The final part, "a simple kiss," there were many things I wanted to do in this comic, but oh well, I hope this result is the best. Once again, thanks to amberqueen01 for the translation. previous part
here's a scene restored by masondevelops from the unused board 3 that got deleted so hard it was only left in the japanese script and had to be retranslated back into english:
“never kill yourself” is such a funny phrase to me that i think it’s accidently started working. its like an affrimation. say ‘never kill yourself’ enough times as a joke and maybe you won’t try to kill yourself over minor inconviences anymore
The Venn diagram for this is probably just my pet rock and me but my brain makes weird connections sometimes. Anyone else noticed that the Prince from Tři oříšky pro Popelku and Hans Capon are basically the same character?
They don't like being indoors.
They love hunting.
They really, really, REALLY don't wanna get married but have to for their legal guardian to consider them mature enough.
Their love interest is a dress-up queen with a dog and a horse (no owl yet but I'm still waiting for the falconry update)
So, yeah, I guess all I wanted to say was: If I had a nickel for every self-obsessed, claustrophobic bi-disaster czech noble that run after girls in the forest I'd have two nickels. Which isn't a lot which isn't a lot but it's weird that it happened twice.
I just restarted KCD2 and now, with the knowledge of what will happen, something has picked my interest...
(and of course, it's about hansry again!)
The scene, after Henry falls down the cliff and is carried through the woods by Hans, is very interesting. Henry starts to hallucinate (Idk if it’s because of the fall, the pain, the bleeding wound or all combined) about the most traumatic moment in his still young life - the fall of his home and the death of his parents. He has to relive all these gruesome memories once again - all the deaths and horrible things he had to witness, like the slaughtering of his own parents... The life he only knew was taken away from him in a mere minutes-long bloodbath and all of this he had to see once again in front of his inner eye - with just one little difference: Hans.
With Henry babbling in pain because of his trauma, Hans is there and always tries to shield these memories away - tries to break the cycle. He constantly tries to bring Henry back to reality - telling him that he is not alone, that he doesn’t have to be scared and that everything is alright. He also tries to counter the blame Henry places on himself. When Henry says that he betrayed his parents, Hans reminds him that he never had done this to him.
He chooses to never talk about a hypothetical third person - he just speaks about himself. Henry never let him down. He is there for Henry. They can do this together. Hans provides Henry with an anchor - something he can really feel and see, because Hans is right there. That’s nothing to hallucinate about, it’s something undeniable and that’s exactly what Henry needs in this moment because of his condition. Something real, something he can hold on, so he doesn’t lose himself in this nightmare.
Hans is like Henry’s lifeboat in this situation. He not only carries him physically but also mentally through this life-or-death situation. He is the reason why Henry isn’t losing himself and makes it through the night. And not just that, he also shows Henry a different ending to this gruesome day.
Originally, Henry had to leave everything behind - to flee - scared and alone. But this time, Hans was there. He didn’t lose him and he wasn’t alone - they made it together. Even if everything else was lost, they still have each other. This alone will give them a reason to live through tomorrow and many days beyond - to look forward.
And right there, a light is shining through Henry’s dark dream - breaking the hallucination and leading him back to reality. The whole scene where they see the light in the distance is very beautiful, because for Henry, there is not just the real shine from the cabin, it’s also Hans. His acknowledgment of "the light" is not just related to the light in the distance, it’s also Hans - he is the light that leads him out of these bad memories - back to reality. Where he isn’t alone anymore and hope will shine even through the darkest night.
If you think about it, the "heart" options were never flirty. They aren't flattering compliments or smug comments - they are statements. Henry talks about real emotions and fears here. "I'm worried for you", "I care about you", "I think we didn't talk enough" - Henry doesn't want to flatter Hans, he isn't even thinking about that. Tbh, I would say he doesn't even intend for a single second to be "romantic" with Hans. Everything he says is not because he wants to flirt - he is just honest. Those are Henry's real emotions, we chose here.
Something was starting to hit me there—especially after Henry awakened the next day. The first thing he wanted to know from the strange woman he had never seen before in his life, who could potentially be an enemy, was: "What is with Hans?", "Will he make it?", "Will you help him?" He wasn't worried about himself or even aware of his own pain at first, until he was sure about what happened to Hans. Even after he realized and felt that his own body was in bad condition, he got up to help his friend. That's when I started to realize that Hans's romance didn't begin with the choice of the first heart option—because there was never a way for the player to influence the development of emotions or to stop them. They were already there, and the only decision we were allowed to make was whether to give Hans the courage to show them openly in the end and for Henry to understand them.
The other options are mostly jokes or "don't worry" comments - things he says to hide his own fears or to brush off a situation. Statements like "oh come on, just stop talking and move on" don't sound like Henry at all. Henry is caring and nice, he is helpful and always tries to be fair. He fights with his own demons, but he will always put himself aside to fight for someone else's rights. He can be a bit foolish, but he wants to learn as much as possible and listen to people's stories.
For me, it looks like the only "real" romance option is the last one. And even there, it's not about the first interaction or the first kiss - these goes straight to Hans. But he wouldn't have done it without our help to ensure Henry stays true to himself, his emotions, and Hans. What we choose as players is not to romance Hans, we choose for Henry to realize the true nature of his own feelings.
When he pulls away from the first kiss and takes a few steps back, you can see his confusion. He isn't disgusted or angry, he isn't even scared about "the sin" they just committed. He is just confused because we helped him realize why he did all those things. None of what Henry ever said to Hans was smug or even particularly romantic, he just always spoke the truth. He spoke from his heart about things he genuinely felt and it didn't feel specifically romantic because they were just honest emotions. Henry never worried about what he said - he never feared hiding his feelings because it felt natural to talk this way to Hans. There was never a reason to hide anything.
Henry wears his heart on his sleeve whenever he talking with Hans and that's why he just now realizes what all of this means - for Hans, for himself, for both of them and their future. Only then our choices take effect, only then does Henry kiss Hans and follow his feelings. I wouldn't say that, at this point, he fully understands what this is between them, but he is willing to follow this path. He isn't disgusted or afraid, he expects whatever this new, clearer situation is - even if he can't put a name to it yet. He wants to continue and follow his heart, he isn't running away, which is something Henry always reminds himself and others not to do. He will never run away again and he isn't doing it now or in the future. Whatever comes next, Henry is willing to face it because there is nothing to regret. He didn't run away, he was honest and he wanted this - even if he just now realizes it.
Just a little random note for the end, that I think is very interesting: Hans's romance is not a side quest, it's completely intertwined with the main campaign. Every important decision Henry made with him took place in the main quest. Sure, you sometimes didn't necessarily have to speak to him, but the dialogues still occurred during main events. For example, during the robbery - you don't have to talk to Hans, but the dialogue happens there.
In contrast, with Katherine or Rosa, you have to do some side activities, which makes their stories feel more excluded. Hans's romance is part of the main story, which really gives this route a more canon-vibe than the girls' romances.
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