Hömma getz komm mich nich so

Ja watt denn? Watt willse Denn? Biss Doch auch nur hier umzu kuckn, wah? Boa Mensch Kalla dann mach doch! Iss mir doch egal watte davon hass - Bin doch auch bloss am kucken wattet so gibt. Wenne watt wills musse fragen tun

[foxes-in-love]

[ladystardustsoul]

[wildcat2030]

The human body isn’t a masterpiece of design – it’s a patchwork of evolutionary compromise

Many aspects of human anatomy are just “good enough” solutions – functional, but far from perfect.

The human body is often described as a marvel of “perfect design”: elegant, efficient and finely tuned for its purpose. Yet, when we look closer, a rather different picture emerges. Far from being a flawless machine, the body reads more like a patchwork of compromises shaped by millions of years of evolutionary tinkering. Evolution does not design structures from scratch. Rather, it modifies what already exists. As a result, many aspects of human anatomy are just “good enough” solutions – functional, but far from perfect. Some of the most familiar medical problems and ailments arise directly from these inherited constraints.

[remodelproj]

Interior residential atrium with large tropical plants.

[sem07it]

.

[thesaurushouseofdesign]

Rose Seidler House, Wahroonga, New South Wales, Australia,

The Rose Seidler House is widely considered the first fully modernist house built in Australia and a landmark of twentieth-century residential architecture.

Designed by Austrian-born architect Harry Seidler for his parents, Rose and Max Seidler, the house was completed in 1950.

Educated in the United States under Walter Gropius at Harvard Graduate School of Design, and influenced by Marcel Breuer, Seidler brought the principles of Modernism and the Bauhaus tradition to Australia.

The architect, Harry Seidler, was the winner of the 1951 Sir John Sulman Medal

Rose Seidler House was listed on the New South Wales State Heritage Register on 2 April 1999.

Photography by Christine Wehrmeier, Mick Ross & Elisabeth Goh

[thesaurushouseofdesign]

Maison La Roche,

10 Square du Docteur Blanche, 16th Arrondissement, Paris, France,

La Maison La Roche-Jeanneret was designed in 1923-1925 as a residence and gallery for his friend Raoul La Roche, a Swiss banker and collector of cubist art and as a home for Le Corbusier's brother Albert Jeanneret and his fiancée Lotti Taaf.

[bubblewrench]

Step Inside Casa Baldo, in Rio de Janeiro, Brazil, 1969 - KOOLESTS

Casa Baldo: The Modernist Gem by Oscar Niemeyer in Rio de Janeiro With sinuous shapes, exposed concrete, and plenty of glass, the house blen

[remodelproj]

Window bench library with attached ladder, to grab upper shelf books.

[placeeee]

[fabforgottennobility]

Monday

[remodelproj]

Placing window at floor level to view outside pool from sofa.

[remodelproj]

Interior courtyard / lightwell placed behind living room.

[remodelproj]

Bedroom with writing desk & bookcase / display case.

[ofhouses]

1310. Koichiro Ishiguro /// Komazawa Park House /// Meguro City, Tokyo, Japan /// 1998-99

OfHouses presents: Japanese Fields OfHouses, part XXX. (Photos: © Shinkenchiku-sha. Source: ‘Jutakutokushu’ 02/2000.) — This project will be published in our upcoming book: ’Japanese Fields | OfHouses.’

[remash]

pine flat ~ faulkner architects | photos: © joe fletcher

[foxes-in-love]

[iconuk01]

Sir Ian McKellen on the Colbert show reminds us, in his inimitable way, that mob-led xenophobia was also a thing 400 years ago, and Shakespeare had opinions about that.

From "Sir Thomas More" a play not attributed to Shakespeare, but there is very strong evidence he added to it, in particualr the speech Sir Ian quotes above.