjoy an afrobeat from a nonblack artist will enjoy it from Wizkid or TEMS?
Those polls, where they ask how many Black artists you listen to… try paying attention to see just how much of your music takes inspiration from Black creators, but there’s a non-equivalent amount of Black artists that you support!
Political Bastardization of Powerful Black Colloquialisms
The appropriation of Black English isn’t always for entertainment. Sometimes, it’s a purposeful, malicious tactic to demean the words, and therefore the intent behind them.
“Woke”
“Michael Harriot, columnist at TheGrio and author of the upcoming book, Black AF History: The Unwhitewashed Story of America, explains that this kind of insidious takeover and flipping of Black vernacular to anti-Black pejorative has numerous parallels in America’s past and runs all the way up to present day. “When you look at the long arc of history and America’s reaction to the request for Black liberation – every time Black people try to use a phrase or coin a phrase that symbolizes our desire for liberation, it will eventually become a cuss word to white people,” Harriot says in an interview with [Legal Defense Fund]. It’s perhaps this very context — Black people’s awareness of their history and their power to resist injustice — that made woke so ripe for the pernicious mutation it has now undergone. Indeed, the forced transformation of the colloquialism echoes how countless other Black ideas and intellectual contributions have been maligned. “When people during the civil rights movement began saying ‘Black power,’ all of a sudden it became a term that people equated with communism and anti-white sentiment — and then it eventually gave birth to ‘white power,’” Harriot tells LDF. “The ‘1619 Project’ [which centers the ramifications of slavery and the contributions of Black people in American history] has become an insult. ‘Black Lives Matter’ became an ‘anti-white sentiment’ that was banned in school and spawned ‘all lives matter’ and ‘blue lives matter.’”
#SayHerName
This discourse is happening again, it happens like every six months on here, and it’s one of the things on here that fills me with a hatred that I struggle with every single time. It is hard, I literally feel that hatred in the pit of my chest right now as I type this.
Kimberle Crenshaw (Black woman and the originator of the legal term ‘intersectionality’), the Center for Intersectionality and Social Policy Studies, and African American Policy Forum coined the hashtag in 2014. TWENTY FOURTEEN.
It was meant to highlight the violent deaths of Black women and girls at the hands of police, which happens at a high rate like Black men and boys, but often goes far less acknowledged. By appropriating the hashtag, you are actively choosing to speak over the very names and deaths of Black women and girls we don’t know, because we are NOT SAYING THEM, and therefore are allowing those deaths to continue as though they do not matter.
I’m going to stop before I get more upset. But know what violence you’re contributing to in your negligence.
How to Avoid Cultural Appropriation while Showing Appreciation
Everything is obviously not appropriation. It is possible for people to appreciate, replicate, and take influence without being disrespectful! It happens! And because it is possible, is why it’s so infuriating that it does not.
It’s frustrating that when something is on me, it’s ghetto, ugly, ignorant. But when it’s on the right stick thin pale girl, it’s chic, it’s fashionable, it’s new. So if it’s not the language, and it’s not the fashion or music you don’t like… It must be… Me. I am somehow not worthy of respect for the very culture I create.
Can you imagine being told that? That you are not worthy of being… you?
If you are worried about cultural appropriation, both in your writing and in your life, the easiest way to avoid that is to:
1) acknowledge and support the culture that created what you’re saying or doing and
2) actually treat them like human beings instead of zoo animals or a species to study. Show respect! It’s not hard!
This is my body, my language, my creation. It’s not just to entertain you! It’s my life! I talk like this because this is how I speak, not because I want to get Tiktok cool points. If I’m around people who treat the way I talk like childish babble, it makes me feel stupid and disrespected. We can see that, and we can read it in your writing.
And yes, you may be saying “well none of that is unique to AAVE, that’s how other languages work!” Okay then go speak those languages then lmao. But if you’re absolutely determined to understand and utilize mine, then you need to treat it with respect and not like the Gen Z slang babble (or worse- the threat) y’all treat it as. It’s a form of antiblackness that is so normalized that we don’t even think about it… but now that you’ve read this lesson, you can start! You can start taking the time to actively dedicate a thought to what you’re saying and doing and where it came from. You can take the time to notice when something isn’t right- and maybe even choose to speak up, because it’s the thought that counts, but the action that delivers.
Witch Hat Atelier by Kamome Shirahama // Wisdom to Heal the Earth by Rabbi Tzvi Freeman
The Denji Show
I think people get mixed up a lot about what is fun and what is rewarding. These are two very different kinds of pleasure. You need to be able to tell them apart because if you don't have a balanced diet of both then it will fuck you up, and I mean that in a "known cause of persistent clinical depression" kind of way.
When people say they enjoy things, they usually mean one of two things. The first is that these things are fun; that is, they satisfy immediate emotional needs or desires for pleasure. Candy Crush is fun, for people who are into that sort of thing; waterslides are fun, watching TV is fun. Fun, in the way I'm defining it for this post, is the party food of pleasure; immediately and usually temporarily satisfying, and after that, mostly satisfying only as a happy memory (although some of these activities, like watching a TV show, can generate further opportunities for pleasure down the line like daydreaming, discussion, and making fanart). Like party food, this kind of fun is a good thing to have, and someone who doesn't get enough of it is at high risk of stress-related health concerns. Also burnout. A lack of fun is a major contributor to burnout.
The second kind of pleasure that most people talk about is rewarding activity. The lack of rewarding activity in one's life is a major contributor to depression. It creates a sense of purposelessness and worthlessness and generates a low attention span, sapping the ability to feel long-term motivation or pleasure. People usually try to pick themselves up with the first kind of fun, which is a band-aid but not a very sticky one; the lack of rewarding activity grows and festers over time. Rewarding pleasure involves working on something long-term that feels worthwhile. There are usually also spots of fun (or you wouldn't have gotten into the activity enough for it to become rewarding), but there also tends to be long slogs that aren't that fun. Nevertheless, when people report on doing said activity, they will speak about it with great enjoyment and remember it being enjoyable and claim they like it. (I like being a writer. Writing can sometimes be boring as shit.) (Look into Csíkszentmihályi's work on experience sampling and flow states for more info on this, it is FASCINATING.)
In Reality is Broken, Jane McGonigal sums up what she thinks are the most important contributing factors to rewarding activity. These are not the only factors, but I agree that they're a good baseline of the critical ones. I'm going to paraphrase them using different language. The four big contributors are:
Satisfying work. This is the vaguest one because different people find different things satisfying. Basically, the task itself should feel productive, and you should not feel bad about doing it to the point where it causes you distress. Satisfying work involves clear goals with actionable steps and a clear product, preferably something that you can see, touch or use. A clean house, a new high score, a freshly built table, a happy child.
Mastery. Rewarding pleasure is often something that you can get better at. There are things to learn, practice, improve. Improving your ability to solve tricky code problems, getting better at painting landscapes, figuring out fun new strategies in Magic: The Gathering, being able to build computers better or faster or cheaper. Mastery does not require becoming the best at something (although some people enjoy that specifically also), merely seeing progress in yourself and being able to take pride int he fact that you are better than you were.
Social connection. Rewarding pleasure often involves social or community connection. A long-term social group that discusses fan theories of their favourite show. Your weekly tabletop rpg. Teaching a room full of kids who to make leather belts. Working at a small bookshop and making small talk with all the tourists. Some people find social activity to be fun in the 'immediate pleasure' kind of way, some don't, but it is a critical factor in mental health and in the long-term... rewardingness (?)... of a hobby. Animals can also partially fill this niche, but be warned, they are far, far less effective than people. Your cat might be able to stop you from committing suicide today. You cat alone will not make your life satisfying.
Contribution. Humans are community animals and have a need to be something larger than ourselves or, more specifically to be of service to something larger than ourselves. Looking after kids, cooking big meals for others, creating art or physical products for others. Teaching the next generation how to read. Serving your God. Saving a species of small fish from extinction. Volunteering at your local charity shop or soup kitchen. Being a member of a crowd to reach the Guinness World Record for "most people fit into a storage crate". Making useful tutorial videos, being an entertainer, joining your local queer support group or political organisation. Humans fucking love to be part of something bigger than their own brain and they fucking love to help people.
The world is full of rewarding activities, and not all of them rate high in all four categories. The woman working in the charity shop warehouse and chatting with her coworkers isn't necessarily all that interested in mastery of her job (although I've worked in these places and some people do take pride in learning to be as efficient as possible), the musical hermit training to become the best violinist in the world might not be all that interested in social connection or how the audience actually feels about him. You might have noticed that I've listed hobbies, jobs, and non-employed but important life work (volunteering and childrearing) as possible rewarding activities; you can find rewarding activities everywhere. (In fact the lack of rewarding pleasure in our work lives is a very serious problem that companies keep trying to condescendingly band-aid over. The late David Graeber had a lot to say about this and I highly recommend his work, particularly Bullshit Jobs, which is a book specifically discussing the lack of above points 1 and 4 (satisfying work and sense of contribution) in so many modern workplaces and its distressing psychological ramifications). Rewarding activities are not 'fun' all the time; in fact, Csíkszentmihályi's work found that many of them are quite unfun most of the time. They do, however, create long term pleasure, and are emotionally and psychologically critical.
One final point: research shows that computer stuff counts less. This isn't a 'hurr durr edison was a witch get off your damn computers and get a real job' point; plenty of people do most of their rewarding activity on computers, because the supply cost is so low (most of us already own some kind of computer) and it's so much easier to find an existing community. But it does, psychologically speaking, count less; your brain isn't very good at seeing computers stuff as as 'real', on a primitive sensory level, as things you can touch with your hands or people that are right in front of you. Your massive community of fellow fans on the internet are less effective at filling your social needs than the crochet club at your local library, even if you like the people on the internet much more. It doesn't have to be everything, but ideally you should have at least one physical meatspace social club and at least one physical meatspace hobby, craft, or volunteer job. (They can be the same thing. You can volunteer at a soup kitchen for both.) They don't have to be the most important thing -- I care way more about my writing (electronic) than my crochet (meatspace) and I do the writing a lot more -- but the meatspace thing should exist, if you can manage it.
#wow this did not go where i expected it to go#i thought this was going to be about like. when games make you feel like you've accomplished something so you keep playing#without realising you're not actually having any fun
You're talking about extrinsic vs intrinsic reward systems, which are a different but equally interesting thing! Games (and jobs and schools and other things) will sometimes try to instil motivation by over-relying on extrinsic reward mechanisms without bothering to make the activity itself fun, rewarding or meaningful. This does work in the short term but it does not help your mental health like properly rewarding activities do, and people who don't become "addicted" tend to bounce off them unless there's something else to hold onto them (such as a sunk cost, or a social circle of other gamers they really like, or a lack of alternate activities, or something).
the people who enjoy the type of art you create, will like it even if it's imperfect. and the people who hate the type of art you create, will dislike it even if it IS perfect.
don't skip ahead of bullies and bully yourself first. don't badmouth your own work, it doesn't alter other people's opinion on art, but it does make you feel worse about yourself.
Marika and her world come to be known through Melina's eyes. Read the rest of this 18-page Elden Ring fancomic below the cut!
Friendly reminder that people are not angry enough.