My comfort character <3 (she makes me cry horribly)
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@amenacingsloth
My comfort character <3 (she makes me cry horribly)
shane and ilya probably stick to a very similar sleeping schedule during the season, but i feel like shane starts getting ready for bed probably a little earlier than ilya because he likes sitting in bed and reading
and i'm laughing about ilya feeling absolutely BETRAYED the first time anya hops off of his lap to trot after shane up to their room
his OWN DAUGHTER-
ilya, she just likes our bed and knows i'm going up
-TO BETRAY HIM LIKE THIS, AFTER EVERYTHING HE HAS DONE-
dude, you could also just come upstairs if you're that fucking bothered about it
-NO LOYALTY IN THIS HOUSE. NONE. ALL AROUND HIM ARE TRAITORS-
you could doomscroll on your phone upstairs if you want, ilya. you're the one choosing to hang out on the couch. c'mon, anya.
ilya trying to tell himself he wants to stay down on the couch and not give shane the satisfaction of giving in but also experiencing MAJOR fomo because the rest of his family is already upstairs for the night
rookie and his captain
The Centaurs decide to secretly compete to see who can make Ilya laugh the hardest as part of a social media campaign promoting the upcoming season
Most of them get at least a chuckle out of Ilya, some get a full laugh. Shane goes last and he just silently texts Ilya something then puts his phone down. Ilya checks his phone and starts laughing so hard he almost passes out, with Shane smiling smugly at the others who all went all out in their efforts to make their captain laugh
The video ends with a screenshot of what Shane sent Ilya and it’s a picture of Anya wearing sunglasses
For weeks Ilya will start laughing when he looks at his phone and sees the picture and it pisses the team off every time because Shane just silently grins every time
LMFAOOOO #real
when someone calls me their friend my heart skips a beat it’s like i won at being myself
how it's feeling rn
Thinking about the Hadestown proshot and Orpheus being introduced wiping down a table with his back to the audience. Hermes has to call out to him again to get him to take his opening bow, and for the show to start, Orpheus has to turn around.
*sweating profusely*
every ship is queer platonic if you lock in hard enough
the thing about orpheus is that he doesn't turn because he loves eurydice. he turns because paradoxically he is afraid to lose her. hes turned many times and found people have disappeared when he wasn't looking (his mother, persephone in act 1, eurydice in act 1). he loves eurydice, but by act 2 he's seen the way the world is. he has to turn. one last look is better than never seeing her again. hadestown isn't about death, its about self destruction and how grief paints your actions in the present.
I see a lot of people online saying that Orpheus (Hadestown specifically) looks back because he loves Eurydice so much, that there isn't a world in which he doesn't look back, because the kind of man who wouldn't look back is not the kind of man who would go after her in the first place, etc. It's inevitable because of the strength of his love. But I don't see that as being the whole picture. Textually, it is explicitly his doubt in himself, and in the narrative of his life, that makes him look back: "Doubt Comes In", and he wonders, who is he that Hades would let him win? Who is he that Eurydice would follow him through the dark? Orpheus used to have a very simple, naive view of the world and his place in it. He was single-minded. At the beginning he tells Eurydice he's the man who is going to marry her because...well, that's how the story should go, and he is a poet first and foremost. Then, when he meets Hades, he is confronted by what Eurydice did and what the world is really like. He is shattered by the realisation that Eurydice wasn't just a simple, "pure" victim, but that she signed her life away. He is beaten down and loses faith, he goes into "Is this how it is?" after he's literally already done the impossible by reaching Hadestown on foot. He should have proven his abilities to himself by this point, but things aren't going the way they are supposed to and he doesn't know who he is anymore. He isn't just a boy in love with a girl who sings a song to bring back spring: he's a boy who didn't look back when he should have the first time when she called his name; she's a girl who chose her immediate needs over his grand ideals. His faith in a world where they make it back together is broken. He looks back because he doesn't trust himself or the narrative that he's found himself in. It's even more heartbreaking to me, because the Orpheus he was at the beginning of the musical might not have looked back, but that version of Orpheus doesn't make it out of the Underworld.
And to top it all off, the version of Eurydice from the beginning of the musical, before love softened her hard edges and made her trust him, probably wouldn't have followed Orpheus out of Hadestown. Eurydice really does trust him to get her out, because she's looking for the Orpheus she used to know and she's seen the power of his song and worldview.
Am I rambling into the void or does this make sense to anyone else?
Imagine being Anais Mitchell and writing a song about the rhetoric of fascism so incisive and prescient that 10 years later an actual fascist would use that exact rhetoric down to the highly-specific phrasing in his presidential campaign. But also it took 10 years for the project you wrote that song for to move from living room shows to concept album to theater workshop to off-Broadway to Broadway, and its Broadway debut ended up coinciding with said fascist's successful bid for the presidency, and now it looks like your song that you wrote in 2005 is a super unsubtle reference to that one particular and highly-topical politician.
Frankly if I were her I would have started killing.
a crude summary of one of my favorite musicals
I made my own little addition, hope you don't mind <3
@moethh don't hide this in the tags
new top contender
Monster high is such a comparatively normal school like wdym Franky isn’t forced to kill three people because of a prophesied cycle of violence
EDIT: one, thanks for over 1k notes I knew you gays could do it. Two, Apple is telling Raven to hit the second tower because she already hit the first one as an example