"Armand has always been good"

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@adaftanddewyeyedmizz
"Armand has always been good"
People on Tumblr love sharing information about themselves no matter how asinine it is. And I'm the same way. Everybody tell me what the last thing you drank was.
had to share this
one argument you often see about fanfiction is that it's like 'training wheels' writing? like 'oh it's fine to do that while you're still learning, it's easier than coming up with your own ideas'. and I have to say I have just never agreed with that.
in my experience it's actually pretty common for newbie fanfiction writers to gravitate towards coming up with OCs rather than writing about the canon characters (hence the infamous Mary Sue); this suggests that many people find that 'easier' than attempting to write about pre-existing characters.
I would say that recreating the characterisation, mood and general vibes of an existing work of fiction is in fact a skill in and of itself that's acquired via practice. A common compliment delivered to fanfiction writers is how well they have captured the spirit of the original work. Inexperienced fanfiction writers fail to do this.
When creating an original character you can, ultimately, say anything about them and now it's canon bcos you created them and you said so. conversely, well, if you are covering a well known song and start playing the wrong notes people will notice immediately.
In addition: a lot of fanfiction, IMO, is in actuality a form of metafictional literary analysis. a story where two characters sit down and talk about their feelings about a canonical event? literary analysis, which is of course a skill. Sometimes fanfiction is bad bcos the writer is not good at interpreting texts.
finally I have made this point before but you never really see anyone suggesting that fictional works based on existing public domain texts are on 'easy mode'. is it 'easier' to write something based on a copyrighted work than a public domain work? Of course it isn't.
I know I said 'finally' but I forgot a point:
A major strength of the transformative work is its ability to create dramatic irony. If a fanfiction's emotional resonance is dependent on being familiar with the source material that's not necessarily a bad thing. sometimes it's a sign that the author has done a really skillful job of engaging with said source material.
they should invent a disproportionate emotional response that goes away when you understand it's disproportionate. they should invent a way to logic yourself out of emotions
single funniest entry in Star Trek predicting the future
Salt and pepper hair is suuuuuuuch a good look on basically everyone.
there's something so deeply dystopian to me how tech companies don't understand that a forced convenience is not a convenience at all. i'm sure autocorrect is helpful for many, but a function that forcibly changes my actual written words and punctuation is taking away my language. photo filters can be nice but i need to choose using them myself or else i have lost the ability to take the picture i want. i don't want a machine to draw or write for me. taking away the option for me to do things manually feels like violence!!!! all this talk of endless opportunity, why are you RESTRICTING me
disgustedly throws youtube autodubbing onto the pyre pile
working with kids and one of them says “you know you eat 8 spiders a night on average right?” and another goes “no no no those statistics are actually skewed by people who like eat spiders recreationally for fun and stuff” and my head snapped up like a fucking sleeper agent
straight white people making a romance movie: haha what if it was illegal to have sex? wait what's lawrence v texas. wait what's mclaughlin v florida. wait what's loving v virginia
As preposterous and stupid as this fucking movie's premise sounded (for a light-hearted rom-com, and not The Handmaid's Tale) I didn't want to think about it too much until the movie actually came out, and then I could see if it was somehow more intelligent and subversive than the trailer let on, but guess what, it's even worse!
If this is what it takes to get a rom-com greenlit these days, maybe we should just let them die.
Sex workers are thrown under the bus, shown only as thieves who fleece men in the woods at night, while queer sexuality is relegated to a few scenes with Allie’s roommate (a woefully underused Quintessa Swindell) and a handful of pans past blurry same-sex extras making out in the background. “This night is for the straights,” Swindell’s character says to Allie, before saying that queer people have worked around straight laws for centuries. This is supposed to be a nod to queer resilience, but largely comes off as straightwashing the history of anti-LGBTQ legislation in this country that led towards raids of queer clubs and incarceration of queer people in the not-too-distant past (let alone the current barrage of anti-Trans and LGBTQ legislation currently in the works and on the books). It’s also ignorant of the long and fraught fight for the normalization of age-of-consent laws, which, by the way, did not happen in all states in this very country until 2003. Yes, that’s not even thirty years ago. By the end, our intrepid protagonists have not had sex with anyone, because this is a film about Romance with a Capital R (and I guess sex is not part of romance!) and for that very same reason they ultimately embrace the fascist state of things. They aren’t the only ones who refuse to fight back. No one in this cursed film is protesting this mandate beyond “repeal” signs in various windows and some creative graffiti (...) (...) If we are supposed to believe that the film is making some subversive statement about the state of sex and bodily autonomy in this country, it cannot end with its leads embracing their chains. That’s just warmed-over conservatism running around in sheep’s clothing.
yeah i wrote this post having only seen the trailer, but jesus christ. was this movie a psyop LMAO??
also, for the unaware: mclaughlin v. florida was a 1964 supreme court case that struck down a florida anti-miscegenation law that criminalized cohabitation (and thus, as implied, sex) between white people and people of color of opposite genders. anti-miscegenation laws made marriage and sexual relationships between white people and people of color, most often specifically black people, a FELONY in several states in the united states up until the 1950s and 1960s. though it was already struck down by the supreme court, the state of alabama didn't repeal their law until 2000! there were THREE ATTEMPTS at codifying anti-miscegenation into the us constitution!
like yes, the issue here is partially straight white people's ignorance on the united states's history of homophobic policy, but it's also really important to recognize that arguably the majority of the issue here is straight white people's ignorance of the united states's history of codifying eugenics and antiblack racism.
the premise could have been interesting as a serious dystopian story, especially taking that history into account, but it wasn't written that way at all. this movie should never have been a fucking romcom making light of the violence the united states (and many other countries) has enacted on any kinds of sexual relationships it deems undesirable.
can y’all maybe reblog this version i feel like people are forgetting about the racism and just focusing on the homophobia
who wants to see my favorite statue
yes you do. it's a bulgarian statue called "the dragons in love" and it's a statue of 2 dragons and they're in love
love wins
fandom approaches male characters from a watsonian perspective and female characters from a doylist perspective
by virtue of being made up constructs everything about fictional characters only exists as far as what is told about them, and yet underdeveloped male characters are assumed to have rich inner lives that the writer have simply not tapped into - when they actually did not give them any - and it's therefore up to fans to rescue the character from the writer's assumed negligence and explore him themselves through headcanon-ing the shit outta them picking up small bits of characterization and expanding from it, whereas female characters are taken at extreme face value: if the writer did not give them an inner life then she doesn't have one period, even within the universe of the story where everyone is a living breathing person, and it's not worth exploring. even when the small bits of context and characterization about her insinuate something interesting about inner world and leave room to spin an interesting backstory and motivations there seems to be no interest in fandom to do so.
and 9 times out of 10 this only applies to the white male characters. black and brown male characters are assumed to be as shallowly written and imagined as all female characters are, sometimes even when the show DOES depict their rich inner life.
#Olandria
it’s small joys saturday y’all let’s get it
shipping two characters but not as lovers or enemies but a secret third thing
divorced
this is insanely racist and I haven't even seen much about this online yet
after Bad Bunny won they added a Latin song category and after Rosé got three nominations the grammys added a k-pop/c-pop/j-pop category they have always been afraid of well-performing artists of color challenging white artists in mainstream categories