The first rule of fandom is have fun. The second rule of fandom is find an enabler and become an enabler. Yes you should write that fic. What if it was even hornier? What if it was angstier? What if you wrote it just for me?
These are rules I generally adhere to in my own writing, they aren't gospel or meant to be the end all be all of writing. Also it should be noted that like all rules, these too are made to be broken when and where it serves the text. This is not about grammar or Correct Use of King's English™, this is just a list of personal style choices.
Anyway.
1. Indicate who's speaking as quickly as possible.
See difference between:
"Wait, does anyone have an extra eraser? I could swear I brought one, but I can't find it."
"You can use mine. Though if you steal it, I will kill you."
"Nice. I'm changing my brother's name to Gerry, is that okay?"
"You had two weeks to come up with your backstory."
And:
"Wait, does anyone have an extra eraser?" Melanie asks. "I could swear I brought one, but I can't find it."
"You can use mine," Jan says. "Though if you steal it, I will kill you."
"Nice," Melanie says. "I'm changing my brother's name to Gerry, is that okay?"
Annie says, "You had two weeks to come up with your backstory."
But this looks like talking heads in a blank void talking to each other, so, give the characters bodies and physicality, which brings us to rule 2.
2. no talking heads in void.
Though people do just sit around talking without doing anything else, it's not that interesting to read and also, gotta remember that readers can't see what you see in your head while writing. You gotta actually give them something to latch a mental image onto, so. Characters should move and emote.
"Wait, does anyone have an extra eraser?" Melanie asks, rummaging through her bag. "I could swear I brought one, but I can't find it."
"You can use mine," Jan says, nudging his own eraser over. It's in the shape of an old fashioned motorcycle. "Though if you steal it, I will kill you."
"Nice," Melanie says and snatches it up to do quick edits on her character sheet. "I'm changing my brother's name to Gerry, is that okay?"
Annie gives her a flat look. "You had two weeks to come up with your backstory."
Now you can sorta tell what they're talking about. Just don't go overboard - dialogue has a momentum and a rhythm, and too much description can overwhelm it.
3. Character Action and Character Dialogue go on the same paragraph.
See difference between this:
Melanie rummaged through her backpack.
"Wait, does anyone have an extra eraser? I could swear I brought one, but I can't find it."
"You can use mine."
Jackson nudged his own eraser over. It was the shape of a motorcycle.
"Though if you steal it, I will kill you."
"Nice."
Melanie snatches it up to do quick edits on her character sheet.
"I'm changing my brother's name to Gerry, is that okay?"
Annie gives her a flat look.
"You had two weeks to come up with your backstory."
And this:
Melanie rummaged through her backpack. "Wait, does anyone have an extra eraser? I could swear I brought one, but I can't find it."
"You can use mine." Jackson nudged his own eraser over. It was the shape of a motorcycle. "Though if you steal it, I will kill you."
"Nice." Melanie snatches it up to do quick edits on her character sheet. "I'm changing my brother's name to Gerry, is that okay?"
Annie gives her a flat look. "You had two weeks to come up with your backstory."
Not only does it make the text way more cohesive and snappy but, once again, it's much more clear who is saying what - but even then, I prefer to use dialogue indicators. Text like this to me looks like maybe there's a voiceover going on or something.
4. No mixing and matching characters. One character per paragraph.
This is one of my most broken rules, but in general it's character per paragraph.
So, none of this:
Melanie rummaged through her backpack while Annie set up the DM screen. "Wait, does anyone have an extra eraser? I could swear I brought one, but I can't find it."
"You can use mine." Jackson nudged his eraser over and Melanie snatched it up "Though if you steal it, I will kill you." Melanie begun making quick edits.
"Nice. I'm changing my brother's name to Gerry, is that okay?" Beside her, Annie gave her a flat look.
"You had two weeks to come up with your backstory."
Mixing and matching who's doing what like this makes it hard to see who's saying what, it makes the dialogue messy. However, this is fine.
While Annie set up the DM screen, Melanie rummaged through her backpack "Wait, does anyone have an extra eraser?" she asked. "I could swear I brought one, but I can't find it."
"You can use mine." Jackson nudged his eraser over and Melanie snatched it up. "Though if you steal it, I will kill you," he added.
"Nice. I'm changing my brother's name to Gerry, is that okay?" Melanie ask, grinning at the look Annie gave her.
"You had two weeks to come up with your backstory," Annie says flatly.
Note that in mixing and matching like this, it's all the more important to point out who is saying what. In general though, I tend to minimise this sort of stuff.
5 is kinda rule 1 rehashed, but, again, indicate who is speaking upfront. Especially when there's a larger piece of dialogue.
Sometimes, people aren't actually reading - sometimes for various reasons they're using text to speech, or maybe someone does a podfic or something. Even in visual reading, when there's a big block of dialogue without indicators it can be hard to follow.
So instead of:
"If Melanie can change her background, can I add a cool uncle to mine? I want a cool uncle - like, a gunslinger or something. Or a wizard - oo, a wizard uncle! He can be creepy and vague and give me problematic spells!" Jackson says eagerly.
I'd rather do:
Jackson puts his hand up. "If Melanie can change her background, can I add a cool uncle to mine?" he asks eagerly. "I want to give Kaiser a cool uncle - like, a gunslinger or something. Or a wizard - oh, a wizard uncle! He can be creepy and vague and give me problematic spells!"
Especially so when there's multiple characters talking and maybe one character hasn't been talking as much as the others - if they jump back into the discussion, it should be noted.
6. Limit your bits.
But as said before, every rule is made to be broken, and I break my own rules all the time. When I do it, though, it's generally for the bit, to make the text more interesting. Stuff like bits of dialogue without any indicators who is saying what to show that there's a faceless crowd speaking all at once, or two characters going back and forth, stuff like that.
"Jackson's dude has Main Character Energy," Melanie says solemnly.
"Kaiser is the anime protagonist," Jan agrees. "We're just NPCs in his world."
"The cheerleaders of his adventurers."
"Founding members of his harem."
They nod in perfect understanding and agreement.
For a couple of lines, exchanges like this can be fun - if the back and forth goes on for 12 lines, though, it will get tiresome.
There are other bits I do, and again, I break my own dialogue writing rules a lot for stylistic reasons to make the text more interesting or to give it better rhythm, or whatever. Sometimes, there's no dialogue at all, sometimes there's no indicators. There's no actual rules in writing, even grammar is all made up. These are more guidelines than anything.
But I hope the effort makes the dialogue more readable.
I promise you can use "said" and "asked" so much more in your writing than your realise. People won't think your writing is bad. I swear. The words are basically invisible. You can use them. It's okay.
tumblr friendships are hard to maintain like im sorry i know i havent talked to you in 5 months but you’re still super rad and i still consider us friends im just dumb
And penguins lack large terrestrial predators, so their reaction to humans tends to be, “HELLO STRANGE GIANT PENGUINS, WHAT ARE YOU DOING? DO YOU HAVE ANY FISH?”
There is an international treaty that says we’re supposed to stay 6m away from penguins, and it’s really difficult because no one told the penguins, and they all desperately want to wander up and say hi.
fuuuuck i just realized that the future idealized version of myself cant exist without current me being the catalyst for change and doing hard things. has anybody heard about this
Person who has burned too much midnight oil: Hunh I wonder why I am out of oil at noon on a Wednesday. It surely cannot be the consequences of my actions from the past month
Grace and Rocky are living in like this whimsical space adventure. Meanwhile, back on Earth, Eva Stratt just ordered her fifth assassination this week trying to stop WW3. The other day she replaced Jeff Bezos with a homonculus clone grown in a lab so she can repurpose Amazon into a humanitarian aid distribution network. She had a team of lawyers trick a demon into extending her lifespan by 30 years just so she can live to see through Project Hail Mary.
I am so obsessed with concept of a sequel that’s Ryland and Rocky having a space sitcom while Stratt remains on earth in a gritty political drama fighting for her life to hold the world together until the Beatles come back
It jumps back and forth between the two stories the same way the PHM movie switches between the present and the flashbacks
reflecting today, and i gotta say it's useful to acknowledge all the things you have. take a moment to acknowledge the good things, even if they're little <3
idk if this is an usamerican thing or not but it always blows my mind as a small european country resident that yall have many names and types of apples???? what do you mean its not just red yellow or green??? why is it so complicated??? who is granny smith????
germansingergirl
tangentwithtanner
janainaart
titsay
