Live Mas
I thought this was a sideways Taco Bell logo and I just realized it’s Scooby
no that's courage the cowardly dog my guy

Discoholic 🪩
Today's Document

shark vs the universe
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Origami Around
will byers stan first human second
Misplaced Lens Cap
"I'm Dorothy Gale from Kansas"

Andulka
Noah Kahan
occasionally subtle
TVSTRANGERTHINGS
KIROKAZE
tumblr dot com
PUT YOUR BEARD IN MY MOUTH

Janaina Medeiros
Cosimo Galluzzi
Game of Thrones Daily
he wasn't even looking at me and he found me

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@catsupmadude
Live Mas
I thought this was a sideways Taco Bell logo and I just realized it’s Scooby
no that's courage the cowardly dog my guy
you and your best friend are superheroes who studied under the same master. He’s one of the strongest while you’re one of the weakest. When you ask him how, he confusingly asks you “Didn’t you take of the restrictor bands master gave us?”
"So, Julie... Do you wanna like go talk to the master before you take em off..?"
"I dunno, kinda gotten used to the power restriction since it made me think a lot more just to reach a similar effectiveness as you., yknow?"
Traya ponders on what to do, Master Flue had told them stories of how unmastered powers would be equal to a grenade explosion if let out chaotically. This effect was easily recreatable by taking off training bands too early as they were meant to control the flow of power.
"Dude, dude, dude, DUDE, we gotta go somewhere far from anyone."
"Why?"
"The second you take off the bands, your aura alone might be equal to the city getting destroyed!.. You are literally a ticking time bomb RIGHT NOW."
Traya grabs Julie's hand tightly, like an annoyed older sibling having to drag their younger kin around.
"J- just let me keep the bands on..! Besides, Master Flue would've said something since we've been training together for 6 years now!"
Traya remembers how Julie's power manifests into reality by manipulation of wind and it's related forms. Julie has at times used this ability to turn a later of air into dryness or dampness, making any unpowered opponent easier to dismantle, able to create small thundering clouds at will and using strong currents to fly.
"Julie, I have an idea."
In mid-September 2022, there was a powerful tropical cyclone that impacted Japan, with 5 total fatalities, 115 injured individuals and over 2 billion dollars of recorded damage to infrastracture. This typhoon has affected neighboring countries such as South Korea and Philippines but unlike these two countries, the storm's path was directly into the country of Japan.
This environmental phenomenon that wreaked disaster was aptly named Typhoon Nanmadol. However, it had for a moment, was dubbed Typhoon Josie by the PAGASA (Philippine Atmospheric, Geophysical and Astronomical Services Administration) as it had entered the Philippine Area of Responsibility which gave PAGASA full control with dealing with the threat as it was expected to arrive at the their country's doorstep. The Japanese Meteorological Agency's (JMA) name for it was what happened first as the Joint Typhoon Warning Center (JTWC) had first detected the formation of the tropical depression and later that day, the JMA named it as such after it had reached tropical storm strength.
Traya and Julie were placed into superpower suspension for two months for being allegedly the cause in helping the typhoon maintain wind speeds above 150 km/h for over 6 hours in September 18, 2022. The recorded reasoning of their actions, (transcripted by mind reader) goes as such:
"Holy fuck Traya, you messed up. Fuck fuck fuck fuck I know this is technically baby's first major magical mishap but we killed people!!!" - Traya's mental dialogue that was recalled during mind reading procedure.
"I still have two strikes left to go and I am going to go back to wearing those restrictor bands, I am gonna go buy flowers for the five people I've killed. I am no longer free of the sin of bringing death to others. How must I repay this grievance. I don't know what's going to happen next. Temporary death? Toiletry maintenance for 6 months? I am so going to get mind broken by whatever they have in store for us." - Julie
Addendum:
Julie's powers helped the Typhoon rather than reduce the speed of the typhoon.
The two students after 2 months of Superpower suspension, were then put through rigorous excercises intended to train them to not be callous with their abilities. Both had finished their punishment after 4 months, slower than the usual 2 months.
They were assigned therapists during the total 6 months of punishment in order to ensure that both students understand that, although the thought may be right but the intended effect is not and to always ask for help and permission from higher position magicians, such as their Master Flue.
Rememba
Live life like a dog:
Drink water a lot
Have a consistent diet
Have a treat every once a while
Go on walks
Prioritize sleep
Be happy to see those you love
Fart without shame
Enjoy the little things
Wear a leash
Bark for your owner
Someone please tell me that machines that get old dont become alive I have to babytalk my laptop when it overheats mid gaming session.
(Non-TF: Humans Are Weird/Earth is Space Australia) The Human Tests
It began as a joke among the xenobiologists. Cataloguing the flora and fauna of hitherto unsurveyed life-bearing worlds is both a tedious and terrifying job. Locating the large and numerous life forms is easy, and the processes of capture and analysis provide a pleasant challenge after prolonged journeys through transwarp space. However, after the easy life comes the small, the hidden, and the potentially dangerous. There are cautionary tales galore of survey crews that let down their guards, neglected a crucial isolation step, or were simply in the wrong place at the wrong time, and paid with their lives as a result. The mixture of repetitive, time-consuming work and perennial anxiety can lead to all manner of untoward and crude behavior, including humor in poor taste. Crews returning from survey missions are routinely put through re-socialization training to restore their moral and ethical standards.
Keep reading
me: why are you destroying earth!!!
aliens: because theres people who think that english is the only language they need to speak
me: thats fair i understand
For some reason I find this all the more amusing because it’s written in English
moi: pourquoi vous détruisez le monde!!! l'extraterrestre: parce que il y a des gens qui pensent que l'anglais est le seule langue pour parler moi: ah ça c'est bien
ich: warum zerstört ihr die erde!!!
aliens: weil es leute gibt die glauben dass englisch die einzige sprache ist die sie sprechen müssen
ich: das ist fair ich verstehe
ég: af hverju eyðileggið þið jörðina!!! aliens: af því að það er fólk sem finnst að enska sé sú eina tungumál sem þau þurfa að tala ég: oh, það er vit í þessu. ég skil.
ik: waarom vernietig je de aarde!!!
aliens: omdat er mensen zijn die denken dat engels de enige taal is die ze hoeven te spreken
ik: oh zo, ik snap het
minä: miks te tuhootte maapalloo?
alienit: koska tääl on ihmisiä joitten mielestä englanti on ainoo kieli jota niitten täytyy puhua
minä: toi on reilua, ymmärrän
私: どうして地球を滅ぼしているんですか?
宇宙人: 英語しか喋る必要がないと思う人がいるからです
私: なるほど、わかりました
me: Wosück maakt ji de Welt twei!!!
aliens: wieldat dat Lüüd gifft, de dinkt dat Engelsch de allenige Spraak weer, de een snacken mütt
me: jo, daar seggst wat. Nu versta ik’t
aniga: dhulka maxaad u burburinaya !!!
shisheeyaha: dadka intiisa badani u malaynayaan in Ingiriisidu tahay afka oo kaliya ay u baahan yihiin inay la hadlaan
aniga: waxaan fahamsanahay. waa wax cadaalad
我:你们为什么在毁灭地球?!!
外星人:因为有人以为他们只会英语就可以了
我:懂了,说得有道理
ako: bakit niyo sinisira ang mundo!!!
taga-ibang planeta: kasi merong mga taong akala nila Ingles lang ang kailangan nilang matutunang lenggwahe
ako: ah, sige naiintindihan ko
Aku : kenapa kau hancurkan bumi!!! Alien : karena masih banyak orang berpikir hanya bahasa inggris satu-satunya bahasa yang terpenting Aku : oh, oke lah..
tôi: tại sao các người hủy diệt trái đất!!! người ngoài hành tinh: bởi vì có người nghĩ rằng tiếng Anh là thứ tiếng duy nhất mà họ cần biết tôi: ồ thế thì tôi hiểu
Eu: Por que vocês estão destruindo a Terra?! Aliens: Porque há pessoas que pensam que o inglês é a única língua que eles precisam falar. Eu: Isso é justo, eu entendo.
jag: varför förintar ni jorden!!!
utomjordingar: för det finns folk som tror att engelska är det ända språket de behöver kunna
jag: rimligt, jag förstår
Já: Proč ničíte Zemi?
Mimozemšťani: Protože tu jsou lidé, kteří si myslí, že angličtina je jediný jazyk, který potřebují znát
Já: To je fér, to chápu.
ja: dlaczego niszczycie Ziemię?
kosmici: ponieważ są ludzie, którzy myślą, że angielski to jedyny język, którego potrzebuję
ja: rozumiem, w porządku
io: perchè state distruggendo la terra!!!
alieni: perchè ci sono delle persone che credono che l’inglese sia l’unica lingua di cui hanno bisogno
io: capisco, mi sembra giusto
Yo: porqué estás destruyendo la tierra!?!?
Extraterrestre: porque hay personas quienes creen que inglés es la única lengua que se tiene que hablar.
Yo: te entiendo, es justo.
Я: Почему вы уничтожаете Землю?!?! Инопланетяне: Потому что есть люди, которые считают, что им нужно говорить только по-английски. Я: А, ну понятно, тогда ладно!
A modern Rosetta stone.
Cute
Humans were the newest species in the Alliance. They were small, fragile, and poisonous to practically every life form. They had strange oils on their skin, in fact, most mammalians (the…family[?] of species that the Humans were) on their planet had oils too. Humans also had the weirdest motives for their research. Their research into weapons and medicine were average, but their research into technology, specifically for entertainment purposes, seemed….wasteful. As in, excessive. That wasn’t even mentioning the amount of apparently habitable land taken up by research endeavors. Humans were obsessed with their history, classifying irrelevant species into many different categories and digging up bones to recreate skeletons of the extinct ones, and endlessly searching for evidence of “advanced” extinct civilizations.
They were quickly dubbed a “research race”. The Humans would be useful for their ability to seek out knowledge, but little more. The only weapons in their arsenal worth taking were the suicide bombs they called “Nuclear Weapons” and their medicine was useless for any race but their own. They were fragile, and tiny. Their strength only activating when under extreme stress, and it was immoral for any race to force a human into that state, especially considering any attempt to use the strength gain in battle would likely backfire due to the human’s ability for “spite”. They were a must-have for any exploration crew, but otherwise belonged in labs and not on the battlefield. The only battlefield capability aside from stress induced strength, was their adaptability and durability. Any smart Humans would’ve stayed around the habitable zones in between the poles and the equator of their planet, and yet the species managed to persevere, using their clever nature to survive in a wide variety of conditions and climates that no other race managed. It wasn’t even out of necessity, they did it for a love of exploration.
The human’s curiosity, cleverness, optimism, and odd weather-specific durability made them perfect for research. And yet some still decided to help on the battlefield. The battlefield medics were acceptable, but the tiny warriors holding what may as well be toy rifles were only accepted out of exasperated fondness and because they raised morale.
The Humans, with their small builds, wide expanse of expressions, and general kind-heartedness and playful recklessness were considered the best companions for any race; however, the Humans with anger-management issues in particular were more suited as companions for the Tloq, who were sturdy enough to take hits, one of the few races not affected by the oils on the humans' skin, and playful enough to enjoy an angry human’s company, even sometimes managing to calm one to a reasonable state. Humans were essentially pets, or children, but no one mentioned it, knowing the Humans would be upset at the analogy.
Humans took a liking to the Klo'rake specifically, likening them to large “cats”. Initially, the Alliance was confused, but upon doing further research, courtesy of the Linus (a winged species with a preference for chemistry), the hexapedal and fuzzy Klo'rake’s shared a scary likeness with the extremely tiny Earth species; said species were highly amused in their own quiet manner. The fact that Klo'rake had six legs and large horns was dutifully ignored in favor of the hilariousness that was humans flocking to them because they were fuzzy.
Humans were great researchers, the best even, their mindset perfect for the line of work, but the Alliance respected the human race’s needs for variety, and their want to run their own planet, and let them choose their own professions. At least two human researchers were always on a crew, sometimes joined by a human with a different specialty, such as engineers or pilots. Biologists and archaeologists were a favorite; the Humans’ need to classify different life forms was deemed “cute”.
Then, Earth was invaded by the Olomk. A violent species known for minor skirmishes with members of the Alliance. The Alliance was enraged, and the Humans were heartbroken. Their home planet was burning, consumed by flames and smog, and it needed their assistance. Every human crewmate returned to Earth, salvaging what they could of the planet. It’s axis had been tilted, the sea level had shrunk by many meters, and they mourned the loss of several species. The Klo'rake, Linus, and Tloq quickly came to their aid, not understanding why the humans were crying over the loss of biodiversity, but knowing the heartbreak that was the loss of most of your species.
For many sols the Humans rebuilt, their population once over a hundred billion had dwindled to merely six billion. The scientists took a census of the land, engineers, architects, and construction workers rebuilt according to the new soil. Farmers replanted their crops if possible, while others had to relocate to a different area so their crops would actually grow. Many offspring were handed off to Klo'rake and Linas, orphaned or injured. Medics and doctors did their damnedest to make sure as many people lived as possible, while others did what they could to dispose of the destroyed buildings and to ensure the planet wasn’t polluted by the waste.
Eventually, the planet was up and running once more, but for once, the Humans weren’t just angry: they were furious. Never had the Alliance seen this. Sure, they’d seen angry and annoyed Humans, but this was something different. Fury, mourning, irritation, and more wrapped up in a single undefinable emotion. They were quiet, planning, no one knew what they were doing, and no one dared ask. Many Humans that lived abroad came back to help, including all of the morale soldiers and some underage teenagers, even some children as young as ten that were desperate to help. The Alliance let the Humans mourn, as it was their first invasion, and hopefully their last.
Then, one day, Tlaku, the Olomk’s planet, was under fire. Weapons and ships constructed from a mixture of Klo'rake, Linus, Tloq, Human, and even Rikl designs decimated the planet. Even as violent and weaponized as the Olomk were, they were not prepared. The Humans dropped nuclear bombs, burned ships with plasma lasers; they shot down all resistance, and the few footsoldiers that were needed quickly crushed all the Olomk soldiers with quick fury.
It was quick, bloody, and unexpected from the race the Alliance had started to view as cute, peaceful, and curious. The Humans stopped attacking once surrender was declared, they mourned for the hatchlings they killed, helped with the clean up, and quickly departed for Earth, returning their attention to patching up the wounds still left by the Olomk Invasion. The Linus, for once scared of their lack of knowledge, took a page out of the Human’s book and started researching Human history, because clearly they didn’t know as much as they thought about their dearest researchers. Despite being out of their depth in researching history, the Linus were well accustomed to boring scientific literature, and quickly reported something terrifying.
Humans had a bloody history, filled with war, famine, disease, exploitation, and slavery. They were clearly capable of battle, good at it even. Their tactics astounded the Rikl, who were famous for their military might. The Alliance were disturbed that the beings they found adorable and cute were so capable of hurting others. They were reminded of the small scale spite that Humans displayed when slighted, and shuddered when they realized that the humans could have destroyed them if they really felt like it.
But when the Human representative entered, flustered at her tardiness, they were reminded of why they had gotten that initial harmless impression. Tiny, fragile, and adorably curious, Humans were great at hiding their dangerous nature.
ok but like. space shanties.
there’s a thing that should definitely be a thing in sci-fi.
my brain went straight to the ‘put him in the airlock ‘till he’s sober’ part of ‘what can you do with a drunken spacer’ and i never want to look back from this.
THIS IS 100% A THING. It’s usually considered a subset of filk, so naturally a lot of prolific filk artists like Leslie Fish have a selection. Sci-fi filk is possibly my favorite genre of music.
Most of these are actually ballads, not true shanties, but still:
The Senate - Space Shanty
Kristoph Klover - Fire in the Sky
Duane Elms - Dawson’s Christian
Catherine Faber - Providence Skies
Julia Ecklar - Ballad of a Spaceman
Leslie Fish & Ann Prather - Hanrahan’s Bar
Julia Ecklar & Ann Prather - Pushin’ the Speed of Light
Leslie Fish - Ship of Stone
Leslie Fish - Guardians
Leslie Fish - Sam Jones
Vic Tyler - Space Hero
Vic Tyler & Duane Elms - Spacer’s Home
You can probably just google “sci-fi filk” and get a zillion more. It’s a surprisingly rich genre for one so unknown to most people.
I don’t normally reblog this kind of post, but this seems so perfect as background music for a dark matter game, I had to share it with you all. SPACE SHANTIES HO!
For those unaware reblogging this post, “What Shall We Do With A Drunk Space Pirate” was the close out song for the Mechanisms concerts. Their entire discography was taking folk songs and making them sci-fi epic concept albums.
Some of my favorite songs include:
Matty Groves, now with electric violin, about a lute that controls the dead.
Pump Me Boys, now a shanty about keeping the life support systems running on a dying ship.
Gently Johnny, now about sirens in a neo-noir sci-fi city lulling people into complacency.
Rising of the Moon, now about a doomed manager of a space station that descends into chaos and mutiny, left abandoned.
So I’m married to a person who grew up in Canada’s folk scene, and we often talk about folk music as a genre. I was cranky about the way that people tend to slap an “alt-folk” label on folk because they assume true folk is a dead genre, and I got thinking and went: what is a dead genre, anyway?
T chirped “sea shanties!” and then added “not that you can’t compose a new one, but it’s not in conversation with other songs that are being published at the same time, it’s only in conversation with other songs that have been written long before.” It’s important to know, in this conversation, that Tay grew up around Stan Rogers’ family and therefore knows damn well that you can write a song in the modern era that everyone assumes is a hoary old traditional: Rogers wrote “Barrett’s Privateers” in 1976 because he wanted to sing lead in a sea shanty and there weren’t any in existence that had a baritone singing lead.
No, seriously. And now there are lots and lots of people, less than fifty years later, who think that Barrett’s Privateers is a couple hundred years old and has Always Been Here.
So I started thinking about dead genres, and it occurs to me to ask: why is the sea shanty largely dead? Or rather, actually, why is the work song, which is the larger category of music that sea shanties are a subset of, largely dead? Why don’t we sing work songs anymore when we’re working? Stan Rogers wrote the “White Collar Holler,” of course, and the premise of that song is indeed the notion of making a work song for office work, but I can’t imagine anyone actually signing it at the office as they go about their work. For one thing, I code quite a bit at my day job, and the speed at which I code doesn’t depend at all on what the people around me are doing; indeed, trying to match my speed to theirs would probably make us all less efficient.
Tay’s theory is that industrialization killed the work song in the West (they pointed out to me very explicitly that the idea isn’t actually dead world-wide), especially as work became more cognitive for many people and less reliant on keeping time with the people you’re working alongside. After all, work songs are most popular when the most efficient way to work is to keep pace with everyone at the same time, so you’re neither too fast nor too slow, and you’re all working at parts of the same tasks that rely on other people’s tasks to keep going without building up too much of a deadlock at any one part of the process. So much of work for so many people today is more like piecework than making things on an assembly line, and like piecework, it’s so much easier for our employers to encourage us to take the work home and keep making as many pieces as we can before we fall over and collapse… or else it’s service work, and you can’t be singing at service work, you won’t be free to quickly respond to clients and adjust your tasks to their needs.
I suspect that’s not entirely it, though, because assembly line manufacturing work isn’t actually dead in the West, not even close, and the work song is still gone from our halls. Tay pointed out that OSHA and hearing protection make it more difficult in many of those jobs to be connected to other workers and keep time on the song, and I think there’s definitely an element of truth to that, too.
But I think the death of the work songs go even deeper than that. See, work songs didn’t completely vanish as work became less dependent on keeping time together. They just turned into songs about the condition of working, and from there they turned into songs about unionization, workers’ rights songs, like the ones the Wobblies used to great effect in the 20s. And that happened in response to managers and bosses who see singing and talking and responded by trying to control workers and make that shit stop. Some of that is about controlling unionization but some of it is about control, full stop: pretending to oneself that workers only really exist while you pay them as cogs that produce labor, and anything else they do is a distraction from the labor you pay for.
Why is it that we don’t have modern work songs for Amazon workers? There are enough of them, after all, their very boring and physically demanding jobs depend on keeping time together, and everyone’s working together in a relatively quiet environment. I’ll tell you: it’s because Amazon views interactions among its workers as a threat and bans workers from talking to one another or listening to music while they execute their shifts.
We lost the work song, I think, because we gained bosses that see the work song as a threat instead of an intrinsic part of keeping the work force from getting bored and stale and tired and making mistakes. In a real way, killing the work song is a decision you make if you don’t understand the value of the work song to the workers themselves: it makes the work less boring, so you stall out less, and it reminds you you’re all doing this together, and it keeps you all in time. The action of singing is valuable. But if you’ve never sung while you worked collectively on a project, you might not know that, and if you think in terms of zero-sum losses, the song becomes a waste of good breath you’re paying for at best and a threat of insurrection at worst.
And it’s very interesting thinking about the labor conditions on a spaceship that might bring such songs back again as useful aids to coordinating the labor of monitoring and running the ship. Or even, for that matter, coordinating the labor of other tasks in a spacefaring economy. Warframe’s “We All Lift Together” is one of these, of course. Surely there have to be others?
For any writers: http://er.jsc.nasa.gov/seh/SFTerms.html
For more facts, follow Ultrafacts
@space-australians Feels like this would kinda fit your blog, specially for writers who want to make up weird human space shenanigans involving a ship and alien crew and what not. Maybe someone can write about how a person fixed a specific part in the dumbest way possible using the right words XD
Guys, NASA is cool.
If you scroll to the bottom of the page, they have a whole list of articles and pages to help sci-fi writers. NASA is the best!
Welcome twitter users fleeing the absolute cesspool that twitter is going to become as Musk gets his way with his awful ideas! Things are better here, and hey, if you're an old user coming back, they've actually improved shit!
Here's a list of important notes for tumblr usage:
Don't censor words, particularly trigger warnings. Tumblr has a very functional blacklist (found in your settings) that can filter by post content and/or tags. But the word needs to actually be present for the filter to work. Censoring words like r*pe is actively harmful to people attempting to avoid those topics.
Use tags liberally, you have as many as you want, but don't tag unrelated shit. You'll get reported for spam really fast if you do.
Set an avatar and reblog things, otherwise you look like a bot.
You are not obligated to have your real name anywhere in your blog/bio/etc. Most people here use handles.
You can turn your ask box & anons on or off if you are experiencing any kind of harassment. You can also turn off replies on your posts, and turn off reblogs if you need to.
Tumblr has keyboard shortcuts on desktop. You can find them listed under the blog/account menu. Go learn them, they make life so much easier.
Reblog things. Seriously. Also set your dash in chronological order. You can maintain several blogs if need be, but reblogging things is normal, expected, and how you pass along stuff you enjoy.
The majority of people aren't reading your card/dni/blog bio before they reblog stuff. Posts get passed around and the OP often isn't the focal point of the post. Learn to live with it.
Fic writers: you have unlimited words, do not post fics as images.
Reblogs with comments/tags are encouraged. It's not like twitter's QRTs. The OP will see everything there. Know that before you comment.
You have a queue. This means you can set posts up ahead of time to run while you're busy. You can also completely ignore this and just spam your follows whenever you're online. Both are very commonplace
It's not weird to go through someone's blog and reblog old posts. That's actually very normal. If you add /chrono to the end of a tumblr tab then you can view an
"Spam" liking and reblogging isn't a thing that is a problem. This is invented by people I do not understand. If someone claims this is a problem, they can learn how to turn off or manage their notifications.
The only form of promotional posts that tumblr has is "blaze". There is no ad targeting or any kind of invasions of privacy with blaze. You just get subjected to w/e someone wants to show you. If you want to give tumblr some money to help the company keep going and provided an alternative to twitter, it's not a bad way to do it. You can make people look at cat photos.
Also, we have fun colors here. Plus actual formatting ability. Use it!
People lie on here for fun. Don't accept everything you see at face value, check the reblogs/replies or google something if you're skeptical! Critical thinking is good!
Above all else, be chill, use your block button if you need to, and have fun.
Addition for the fic writers: please please please add the read more option on your post. On desktop it's the orange squiggly lines that come up when you click on the textbox.
On mobile I believe it's :: readmore :: (without spaces).
The read more option shortens your post, putting whatever you have under the read more hidden until someone clicks on it. This is super helpful for mobile users if you have a long post so they don't have to scroll forever past your thing.
some little doodles bc I haven’t been drawing lately…. 🥀
She looks so cute!!!
In the land of the well fed, where all seem to result in dead buds of taste, I find solace and comfort within garlic cheese bread
What the fuck are tags and why is tumblr asking me to put them on
I drew a hand with peak character design in mind and I realized that the silhouette looked like a chicken
block these ai content farms that use tumblr posts ig. There's a couple more channels that reuse the same voice between them but these ones are what I've noticed most since they don't try to hide it.
Hi guys, I was trapped in the endless scroll that started in 2020 but anyways now I'm back here to rant about something.
Video for refernce (sorry to blind you of what is on display)
(https://youtube.com/shorts/INQjCkXMN3Y)
I am massively disappointed to find this was artificially generated.
I, like many others have undertaken a hating towards images, visual effects, anything artistic related like music, as very insulting to the work of humanity. Like these designs at first glance are very nice, my disappointment comes from the fact that none of us will never know why these designs look this way.
Like when you hear of music produced in 2008, you expect it to have been affected by the cultural woes of 2008. Artificial Art is well, artificial. These diffusion models only predicts what the next pixel is using its vast array of works sourced both legally and illegally, the designs in the video are the result of autocorrect but for images, and instead of one's failure to write properly being the frame of reference, it is the Gallery of humanity being desecrated to create these one time use assets.
I hate that I have to refer to these as AI in the first place when in fact, there is no mind behind it, it's all fucking logic, imperfect yet able to gruesomely harass graves in order to stitch it's own perfect picture. I wished to meet the man behind snoop dogg's design upon first viewing until I decided to check the comments to confirm my suspicions.
Alas, there is none to be seen as the hand who woven this fine silk I was presented with. I am confronted with the utter truth, that what I am looking at is a cloth, one that had sacrificed a thousand other relics made of thread and humanity's will to do hardwork, to pick the prettiest pieces of those remains, and I stare in disgusted horror.
this be me sometimes
LOOK ITS ME!!!