I've been writing this prologue for the past 3-4 years for the beginning of my series "A Moment or Two". It's LONG for a prologue, about 25 pages. With the prologue of "A Moment or Two," which should be aptly named "Noetic" like the last book, is not an introduction of the world as most prologues are, but it is the thesis and instruction of how to read the series from there on out.
There is a philosophical addition that pauses the story for a moment--"Everything is contained within something… In the darkness of the mind, we are all that we experience; in touch, in smell, in taste, sound, thought, intuition, and sight." It is the instruction of how the story works, surrounded by the experience of perception being separated from the bodies of the page. And right after the perception is separated, we see the instance of Flandre and Monroe experiencing a mode of existence where that shouldn't happen--first-person persepctive. And my first-person, I mean how we all experience this reality, in first person, "we are all that we experience."
Flandre and Monroe are the main characters of that prologue. The prose is written in third-person perspective up until a certain point until shortly after the philosophical passage is done. After that, they experience their current reality in first-person, seeing each other's faces, but not their own. That's horrifying for them.
Long story short, the prologue ends when Flandre falls into the Monad and closes her eyes. Then, when "Supernothing" starts, Mercedes is the one who opens her eyes and we begin her journey throughout "Supernothing."
What I want to do is make the act of perception itself the main character. This comes from the idea that God or The Source created our reality in order to understand itself through every thing that exists within its creation. So if that's true in the story, then Mercedes, or Taylor, or Evermore, or Melissa, or even Flandre are not the main characters in the way a typical story is. They are only what The Source/God is following through its mode of perception within the reality it created without naming the The Source/God itself. Yes, the aforementioned characters are the main characters we follow, but they are not THE main character. We don't follow any of them through each book, but we come to know what is happening within the reality this Source/God through them.
And by the last book, which is also titled "Noetic," we will understand the world we've read in it's entirety. And by then these character's existence will be gone. Turned to black like the inescapable void of a black hole or the darkness of our vision with our eyelids cover it. Yet, on the other side, when a baby opens their eyes into this new, grand, old world, the source will become one's sight, in one eye, and see the finality of its creation through the death of itself.
I think I found my answer to how to write the story. But it's still being shelved, nonetheless.