Interview Vampire Daily
macklin celebrini has autism
ellievsbear
KIROKAZE
Cosimo Galluzzi
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Color Me Curious
Game of Thrones Daily
2025 on Tumblr: Trends That Defined the Year
I'd rather be in outer space 🛸
Sweet Seals For You, Always
RMH
bliss lane
Product Placement
Xuebing Du
let's talk about Bridgerton tea, my ask is open
Monterey Bay Aquarium
h
Andulka
art blog(derogatory)
seen from Japan
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seen from United States
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@captain-spock
I can't believe it's already 2017
Guys I’m crying omg I was drunk please stop reblogging this
They want it to stop…..we reblog it to the extreme
No no no lol please don’t
Forever reblog until 2017
O my god no
i cant stop laughingÂ
until 2017
only 3 more years.
I already added this to my queue, I don’t even know if i’ll still be on tumblr then
tomorrow
Always reblog NSYNC the day before May
THIS WAS REBLOGGED VIA ME FROM FROM EXACTLY A YEAR AGO I’M LAUGHING
ITS THAT TIME OF YEAR AGAIN
it’s a little early, but here’s some ace/aro valentines for you
I HAVE WAITED ALL YEAR TO POST THIS.
Every February 13th, my lady friends and I leave our husbands and our boyfriends at home, and we just come and kick-it, breakfast style. Ladies celebrating ladies. It’s like the Lilith Fair. Minus the angst. Plus frittatas.
Something happened today.
I HAVE WAITED ALL YEAR TO POST THIS
I love this
17th of December
This is weird, it’s almost over
YOU GUYS IT’S DECEMBER 10TH YOU DON’T UNDERSTAND THIS HAS BEEN IN MY QUEUE SINCE FEBRUARY
you have the rest of the day to reblog this
Headcanon that of fucking course Mcgonagall was invited to Ron and Hermione’s wedding and that during the reception Ron approached her at her table and held out his hand and asked her to dance, “you know, for old times’ sake.”
SPACE
THE FINAL FRONTIER
THESE ARE THE VOYAGES OF THE STARSHIP ENTERPRISE
ITS FIVE YEAR MISSION
TO EXPLORE STRANGE NEW WORLDS
TO SEEK OUT NEW LIFE AND NEW CIVILIZATIONSÂ
TO BOLDLY GO WHERE NO ONE HAS GONE BEFORE
[AGGRESSIVELY HUMS THEME TUNE]
“he’s cute and hasn’t said anything offensive yet,” an autobiography
& its sequel: “i should have known it was only a matter of time”
Refugees Welcome
I sometimes wonder if people who prefer the Russell T Davies era ever actually watched it.
Wow a Moffat Stan choosing style over substance what a surprise.
“It’s not Shiny and Pretty so it’s bad!1!!11!”
What substance?
Love and Monsters: An episode about a group of people with complex backstories (losing children to drugs, having their mother killed when they were a child) who bond over the Doctor. Manipulated and killed. Subplot about Jackie Tyler dealing with never knowing when her daughter will be home, if she ever comes home, and the shit she has to put up with because of it.
   “Let me tell you something about those who get left behind. Because it’s hard. And that’s what you become, hard. But if there’s one thing I’ve learnt, it’s that I will never let her down. And I’ll protect them both until the end of my life. So whatever you want, I’m warning you, back off.”
It parallels Elton (who lost his mother) and even Bridget (who lost her daughter), who got involved with LINDA as a coping mechanism for being left behind.
It’s also got a great ending speech:
    ”you know, when you’re a kid, they tell you it’s all, grow up, get a job, get married, get a house, have a kid, and that’s it. But the truth is, the world is so much stranger than that. It’s so much darker, and so much madder. And so much better.”
A message that RTDs Doctor tries to convey in almost every episode.
Frequently dismissed by people because “lol monster not scary”. Maybe if he was a stone angel with some pointy teeth…
Space Pig: Clearly not meant to be taken seriously. Designed to be obviously not an alien to the audience, to show the gullibility of humans and their tendency to overreact and act violently when faced with the unknown, as the soldiers did when they shot him to death when he clearly showed no threat. Also, meant as a DISTRACTION for the overreacting humans so that the real alien threat could put the world on red alert and they could get ahold of nuclear weapons.
Scribble: A product of an emotionally disturbed child from an abusive home where her only living family member refuses to give her closure of the abusive part of her childhood.
Slitheen: Skinned human beings and wore their pelt. Intended to use nuclear weapons to destroy the planet to sell for profit. A clear symbol for the destructiveness of corporate greed. But like “lol it fart and green so it bad”, right?
Lazarus: Tried to play god and delay the inevitability of aging and death. It resulted in him becoming quite literally a monster who’s fears and selfishness made him disregard other’s lives.Â
    ”It doesn’t work like that. Some people live more in twenty years than others do in eighty. It’s not the time that matters, it’s the person.”
Everything ends. That’s a common theme in Davies work. He’s informing us that death is inevitable but it doesn’t have to be horrible if we make the most of what we have.
Shrivelled Ten: The Master purposefully made the Doctor pathetic and weak to destroy the will of the people of earth. The Doctor is a symbol of hope, and if you weaken him then people give in to their fate.
Max Capricorn: He planned to wipe out London just to get revenge on members of the board. His inability to let go of his anger at the board is paralleled by his inability to let go of life, hence his existence as a cyborg at 200+ years of age. but “lol head on wheals, right?”
The Master: He’s completely physically unstable, because he planned his own resurrection as a means to escape the Doctor and cause the Doctor grief. His physical instability is just a visual manifestation of his emotional/mental instability. It’s symbolism Davies uses to get his point to the audience.Â
Chloe Webber: Already addressed this a bit, but I’ll continue. Chloe was being possessed by another child who she felt kinship to, because she literally had no one. She had no way to communicate to other children because of the emotional distress her father caused, and her mother also had emotional distress which caused her to not be able to communicate with Chloe about her father. The means the Isolus uses to get to Chloe is hardly relevant when you put it into the perspective of WHY she targetted Chloe.
Tinkerten: This is admittedly a Deus Ex Machina, but it’s a decently executed one, because the story arc is intended to take a backseat to character and emotional one. From a narrative perspective, Martha’s journey is less about finding a solution to the Master and more about her coming in to her own person. Furthermore, the God Symbolism is used for a reason, so it can be deconstructed (as RTD tends to do), as the minute he survives, he’s punished for his hubris. His self-righteousness (forgiving the master) leads to the Master deciding to leave him alone in the universe, and later leads to Martha leaving, as he caused a HUGE rift in her family life.
RTD knew he was writing a kids show. He took serious stories and complex emotional arcs, and buried then under sixty feet of silly to get them accross to the young audience, as he should. Moffat, however, takes silly nonsensical stories and shallow emotional “arcs”, changes the chronological order, ads some scary monsters and flowery speeches, and thinks himself mature.
I read somewhere that RTD’s Doctor Who was a serious show pretending to be silly, and Moffat’s was a silly show pretending to be serious, and I think this all explains it well, and you’re a perfect example of the people who buy into it.
Now, tell me again why I shouldn’t prefer RTD to Moffat?
 #I WILL REBLOG IT ANYTIME IT’S ON MY DASH #BECAUSE YOU SHUT UP WITH YOUR CRITICS #GO AND LOVE YOUR MOFFAT AND HIS SPECIAL EFFECTS WITH NO SENSE #AND I PREFER THE PLOT AND EMOTIONS AND FEELS AND GREAT ACTORS AND GOOD SCRIPT
PREACH
a good chunk of the mars press conference this morning was scientists discussing how not to contaminate the martian waters with terrestrial microbes from the rovers and permanently alter the development of life on mars. in other words we already have to obey the prime directive and I’m delighted with that
