I watched this and after I stopped laughing thought "this would do absolute numbers on Tumblr"
2025 on Tumblr: Trends That Defined the Year
Sade Olutola
Peter Solarz

tannertan36

oozey mess

PR's Tumblrdome
h

blake kathryn
dirt enthusiast
noise dept.
No title available
Mike Driver
DEAR READER
wallacepolsom

roma★

shark vs the universe

★
Aqua Utopia|海の底で記憶を紡ぐ
taylor price

@theartofmadeline

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@butterfly-effect
I watched this and after I stopped laughing thought "this would do absolute numbers on Tumblr"
"It doesn't help your credibility to exaggerate, most employers wouldn't literally work you to death" like, I used to work in distribution. If booking a truck driver for back to back shifts until they fall asleep at the wheel, crash, and die counts as being worked to death, I have personally met employers who've worked employees to death and gotten away with a slap on the wrist. It may not be universal, but it's a hell of a lot more common than a lot of us would prefer to think.
The FAA had to explicitly make rules about how long pilots have to have off between shifts, and how far away from their home you can pin their home airport, because it doesn't mean shit that someone has 10 hours between shifts if they have a 2 hour commute each way. They had to make these rules because multiple passenger airplanes crashed because the pilots were exhausted from tight scheduling. Employers won't just work you to death, they'll take a hundred random customers with you.
Happy belated Workers’ Memorial Day, celebrated April 28th
Your phone magically opens to a random fic on ao3!
Spin the wheel 3 times to find out what your fic is about! Put in the tags which fic tags you get!
Picker Wheel is a wheel spinner for a random picker. Various functions & customization. Enter choices or names, spin the wheel to decide a r
Do you read it?
I’ve read this already!
Hell yes this is literally meant for me!
Yes but out of morbid curiosity
Maybe
No
Absolutely not!
Why does this fucking exist?!?!
Which one is your favourite? 😊
Oscar Isaac’s Criterion Closet Picks
So a couple days ago, some folks braved my long-dormant social media accounts to make sure I’d seen this tweet:
And after getting over my initial (rather emotional) response, I wanted to reply properly, and explain just why that hit me so hard.
So back around twenty years ago, the internet cosplay and costuming scene was very different from today. The older generation of sci-fi convention costumers was made up of experienced, dedicated individuals who had been honing their craft for years. These were people who took masquerade competitions seriously, and earning your journeyman or master costuming badge was an important thing. They had a lot of knowledge, but – here’s the important bit – a lot of them didn’t share it. It’s not just that they weren’t internet-savvy enough to share it, or didn’t have the time to write up tutorials – no, literally if you asked how they did something or what material they used, they would refuse to tell you. Some of them came from professional backgrounds where this knowledge literally was a trade secret, others just wanted to decrease the chances of their rivals in competitions, but for whatever reason it was like getting a door slammed in your face. Now, that’s a generalization – there were definitely some lovely and kind and helpful old-school costumers – but they tended to advise more one-on-one, and the idea of just putting detailed knowledge out there for random strangers to use wasn’t much of a thing. And then what information did get out there was coming from people with the freedom and budget to do things like invest in all the tools and materials to create authentic leather hauberks, or build a vac-form setup to make stormtrooper armor, etc. NOT beginner friendly, is what I’m saying.
Then, around 2000 or so, two particular things happened: anime and manga began to be widely accessible in resulting in a boom in anime conventions and cosplay culture, and a new wave of costume-filled franchises (notably the Star Wars prequels and the Lord of the Rings movies) hit the theatres. What those brought into the convention and costuming arena was a new wave of enthusiastic fans who wanted to make costumes, and though a lot of the anime fans were much younger, some of them, and a lot of the movie franchise fans, were in their 20s and 30s, young enough to use the internet to its (then) full potential, old enough to have autonomy and a little money, and above all, overwhelmingly female. I think that latter is particularly important because that meant they had a lifetime of dealing with gatekeepers under our belts, and we weren’t inclined to deal with yet another one. They looked at the old dragons carefully hoarding their knowledge, keeping out anyone who might be unworthy, or (even worse) competition, and they said NO. If secrets were going to be kept, they were going to figure things out for ourselves, and then they were going to share it with everyone. Those old-school costumers may have done us a favor in the long run, because not knowing those old secrets meant that we had to find new methods, and we were trying – and succeeding with – materials that “serious” costumers would never have considered. I was one of those costumers, but there were many more – I was more on the movie side of things, so JediElfQueen and PadawansGuide immediately spring to mind, but there were so many others, on YahooGroups and Livejournal and our own hand-coded webpages, analyzing and testing and experimenting and swapping ideas and sharing, sharing, sharing.
I’m not saying that to make it sound like we were the noble knights of cosplay, riding in heroically with tutorials for all. I’m saying that a group of people, individually and as a collective, made the conscious decision that sharing was a Good Things that would improve the community as a whole. That wasn’t necessarily an easy decision to make, either. I know I thought long and hard before I posted that tutorial; the reaction I had gotten when I wore that armor to a con told me that I had hit on something new, something that gave me an edge, and if I didn’t share that info I could probably hang on to that edge for a year, or two, or three. And I thought about it, and I was briefly tempted, but again, there were all of these others around me sharing what they knew, and I had seen for myself what I could do when I borrowed and adapted some of their ideas, and I felt the power of what could happen when a group of people came together and gave their creativity to the world.
And it changed the face of costuming. People who had been intimidated by the sci-fi competition circuit suddenly found the confidence to try it themselves, and brought in their own ideas and discoveries. And then the next wave of younger costumers took those ideas and ran, and built on them, and branched out off of them, and the wave after that had their own innovations, and suddenly here we are, with Youtube videos and Tumblr tutorials and Etsy patterns and step-by-step how-to books, and I am just so, so proud.
So yeah, seeing appreciation for a 17-year-old technique I figured out on my dining-room table (and bless it, doesn’t that page just scream “I learned how to code on Geocities!”), and having it embraced as a springboard for newer and better things warms this fandom-old’s heart. This is our legacy, and a legacy the current group of cosplayers is still creating, and it’s a good one.
(Oh, and for anyone wondering: yes, I’m over 40 now, and yes, I’m still making costumes. And that armor is still in great shape after 17 years in a hot attic!)
In 2018 I developed a method to bind fanfiction into hardback books. Like penwiper, I was also literally working in my kitchen by myself and trying things out. This solo work was a meditative experience that allowed me to think deeply about the implications of what I was creating and what my ethics and philosophy should be. I got around to the idea that the knowledge I was building should be spread far and wide, so that together, many of us fans could bind all the wonderful fics that made our lives better in a million tiny ways, and wherever possible, create a copy to give to the authors themselves. In 2019 I wrote How to Make a Book From An AO3 Page, a free manual for how to format and bind fanfic, as a gift to fandom as a whole. It took off during the 2020 lockdown and has been going strong ever since.
Now, through the efforts of so many wonderful people, Renegade Bookbinding Guild has developed out of the Discord server I originally created just to answer questions about paper, fonts, printers and such. I figured there would be no more than 15 people joining. We have surpassed 3000.
I hope in another 20 years time my little tutorial still be kicking along out here, my bad photography and potty mouth sitting forever at the foundational level of an exploding practice of radical generosity and community, preserving the best of fanfiction from the ravages of time and digital threats and censorship, and giving authors the best thank you I know how to give.
ArmoredSuperHeavy, March 2026
i need to get into fanbinding tbh
New Free Minizine: "Recovering from Reactivity"
[[ get a printable and read only version here (it's free) ]]
aadam jacobs's archive
If you know the meaning of the word "defenestrate", do you remember how you learned it?
Yes (put it in the tags please I'm curious)
No
I don't know the meaning of the word defenestrate
theres like a guarantee that if someone’s url ends in “course” or “discourse” theyre an asshole
oh my god, oh my god im so sorry im so sorry please
please have these
this is the greatest story ever told
from Ask a Manager
#there are a lot of good reasons not to use child labor#but admittedly one of them is that children aren’t good at it
parenting commitment level 3000
apparently a requirement for working at poison control is a talent for stand-up comedy
When I was training to be a paramedic, we had one student ask the instructor what to do in the event of a marijuana overdose. The instructor said "Tell him to take two twinkies and call you in the morning."
Okay, there's a good reason for this though!
If the Please Do Not Eat That Professional thinks it's inconsequential enough to be funny, then the concerned caller knows it's no big deal. When I was a kid my mom called poison control because I ate not one but several crayons, and their advice was to make sure I didn't stray too far from a toilet for a few hours because suppositories are made of wax, too.
Also several years ago I ate half a sandwich while wondering why the hell it tasted so funny only to realize the Goo Gone I'd been cleaning with was leaking, and did so onto my sandwich. Poison Control now has an online form where you can put in what you ingested/how much/when/etc. and someone basically triages those out, so the kid who just drank a bunch of drain cleaner isn't in line behind the kid who ate a crayon. I got a call like twenty minutes later from a nurse who told me I was fine.
Oh! And if you want to know what the tool looks like, it now gives a "this is not a real case" option to let you test it out, so I became a hypothetical worried patient who accidentally took 1000mg of ibuprofen (max dose should be 800) instead of 1000mg of acetaminophen (which has a max dose of 1000) and ran the entire thing. It took me less than two minutes from this:
To this:
Below this screenshot I was advised to drink some water and that if symptoms developed in the next four hours, I should only be concerned in certain cases (e.g. nausea is normal, heart palpitations are a problem).
So what if it's a serious problem? Suddenly, hypothetical Nina was cleaning xir bathroom sink and got hit with some Drano splashback with xir eyes and mouth open! Here's what the tool suggested. As soon as I selected that I'd gotten Drano in my eyes, this popped up:
So I hypothetically went to rinse my eyes, came back, and indicated it'd also gotten into my mouth and onto my skin. Here was the result:
And finally, hypothetical!Nina made an extremely bad decision, then decided this wasn't how xe wanted things to end after all. So I selected the option that says I'd attempted self-harm, and this popped up. (I didn't get it in the screenshot, but there's a drawing of a sad snail at the top of the screen. I think it's supposed to remind you someone is there, this just isn't the best route to reach them.)
The tool covers literally thousands of substances, and it's fast to use. It'll ask your age, assigned sex at birth, what you were exposed to, how (ate/drank it, breathed it in, got it in your eyes, etc.), how much you were exposed to, how long ago, whether you notice any symptoms, and what zip code you're in. That's it, and it's right here if you need it, and as they told me when I said I felt dumb over my Goo Gone-ified sandwich, they'd rather I check and be fine than not check because I "felt silly" and end up dead.
I am reading an interview with a historian that set out to weave the type of textiles that was sold to plantations for use by enslaved people using period appropriate looms.
But because I knew nothing about weaving, everything had to be explained to me, down to the most basic tacit knowledge: things that an eight-year-old girl in 1828 would have known, because when she was not winding yarn around a quill to help her mother, she was working on the family’s loom herself...
The great challenge of our work as scholars—at least, those who are interested in historical reconstruction or the histories of any craft tradition—is that almost none of what we want to know is written down—because it didn’t have to be and it didn’t need to be articulated. So to be in a situation where expert weavers had to talk to me like I was a child was one of the best things that happened to me in the course of my research for this book.
“But I had found a set of instructions in the archives of one of New England's leading manufacturers of low-end woollen cloth for enslaved w
For my textile, weaving, historic textile, history enthusiasts
The interviewer is also a weaver!
SW: ... That’s really awesome. You’ve taught this class now for two semesters. What have you learned from your students?
SR: Their expertise as makers has clued me into historical experiences most scholars have glossed right over. A 1930s Federal Writers Project interview with a formerly enslaved octogenarian might reference a grandmother’s sewing prowess, but then a student will say, No, you can’t just skim over by that! Do you know how many hand stitches it takes to do the seam of a dress? If you’ve never handsewn a skirt (and I haven’t), you might need to be reminded of the labor involved. One student reproduced a 19th-century skirt as her final project, and it was all about the stitches. Their reading of primary sources picked up on things that I missed.
And this took me in new directions in my own research. You might remember a discussion of sewing labor in the final chapter of Plantation Goods and the implication of a cloth’s width for a woman’s work routine. If you know how to cut the pieces for a shirt from a 32-inch-wide piece of fabric, it is going to mess everything up when you’re given a bolt of 28-inch-wide cloth. I had seen letters from slaveholders in the 1830s and 1840s complaining about the narrowness of the cloth and how enslaved women didn’t “understand” these fabrics. This wasn’t transparent to me as a historian. Only with students talking about the expertise involved in cutting cloth into the components of a garment did I realize what a difference it made when, say, a New England weaver was haphazard and turned out fabric four inches narrower than the usual variety. That error would reverberate in the lives of people 1,000 miles away who might face extreme forms of violence because they couldn’t meet their daily production quotas. Or they might experience other kinds of privation—a lack of rags for postpartum women, for example—because a wider fabric left scraps while a narrower one did not.
The conversation that happens in this relatively short interview about all the processes and choices in textile production (then and now) are really important.
From the arguments made and lengths slave holders went to to acquire the worst wool, to under appreciated labor of textile and clothing production.
What is your favorite TV show that is not:
1) part of a franchise
2) a police procedural or any kind of crime solving
3) A workplace comedy
Adding:
4) Medical procedurals
Bluey.
Bluey is a massive franchise.
gun to your head what are your top 3 albums of all time. no honorable mentions, no ties for third place i want to know your TOP 3 ONLY.
do me a favor and plz reblog with your five most recently used non-face, non-hand, non-heart emojis
im using a new cooler version of tumblr where if i browse for too long a horse slowly fades in until I can't see anything or really use the website in any way