On the outer curve of the continent, where the sea sang with the land, lay the Isle of Harmony. A small peninsula kingdom, its people were few, its cities scattered, and its land modest compared to the sprawling empires that loomed to the east and west. But in this land of salt, wind, and art, a quiet fire had long been burning—one that would one day consume the throne. That fire was named Simeon.
Prince Simeon was born not of a royal marriage, but from lust and cruelty. His father, King Albrecht, a man of hollow grandeur and swollen pride, had forced House Elane—once a proud noble family—into ruin. Their sin was beauty. More precisely, the beauty of their eldest daughter, Serenya. To save her family, Serenya bowed her head and became the king’s concubine.
Simeon grew up in the shadow of his mother's broken grace. He saw the way people looked at her—half in pity, half in scorn—and he heard the whispers in the marble halls of the palace. "Concubine's son," they called him. He never said anything back, but Simeon listened. He watched. And he remembered.
Most believed Simeon's rise was sudden—a flash of ambition in a quiet son. But those close to him knew better. From his childhood, Simeon’s path was etched into his heart. He spent years crafting a web of loyalty and fear, slowly turning his father’s enemies into allies and his brothers’ allies into memories. He sowed doubt, whispered betrayal, and never hesitated to use the blade if silence was needed. By the time his eldest brother died in a mysterious "hunting accident," there were no voices left loud enough to object to Simeon being crowned king at the mere age of sixteen.
The coronation was cold, despite the summer sun. No cheers, only polite applause. That suited Simeon just fine. He had not taken the throne for glory. He had taken it for revenge.
Soon after his coronation, Simeon inherited the archives of the crown. Hidden in the back of a locked vault, beneath a tapestry of seagulls and pearls, he found it: the truth.
During the lowest tides of each moon cycle, the sea retreated from the cliffs along the southern coast, revealing caves where the finest pearls in the world were born.
For generations, the royal family had harvested these pearls in secret, selling them through shadow merchants to the empires, amassing quiet fortunes. While the people starved and artists begged for patronage, the kings lived like gods. It should have made Simeon angry. But it made him smile. He would use this secret treasure to destroy everything the crown had built.
Simeon publicly declared the truth of the pearls. The Kingdom of Harmony, long believed poor, was in fact rich beyond imagination. And then he did something no one expected—he hoarded it.
Lavish gold-plated halls rose in the palace. Simeon wore robes threaded with diamonds. He imported foreign delicacies so rare that even the cooks had to ask for instructions. He hired a thousand personal entertainers, some of whom didn’t even perform; they just looked pretty and clapped on cue. Ministers whispered of madness. Nobles grumbled. Simeon grinned.
But he didn’t stop there. As a twisted joke, he declared a "charity tithe"—a mere 10% of the pearl profits—would go to the people, to "appease their ignorance." It was, to him, rubbing salt into their wounds.
Hospitals appeared in villages that had never known a healer.
Simeon scoffed as he signed the orders. "Let the peasants have their bandages."
But those bandages turned into operating rooms. Midwives trained in the new clinics, and infant mortality plummeted. Elders lived long enough to annoy their children again. One man wrote Simeon a poem about how his gout no longer kept him bedridden. Simeon burned it.
Bread became affordable. Bakers stopped mixing sawdust into the flour. Clean water flowed into towns where disease once reigned. Roadways were repaved, connecting towns that hadn’t seen one another in years. Trade surged.
"If they want to trade chickens and clay pots, let them," he muttered.
But soon Harmony's pottery was praised across the continent. Their chickens became a culinary delicacy. The roads carried not just goods, but ideas, and the kingdom blossomed.
Homes were reinforced to withstand the ocean's cruel winds. Salt rot was no longer a yearly catastrophe. The arts, long dormant, flourished. Artists, poets, and sculptors no longer painted to survive—they painted to inspire.
Theater troupes toured freely, and local dialects were preserved in song. One boy from a backwater village sculpted a statue of Simeon entirely from driftwood and sea glass. It made the cover of three foreign art journals.
To the people of Harmony, the tyrant was a godsend. Their stomachs were full. Their children lived past infancy. They sang in the streets songs not of rebellion, but of reverence. "Simeon the Silver Flame," they called him. "The Hand of Renewal." "The Pearl King."
Simeon had intended to be the villain. He wanted riots. Street art of his face with devil horns. Effigies burned in public squares. Instead, they held festivals in his name. One traveling bard composed a hymn that included the line: He took our gold, he took our pride, he gave us joy and fish beside. Simeon nearly choked on his imported saffron lamb stew when he heard it.
Religious leaders, once divided by dogma, all began to agree on one thing: Simeon was the chosen one of prophecy.
A fishmonger wept openly when Simeon passed through the harbor one day.
"He cured my daughter with roads," the man sobbed.
"That’s not how medicine works," Simeon grumbled.
"He brings warmth to the winds!"
At night, Simeon sat alone in his palace, surrounded by gold he no longer found amusing. A unicorn-shaped candlestick mocked him from the mantel. He read letters from mothers thanking him for saving their children. He saw buildings named after him: Simeon General Hospital. Simeon Public Library. The Simeon Soup Cooperative. ("Soup Cooperative? What does that even mean?") He once tried to raise taxes arbitrarily to spark revolt. The people thanked him for using the funds to build a coastal warning system.
His mother, Serenya, once a broken woman, now stood tall beside him, pride shining in her eyes.
"You’ve undone what your father destroyed," she whispered one evening. "You’ve healed this land."
His siblings, who had once mocked him, now praised him.
"Thank the gods you took the throne," said one. "Or we’d all be lost."
Even the nobles, notorious for their venom, now begged for royal commissions and showered him with loyalty. Duke Vassil named his son Simeon and offered to host an opera about the king's life. (Simeon canceled it. Twice. It became a surprise hit on the underground circuit.)
He had wanted to burn it all. To expose the royal family for what it was—cruel, selfish, corrupt. He wanted the people to spit at his name, to curse the crown, to tear down the palace brick by brick. Instead, they sang his praises. Loudly.
As the years passed, Harmony only grew stronger. The roads gave way to canals. Trade routes expanded into the mountains. Art from the peninsula hung in the great halls of foreign courts. Students from distant empires came to study under Harmony’s scholars. Wars passed the kingdom by, for no one wished to harm a place that gave the world beauty.
And yet, with every passing year, Simeon's despair deepened. He devised ever more ridiculous schemes to sully his reputation, and every time, they were misconstrued as acts of genius or kindness.
When he shut down the old central market for "renovation"—a ploy meant to inconvenience and impoverish the local merchants—they simply moved operations to the new park he had ordered built months earlier as a joke. It had clean fountains, ample benches, and, regrettably, excellent foot traffic. Profits increased.
"Why do they thrive in my chaos?" Simeon groaned, head buried in his hands during one council meeting.
"Because your chaos is oddly functional," his advisor Maelen replied, sipping tea from a mug that read World's Worst Tyrant.
In another attempt, he outlawed the weekly fair held on Wednesdays, citing a royal superstition. The people responded by inventing a new event from Tuesdays to Thursdays. They called it the Harmony Squeeze, a three-day cultural festival of community and joy. The phrase "Squeezing the King" caught on, and no amount of proclamations could kill it.
He tried to impose a national hat tax. Unbeknownst to him, the money funded scholarships for orphans. He tripled import tariffs on cheese, hoping to enrage the dairy-loving port cities. The move led to a boom in local cheese-making, and within a year, Harmony became one of the premier destinations for goat cheese.
"Cheese has now become our fourth biggest export," Maelen noted one day, sliding a slice of "Royal Regret" across his desk.
"I hate how good this is," Simeon hissed.
One morning, a local playwright named approached him with a request: a royal portrait for her play The Flame of the Sea. It depicted Simeon as a reluctant hero destined to save the realm with a sword of song.
"Absolutely not," Simeon said. “You are not allowed to perform that play.”
"Too late," She replied. "We performed last week. Sold out. It got a standing ovation that lasted over thirty minutes."
By the twentieth year of his reign, even the empires that once ignored Harmony sought his wisdom. They sent him gifts—paintings, exotic animals, and one time, a golden harp that played itself and narrated Simeon's life story in verse.
"You are a symbol of enlightened monarchy," declared the Empress of Tharna during her state visit. "You must advise us."
"No," Simeon said. "I'm busy ruining my country."
"You don’t seem very good at that," she muttered, a confused look on her face.
In private, Simeon often raged. He threw his crown into the sea three times. Each time, it was returned by grateful fishermen who swore it brought them luck. He shut down the national ballet in a fit of pique. The dancers held street performances that drew even larger crowds.
When he replaced the palace wine with vinegar, claiming it a "cleansing tradition," nobles declared it an acquired taste and started buying barrels. Fruits that would have been discarded previously were now being used to make vinegar.
On his fiftieth birthday, the people erected a statue of Simeon atop the largest fountain in the capital. It depicted him lifting the nation with one hand while shielding children from the sea with the other.
He stared at it for an hour from his balcony. Then he whispered, "I give up."
The next morning, he called Maelen.
"I've decided to become a real tyrant. No more games. No more charity. I want fire and despair. Bread lines. Curfews."
Maelen raised an eyebrow. "Your Highness, yesterday you gave free spectacles to every scholar over sixty."
"An accident, I thought they would find it insulting."
"They’re planning to name the new wing of the university after you."
Simeon let out a strangled groan.