Here, take these
WELP I haven't posted since uuuuuuuuh 2016 but HERE, art reference books!!
Sade Olutola
Claire Keane
Sweet Seals For You, Always
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Cosmic Funnies
"I'm Dorothy Gale from Kansas"
𩵠avery cochrane š©µ
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Janaina Medeiros

izzy's playlists!
$LAYYYTER
art blog(derogatory)
todays bird

pixel skylines
let's talk about Bridgerton tea, my ask is open
Aqua Utopiaļ½ęµ·ć®åŗć§čØę¶ćē“”ć

oozey mess

No title available
I'd rather be in outer space šø

Love Begins
seen from United States
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@arkratirma
Here, take these
WELP I haven't posted since uuuuuuuuh 2016 but HERE, art reference books!!
Fuckfuckfuck
OH HEY THERE REBLOGGING BLOG. Long time, no use! This is a dumb anecdote inspired by STRESS and I wanted to keep it off my art blog soooo yeah. One of the strangest things about 2016, for me personally, is that I found out there are alcoholic drinks I actually enjoy. Camille introduced me to Not Your Father's Root Beer in January and I thought HOLY SHIT IT'S DELICIOUS HOW IS THIS POSSIBLE I CAN'T TASTE THE ALCOHOL. I joked around with my friends - inside and outside of my former retail job - that "Bi-Mart drove me to drinking." That's not to say I started drinking regularly; I don't. I didn't want to have anything to do with alcohol for YEARS mainly because Dad was a self-medicating alcoholic for most of his life (he's 11 years sober) and the thought of getting blitzed never appealed to me. Seeing the election map as it's updated, however...
Up all night, Patrick Joust
STOP SCROLLING YOU CLOD!
A few years ago Planting Peace bought a house across from the Westboro Baptist Church and painted it rainbow colours.
Last year a little girl told them how wonderful it would be for them to have a house painted in the transgender colours, so she would also feel safer, accepted and represented in her neighbourhood.
Today itās finally happening. They are painting the neighbouring house the colours of the transgender flag. Just look at that smile!
why are bats stigmatized as being creepy?
I mean
look at these things
theyāre like tiny
fluffy
dragons
but instead of breathing fireĀ they squeak and cuddleĀ
in caves
and leaves
and they have funny ears and noses
I mean really
bats are amazing
This post is so fucking important to me
sky puppies
majestic
āour teeth and ambitions are baredā is a zeugma
and itās a zeugma where one of the words is literal and one is metaphorical which is the BEST KIND
I didnāt know about zeugmas until just now! That isĀ so awesome, everybody:Ā
zeugĀ·ma ĖzoĶoÉ”mÉ/
noun
a figure of speech in which a word applies to two others in different senses (e.g.,John and his license expired last weekĀ ) or to two others of which it semantically suits only one (e.g.,Ā with weeping eyes and heartsĀ ).
ISNāT THAT AWESOME??
#in english class in high school my teacher had us write our own zeugmas in class#and one guy came up with āhe fell from her favor⦠and the windowā#i am forever looking for opportunities to use that one
She dropped her dress and inhibitions at the door.
Whatās this? My favorite rhetorical device showing up on my dashboard?
IT HAS A NAMEEEE!! OH MY GOD!!!
My laptopās hella outdated, yo.
So outdated I canāt even find its model number on sites that allow you to sell your laptop. 0___0 The only results I get are for replacement batteries and power supplies.
I keep my olā Acer around because when itās this hot, I can move into the living room and sit in front of the box fan. My desktop is a fuckinā heater and the temperature in my room can surpass 90F when I use it during a hot day.
Recently, however, Iāve considered selling my laptop to get some extra cash on hand as I look for another job / reestablish and refine my art presence. I chose the closest model number available on a particular site. Guess what the quote was?
$45!!!
OH BOY OH BOY OH - dear.
At this point, despite its age and snail-crawl startup, I might as well keep the poor thing on hand. =P
Roses (2016)
Iām selling 8x10 prints of this series for a limited time over atĀ brookedidonato.bigcartel.comĀ so grab some melty decor while itās still hot ā¤
š½ Ā Unmute this videoĀ š½
Why? Because what America needs right now is more love!
Send this to your crush without context
YAYYY!!!!!ā¤
this is the most beautiful thing i have ever seen and i dont know why i am crying but i am. i think the universe loves us and we are good after all
A little animation of Eleven, based on an original drawing by my friend Julia !Ā
THIS GUY. THIS MOTHERHUGGER.
The Adventures of Prince Achmen. 1926. German. The oldest surviving animated film in history.
I am sorry BUT THIS IS NOT JUST āGERMANā PLEASE DO NOT FORGET THE NAME OF THE ARTIST.
THIS WONDERFUL MOVIE WAS MADE BY LOTTE REINIGER! SHE WAS ONE OF THE PIONEERS OF ANIMATION!!!! SHE MADE OVER 40 FILMS IN HER CAREER USING A TECHNIQUE SHE INVENTED WITH HER HUSBAND! WALT DISNEY ENDED USING HER MULTI PLANE TECHNIQUE IN HIS OWN MOVIES! AND SHE FUCKING MADE THE FIRST FEATURE LENGTH ANIMATED MOVIE!! (she ended up fleeing Nazi germany eventually work in north america, both us and canada, on other movies.)
Ā This woman is one of the most important figures in animation HISTORY!
Have a little memoriam movie the animation school Goblin did in her honor.
Look, I love Winsor McCay but Iām extremely pissed that my animation history class in college focused on him and did not mention Lotte Reiniger at all.
āThe Illustrated Encyclopedia Of Mental Illnessesā
Hold up - you mean there are people who watch Fight ClubĀ and donātĀ realise that Tyler Durden is meant to be full of shit?
I mean, his doctrine of radical individualism is a sham that ultimately reduces his followers to faceless conformity. This isnāt deep metatextual wankery - itās the literal text of the film.
How do you see the film and not get that?
My ex didnāt get this. He loves Tyler durden. Iāve never seen fight club so I DIDNāT KNOW.
Yeah, in the film heās a total con-man. His grand speeches sound good if you donāt think about them too deeply, but theyāre not meant to be insightful - theyāre meant to be a snake-oil salesmanās patter, calculated to bamboozle dumb, angry young men into doing his bidding.
Trouble is, theyāre sufficiently well-written that apparently they work on the dumb, angry young men in the audience, too.
Iāve actually written about this academically! Thereās a really specific genre I call bro cinema that includes fight club, all of kubricks work, some Scorsese, and Tarantino (all of which I love TBH.) These directors donāt explicitly condemn toxic masculinity and instead trust the audience to have COMMON SENSE and realize that Alex from A Clockwork Orange or Tyler Durden or Travis Bickle are horrific misogynists. But without the film telling the audience how to feel about these characters, men misinterpret the objectivity as glorification. Fight Club is about how shitty masculinity is, but itās been warped by men grasping for justification for their misogyny
The real issue here, I think, is the passive consumption of media, and moreover, creators and critical viewers underestimating just how passive the average audience member is in their consumption of media.
In the book Nurture Shock, which is a child psychology book that identifies common parenting mistakes, the author spends a chapter on childrenās television. The author specifically talks about how media designed to teach morals often backfires ā children who watch morality lessons express *more* behavior problems and become *more* cruel.
Now the author says itās because of how these programs are structured. First they depict bad behavior, and then they explain why the behavior is bad, showing consequences, and tying up the program with a moral.
Small children arenāt smart enough to understand the moral. Small children learn by emulating behavior they see. They see a bad behavior and they learn the bad behavior. Just exposing children to bad behavior is enough to make them internalize that the behavior is something lots of people do, and therefore something acceptable for people to do to do.
If you try to explain to them after the fact that the behavior is harmful and to be avoided, that message is too complicated and goes right over their heads. You canāt tell little kids ādo as I say, not as I do.ā
Now the author of this book says āsmall children arenāt old enough to understand the moral.ā
But honestly? Adults have the exact same problem.
Tyler Durden loses in the end. Thatās the moral of the movie. Unfortunately that moral is too complicated for the vast majority of the audience. The typical adult audience member does not think critically enough about film media to process this moral.
A critical viewer thinks ā the point is that Tyler is wrong! The point is that Tyler is doomed by his own hubris! HOW CAN AUDIENCES HAVE MISSED THE ENTIRE POINT IF THE MOVIE?!?!?
Easily, considering the movie only really devotes 5% of its screen time to explicitly denouncing Tylerās behavior, and that explicit denouncement only arrives at the very end of the film.
The other 95% of the screen time is spent watching Tyler Durden jerk off.
Look ā you canāt film two hours of bareback sex followed by a five minute tutorial on how to correctly use a condom and a 30 second montage of miserable teen parents changing diapers, then call your film a safe sex PSA.
You did not make a safe sex PSA.
You made a porno.
You can try to argue that the bareback sex is an ironic subversive metaphor, and that the āreal pointā of your film is proper condom usage and an anti-teen pregnancy message, but the fact is, the majority of your audience is going to change the channel the moment the cumshot finishes.
Audiences, outside of our special little corner of fandom discourse, are by and large just straight up lazy. They canāt be bothered to think that hard about the media they consume.
via @sarcastrophesam Ā #THIS IS WHAT I WAS TRYING SO DESPERATELY TO PIN DOWN IN MY ESSAY ON EX MACHINA #AND HOW THE DIRECTOR HAS THE RESPONSIBILITY TO CLEARLY SPELL OUT TO THE AUDIENCE#THE DIFFERENCE BETWEEN SUPPORTING A CERTAIN BEHAVIOR BY DEPICTING IT#AND CRITICIZING IT BY DEPICTING IT #BECAUSE USUALLY THE AUDIENCE DOES NOT PICK UP ON SUBTLE CRITICISM OR MORALES AT ALLĀ
This is why I loved Fury Road so much, and also what I felt was so profoundly revolutionary about the movie. Fury Road is a movie about women escaping violent misogynists. Yet editor Margaret Sixel had the SHEER BRILLIANCE and AUDACITY to cut all the footage of misogynist violence out of the movie.Ā
Mad Max: Fury Road proved that it is possible to denounce misogynist violence without depicting it.
Mad Max: Fury Road showed that refusal to depict misogynist violence is in and of itself a denouncement of misogynist violence.
We donāt need to show what victims went through to make victims sympathetic. In fact, voyeuristically depicting acts of cruelty only further objectifies victims. George Miller and Margaret Sixel understand this.
Similarly, George Miller made a point of using telling his videographers to use camera angels that focused on the action of the scene, instead of voyeristically zooming in the female castmemberās breasts/asses/legs Ā ā because he understood that when the camera ogles the female characters in an objectifying manner, the audience, who views the movie through the cameraās lens, is forced to ogle and objectify. George understood that sexist camera work creates a sexist perspective, and a sexist perspective tells a sexist narrative.
The thing is that the narrator is always sympathetic. Intimacy and familiarity breed sympathy. The audience is primed Ā to feel sympathy for the narrator simply because they are speaking more than any other individual character.
No matter how unreliable, or morally dubious you make the narrator, they are still the hero or the story. Every villain is the hero of their own story. And when the villain is the narrator, the audience is hearing the version of the story in which the villain is the hero, and the audience is moved by that perspective.
We can give Fight Club the benefit of hte doubt and look at Fight Club as an intellectual experiment to see whether or not itās possible to tell a story from the villainās perspective and still denounce the villainās actions.
But the fact is, the experiment didnāt work. It was a statistical failure. The vast majority of the audience did not recognize the film as a criticism of toxic masculinity, but rather, a romanticization of it.
Perhaps the authorās goal was for Tyler Durdenās death to be interpreted as a cautionary tale, but the author failed in that goal. He failed. Because by the time Tyler Durden dies in the movie, he has already been painted a hero in the eyes of the majority of the audience, and heroes donāt become cautionary tales when they die; they become martyrs.