kissing you on the forehead
with tongue?
with tongue. đ„°

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2025 on Tumblr: Trends That Defined the Year
$LAYYYTER
PUT YOUR BEARD IN MY MOUTH
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@akwardkisses
kissing you on the forehead
with tongue?
with tongue. đ„°
HOW TO TURN OFF GOOGLE AI in GMAIL:
Open Gmail in your browser
Click on the Gear Icon âïž in the upper right
In the General Tab, scroll down to "Smart Features" and UNCHECK THE BOX. It is about halfway down.
Then, right below that is Google Workspace smart features. Click on the "Manage Workspace Smart Features" and make sure both toggles are OFF
They market Gmail to professionals. Like the idea that theyâre looking at the emails of therapists is horrifying.
Okay, I'm going to preface this by saying I am staunchly anti-AI. I hate it, I refuse to use it and I am all for protecting yourself and your information.
That said, the above is straight-up fearmongering.
The feature allowing Gemini AI to pull data from your Gmail and Gdrive documents is known as 'Gemini Deep Research' and is an OPT-IN feature. The option to switch it on is via the tools menu in Gemini and users can also select the sources they want to use.
The blog says nothing about whether the data Gemini scans is used to continue training the AI, although Google's current privacy statement says it uses "publicly available information to help train Google's AI models and build products and features like Google Translate, Gemini Apps, and Cloud AI capabilities."
The fact is Google is not stealth-rolling out some insidious new feature to steal your sensitive information. You have to consciously choose to allow them access.
There is plenty to be worried about when it comes to AI and the current state of the world. Please don't go around making up more things for people to be scared of.
Sources:
https://www.theregister.com/2025/11/07/gemini_deep_research_can_now/
https://blog.google/products/gemini/deep-research-workspace-app-integration/
oh you're in a horror film/book and your phone died/has no bars? how boring. I think phones in horror SHOULD work. they should ding only to have the protagonist check and find nothing. they should get calls from somebody you don't know but is still somehow in your contacts. google maps should lead you to one place, no matter what address you type in.
phones are such a big part of our daily lives, removing them from horror removes the horror from our experience. what if the horror felt like it could happen to you, right here, right now? what if it felt like it was already happening?
call 911 and something that is definitely not a person picks up.
call 911 and get an operator only for the call to become increasingly weirder and more sinister until you realize that whatever picked up is not there to help.
text messages from someone who's dead. voicemails that sound like dead air until you turn the volume all the way up.
emergency alerts for weather that doesn't happen on earth.
hiding from the monster, sweating buckets and shaking like a leaf and nearly crying from terror, hands clamped over your mouth to muffle the sound of your desperate panting breaths as it skulks past mere feet from where you're hiding.....
your phone rings. Ringtone is that classic hit song, "Stayin' Alive", which you immediately proceed to not do
A few years ago while trying to find ways to commit suicide as painlessly as possible, I came across a PDF of Dr. Paul Quinnett's The Forever Decision. Thinking it might go into actual methods of suicide (I read an article once that actually did that and was trying to find it again) I started to read it, and I think I only got about two pages in before I was crying too much to actually see the words.
I downloaded the PDF to my hard drive and I open it again whenever I'm feeling too suicidal to do much else, but not enough to start booking a ride to the hospital. And every time without fail I only go up to a few pages before backing off and choosing to live another day just because suicide suddenly seems even more unbearable than whatever the hell upset me in the first place.
All the book really does is [I'm pulling a summary from GoodReads here as, again, I've read no more than 5 pages] "discusses the social aspects of suicide, the right to die, anger, loneliness, depression, stress, hopelessness, drug and alcohol abuse, the consequences of a suicide attempt, and how to get help."
But it also starts with the author kindly asking the reader to complete the book before going through with anything, and for some reason I'm compelled to really just try to read it all before finalizing everything. Despite not yet completing it (hopefully never will) I think I can safely say it's saved my life at least a few times now.
It's intentionally legal to copy and redistribute this book to keep it as accessible as possible, and it's very easy to find, but here's a link for it anyways.
You likely have the right to access records that explain why your insurer denied your claim or prior authorization request. Use ProPublicaâs
Hey y'all. Here's something for you.
Reblog and Signal Boost for US followers.
The Theater: An Allegory Up In SmokeÂ
You are in a theater and a guy in the balcony lights a cigar. Naturally, many in the crowd protest, demanding he put it out. The man ignores them, blissfully puffing away. Soon, something strange begins to happen. Emboldened by his defiance, others in the crowd begin lighting up. Eventually, more than a third of the audience is smoking, and the room, now thick with noxious haze, becomes unbearable. You alert the theater staff only to find many of them joining in.
If asked, most couldnât explain why they lit up. Some would say they saw the first man defy convention without consequence and felt free to indulge. Others would insist it has always been this way. Many would argue theaters were better when smoking was allowed, and that the cigar-smoking leader is simply making theaters great again. It seems they were looking for someone to strike the first match to justify their own guilty pleasure.Â
The theater is unlivable, but you canât leaveâyou came with friends and family, many of whom are smoking along with the rest. You arenât alone in your opinion, but the smoke is so pervasive it consumes the last of the air, suffocating not just the innocent, but also those who ignored the warnings and protests of the experts. The cigar-smoking man has long since slipped away, leaving only a theater of smoldering decay in his wake.
The air is gone, the show is over, now thereâs nothing more to see.Â
Source: The Theater: An Allegory Up In SmokeÂ
There is a Doorway
My first memory about the door isnât really a memory. My mother leans over my crib and her curls fall like unspooling yarn. I reach for a hunk of hair and she pulls back. Listen, she says, mouth moving and the words coming out stilted like an old movieâthatâs what makes me think it wasnât real. Her crooning tone, like you might use for a bedtime story in, doesnât match the words.Â
You canât go through the doorway, she says, thatâs the first ruleâthe only rule, in truth. Youâll have to be careful, because youâll know the door, but you wonât always know it. Her gaze hardens at this point, the point where the memory is all goo and haze, itâll try to trick you.
She kisses my forehead and her hair tickles my cheeks. Be smart. Be good. Be brave. She holds my shoulder so hard it hurts. Donât go through the doorway.
One: I am six years old and unhappy at my own birthday party. My father and his friend Gary have hired a pony and fake cowboy and a caterer. I am more of a dragon kid than a horse kid but I got a pony. Noise fills the house like an expanding balloon: pop-y music and chattering adults and screaming kids who mostly came for the pony. There is enough noise to fill up your sinuses like a head cold and if I stayed outside a second longer, I was going to bite.
I sprint into the house and up the stairs, skirts performing flippery in all directions, and bang my knees on the stairs hard enough to see stars. I scramble the rest of the way up like a dog, looking for my dad or Gary and one of the nicer-looking caterers who used to be friends with my mom. There is a doorway. It is pink, like my bedroom, and the knob is golden. Pink, pink, pink against the white walls and half-sized, just big enough for hobbits or fairies or kidsâa place adults would only hit their heads.Â
I wipe away the pinpricks of tears and am at the door before I remember myself. This part, this stands out: the flush of my chubby childâs hand against the gold. A voice comes from the other side and that is the first thing that stops me.
I press my ear to the door and close my eyes. The voices on the other side cease, like they know, and the wood is warm, sunbaked like a long summer day. Her voice comes to me.
The door will be warm, she says, but not hot.
I open my eyes, peaking down, and long white tendrils creep out from under the gap. I leap back, blinking rapidly, and turn on my heels to go find Gary or my dad or one of the nicest caterers.
Two: Ten years old and I am searching for a bathroom. My palms are sweaty, gripping a pack of stick-on earrings in one hand and passing rows of cubies. Iâll be late for Mrs. Hendersonâs class, but today is the day is the day. It has to be. My dad bought me a collection of stick-on earrings covered in butterflies and gems and smiley faces. He smiled so wide: these were the ones, right? I feigned indifference, already paranoid at this age, and his face fell and my heart with it. Sure. Thanks, I say, and shove them into the secret compartment of my backpack.
When I was seven, a girl in my class had her ears pierced and they got horribly infected. The green-black pus-y memory stopped me in your tracks every time before I could get mine. She whimpers, in those memories, like they might fall off.
But stick-ons wouldnât hurt. Who would notice? I didnât want my dad to see me put them on, though. I didnât want the other girls to see me. I want to arrive, already made-up, already done.Â
I flick down the lower school hallways, sojourning to the girlâs bathroom by the library. Heart in my throat, I push past the library and practically throw myself at the grubby bathroom door. It sticks. I push and push and my throat tightens. They might've finally shut down the broken-down bathroom on this level. I turn, ready to stomp to the other end of the school again. And there is a door.Â
Messaging people for the first time is so hard. What am I supposed to say? Like, "You seem really odd and your blog intrigues me. Do you want to have philosophical conversations or perhaps talk about fictional characters?" What! Whatever. I will just follow you back and stare at your blog with my big beautiful brown eyes.
Reblog if you're okay with people coming into your DMs with the "you seem really odd and your blog intrigues me, do you want to have philosophical conversations or perhaps talk about fictional characters"
If I ever donât reblog this, you can assume Iâm dead. Itâs just pure, sound-design gold.
The cuts, the slow ramp-ups, how it matches his dance moves.
MWAH.
While national rhetoric leans on fear and force, mayors in cities like Chicago, Baltimore, and Birmingham are reducing homicides through dat
I need more news like this
Hopeful news in our extremely difficult world
The problem with "curing" cancer is that killing cancerous cells is very easy but killing all of the cancerous cells and only the cancerous cells is very very hard.
Sometimes the rats in my brain come together and start yelling âYEARNINGâ and in trying to appease them I ask âFOR WHATâ but they are too small so all they can say is âYEARNINGâ which is a very big word for such a tiny creature, even collectively
I loved this visual so much I had to doodle it.
ratratratratrat
Thank god this is still circulating because of your wonderful art, Mandy. I needed it tonight
Thank god your post was such a lovely way to describe such a universal feeling. The brain-rats yearn eternal đđđ
TWISTER 1996 | dir. Jan de Bont
It's Peach Time!
A friend from Colorado came to visit and brought me the usual offering of two cases of peaches. YUM! They are so ripe I need to convert them to jam today. Currently on the docket:
Im-Peach-Mint - peach with a hint of mint, totally appropriate in our current fascist climate
Ranna's Favorite Peach - peach paired with brandy
Steve's Favorite Peach - extra sweet, with lovely seasonings
I'm going to need to hit up the store for lemon and ginger before I get this show on the road. And I need to consider what else I can do with these peaches to retain their sunny yumminess.
A ceo leaves for a week, very few people notice.
The custodial staff leave for a day, everyone notices.
Sanitation and custodial workers deserve far more money and respect than they generally get.
I don't think people understand the degree to which society is kept alive by the labor of the least well-regarded professions. If sewage technicians and sanitation workers and their expertise and knowledge were to disappear tomorrow, the streets would pile high with bodies in every city. We live in a world where we get to be blessedly ignorant to just how fast, how brutally and how violently cholera can rip through a community. How many babies it can kill. How many elderly bodies it can devour alive. You've never seen what it's like when typhoid takes root.
"Oh but we have modern medicine" if you don't have clean drinking water and a way to dispose of your piss and shit and trash you are going to fucking die. No if or but or maybe, you are dead, and so are half the people you know.