TOS Textposts pt 22-???

Andulka
occasionally subtle
PUT YOUR BEARD IN MY MOUTH

JVL

No title available
almost home

tannertan36

No title available
Lint Roller? I Barely Know Her

祝日 / Permanent Vacation
d e v o n

Kiana Khansmith

shark vs the universe
Claire Keane

if i look back, i am lost
let's talk about Bridgerton tea, my ask is open
Sade Olutola
Monterey Bay Aquarium
One Nice Bug Per Day
Aqua Utopia|海の底で記憶を紡ぐ

seen from United Kingdom
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seen from United States
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seen from Italy
@bywordandstitch
TOS Textposts pt 22-???
when i was curating the marine science museum i was up in the archives looking for something and when i walked out i had to go through the main museum hall and i heard some kids speculating something about a whale skeleton so i walked up and started talking to them about it. they started asking me follow up questions and then another and another and another and then their parents came over and immediately zeroed in on my "curator" nametag and told their kids i was probably very busy and i said no not at all keep asking me questions. soon their parents asked some questions too (after a few more apologies, because somewhere along the line they learned shame that i want to undo) and in the end i talked to them for like 30 minutes as a few more people joined.
a few months later one of the parents wrote me a letter that i still keep with me and in the letter they asked the kids what they learned at the museum and one of the kids said, "i learned i'm special."
choked up just typing that now LMAO. they didn't mention the whales or the squids or the seals or the tides or the seaweed i told them all about. they learned that their questions matter so much that even the person in charge should stop and answer them. they learned they don't need to apologize for not knowing and for asking questions. they learned that they're special!!!!!!!! what could possibly matter more???
omfg that is just too adorable
This kitteh having a little halloween adventure is one of my favourite posts of all time :)
Every fall like clockwork this photo set pops up and we all must reblog it
You know it’s getting close to Halloween when you see it appear :D
my heart….
Oh little baby kitty ❤️
I can’t stop laughing at this 🤣😂🤣
found this three year old draft buried in my files. is it funny? I don't remember
Some mushroom socks!🍄🧦My best friend sent me a Finnish knitting pattern she found on pinterest which I google translated. The things I do for people 💖
I blocked my knitting for the first time which was interesting, I might actually do that from now on.
[Image description: a pair of knitted mushroom patterned knee length socks. They have green cuffs, 5 rows of different shaped mushrooms in different colour combinations of brown, light beige and yellow, 2 rows of green leaves between the mushrooms and 4 rows of green leaves on top of the feet. The background colour of the socks is charcoal grey. The first image has the socks layed flat and the second image has the socks on feet. End ID]
Super weird to have innocuously added a silly personal anecdote to a post you didn't realize was super popular...
Only to have it cross your dash a week later and find out that like 12,000 people think you're lying.
¯\_(ツ)_/¯
Okay so since this hasn't died yet, I feel like I have to add to it. The story re: my dept. lead also being on Tumblr and us outing each other with the sacred texts is like, one of the least weird/that sounds fake things that's ever happened to me.
Some of the greatest hits include:
-Was taken to the military funeral of a total stranger in the swamp lands of Louisiana by another total stranger when I thought I was going to a work meeting. (A funeral that ended with the words 'Sombitch y'all done shot MeeMaw!')
-Asked Zac Efron to take a photo with me in 2008 and then getting so flustered that I asked 'Do you want to use my camera or yours?' (he was very nice and said 'Why don't we use yours.')
-Was dressed exactly the same as every single person in my company (not in a company uniform, we were all dressed like our IT guy) when we were raided by the FBI.
-Got asked out at my mother's funeral.
-Signed an autograph as Kat Dennings to a VERY drunk man at the Nashville Airport just to get him to leave me alone.
-Attended my husband's 15th high school reunion alone and entirely by accident.
-Had a man come into my cafe and harass my employees and when I told him to leave he got up in my face and said 'I can gut you like a fucking fish.' And with my utter lack of will to live, I said, without blinking or moving, 'You can try.'
-Acted as maid of honor and gave a wedding toast for a couple I did not know because the bride was desperate to not have her awful sister have the microphone and ruin everything.
...
I mean.
Since @grimeysociety asked, I shall expound upon the tale of being raided by the FBI.
Back in 2018, I started working for a whole body donation center. If you don't know what that is, it's when someone decides to donate their bodies to science, we're like 'Yeah, hi, we'll take it.'
This company was very much on the up-and-up. We had pristine medical facilities, quarterly state inspections, all the right certifications, the whole nine. HOWEVER that's not the case for every whole body donation center in the country.
(If you're considering donation, it's a wonderful gift, but PLEASE research the company you're planning to use.)
Imagine that you are an FBI investigator and you have heard all of the horror stories about Frankenstein's for-profit nightmare factory. Your co-workers have talked about it, there have been team meetings about being respectful of people's trauma and counseling services available, hell maybe you were there. And now you're getting ready to raid another facility which might be the same. You go to sleep the night before wondering if you're going to find a perfectly ordinary office or if you're going to have nightmares for for the rest of your life about what you find.
And then you walk into the facility and it's perfectly clean. Everything in order, paperwork filed, nothing amiss.
Except every single fucking person in the entire building is wearing the exact same outfit, from their beanies down to their shoes. Like you walked into a movie theater which you knew was either going to be playing The Human Centipede or Gray's Anatomy, and it's playing Gray's Anatomy but also every single seat is occupied by a mannequin with its head turned towards the entrance.
I wonder if they thought they'd accidentally walked into a cult, some new and special way for things to be fucked up.
Sudokuvania: Digits of Despair is one of the most impressive works of pure game design I have ever seen.
Before I say anything else, I am going to be talking about a game that is VERY new and has pretty terrible search optimization, so in case this blog post somehow came up near the top of results for someone, here is the as-of-this-writing-current 1.02 release, and for good measure, here is the official FAQ page with the full version history, any future patches, and an FAQ for some of the more confusingly worded stuff that crops up later into the game. Now on with the praise-heaping!
So... Sudokuvania pretty much exactly what the name implies. It's a -vania, that is, a Metroidvania, and specifically one styled after one of the ones that's actually in the latter Castlevania series so that naming convention actually makes sense. Exploring a big castle, fighting bosses, getting various items letting you explore more areas, maybe breaking out of the borders of the map to find cool secrets here and there.
Also, it's a variant of sudoku. And I don't mean someone sat down with some videogame designing toolkit and made a videogame where some of the gameplay is solving logic puzzles on a grid you fill with numbers (I mean, I guess technically I do). I mean that link to the game I posted takes you to a website with a little built in standard app for solving sudoku puzzles and weird variations thereof, and the particular puzzle it's pointing to, somehow, manages to have a big map to explore, boss fights, special items that give you new powers, NPCs, and for good measure, fog of war. It is, again, an absolutely amazing hacky thing and I'm flabbergasted at how well executed it is. Now you're probably wondering how that even works, and that's why I'm writing this big gushy blog post. Here's what you see when you first load it up:
You're going to notice there is some absurdly small and kind of important text you can't possibly read, and that's because again, this is kind of a hacky thing this site so was not designed for. So it's kind of annoying but if you access this through the proper introduction page, it'll explain that the first thing you need to do is click the little gear icon in the floating tool palette, toggle on Visuals: Draw arrows above lines and Disable emoji replacement, then scroll all the way down to Experimental and turn on Test Large Puzzle UI. That enables you to zoom in and out with the scroll wheel, and right-click drag to pan around. It's... a little clunky because again, this website was NOT built for this, but tada, now you can zoom in, read the text, and start solving at a reasonable size. Then there's a couple gameplay concepts it does its best to explain, but... most people I've shown it to myself included needed extra explanation of a couple important early concepts. So let me just do a little color coding here to make this easier to get...
The map is not, in fact, one great big grid. It's 9 squares (and one rectangle that's not quite square over on the east side). Each of these is its own 9x9 Sudoku grid (well, the starting one is 6x6 and has those mutant 2x3 cells instead of the usual 3x3, and there's that weird eastern mutant). If you're solving stuff in one square, you completely ignore everything outside that square, except for where they overlap, in which case the numbers you're placing have to fit for both puzzles. So if we look at the light grey/green intersection on the left, those three overlap cells respectively can't be 4 6 or 5 (and whatever use you deduce in the grey box, but the pure green cells completely ignore all that, you're just focusing on the green 9x9 (which is going to have the overlap as a starting point, naturally).
The next bit that through me off a ton is the way fog of war works. Let me reasonably zoom in and do a little solving here. One second...
Here's the whole starting area all marked up to hell like you do when you're kinda bad at Sudoku and don't know how to spot a starting point. Penciling in little numbers in the corners. You'll also notice a that... most of the map is covered in this dark grey fog of war. A lot of in-game stuff mentions that you shouldn't go clicking out into the fog of war, because it'll show you names of later areas and preview certain special rules and all, but that's talking about clicking WAY off from what you can see. You are 100% allowed to solve stuff out in the fog of war, and it's pretty stingy about de-fogging. Don't go blindly guessing because then you can maybe end up sequence breaking but... yeah. Sorry I'm spoiling the Front Gate, it's basically the tutorial though. Anyway, first move is obvious, only one place we can put that 6, and suddenly...
Tada, important space so it rewarded us with a little fog clearing. You can also see that this will handily point out stuff in your pencil notes that can't be true, but only if A- it's untrue for standard sudoku reasons not special stuff, and B- it's not in the fog of war (or on the other side of some. You also maybe noticed that weird green thing under that first hint 6? That's something we need a tool for, you don't worry about it until you have that tool. Solving this out some more...
Little more de-fogging, both of the puzzle area and the margins where we're getting new information on playing the game in general. Now right here if you're observant, you'll see that bottom right corner has to be a 6. It's out in the fog of war, but you can mark it if you know what it is. And...
I was cropping it out before but the big purple number pad is always floating off to the side there, and the green text box over it, which among other things has an area name and flavor text for whatever grid you're in. This won't ALWAYS happen when you place numbers in fog of war, but there was a trigger on this 6 to load in a little piece of the first real area, and oh hey, we unlocked "Guide THERMO!" That's our first tool, and it's described up in the upper left.
So tada, from here out in addition to standard sudoku stuff, you've got these "bronze Guide THERMOs" that show up here and there and have this extra rule. You basically never get free numbers in the grid past the Front Gate, it's all slow-marching into new areas using what you're bringing in plus some easy starting examples of how your new tools work, plowing on from there. The fog of war is pretty stingy but it keeps you focused. You'll also notice the rules here mention bosses, all the 9x9 ones have one. It's clearly marked, and you should PROBABLY expose it from the fog first, but any time you're in the area really you, if you scroll around in that green text box or hit the rules button when in a grid, there's a link you can click to go fight it. The boss fights are all separate puzzles (site's good about auto-saving so don't freak out if it takes over your tab and you have to hit back after). These are very themey, sometimes VERY evil (especially boss #1, feels a bit overtuned) self-contained 9x9 puzzles, probably using the same tools their area is themed around, and I don't think there's a single pre-placed number in any of them. Beat the boss puzzle, it gives you some flavor text and a number to place in its cell back in the main castle puzzle, plug that in and you're always going to unlock something cool. Usually a new item, sometimes other weird stuff, and it just goes on like that.
Don't expect to be able to fully solve a given grid in one go. It's a Metroidvania, backtracking is expected. Even if you've fully de-fogged a grid, later stuff might reward you by straight up adding new symbols you couldn't see before or doing weird stuff with fog. It IS all solvable with pure logic... but there ARE a few places that do that thing I hate in tougher sudokus where you just kinda have to pencil in in a different faction and explore 2 possible futures for a bit to see which eventually contradicts itself. And of course the last couple of grids do some really evil mind-bendy stuff.
But yeah aside from a couple gripes where the way a tool works could maybe be a lot more grammatically clear, that first boss being a lot to deal with as you're first getting your feet wet, and a particularly cruel twist later on, I don't really have any complaints. Well, it might need a cool soundtrack. Maybe play some Castlevania music. Maybe switch it up for some real proper boss music when you're nearing victory.
Again I am just completely blown away that someone made something so meaty in a standard sudoku site's normal UI, and really managed to make it feel so much like playing a DS Castlevania. Some real proof of game design being an art form here. And now you too can just completely lose a day or two to it!
This is frustrating me beyond belief, fucking love it.
“Covid game me narcolepsy” no you fucking pervert it didn’t. You’re just a weirdo with a gross fetish. Covid didn’t make you suddenly want to fuck dead people. Keep that shit to yourself you gods damned weirdo
I have type 2 Narcolepsy. Studies have shown that serious viral infections can cause people to develop Narcolepsy if they are already genetically susceptible to having it. This includes covid. That is what happened to me.
You on the other hand might want to google the difference between Narcolepsy and Necrophilia….
I’m gonna be real this might be a contender for one of the best posts of all time im going to be thinking about the anon who thought narcolepsy was necrophilia for months
In Memory of Peter Morwood
My deepest condolences to his friends and family.
I did a small artwork about things that he brought to lives of many internet strangers, me included.
Do any of u have decent recipes that are like 5 ingredients (not including spices) and take 45 mins or less to prepare i gotta stop eating sandwiches for dinner
yeah hang on
ignore the title of this google doc because it's a long story but it's a really solid recipe for southwest chicken alfredo
this is a vegetarian potato curry recipe that's about 75% spices; once you get the potatoes in there you can really do whatever you want with it
this is literally just pasta, broccoli, and cheese babey and you can live off that shit for DAYS it makes such a big portion
bro this spinach/pesto/3 cheese flatbread is so fucking tasty bro
also you can make the flatbread yourself it's super quick!!
oh hey I'm eating this white chickpea chili right now, much like the curry it's mostly spices and you can do p much do whatever you want with it
don't let the name fool you these potatoes are delicious any time. not just breakfast.
this is slightly more than five ingredient when you add them together but if you have time and really wanna fuckin treat yourself I recommend these chicken strips + this cornbread + either these potatoes or these buttered veggies on the side.
These are my two favorite comfort foods. They're very easy to make and dont take long to cook.
Garlic butter rice
Orzo mac and cheese (comes out a little bit soupy)
this recipe for gogumabap (sweet potato and rice) saved my life when i couldn't eat hardly anything for a long time. the recipe itself calls for a heavy bottomed pot but you can absolutely use a rice cooker and put the rice and diced sweet potato in together and just let the machine do its thing
Time for me to beat my little clown drum again for Indian-ish by Priya Krishna, aka The Easiest Recipes I Have Ever Fucking Made. Dal that takes 15 minutes. Easy aloo gobhi. Easy saag feta. Buy. Cook. Eat.
I'mma just offer up my whole side blog, @spooniechef - can't promise five ingredients or fewer but it's all recipes I can actually do even on bad fibromyalgia days. There's also a whole post on emergency calories that aren't just sandwiches, and other tips to just make cooking easier in general.
Temples are built for gods. Knowing this a farmer builds a small temple to see what kind of god turns up.
Arepo built a temple in his field, a humble thing, some stones stacked up to make a cairn, and two days later a god moved in.
“Hope you’re a harvest god,” Arepo said, and set up an altar and burnt two stalks of wheat. “It’d be nice, you know.” He looked down at the ash smeared on the stone, the rocks all laid askew, and coughed and scratched his head. “I know it’s not much,” he said, his straw hat in his hands. “But - I’ll do what I can. It’d be nice to think there’s a god looking after me.”
The next day he left a pair of figs, the day after that he spent ten minutes of his morning seated by the temple in prayer. On the third day, the god spoke up.
“You should go to a temple in the city,” the god said. Its voice was like the rustling of the wheat, like the squeaks of fieldmice running through the grass. “A real temple. A good one. Get some real gods to bless you. I’m no one much myself, but I might be able to put in a good word?” It plucked a leaf from a tree and sighed. “I mean, not to be rude. I like this temple. It’s cozy enough. The worship’s been nice. But you can’t honestly believe that any of this is going to bring you anything.”
“This is more than I was expecting when I built it,” Arepo said, laying down his scythe and lowering himself to the ground. “Tell me, what sort of god are you anyway?”
“I’m of the fallen leaves,” it said. “The worms that churn beneath the earth. The boundary of forest and of field. The first hint of frost before the first snow falls. The skin of an apple as it yields beneath your teeth. I’m a god of a dozen different nothings, scraps that lead to rot, momentary glimpses. A change in the air, and then it’s gone.”
The god heaved another sigh. “There’s no point in worship in that, not like War, or the Harvest, or the Storm. Save your prayers for the things beyond your control, good farmer. You’re so tiny in the world. So vulnerable. Best to pray to a greater thing than me.”
Arepo plucked a stalk of wheat and flattened it between his teeth. “I like this sort of worship fine,” he said. “So if you don’t mind, I think I’ll continue.”
“Do what you will,” said the god, and withdrew deeper into the stones. “But don’t say I never warned you otherwise.”
Arepo would say a prayer before the morning’s work, and he and the god contemplated the trees in silence. Days passed like that, and weeks, and then the Storm rolled in, black and bold and blustering. It flooded Arepo’s fields, shook the tiles from his roof, smote his olive tree and set it to cinder. The next day, Arepo and his sons walked among the wheat, salvaging what they could. The little temple had been strewn across the field, and so when the work was done for the day, Arepo gathered the stones and pieced them back together.
“Useless work,” the god whispered, but came creeping back inside the temple regardless. “There wasn’t a thing I could do to spare you this.”
“We’ll be fine,” Arepo said. “The storm’s blown over. We’ll rebuild. Don’t have much of an offering for today,” he said, and laid down some ruined wheat, “but I think I’ll shore up this thing’s foundations tomorrow, how about that?”
The god rattled around in the temple and sighed.
A year passed, and then another. The temple had layered walls of stones, a roof of woven twigs. Arepo’s neighbors chuckled as they passed it. Some of their children left fruit and flowers. And then the Harvest failed, the gods withdrew their bounty. In Arepo’s field the wheat sprouted thin and brittle. People wailed and tore their robes, slaughtered lambs and spilled their blood, looked upon the ground with haunted eyes and went to bed hungry. Arepo came and sat by the temple, the flowers wilted now, the fruit shriveled nubs, Arepo’s ribs showing through his chest, his hands still shaking, and murmured out a prayer.
“There is nothing here for you,” said the god, hudding in the dark. “There is nothing I can do. There is nothing to be done.” It shivered, and spat out its words. “What is this temple but another burden to you?”
“We -” Arepo said, and his voice wavered. “So it’s a lean year,” he said. “We’ve gone through this before, we’ll get through this again. So we’re hungry,” he said. “We’ve still got each other, don’t we? And a lot of people prayed to other gods, but it didn’t protect them from this. No,” he said, and shook his head, and laid down some shriveled weeds on the altar. “No, I think I like our arrangement fine.”
“There will come worse,” said the god, from the hollows of the stone. “And there will be nothing I can do to save you.”
The years passed. Arepo rested a wrinkled hand upon the temple of stone and some days spent an hour there, lost in contemplation with the god.
And one fateful day, from across the wine-dark seas, came War.
Arepo came stumbling to his temple now, his hand pressed against his gut, anointing the holy site with his blood. Behind him, his wheat fields burned, and the bones burned black in them. He came crawling on his knees to a temple of hewed stone, and the god rushed out to meet him.
“I could not save them,” said the god, its voice a low wail. “I am sorry. I am sorry. I am so so sorry.” The leaves fell burning from the trees, a soft slow rain of ash. “I have done nothing! All these years, and I have done nothing for you!”
“Shush,” Arepo said, tasting his own blood, his vision blurring. He propped himself up against the temple, forehead pressed against the stone in prayer. “Tell me,” he mumbled. “Tell me again. What sort of god are you?”
“I -” said the god, and reached out, cradling Arepo’s head, and closed its eyes and spoke.
“I’m of the fallen leaves,” it said, and conjured up the image of them. “The worms that churn beneath the earth. The boundary of forest and of field. The first hint of frost before the first snow falls. The skin of an apple as it yields beneath your teeth.” Arepo’s lips parted in a smile.
“I am the god of a dozen different nothings,” it said. “The petals in bloom that lead to rot, the momentary glimpses. A change in the air -” Its voice broke, and it wept. “Before it’s gone.”
“Beautiful,” Arepo said, his blood staining the stones, seeping into the earth. “All of them. They were all so beautiful.”
And as the fields burned and the smoke blotted out the sun, as men were trodden in the press and bloody War raged on, as the heavens let loose their wrath upon the earth, Arepo the sower lay down in his humble temple, his head sheltered by the stones, and returned home to his god.
Sora found the temple with the bones within it, the roof falling in upon them.
“Oh, poor god,” she said, “With no-one to bury your last priest.” Then she paused, because she was from far away. “Or is this how the dead are honored here?” The god roused from its contemplation.
“His name was Arepo,” it said, “He was a sower.”
Sora startled, a little, because she had never before heard the voice of a god. “How can I honor him?” She asked.
“Bury him,” the god said, “Beneath my altar.”
“All right,” Sora said, and went to fetch her shovel.
“Wait,” the god said when she got back and began collecting the bones from among the broken twigs and fallen leaves. She laid them out on a roll of undyed wool, the only cloth she had. “Wait,” the god said, “I cannot do anything for you. I am not a god of anything useful.”
Sora sat back on her heels and looked at the altar to listen to the god.
“When the Storm came and destroyed his wheat, I could not save it,” the god said, “When the Harvest failed and he was hungry, I could not feed him. When War came,” the god’s voice faltered. “When War came, I could not protect him. He came bleeding from the battle to die in my arms.” Sora looked down again at the bones.
“I think you are the god of something very useful,” she said.
“What?” the god asked.
Sora carefully lifted the skull onto the cloth. “You are the god of Arepo.”
Generations passed. The village recovered from its tragedies—homes rebuilt, gardens re-planted, wounds healed. The old man who once lived on the hill and spoke to stone and rubble had long since been forgotten, but the temple stood in his name. Most believed it to be empty, as the god who resided there long ago had fallen silent. Yet, any who passed the decaying shrine felt an ache in their hearts, as though mourning for a lost friend. The cold that seeped from the temple entrance laid their spirits low, and warded off any potential visitors, save for the rare and especially oblivious children who would leave tiny clusters of pink and white flowers that they picked from the surrounding meadow.
The god sat in his peaceful home, staring out at the distant road, to pedestrians, workhorses, and carriages, raining leaves that swirled around bustling feet. How long had it been? The world had progressed without him, for he knew there was no help to be given. The world must be a cruel place, that even the useful gods have abandoned, if farms can flood, harvests can run barren, and homes can burn, he thought.
He had come to understand that humans are senseless creatures, who would pray to a god that cannot grant wishes or bless upon them good fortune. Who would maintain a temple and bring offerings with nothing in return. Who would share their company and meditate with such a fruitless deity. Who would bury a stranger without the hope for profit. What bizarre, futile kindness they had wasted on him. What wonderful, foolish, virtuous, hopeless creatures, humans were.
So he painted the sunset with yellow leaves, enticed the worms to dance in their soil, flourished the boundary between forest and field with blossoms and berries, christened the air with a biting cold before winter came, ripened the apples with crisp, red freckles to break under sinking teeth, and a dozen other nothings, in memory of the man who once praised the god’s work on his dying breath.
“Hello, God of Every Humble Beauty in the World,” called a familiar voice.
The squinting corners of the god’s eyes wept down onto curled lips. “Arepo,” he whispered, for his voice was hoarse from its hundred-year mutism.
“I am the god of devotion, of small kindnesses, of unbreakable bonds. I am the god of selfless, unconditional love, of everlasting friendships, and trust,” Arepo avowed, soothing the other with every word.
“That’s wonderful, Arepo,” he responded between tears, “I’m so happy for you—such a powerful figure will certainly need a grand temple. Will you leave to the city to gather more worshippers? You’ll be adored by all.”
“No,” Arepo smiled.
“Farther than that, to the capitol, then? Thank you for visiting here before your departure.”
“No, I will not go there, either,” Arepo shook his head and chuckled.
“Farther still? What ambitious goals, you must have. There is no doubt in my mind that you will succeed, though,” the elder god continued.
“Actually,” interrupted Arepo, “I’d like to stay here, if you’ll have me.”
The other god was struck speechless. “…. Why would you want to live here?”
“I am the god of unbreakable bonds and everlasting friendships. And you are the god of Arepo.”
… and a folk story was born???
This quite literally brought tears to my eyes /pos. I highly recommend reading this if you haven’t already.
Every once in a while I find myself thinking back to this post. How nice it would be to be able to incorporate something similar into my own (as-of-yet not even outlined) story.
The start of my new favourite wall. https://www.instagram.com/p/CncVDJSIYgcrd1Ni9kEPLomSviEf6bAPRszpxE0/?igshid=NGJjMDIxMWI=
No castle hill today. I'm glad we didn't completely miss autumn while we were away. (at Hinchliffe's Farm Shop & Restaurant) https://www.instagram.com/p/Ck5oj1aoYbsZBbWnODCQEIKmc2U-OiNFaJDxSU0/?igshid=NGJjMDIxMWI=
Throwback to the most marvellous time we had last month. This was only the first week. 💙💙💙 (at Japan) https://www.instagram.com/p/CkpxWW9I2TY/?igshid=NGJjMDIxMWI=
Picked up some pour-over coffee bags at Changi Airport and it is delicious. #BachaCoffee #BachaDecaffeinated (at Changi Airport Singapore) https://www.instagram.com/p/CknupHVoha8/?igshid=NGJjMDIxMWI=
Kyoto so far. It's been great (at Kyoto, Japan) https://www.instagram.com/p/CkCRh0kSSm4/?igshid=NGJjMDIxMWI=