[ID: I love my boyfriend. /End ID]
[ID: same crap, different day. /End ID]
Cosimo Galluzzi

❣ Chile in a Photography ❣
Xuebing Du

@theartofmadeline
NASA
Aqua Utopia|海の底で記憶を紡ぐ

PR's Tumblrdome

Jar Jar Binks Fan Club
No title available

gracie abrams

Kiana Khansmith
Lint Roller? I Barely Know Her

izzy's playlists!
Monterey Bay Aquarium

Love Begins

roma★
Cookie Run:Kingdom Official!
𓃗
Sade Olutola
Mike Driver
seen from United States

seen from United States

seen from Netherlands
seen from Brazil
seen from Uzbekistan

seen from Türkiye
seen from United States
seen from United States
seen from Indonesia

seen from United States
seen from United States

seen from Netherlands
seen from United States
seen from United States

seen from United States

seen from United States
seen from United States

seen from United States
seen from United States
seen from Ghana
@cabin-complex-jon
[ID: I love my boyfriend. /End ID]
[ID: same crap, different day. /End ID]
The Workshop Stairs - Katy Serra , 2020.
French , b. 1962 -
Oil on canvas , 50 x 50 cm.
Vincent's Kitchen - Katy Serra , 2022.
French , b. 1962 -
Oil on canvas , 92 x 65 cm.
I don't think I've ever seen anything that more perfectly replicates how psychosis feels. The latching onto/ascribing meaning to little details. The endless "searching..." as your brain tries to fit every real-life stimulus into its narrative of what's REALLY going on. The background preoccupation with real, ongoing emotional difficulty...
People often imagine psychotic delusions as being entirely dependent on hallucination, people seeing and talking to fully fleshed out, convincing looking characters. But delusion doesn't require hallucination at all. All it requires is the conviction that ordinary things are a puzzle to be solved, that there's meaning to be made... and that you're so close to understanding things that no one else knows.
Rae Klein (American, 1995) - Holding and Beholding (2021)
*describing some learned fellow i'm acquainted with* he's very articulate *remembers when he crossed me* i mean verbose
Accidentally went wraith form in public and frighteneda load of people Im so fucking sorry
Lana❤
Glenn Brown, Architecture and Morality, 2004, Oil on panel, 140 x 98 cm
Glenn Brown (British, 1966)
my blanket warms me. what is its motive? consider that my blanket warms me with my own warmth, that i warm it, too, that without me my blanket would be cold as all surrounds. my blanket warms me because it wants to be warm. that is my motive, too, for warming it. there's a mutuality here. i'm like a blanket to my blanket and my blanket's just like a blanket to me.
When people say things like "Behold the Accursed One!" that doesn't imply any ill intent on their part -- quite often it's meant as a neutral or even helpful statement. But the problem with this sort of language is that, however well-intentioned it may be, it foregrounds the curse at the expense of the person behind it; auguries have shown that this can have a priming effect that subtly reduces empathy. For that reason, experts today encourage people to use one-first language, such as "Behold the One who Bears the Curse," to better emphasize the dignity of the individual.
From Ursula K. Le Guin’s Cat Dreams. Illustrated by S. D. Schindler.
© minilalabelle on x/twitter