(Sound on.) We’re all doomed.
History and related historical professionals straight up not having a good time right now.

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izzy's playlists!
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cherry valley forever
Today's Document

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oozey mess
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Sweet Seals For You, Always
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@babybluehighlighter
(Sound on.) We’re all doomed.
History and related historical professionals straight up not having a good time right now.
Ernest Shackleton’s Imperial Trans-Antarctic Expedition – better known as the Endurance Expedition –1914-1915, the photos are taken by Frank Hurley
i'm always a bit unsettled by disdain for intellectual or creative labor in leftist spaces. there's this commonly held belief that academics are a bunch of rich old white men, rather than a wide variety of people who are barely getting by. most lecturers in universities are adjuncts living paycheck to paycheck. authors make very little money as a general rule. most researchers are overworked and underpaid. and yet there's still this idea that academics are overcompensated to sit around and smoke cigars together while making shit up
do you ever see paleolithic art and go “oh fuck that’s good” like they hadn’t developed agriculture or the wheel but god damn could they paint horses real good
look at this pretty accurate horse art. this is from chauvet cave and is between 31,000 to 28,000 years old.
Homestucks are like “let’s use all the typing quirks at once, ha ha”, and it’s still not as bad as the way Internet users circa 1998 actually talked.
Well now I’m curious as to what an example would be cause it had to be a disaster so beautiful it would rip my mind asunder.
Here’s the original post re-written in a form of leet that was popular around the period in question:
|-|0|\/|357|_|({<5 4|23 |_1|<3 |_375 |_|53 4|_|_ 7|-|3 7`/91|\|6 0~|_|1|2|<5 47 0|\|(3 4|\||) 175 571|_|_ |\|07 45 |34|) 45 7|-|3 \/\/4`/ 1|\|73|2|\|37 |_|53|25 (1|2(4 1998 4(7|_|4|_|_`/ 74|_|<3|)
Bear in mind that this is a relatively mild example of the type; for the sake of readability I haven’t used any jargon or intentional misspellings, and the orthography is inauthentically consistent throughout; in practice, it was common for fluent leet-speakers to use varying substitutions for the same letter in the space of a single message, and often even in the space of a single word.
It’s 2020 i shouldn’t have to emotionally deal with seeing leetspeak, okay
Lord almighty I can still read this absolute mess.
The potential find comes just days after the announcement of the discovery of King Thutmose II's tomb.
You wait a century for a royal tomb and then two come along at once.
#and maybe #just maybe we wont steal all the shit in there this time
I mean this with all the love in the world, but if you're going to put that in the tags on an Egyptologist's post there's going to be a strongly worded 'no, that's misinformation and I won't stand for it' response incoming.
I hate this narrative. It's reductive, it doesn't help anyone (except making the commenter feel morally superior for dunking on the archaeologists), and it's kinda just...wrong.
Firstly, the narrative that 'everything was stolen' is just flat out wrong. Most people love to use the BM as an example of 'place that steals shit' and I'm gonna let you in on a secret: the BM never had a dig team (it has archaeologists now, but it didn't back when most people conceive of this happening). The BM is where people bequeathed stuff on their death, not the ones going out there to get it. Then you have the ways in which things were acquired by those who did go out there. Most of these are ‘bought it from a local seller who’d been in the tombs themselves and had a stall to make money from tourists’, archaeologists who worked with the Egyptian government and were subject to ‘partition agreements’ whereby they were allowed to keep half of what they found (the Egyptian government got first pick), authorised removal of items by the Pasha Muhammad Ali as gifts for helping Egypt (see: Giovanni Belzoni), traded items that ended up in people’s possession, and colonial spoils (most of which were taken from the French who were doing a colonialism before that. Y’know…Napoleon. That guy.).
Secondly, the narrative that archaeologists are stealing is also wrong. It’s anti-intellectual and is one of the things those who think that learning about the past is a waste of money use to cut our funding and try to shut us down. Archaeologists are bound by the 1970 UNESCO Convention which prohibits the illegal removal, export, or transference of cultural property from a country without that country’s explicit permission. Archaeologists do not ‘steal shit’ because a) that’s immoral and b) unless those archaeologists are from the country those objects originate in, they have no jurisdiction. Egypt specifically has had control over their antiquities (aside from those being looted on the black market) since at least the late 1800s. Howard Carter got short shifted in the 1920s because he upset the Egyptian government and they chose not to let him work on Tutankhamun’s tomb anymore. You cannot dig in Egypt without the Egyptian government’s permission and all the artefacts there belong to them once they’re out of the ground. I’m sure we don’t want to go around suggesting that they’re just letting people steal from them, do we?
Finally, and most importantly: 99% of all tombs in Egypt were robbed in antiquity by the Ancient Egyptians themselves. That’s why finding an intact tomb is so rare and important. My doctoral thesis was on the Egyptian investigations (c.1090 BCE) into these tomb robberies in the Valley of the Kings/Queens. Do you know what they show? That tomb robbing, even outside the socio-economic issues of the Late New Kingdom, was a common occurrence. They would enter tombs by boring holes into the side through another tunnel, get in there, rip off the linen coverings or set them alight, watch them burn, and then collect the jewels and amulets from the bodies to barter with. That description is from Papyrus Leopold II Amherst, which has translations readily available online. All in all, the Tribunal were only interested in the robberies of the Royal tombs, and thus when someone admitted to robbing the tomb of a noble or someone else, they simply didn’t care. Those weren’t important.
Tutankhamun’s tomb was so important because it was the only one that hadn’t been robbed in antiquity, not that it hadn’t been robbed by English colonialists (tbf there are many other countries that did colonialism here but you guys are never interested in them). There’s the Deir el Bahri cache where the Egyptians, around the same time as their tomb robbery investigations, moved all the mummies they still had of their kings into one place. They didn’t even do this carefully because all the mummies are in the wrong coffins, and some of the coffins have the wrong lids/bases (i.e. it’s Amenhotep II’s mummy, with the lid of Ramesses II and the base of Thutmose III). These were mummies of royal tombs that had already been robbed and had been robbed a long, long time ago, even for the Egyptians.
I’m not sure if you read the article at all, and from the comment it seems like you didn’t, but Thutmose II’s tomb was massively water damaged. The ceiling has caved in and it’s pretty dangerous to be inside. What they suspect might be where he’s buried now is close by and covered by man-made rubble. This is a hastily constructed second tomb, if indeed that’s what it is (I don’t wanna wait a month to find out but I might get rumblings of news earlier if it is). It doesn’t guarantee that any grave goods exist within it except perhaps his mummy. It could have been robbed thousands of years ago and all we’re going to find are remnants of what used to be. We only know the other tomb is his based small fragments that still exist of the starred ceiling (reserved for royal tombs) and a smashed offering from Hatshepsut for his kA. It would be frankly amazing if he still had all his burial goods with him, but realistically, knowing Egyptian history as I do, the best-case scenario (realistically) is a few grave goods and his mummy.
In summary, archaeologists don’t steal things and most of the tombs in Egypt were looted by the Egyptians themselves thousands of years before European colonialism ever set foot in them.
#as an anthropologist and museum worker: modern archaeologists do not steal things #egyptologists usually do not #but as someone who works in repatriation: the field of archaeology is based on salvage anthropology and theft #like ALL early anthropology #saying “archaeologists dont steal things” is INCREDIBLY reductive. #because most of what anthropology museums repatriate actually IS stolen in some capacity #whether by a 19th or 20th century archaeologist or by somebody else #and returning those stolen goods is important work
I don't disagree with you. However, the reason I said 'archaeologists don't steal things' is because there is a wide perception in the general public (that I'm trying to tackle with scicomm) that current archaeologists behave the same way as the archaeologists from the 19th and early 20th centuries. I see it all the time, and it was what I was addressing when I responded to the previous tags. People have got it into their heads that nothing has changed, and they continue to spout the 'all you do is steal things' when that's simply not true.
Archaeology and Anthropology have a complex history. No one is denying this, least of all me. But when I do scicomm, I've very much learnt that if I try to caveat the whole thing as 'well the early ones did, but we don't anymore and haven't for a while' people don't read beyond 'they used to' and thus extrapolate 'they still do now' even though that's not what was said. Thus when I say 'archaeologists don't steal things' I a) mean modern archaeologists, and b) am trying to break the link in people's minds to automatically associate us with colonial activities. Once that link is broken I can then explain the nuance because we're coming at it from the right angle and people will listen. But if I do that wrong, I've failed to communicate anything meaningful and no one goes away with anything.
But that seemed a little much for what was essentially a sum up comment in TL;DR.
Thinking about how wild it is that enshittification starts as a way for the rich to squeeze the populace for more money but ends up infecting everything so even luxury products decline in quality. They’ve got more money than fucking God now and for what? Literally they can’t even buy fun nice stuff for themselves because they killed craft.
Anyway this post is about Dhaka muslin but it’s also about everything.
Nearly 200 years ago, Dhaka muslin was the most valuable fabric on the planet. Then it was lost altogether. How did this happen? And can we
guess it's time to post agha shahid ali's poem about dhaka muslin
Fun fact! Revival of Dhaka Muslin has been ongoing for quite some time. The headline of the above article is very very misleading, we know exactly how Dhaka Muslin was made. The process was very well documented. We know how it was made, but colonialism ruined the fabric's production area and devalued the skills needed to make it such that they no longer existed. But the process itself was not lost.
That being said, efforts to bring it back are underway, and they have been making amazing progress, and succeed in creating Dhaka Muslin yet again.
It all began with a search for ‘phuti karpas’ – muslin’s unique cotton plant which is known to have become extinct. However, starting in 201
This is a pretty good updated article, it has a lot of the same info as the BCC one (which also discusses some of the revival efforts) but with more of a focus on that process, an update to the story, and it details some of the other ongoing projects working on the revival!
Here's the first weaver to manage to produce a finished piece in nearly 200 years, Al Amin.
His first piece was 300 threads, according to the article they have now been able to get into the 700s for thread counts, which is absolutely incredible.
Several projects are actually underway now each with different weavers and slightly different methods, producing fabric intended to meet or best the original!
And if you're curious, "okay but can it pass through a ring" yes! Yes they can!
All three of these photos are of pieces made in the modern century, photos by Wasiul Bahar!
It's a very time consuming process, and a very expensive fabric to purchase, but love and passion for it have been steadily bringing it back!
I think the most unique aspect of this job is that, no matter how small, ugly or cosmically (?) irrelevant thing you may find, it always somehow manages to connect you to Some Guy (gender neutral) from literal eons ago who made A Thing. I introduce - small uglyass jar/pot handle with clear, visible fingerprints of the Some Guy who made it!
Please recommend me reliable books, documentaries, pieces of journalism etc. that you know of about:
organized crime
semi-organized crime i.e. street gangs and the like
terrorists
guerrilla insurgencies
and similar things.
I'm very interested understanding illegitimate (i.e. not conducted by a government) organized violence and how it functions, but naturally it's hard to find good information.
hi I do organized crime research. In order of closeness to my heart (but not necessarily objective quality) here are a few:
1. Fires of The Dragon, David E. Kaplan: THE book about Taiwanese organized crime and the one I always recommend when people ask. Technically it is about the 1984 murder of Henry Liu, but it’s also about Mainland emigre gangs, midcentury Taiwanese politics, and how the two came to be so intertwined. Despite its schlocky true-crime title and tone it is extremely well-researched (I know some of the people interviewed for the book)
2. Yakuza: Japan’s Criminal Underworld, David E. Kaplan: a far less totally weirdo history of the Yakuza from the 1700s to today. Equally well-researched, the book that made me want to be a criminologist when I read it at age 12.
3. The Stickup Kids, Randol Contreras: Contreras grew up in the South Bronx during the crack era. unlike many of his friends he was bad at selling crack so he got a PhD in sociology instead. as the crack market dried up those friends turned to robbing more successful drug dealers, meaning that they were committing far more violent crimes than they previously had, despite the fact that they were both aging out of the bracket that criminologists typically consider ‘at risk’ for violent behavior and that violent crime was dropping in NYC as a whole. the book is an ethnography of this group of men and an attempt to both explain the structural dynamics that lead a person to become a drug robber in the first place and the specific situational dynamics of a drug robbery (graphic depictions of torture). it’s a bit Sociology 101 in the opening chapters, but I think it’s an absolute classic in the gang ethnography genre
4. Violence: A Micro-Sociological Theory, Randall Collins: an attempt to create a general theory of violence (not only criminal violence) starting from the argument that humans—despite what some of us like to say— are actually quite bad at violence, and most of what happens in any given violent interaction is an attempt to overcome the “confrontational tension and fear” that the majority of people feel when violence breaks out. I’m a big fan of this book and it has certainly shaped how I understand violence
5. In Search of Respect: Selling Crack in El Barrio, Philippe Bourgois: in which the author moves to Harlem and hangs out with local crack dealers. another classic in the gang ethnography genre, and despite a similar premise to The Stickup Kids (this book was actually published like 15 years earlier but whatever) the theoretical conclusion is pretty different. perhaps selling crack is less about the economic pay-off and more about the fact that selling drugs sucks less than working at McDonalds
Honorable Mentions:
1. Murder City, Charles Bowden: Bowden is a journalist who made his bones writing things where he did a bunch of acid and took a raft down the Rio Grande, and that impressionistic style is definitely something he held on to for the rest of his career. this book has been accused of being misery porn that overlooks the complexity of life in Cidad Juarez and those critiques that seem perfectly reasonable to me. Despite this I’m actually pretty fond of the book and enjoyed reading it. it’s a chronicle of a year in Juarez told as a combination of vignettes of peoples lives (a reformed(?) hit man, a woman who was raped and left for dead, a journalist who published something he shouldn’t etc) and Bowden’s account of life there. One of the goals of the book is to account for the American and Mexican gov policies that created the situation in Juarez in the first place, and though Bowden clearly knows what he’s talking about it’s never as comprehensive as an actual academic work would be
2. The Land of Open Graves, Jason De Léon: not actually about organized crime or gangs in any capacity. at best it’s about extra-legal government activity. it makes honorable mentions because it’s excellent and I read it in a criminology-adjacent class. It’s about how US government policy intentionally pushes migrants through the Arizona and New Mexico desert in the hopes that enough people dying will be a deterrent (prevention through deterrence)
3. Heijin: Organized Crime, Business, and Politics in Taiwan, Ko-lin Chin: pretty dry, not nearly as charmingly odd as Fires of The Dragon and not really any better researched. It is however significantly more respectable looking, so it has its purposes
Dishonorable Mention: this Vice documentary: I know a bunch of the people in this. it’s pretty goofy.
posted on Kate Bornstein's substack
saw this thread and really loved it but what i liked most is that it taught this kid that if a book isn’t for you, even if you really want to like it, it’s okay to stop reading it and come back to it another time when you are ready. there were so many books i slogged through as a kid because i felt like i had to prove that i could read them since i *loved* reading so i simply had to finish this book or i didn’t actually love to read. silly, really. the more kids who don’t ascribe to that thinking the better. really great of both the dad and the librarian for allowing the kid access to the stephen king book and allowing him make the decision on whether or not it was for him by himself.
Person with housemates can study.
Person who has spent all their cash on rent and food still has a place to get out of the house and do something interesting.
Cool community classes and community art shows.
ESL tutoring.
Tax prep and forms.
tbh fuck anyone who says a single bad thing about libraries
Not content I normally reblog but libraries are super important and our world would be diminished without them.
The library was how I was able to read so many books as a kid that my parents wouldn’t have been able to afford.
Libraries are one of the only places on Earth that treats people the same no matter how much money you have. We can’t lose that.
In the club
I think I’m literally never gonna be sick of this masterpiece. I think watching it on a loop for eight hours could fix me. Dancing’s what clears my soul. Dancing’s what makes me whole.
I just love that this very video is an accumulation of thousands of years worth of art made by people who have never met each other. The concept of this video was so completely unfathomable to every single artist who made the sculptures and yet they’ve all put something toward the creation of it.
ITS BACK ON MY TIMELINE
@copperbadge
HAHA, I’d seen this once or twice but I always missed the ending where the hype men get to dance too, that’s delightful.
[ID: A video showing two Kouros boys, statues of young men from ancient history, standing still; between them is an animation of numerous ancient statues and figurines changing constantly, to make it look like it’s dancing. At the end, the Kouros statues begin to “shift dance” as well.]
The plague doctors that the media has made really is the pinnacle of clothing. and its so sad to see what actual plague doctors were like
Mysterious, Sleek, Smooth. You’d wear this to both a fancy ballroom party and a night at the closest bar.
Nasty sewer boy, gross child
Reblogs if you think the girl in the second picture is just as beautiful as the one in the first
I get (and mostly agree with) the posts on here talking about the importance of physical media vs digital but sometimes the tone of like 'if it's physical media you'll always have it unlike digital media' you get in these posts is deeply silly like this is in fact something that's notably famously not true of physical media actually. you can quite literally lose everything by only having physical media. both is good etc etc.
every time I see a post or comment on here that's like "i could lose all my digital files if my computer crashed or something happened to the cloud storage, which is why I always prefer paper books/cds/notebooks/etc!" it's like some of you guys have never seriously considered a house fire or flood or having to leave a place suddenly or similar & it really shows if you think either of these are inherently more safe than the other
Pros of physical media:
- depending on a specific medium needs low to no tech to be experienced
- aparatus for playing many types of physical media in analog form which require a device to be played can be constructed in an improvised manner from scratch
- can be physically stashed and stored in a time capsule type of device for future generations with minimum to no other supporting infrastructure necessary to access it
- aparatus for more sophisticated physical media (like CDs or videogame discsbfor example) can be stashed along with the said media as they are isolated devices that don't need a sophisticated infrastructure to work beyond the electric power source
Cons of physical media:
- physical degradation of materials on which the data is storred either due to age, improper environmental conditions, or due to sustaining direct damage
- creating copies or reconstructing damaged media is highly time and effort demanding process, often impossible if the damage is too great
- once the original medium is no longer produced, finding the location of a copy is difficult to impossible depending on the rarity and age of the media
- media leave no physical or digital trace and unless you know what you are looking for or about the source from which it may have originated, you would not be able to learn of the media's existence itself
Pros of digital media:
- creating, storing, and accessing copies of digital media is fast and efficient if you have an access to the sophisticated infrastructure that supports it
- possibility of archiving multiple copies in multiple places both online and offline makes the chance of the media survival and retrieval more likely
- each copy of the media is perfectly identical to the original without the quality loss inherent to copies of physical media
- multiple sources of damaged digital files can be repaired via software crossreferencing multiple files to create a much more complete copy of the original file much faster than the physical reconstruction coupd ever be, without the danger of destroying the original damaged source
- traceability and searchability for files based on their names, origin, tags, or even fragments of the file itself regardless of their actual physical location or the origin source
Cons of digital media:
- could be wiped out by a magnet or physical damage to the device storing the data. This type of databank damage is 100% irreversible and irrepairable
- the rate of digital degradation of the data stored on a device is faster than that of many physical media. For this reason archiving digital media REQUIRES their conversion into a physical form, usually by using archivation discs (CD, DVD, bluray, or HDD)
- highly infrastructure dependent, especially in the case of cloud storing. Any failure to connect to the network due to power outage, internet inaccessibility, discontinuation of the service or the technical support, or the physical damage to cables connecting individual devices removes your access to the media entirely
painting on chinese tuanshan团扇 (cr 玉霏阳雪,盼棠)
Hey kid you want a job?
Great get online and go to a job board. Indeed, Linkedin whatever. Now you're gonna search for a role that's in your city, fits your qualifications, and doesn't seem like a bad time.
See that easy apply button? Don't hit it they just throw those in the trash. Now you're gonna want to go to the company's website and check their careers page.
Oh? That job doesn't exist anymore. Cool go back to the job board and find another one.
Great you found another job, you're on the company's career page and the job exists!! So you're going to need to make an account on the career page website. They're using Workday, the same site as the last job you applied for? Who cares? You need to make another account for THIS job's workday page.
Now you're going to upload your resume. That'll autopopulate about 15 boxes with everything on your resume, except formatted wrong and with tons of errors. So just go through and painstakingly check the dates on all of that and rewrite everything you already laid out in an aesthetically pleasing format on your resume.
Ok time for the cover letter, explain why this specific job and company are deeply important to you. You love their mission statement and wouldn't even laugh if their ceo was gunned down in the street. You'll really want to reiterate the things you just spent the last 20 minutes filling out on the resume section
(Remember to include language from the job description, people who work in HR are lower than dogs and they need patterns or they get confused.) Write about a page, but hey don't sound too desperate or robotic this is where they judge your character!
Maybe add your portfolio site at the end here, who knows if that helps no one has ever clicked mine haha.
Anywayyy time to hit apply! Congrats! You'll see that confirmation email come in and you should be getting the rejection letter in about 2 weeks. Unfortunately your resume didn't have the right buzzwords and the AI auto rejected you :(
Time to start again and try not to kill yourself!