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@acekitsunefujoshi
every time i listen to “you’re a mean one mr. grinch” i can’t help but sit there and think “what did the grinch do to hurt you?” because dude just stands there for 2 minutes and 58 seconds and drags the grinch into the dirt
he stole christmas, kayla! stop with your #notallgrinches propaganda!
you know what if someone told me i was a three-decker sauerkraut and toadstool sandwich with arsenic sauce i’d probably be bitter enough to steal christmas too
Interestingly, though The Grinch Who Stole Christmas is narrated by Boris Karloff, the big musical number is sung by the late Thurl Ravenscroft - an American voice actor better known as the voice of Tony the Tiger.
My headcanon is that the Grinch and Tony the Tiger had a bad breakup, and “You’re a Mean One, Mr. Grinch” is the resulting breakup song.
Did this really HAVE to be the first thing I see when I opened up Tumblr?
Yes.
oh god theres art
@altadude you know what must be done.
ive been avoiding reblogging this honestly but just. What the fuck. What the fuck tumblr
I apologize to all my followers for this
if i had to read this you do too
I have a hate-hate relationship with this
Good grief… I’m sorry, but I can’t not reblog this…
Tis the season bitches
DAMN IT WHY WOULD YOU BRING THIS BACK YOU HEATHEN
Why is this on my dash?
…..I’m.. Bothered? by the fact that I’m not bothered by this.
You’re not bothered?? I’m not only not bothered, I’m freaking invested. I’m having actual empathetic sadness for The Grinch. I want them to go into couple’s counseling. I want the “ten years later” when Tony visits Whoville on business and meets the reformed Grinch whose heart has grown 3 times its usual size. I want them to reminisce over a shared dinner of roast beast and wine, then spend a drunken night together, then realize that maybe things are different and people really do change. I want a 3-act story where there’s a long dark night of soul searching and the realization that maybe we’ve all got a little bit of bad banana with greasy black peel inside us, but that doesn’t mean we can’t make a damned fine banana bread if someone will give us a chance.
“maybe we’ve all got a little bit of bad banana with greasy black peel inside us, but that doesn’t mean we can’t make a damned fine banana bread if someone will give us a chance” is an incredibly profound quote and I did NOT expect to get it from a Grinch x Tony the Tiger post
every fucking year i have to see this on my dash please just let me fucking r e s t
It’s that time again.
Fighting Styles in WIND BREAKER
Wind Breaker🎐OP 1 | Fight Scenes
“I want to take someone back to the cloud recesses… take him back and hide him.”
📖 Mdzs | Wangxian
Hey, don’t cry. Free online database of Japanese folk lore
Might I add, free database of mostly European folklore and myths
:0
Thank you!
Lan Jingyi: This sucks! How are we going to get out of this!?
Jin Ling: I'm going to call for help
Lan Jingyi: Literally how!!?
Jin Ling: I have the power to summon any adult to my location. Watch. WHAT DID YOU SAY ABOUT MY MOM!?
Jiang Cheng: Who said what?
Lan Sizhui: That's amazing! Summon Senior Wei next!
Jin Ling: Too easy. HEY UNCLE WEI!
Wei Wuxian: Yes, my little sweet potato?
Jin Ling: I told you not to call me that!
Lan Jingyi: Hanguang-jun next! Summon Hanguang-jun next!
Jin Ling: I actually hate this one. SENIOR WEI! WHY ARE YOU TAKING OFF YOUR ROBES!?
Lan Wangji: Where?
DID MY YAOI STICKERS ARRIVE
it was my bachelor’s degree 😑
repaint of an older art piece…
Ideal companion
Bonus :
suddenly floof!
uh racing au??
lord forgive me for the things i’ve said and thought about this man made of pixels
I CAN’T BREATHE
YALSo lOcKEd miAUt O De fECKIn cAr
this is so mean but sometimes i see published writing and suddenly no longer feel insecure about my own writing ability. like well okay that got published so im guessing i dont have much to worry about
I have a friend who is an editor, and gets submissions of mostly poetry and short stories.
I have had a glimpse into her slush pile, and let me tell you, the contents were unbelievable and immediately disabused me of the notion that reading through submissions is in any way glamorous. People have the nerve to submit unhinged paranoid ramblings, fetish porn, and a seemingly endless supply of poems about masturbation.
I no longer feel like my fiction is somehow an imposition on the people who read it. It may be forgettable, but at least it isn't typeset to look like sperm.
Do not be afraid to submit your work. Your competition is not only worse than you think, it's worse than you ever imagined.
Do these three things to get to the top of the slush pile:
The place has a style sheet. Use it. They say they want your MS in 16.5 point Papyrus italic with 0.8 inch margins all around, guess what you're doing before you send it off? Save As, reformat, send it. In the absence of a specific guide: Courier 12 pt (Times New Roman if you must), double spaced, align left, tab 0.5 at each new paragraph.
Check the word count. Don't submit novellas to 2500 word short story venues. BTW, you format the MS in that old style above because the question isn't literal words. Courier 12pt double spaced gives you 250 words per page for typesetting purposes. 2500 words is 10 ms pages, 5000 is 20 pages, etc.
Don't send your romance to Analog or your war story to Harlequin. If it's a cross-genre story, be sure there's enough of what the publication is focused on to interest them, but breaking through is hard if that's not something they usually do.
That's basically what every single editors' panel at every con I've ever been to has boiled down to. And invariably, someone tries to get up and argue with them, not realizing it's not a discussion.
Bonus tip: Don't be in any way cute in your cover letter. Just the facts/Luke Skywalker's message to Jabba the Hut in ROTJ.
Enclosed/attached is my story <Title> for your publication <Magazine>. It is x (rounded to the nearest 500) words. I can be reached at <email> (that you check regularly and isn't likely to dump things into spam) and <phone>.
(If submitting a hard copy: The manuscript is disposable. A SASE is enclosed for your response./A SASE is included for return of the manuscript and your response.)
Thank you for your consideration.
If submitting a novella length piece or greater, a brief and complete summary is appropriate.
In the midst of an interstellar revolt against an evil galactic Empire, vital weapon plans fall into the hands of a farm boy on the edges of the galaxy. With the help of an aging warrior from the Old Republic, and a smuggler with a dark past and his imposing alien copilot, the four set out to deliver them to the rebel forces but are instead flung into a rescue mission to save the beautiful princess who stole the plans as worlds are destroyed by the might of the Empire's weapon, the Death Star.
Captured by the Death Star on route to deliver the plans, they manage to escape the base with the princess, the old warrior sacrificing himself to make this possible. As the Death Star approaches the rebel base, they use the captured plans to stage a desperate final stand. In a fierce space battle of single-pilot ships over the surface of the moon-sized weapon, the farm boy manages to make the critical shot with an unexpected assist from the smuggler, destroying it.
Never under any circumstance put a cliffhanger into a query letter summary. There is no faster way to get the entire MS binned than doing that.
Happy writing.
PS "Top of the slush pile" means into the top 25% of manuscripts received. Three quarters of the submissions don't take the trouble to do even those three basic steps.
Now, that still means 25/100 submissions or 250/1000 submissions, but it still improves your odds and forms the basis for starting a relationship with the publisher for the next piece you send them.
PPS This is obviously about prose. Poetry certainly has its own submission rules, and I know none of them. If you're writing poetry, find out what they are.
@silverhand's reply is right on.
I will open the fucking TikTok app just to watch this video multiple times
TIKTOKER: I swear to God, no one tickles my testicles more than the people of my own fucking country. Okay, so like WHAT HAPPENED was this year, this summer, I was in Korea. And I linked up with a homie that I haven't met in a long time, just catching up. "Oh my God, how are you? You GRADUATED? That's insane, where do you work!?" Whatever. Okay.
So there was a conversation about like, food and preferences. So I just asked him! I just asked him: (in Korean, pronoucing "asparagus" as a Korean loan word) "Hey, when you eat steak, do you put asparagus?"
(in English) And this BITCH. He looks at me DEAD STRAIGHT IN THE FUCKING EYES. Has the AUDACITY to just.... degrade, I guess! Ask me: (in Korean) "HAH! Hey, aren't you from America? Why are you calling it (emphasizing the Korean pronunciation of asparagus) ASPARAGUS?"
(in English, in an exaggerated stereotypical American accent) OH, I'M SORRY. I'M SORRY! Am I supposed to say ASS-PARA-GUSS? ASS-PARA-GUSS? DO I GO (says his question again in Korean, but breaks up the flow of the speech by pronouncing all the loan words with American pronunciation).
IT FUCKS THE FLOW!!! WHY ARE YOU BITCHING!? I'M TRYING TO HELP YOU UNDERSTAND WHAT I'M TRYING TO SAY! YOU MONOLINGUAL FUCK!!!!