don't shave your legs this summer HOLD THE FUCKING LINE
art blog(derogatory)
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Aqua Utopia|海の底で記憶を紡ぐ

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Today's Document

shark vs the universe
dirt enthusiast
styofa doing anything
Claire Keane
Sade Olutola

JVL

Andulka

@theartofmadeline
we're not kids anymore.

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Stranger Things
i don't do bad sauce passes

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wallacepolsom
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@a-certain-cat-human
don't shave your legs this summer HOLD THE FUCKING LINE
are you more doomed than a fifth grader
HEARTBREAKING: friends who i should be going to the movies and playing dnd and watching anime and cosplaying and going to the mall and having sleepovers and exploring the woods with live one hundred trillion miles away
im obsessed with stories that have a fixed ending before they even start. stories with narrators who are crying as they tell it because there is only one way this can end.
there is only one way this can go.
stories where the characters might know how it all ends and beg the audience to change it, knowing they can't. stories where the characters are unaware, but given the people they are and the situations they're in- well, what else are they supposed to do?
stories that are loops. that start with everyone dying and getting back up again to do it one more time.
because this time, maybe, it will be different.
the narrator cries.
big fan of when a character is dead and the narrative frames them in a very angelic, soft, gentle manner but then it turns out not only are they still alive (plot twist) but theyre alive in the most gruesome and horrific way. your loving kind mentor who motivates you to fight in their memory came back wrong and theres blood and dirt under their fingernails from clawing they way out of the grave.
buses would be better if they were free. like, they would run better. they would be better to use and better to drive. and they would do a better job of moving the public and reducing car traffic. and they don't make profits and are all subsidised. but The Market Is King so here we are.
i love when a character is very clearly going through their own shit badly and is able to be sympathised with yet they are also being awful to others and hurting people who don't deserve it, and the narrative is showing how they got here but not letting them off the hook for being cruel just because they are hurting.
i dont like ☝ what happens when you introduce this type of character to a large fandom
especially if she is a woman
i love you mirror versions i love you possession i love you cloning i love you simulacrums i love you shadow selves i love you digital copies of a mind i love you alternate timeline versions i love you tropes that play with identity and what it means to be a certain person
A truthberry might make you tell the truth... But a lieberry? A lieberry will loan you books
i think "turning into a pumpkin" is my new favorite way to articulate the state of things when I am at a function and very overstimulated and it feels like my brain is melting. it's like no i can't be a person anymore i have to leave i'm turning into the pumpkin. the time is up yeah i gotta go. yeah see u later. pumpkin time.
don't neglect your female blorbos. put HER in the torment nexus. give HER some old lady yuri. ship HER with everyone under the sun
While I understand the desire to make Big Art entirely and viscerally I think it's worth considering that small art often leaves an outsized impact on its audience. Short stories, teensy indie games, short films, sketches on scrap paper, carved or sculpted figures that would fit in the palm of your hand, etc. etc. are all things that, when they hit your psyche at just the right angle, can stay lodged in there forever specifically because they are small. It is not necessary for a thing to be sprawling for it to have impact.
guy stuck in a timeloop who says "speedrun strats" out loud every time they discover a new weird thing they can do that leads to a good outcome while also making them look completely insane to everyone else in the vicinity
what’s the most devastating song that comes to mind? like you’re on the verge of tears listening to it
There's so many horror games about having to try to weed out and deal with inhuman imposters, but I want one where the script is flipped. You are something inhuman, you are an imposter, and if you want to survive you have to blend into a world that is trying to hunt you down and destroy you. You aren't human, but you must masquerade as one and infiltrate their world, or you will die.
I actually think we need to start inverting more Horror premises/tropes.
Like "You have to venture into the scary insane asylum!" VS "You're a patient who was admitted by force to an asylum, and you are very clearly in real danger, but everyone is pretending that you're just deluded, and are essentially leaving you to die because they don't really see you as a person."
I feel like there's a lot of Horror tropes built off of the fear of the other, when in reality it's actually often the other who is in danger. Maybe we could start recognising that more.
Interesting how the first half of the post has picked up popularity while the second part, which perhaps clarifies the idea of the original post, hasn't.
It's been interesting to see what media people are recommending based on the first post alone. A lot of recommendations for games/franchises like World of Darkness, Carrion, Kill All Humans, Among Us, etc. It's interesting because these are games that put you into the shoes of the violent other that has to infiltrate, without actually challenging the idea that the other is a threat. They actually parrot the ideas of the other as violent.
Funnily enough, the people recommending the comedy game Octodad understand the post much better than most of the people recommending horror media. A few mentions of Am I Nima, which isn't finished yet but does look like it could be what I am describing, so brownie points to the people recommending that.
But everyone saying stuff like "This is just being Trans/Autistic/Etc" really gets it, like really really gets it. Horror always communicates the fears and anxieties of the people who create it, this post was basically: "What if instead of communicating the fear of the other, we communicated the fears of the others, which are actually vastly more legitimate than the dominant groups fear of the other. We should recognise that it is overwhelmingly the others who are the ones who actually suffer and die, all for the perceived "saftey" and "comfort" of the dominant group."
This idea is about transphobia, it is about ableism, about anti-imigrant rhetoric and white supremacy, about queerphobia, it's about all of it. It is horror from the perspective of minority groups. It is the twisting of a trope built upon reactionary fears and narratives in order to critique them, it is a direct allegory for all those experiences you are describing.
Overall, it's just interesting to see who gets it and who doesn't.
your new name is the name your parents almost picked for you, how is it going?
good
bad
great
awful
different gender
i don't know it/my parents didn't have that issue
results
I'm either Bartholomew or Mariette 💀
YOU ARE A REGULAR GUY. YOU CAN HANDLE CRITIQUE. YOU ARE A REGULAR GUY. YOU CAN EMBRACE BEING TOLD YOU WERE WRONG. YOU ARE A REGULAR GUY. YOU CAN ACCOMPLISH UNPLEASANT TASKS. YOU ARE A REGULAR GUY. YOU CAN DELIVER DISAPPOINTING NEWS. YOU ARE A REGULAR GUY. YOU KNOW HOW TO BE DISAGREED WITH. YOU ARE A REGULAR GUY. YOU CAN BE CORRECTED. YOU ARE A REGULAR GUY. YOU CAN BE TOLD YOU MESSED UP. YOU ARE A REGULAR GUY. YOU ARE ABLE TO DO HARD THINGS.